Bücher veröffentlicht von Coffeetown Press

Matthew Freeman''s newest poetry collection presents a romantic vision wherein the environment can range from ecstatic to sinister. Steeped in urban shamanism, the poems reflect a desperate search for the American Sublime, the author''s search for the clarity of salvation, his love of language, and his hope that the poor and destitute will not be forgotten.

On All Saints Day, 1954, the Algerian War of Independence from France begins, forever changing the lives of ten-year-old Nanna, her family, and a million-and-a-half French settlers. As Arab rebels carry out terrorist acts against civilians, hatred and bloodshed permeate the fabric of European and Muslim lives. A safe bus ride to town means keeping an eye out for stray shopping baskets containing hidden bombs. A day trip to the beach requires the protection of a military convoy. But life goes on, and Nanna''s loving mother, mischievous but good-natured siblings, and kind grandfathers provide plenty of adventure and humor. Nanna worships her Papa, who provides for his family and keeps them safe, but, growing up, she begins to understand that he is also a braggart with unyielding views of right and wrong, who believes that attending a supervised party with boys will compromise a girl''s virtue. Nanna defies him and falls in love, thus setting the stage for an ongoing clash of wills. As Nanna watches her beloved country torn apart by terrorism, she grieves for the French targeted by the fellagha and for the Arabs they slaughter because they are seen as pro-French. Ultimately, Nanna watches in anguish as the French generals, betrayed by De Gaulle, make a last stand for a French Algeria before laying down their arms. In the end Nanna''s family, like all the other French settlers, must choose between the suitcase and the grave.

Michael Harm is a farmer''s son in the Bavarian Rhineland who dreams of excitement and freedom-the sort of life enjoyed by Uncas, the hero in his favorite novel, The Last of the Mohicans. Every day Michael toils beside his brother in the vineyards wishing he could be a blacksmith, a singer, or an adventurer. One day the Harm family receives a letter from America offering a blacksmithing apprenticeship in a relative''s Cleveland, Ohio wagon-making shop to the eldest son. Michael begs to take his brother''s place, and at age fifteen, leaves his family behind for America. On a storm-tossed Atlantic crossing, he meets Charles Rauch, the son of a Cleveland wagon-maker, his future rival in carriage-making and love. Michael arrives in an America he can barely comprehend, confronting riots in New York, anti-immigrant bigotry in Cleveland, and his uncle, a cruel blacksmith master. Michael struggles through his indenture, inspired by rags-to-riches stories such as that of presidential candidate Abraham Lincoln. He receives his freedom dues just as war threatens to destroy the country he now calls home. It is not the Civil War, but Cleveland''s post-war Gilded Age, that forces Michael to face his greatest challenge-an accelerating machine age destined to wipe out his livelihood forever. Populated by characters both historical and invented, The Last of the Blacksmiths is a tale of the disruption and dispersal of an immigrant family, the twilight of the artisan crafts, and the efforts of each generation to shape its destiny.

Childfree, childless ... these are the labels society gives to women who do not bear children, due to choice or genetics. Being Fruitful without Multiplying started as one woman''s quest to come to terms with her decision not to bear children. In conversation with Renee and Janice-two close relatives from different generations-Patricia found that they shared another, unexpected bond: each belonged to childless or childfree social networks. All three were weary of questions from well-meaning people who wondered why they had not born children. As they began to reach out to others in earnest, they found that many who belonged to their diverse online communities were eager to share their stories. Some had chosen to be childfree and some were childless because of biological factors but grew to appreciate the advantages. Some of those who chose not to reproduce still decided to become stepparents or adopt. Over sixty women and a few men added their voices to those of the three main authors. The result is this rich and varied anthology, which includes stories from many different countries, cultures and income groups.

A hundred years ago, the small country of Armenia within the Ottoman Empire became the site of continuous border conflict, political intrigue and sporadic wars between the Turks, the Persians and the Tsarist Russians. Early in the twentieth century, these regional conflicts erupted into bitter political and ethnic "cleansing" that decimated the country and nearly destroyed the population living there. The causes and magnitude of the ethnic killing that took place during and after World War I are still debated and disputed in Turkey and Armenia today. In times of calamity or economic distress, there is a small percentage of people (about two percent) who are willing to leave family, home, and their country of origin to set up businesses in exotic or foreign lands. The two-percenters and undocumented immigrants whose stories appear in The Gathering Place made the arduous trek across Asia to gather in the exotic city of Old Shanghai, where they joined a social club in the city''s Old International Settlement. Their travels coincide with war, economic depression, revolution, banditry and military occupation during the most turbulent period in modern history-a period that covers what some call the ''Modern Dark Age''-the first half of the twentieth century. The personal histories in The Gathering Place offer a fresh take on the immigrant experience during a time of momentous change in Asia-from the end of World War I to the exodus of Europeans from China.