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"An Island Garden" is a delightful work written by Celia Thaxter, an American poet and writer. Published in 1894, this book reflects Thaxter's passion for gardening and her experiences tending to a garden on Appledore Island, located off the coast of Maine.In "An Island Garden," Celia Thaxter invites readers into the enchanting world of her island garden. Through lyrical prose, Thaxter shares her observations, insights, and reflections on the plants, flowers, and natural beauty that surround her. The book is not merely a practical guide to gardening but also a celebration of the joys and wonders of cultivating a garden in a unique island setting.

"Accolon of Gaul" is a poetic work by Madison Julius Cawein, an American poet and writer known for his contributions to American literature during the late 19th and early 20th centuries. Published in 1896, Cawein's poem likely draws inspiration from Arthurian legends, particularly the tale of Sir Accolon of Gaul, a character associated with the Arthurian cycle.In this work, Cawein may delve into the romantic and chivalrous elements of Arthurian literature, exploring the character of Accolon and his role in the legendary tales. The Arthurian legends often feature themes of honor, love, and the struggle between good and evil, and Cawein's poem is likely to reflect these timeless motifs.Cawein's poetic style is known for its romanticism and lyrical quality, capturing the essence of the Arthurian world with vivid imagery and emotional depth. "Accolon of Gaul" may offer readers a glimpse into Cawein's interpretation of the Arthurian narrative, showcasing his ability to infuse traditional legends with a poetic and imaginative touch.

"A Medley of Weather Lore" is a diverse collection that draws upon various sources to explore the fascinating realm of weather-related wisdom and folklore. Compiled by various contributors, this medley weaves together a tapestry of traditional beliefs, proverbs, and observations related to weather patterns.Within the pages of this compilation, readers can anticipate encountering a mosaic of cultural insights, regional traditions, and practical wisdom passed down through generations. Weather lore encompasses a blend of meteorological observations and cultural interpretations, providing a unique perspective on how communities historically understood and navigated the ever-changing atmospheric conditions.The medley include snippets of proverbial wisdom, seasonal indicators, and anecdotes that reflect the intimate connection between humanity and the natural elements. By exploring this compilation, readers are invited to delve into the rich tapestry of weather-related beliefs that have shaped communities and influenced daily life across different cultures.

"A Little Book of Western Verse" stands as a delightful collection crafted by Eugene Field, an esteemed American author and humorist of the late 19th and early 20th centuries. Published in 1889, this anthology captures the essence of the American Midwest, drawing inspiration from Field's own childhood experiences in the region.Field's poetic prowess shines through in verses that are not only playful and whimsical but also deeply rooted in the landscape and culture of the Midwest. The collection resonates with a lighthearted tone, inviting readers of all ages into a world where humor and nostalgia intertwine seamlessly.Within the pages of this work, Field weaves tales that evoke a sense of fond remembrance for the simplicity and innocence of childhood. The poems, often imbued with musicality, take readers on a journey through the author's unique perspective on life in the Midwest.As readers explore "A Little Book of Western Verse," they encounter a literary haven where humorous and enchanting themes coalesce. Field's ability to infuse warmth and charm into his poetry makes this collection a timeless treasure, offering a delightful escape into a world of imagination and storytelling.

"A Merciful Governor" stands as a thought-provoking work by Ambrose Bierce, a prominent American journalist and satirist of the late 19th and early 20th centuries. Bierce, celebrated for his incisive wit and cynical observations, engages readers in a narrative that likely explores themes related to governance, justice, and mercy.Through his distinctive style, Bierce employs dark humor and keen social commentary to scrutinize the complexities of human nature and societal structures. The title itself suggests an examination of the qualities expected from those in positions of authority, raising questions about the nature of mercy in the realm of governance.

"Absalom and Achitophel" is a profound political allegory crafted by John Dryden, a distinguished English poet and playwright during the 17th century. Published in 1681, the poem ingeniously employs biblical characters, particularly Absalom's rebellion against King David, to allegorically mirror the contemporary political tumult of the Monmouth Rebellion and the Exclusion Crisis in England. Dryden's satirical brilliance illuminates the narrative, offering a sharp critique of the political figures involved, with Absalom symbolizing James Scott (Duke of Monmouth) and Achitophel representing the Earl of Shaftesbury. The use of heroic couplets, a rhyming couplet form, adds to the poem's literary significance, creating a rhythmic and engaging narrative. "Absalom and Achitophel" stands not only as a poetic masterpiece but also as a historical commentary, providing a window into the intricate political and social dynamics of the late 17th century. Readers interested in the intersection of political allegory, satire, and historical events will find this work to be a captivating exploration within the rich tapestry of English literature. Copies of this influential poem can be explored in collections of classic literature, libraries, and online platforms dedicated to preserving literary heritage.

"A Collection of Ballads" by Andrew Lang presents a captivating anthology crafted by the skilled pen of this Scottish poet, critic, and folklorist of the late 19th and early 20th centuries. Andrew Lang, known for his versatility across various literary genres, including fairy tales and folklore, showcases his love for traditional ballads in this collection.Within the pages of "A Collection of Ballads," readers can anticipate a rich tapestry of narrative verse, each ballad telling a unique story often rooted in folklore, mythology, or historical events. Lang's deep appreciation for the oral tradition is evident as he brings these timeless tales to life with his poetic prowess.The collection encompasses a variety of themes, ranging from love and heroism to the supernatural, capturing the essence of the ballad tradition that has been passed down through generations. Lang's meticulous selection and presentation of these ballads demonstrate not only his literary expertise but also his commitment to preserving and celebrating the heritage of oral storytelling.

"A Monody (on Chatterton)" is a poignant poetic composition by Hannah Cowley, an English playwright and poet of the 18th century. Born in 1743, Cowley was known for her works in the theatrical domain, and her monody reflects the Romantic sensibilities of her time.In this monody, Cowley expresses lament or elegy, focusing specifically on Thomas Chatterton. Chatterton was a young poet of the 18th century who gained posthumous acclaim for his talent but faced challenges during his lifetime. The term "monody" denotes a poetic lament for an individual or a solemn ode.Cowley's monody likely explores themes of melancholy, loss, or the tragic fate of Chatterton, who died at a young age. The monody form often allows for a deep exploration of emotions and a reflection on the human condition.To fully appreciate Cowley's "Monody (on Chatterton)," one could delve into the historical and literary context of Chatterton's life and the circumstances surrounding his death. Additionally, exploring Cowley's broader body of work would provide insights into her poetic style and thematic concerns.The monody serves as a literary tribute, offering readers a glimpse into Cowley's artistic expression and her engagement with the Romantic ideals prevalent during the 18th century. Copies of Cowley's works, including this monody, can be found in collections of classic literature or in libraries.

"Comforter" is a heartfelt poem penned by Adelaide Anne Procter, a compassionate English poet and philanthropist of the 19th century. Born in 1825, Procter's poetry often carried a moral and empathetic tone, addressing social issues and advocating for the less fortunate.In "Comforter," Procter explores the theme of solace and reassurance. The title suggests a nurturing and consoling presence, and the poem unfolds as an expression of comfort in times of difficulty or distress. Procter's poetic style combines emotional depth with a desire for social change.As the daughter of Bryan Procter, a respected poet of his era, Adelaide Anne Procter was immersed in literary circles and developed her own distinctive voice. Her works, including "Comforter," contribute to the Victorian literary landscape and showcase her commitment to both literary expression and social consciousness.To fully grasp the nuances of "Comforter" and appreciate Procter's broader contribution to poetry, one can explore her complete collection of poems. Her writings, characterized by a keen sense of empathy and a deep understanding of the human experience, continue to resonate with readers interested in Victorian literature."Comforter" offers readers a glimpse into Procter's ability to convey emotional support through her poetic verses. Copies of her poetry collections, where "Comforter" can be found, are available in libraries or accessible through online platforms dedicated to classic literature.

"A Shropshire Lad" is a celebrated collection of lyrical poems penned by A. E. Housman, an English classical scholar and poet. Published in 1896, these verses are marked by a lyrical and musical quality, expressing sentiments of melancholy, nostalgia, and reflection. The poems draw on rural and pastoral imagery, painting vivid pictures of the Shropshire landscapes. Central themes revolve around the fleeting nature of youth and the inevitability of mortality. Housman's background as a classical scholar is evident in the precise structure and language of the poetry. "A Shropshire Lad" has made a lasting impact on English literature, influencing modern poetry with its timeless themes and craftsmanship. For those drawn to emotionally resonant verse that captures the essence of late 19th-century England, this collection remains a significant and influential work, widely available in bookstores, libraries, and online platforms dedicated to classic literature.

"Chant" is a reflective poem written by Adelaide Anne Procter, an English poet and philanthropist of the 19th century. Born in 1825, Procter was known for her works that often addressed social issues and displayed a deep empathy for the less fortunate.In "Chant," Procter likely presents a meditative and contemplative piece, as the term "chant" suggests a rhythmic and melodic quality to the verses. The poem might encompass themes such as introspection, spirituality, or reflections on the human condition.Adelaide Anne Procter's poetry often carried a moral and humanitarian tone, reflecting her commitment to social causes. As the daughter of Bryan Procter, a notable poet of his time, she was immersed in literary circles and became a respected voice in her own right.To fully appreciate "Chant" and Procter's body of work, one may explore her broader collection of poems. Her writing, characterized by its emotional depth and social consciousness, contributes to the rich landscape of Victorian poetry.

"The Banks of the Yarrow" is a poignant and lyrical poem written by Susanna Blamire, an English poet born in 1747. Blamire, also known as the "Muse of Cumberland," was associated with the literary circles of the Lake District and was a contemporary of poets like William Wordsworth.In "The Banks of the Yarrow," Blamire likely draws inspiration from the natural beauty of the Yarrow River, which flows through the Scottish Borders. The Yarrow has been a recurring motif in literature, celebrated for its scenic landscapes and often associated with themes of love and melancholy.The poem may explore themes such as nature, love, and the passage of time. Blamire's verses are known for their emotive quality, and "The Banks of the Yarrow" is likely to capture the sentiments and reflections of the poet as she contemplates the picturesque surroundings.To fully appreciate the poem, one should delve into Blamire's body of work and the literary context of her time. Her poetry often reflects the spirit of the Romantic era, with a focus on nature, emotion, and the subjective experience."The Banks of the Yarrow" provides readers with a glimpse into the poetic talent of Susanna Blamire and her ability to intertwine personal reflections with the beauty of the natural world. Copies of her poetry collections, including this celebrated poem, can be explored in libraries or through online platforms dedicated to classic literature.

"The Baron's Yule Feast: A Christmas Rhyme" is a festive poem written by Thomas Cooper, an English poet and Chartist associated with the working-class movement of the 19th century. Born in 1805, Cooper was not only a poet but also a political activist, trade unionist, and lecturer.In "The Baron's Yule Feast," Cooper likely weaves a poetic narrative centered around a Christmas celebration, employing rhyme to capture the spirit of the holiday. The term "Yule" refers to the Christmas season in traditional English usage.Given Cooper's background as a Chartist, a movement advocating for political and social reform, his works often reflected themes of social justice and the plight of the working class. While "The Baron's Yule Feast" is likely to embody the festive and celebratory atmosphere of Christmas, it may also contain elements that resonate with Cooper's broader views on society.Cooper's poetry often featured a blend of themes, including nature, labor, and the struggles of the working class. If you delve into "The Baron's Yule Feast," you may encounter a rich depiction of Christmas traditions, potentially interwoven with reflections on the societal context of Cooper's time.To fully appreciate the poem and its nuances, one would benefit from exploring Thomas Cooper's broader body of work and the historical and literary context in which he wrote. Copies of his poetry collections, including "The Baron's Yule Feast," can be found in libraries or through online platforms specializing in classic literature.

"Ballads and Lyrics of Old France: With Other Poems" is a captivating collection penned by Andrew Lang, a versatile Scottish writer celebrated for his contributions to various literary genres. Published in the late 19th century, the anthology delves into the rich tapestry of Old French literature, offering a poetic exploration of traditional ballads and lyrics from France's literary heritage.Andrew Lang's keen interest in folklore, mythology, and classical literature is evident in this collection. The title itself suggests a deep engagement with the poetic traditions of France, showcasing Lang's skill in translating and adapting these timeless narratives. His proficiency in capturing the essence of Old French material reflects a dedication to preserving and presenting the cultural richness embedded in these traditional verses.Beyond the focus on Old French literature, the collection encompasses a diverse array of themes. Lang's poetic versatility shines through as he navigates through various subjects, providing readers with a tapestry of emotions, narratives, and reflections. Each poem within the collection serves as a testament to Lang's ability to engage with a wide spectrum of topics, showcasing his literary dexterity.

"Thanatopsis" is a renowned poem written by William Cullen Bryant, an American poet and editor of the 19th century. First published in 1817 when Bryant was just 17 years old, the poem is considered one of the early masterpieces of American literature.In "Thanatopsis," Bryant explores themes related to death and nature, contemplating the idea of mortality and the interconnectedness of life and death. The title, derived from the Greek words "thanatos" (death) and "opsis" (view), suggests a meditation on the contemplation of death.The poem begins with an invocation to nature, portraying it as a grand and eternal force. Bryant expresses the idea that death is a natural part of the cycle of life, and all living things ultimately return to the earth. He emphasizes the consoling and unifying aspects of death, encouraging readers to view it as a peaceful and harmonious process."Thanatopsis" reflects the Romantic literary movement's appreciation for nature and its role in shaping human perspectives. Bryant's eloquent language and profound reflections on mortality contribute to the enduring appeal of the poem.

"Azaria and Hushai" is a poem written by Elkanah Settle, an English poet and playwright who lived during the 17th century. Settle (1648¿1724) was known for his works in various genres, including drama, poetry, and political satire.The names "Azaria" and "Hushai" are biblical references. Azaria is a name found in the Old Testament, often associated with figures in the Bible, while Hushai was an advisor to King David. The poem may draw on biblical and historical themes. Settle's works often incorporated a narrative style, and he was known for his ability to weave stories and themes into his poetry. Settle lived during a period of political and social upheaval in England. His works sometimes reflected the political and cultural dynamics of the late 17th century.

"Targum" is a work by George Henry Borrow, a 19th-century English author and translator. George Borrow (1803¿1881) was known for his travel narratives, language studies, and translations, particularly his works related to Romani people and their languages. The term "targum" itself has historical and religious connotations. In Jewish tradition, a "targum" refers to an Aramaic translation or paraphrase of the Hebrew Scriptures.Borrow's writing is situated within the 19th-century literary context, where travel literature, language studies, and ethnographic works were gaining popularity.

"Stories in Verse" is a collection of poems written by Henry Abbey, an American poet and playwright. Henry Abbey (1842¿1911) was known for his contributions to American literature during the late 19th and early 20th centuries. Abbey wrote in various genres, including poetry and drama. "Stories in Verse" may showcase his skill in crafting narrative poetry. The title suggests that the collection comprises poems that tell stories. Narrative poetry often involves the use of verse to convey a tale or series of events. The poems in this collection likely cover a range of themes, reflecting Abbey's interests and observations about life, society, and the human experience. Henry Abbey was a contemporary of poets like Walt Whitman and Emily Dickinson. His work is situated within the broader context of American literature during the late 19th century. Abbey gained popularity for his poetry and was recognized for his contributions to the literary scene of his time.

"Songs of Two Nations" is a collection of poems written by Algernon Charles Swinburne, an English poet, playwright, and critic of the 19th century. Swinburne was associated with the Decadent movement and is known for his lyrical and often sensual poetry.Key features of "Songs of Two Nations":Publication: "Songs of Two Nations" was published in 1875.Themes: The collection explores various themes, including social and political issues. Swinburne addresses topics such as war, nationalism, and the human condition.Style: Swinburne's poetry is characterized by its rich and rhythmic language, as well as its exploration of controversial and provocative themes. His style often involves intricate rhyme schemes and vivid imagery.Political Engagement: Swinburne was known for his engagement with political and social issues of his time. "Songs of Two Nations" reflects his views on contemporary events, including conflicts and political struggles.Literary Context: The collection is situated within the broader literary context of the Victorian era, and Swinburne's work is often associated with the poets and writers of the Decadent and Aesthetic movements.

"The Task and Other Poems" is a collection of poems written by William Cowper, an English poet and hymnodist of the 18th century. William Cowper (1731¿1800) was known for his reflective and contemplative poetry, as well as his contributions to the Olney Hymns.Main Poem: : "The Task" is a significant long poem within this collection. It is one of Cowper's most famous works and is often regarded as a landmark in the development of 18th-century poetry.Reflective and Descriptive Poetry: Cowper's poetry is characterized by its introspective and descriptive nature. "The Task" is particularly known for its exploration of nature, everyday life, and the poet's personal reflections.Hymns and Religious Themes: In addition to his secular poetry, Cowper collaborated with John Newton on the Olney Hymns, contributing several hymns that became widely known in Christian worship.Mental Health Themes: Cowper's life was marked by struggles with mental health, and his poetry often reflects his battles with depression and a deep sense of religious introspection.Popularity: Cowper's poetry gained popularity not only for its literary merit but also for its accessibility and emotional resonance.

"Ballads in Blue China and Verses" is a collection of poems written by Andrew Lang, a Scottish poet, novelist, literary critic, and contributor to the field of folklore. Andrew Lang (1844¿1912) was known for his prolific output across various genres. Andrew Lang's poetry often demonstrated a keen sense of imagination, romanticism, and a fascination with folklore and mythology.The inclusion of "Verses" in the title suggests that the collection may encompass a variety of poetic forms and themes. Andrew Lang was associated with the literary scene of the late 19th and early 20th centuries. He was a contemporary of writers like Robert Louis Stevenson and was involved in the vibrant intellectual circles of his time.

"The Bab Ballads" is a collection of humorous verses written by W. S. Gilbert, the English dramatist, librettist, and humorist best known for his collaboration with composer Arthur Sullivan on the Gilbert and Sullivan comic operas. The Bab Ballads were originally written as illustrated comic poems for the magazine "Fun" in the late 19th century.Key Features of "The Bab Ballads":Humorous and Satirical: The poems in "The Bab Ballads" are known for their wit, humor, and satirical take on various aspects of Victorian society, politics, and daily life.Illustrations: Gilbert's verses were accompanied by illustrations by various artists, enhancing the comedic effect of the poems.Versatility: While Gilbert is perhaps more famous for his librettos for the Savoy Operas, "The Bab Ballads" showcases his versatility as a humorist and wordsmith.Influence on Gilbert and Sullivan: The style and humor found in "The Bab Ballads" greatly influenced the tone of Gilbert's collaborations with Arthur Sullivan. The wit and wordplay seen in the ballads are evident in their comic operas.Popular Reception: The Bab Ballads gained popularity during their initial publication in "Fun" and were later compiled into book form.If you enjoy clever wordplay, satire, and humorous observations of Victorian society, "The Bab Ballads" is a delightful collection to explore.

"Discours prononcés le 12 septembre 1909 à Sarlat à l¿inauguration de son monument" est un recueil de discours de Gabriel Tarde, sociologue et criminologue français.Ce recueil regroupe les discours prononcés par Gabriel Tarde le 12 septembre 1909 à l'occasion de l'inauguration de son monument à Sarlat. Ces discours offrent un aperçu des idées et des contributions de Tarde dans le domaine de la sociologie et de la criminologie.Dans ces discours, Tarde pourrait aborder divers sujets, y compris ses perspectives sur la société, la criminalité, et peut-être ses réflexions sur l'importance de la compréhension sociologique dans l'analyse des phénomènes sociaux.L'inauguration d'un monument en l'honneur de Tarde à Sarlat souligne l'impact de son travail et de sa pensée dans le domaine des sciences sociales. Les discours prononcés à cette occasion peuvent également témoigner de la reconnaissance de Tarde en tant que figure éminente dans son domaine.En résumé, ce recueil offre un aperçu des discours prononcés par Gabriel Tarde lors de l'inauguration de son monument à Sarlat, mettant en lumière sa pensée et son influence dans les domaines de la sociologie et de la criminologie.

The Auctor is a poem written by Stephen Hawes, This poem is a humble submission to a sovereign lord. The speaker trembles with fear at approaching the lord's majesty but submits to his mercy, seeking forgiveness for any rudeness. The poem's language is simple and direct, reflecting the speaker's humility and the time period's emphasis on deference to authority. Compared to other works by the author, this poem is less allegorical and more straightforward, focusing on the speaker's personal relationship with the lord rather than on broader themes.

In 1838, Doctor Holmes accepted his first professorial position, and became professor of anatomy and physiology at Dartmouth. Two years later, he married, and took up the practice of medicine in Boston. In 1847, he returned to his old love, accepting the Parkman professorship of anatomy and physiology, in the Medical School at Harvard. While engaged in teaching, he prepared for publication several important books and reports relating to his profession, and his papers in the various medical journals attracted great attention by their freshness, clearness, and originality. But it is not as a medical man that Doctor Holmes may be discussed in this paper. We have to deal altogether with his literary career,¿a career, which for its brilliancy has not been surpassed on this side of the Atlantic. As a poet he differs much from his contemporaries, but the standard he has reached is as high as that which has been attained by Lowell and Longfellow. In lofty verse he is strong and unconventional, writing always with a firm grasp on his subject, and emphasizing his perfect knowledge of melody and metre.

"Specimens with Memoirs of the Less-Known British Poets" is a collection of poetry compiled by George Gilfillan. George Gilfillan (1813¿1878) was a Scottish author, poet, and literary critic known for his anthologies and works on poetry.Key Features of "Specimens with Memoirs of the Less-Known British Poets":Scope: The collection aims to showcase the works of lesser-known or underappreciated British poets, providing a platform for poets who may not have gained widespread recognition.Memoirs: In addition to the poems, Gilfillan includes memoirs or biographical sketches of the featured poets. These sections provide context and information about the lives of the poets.Multivolume Work: As indicated by "Volume I," this collection was likely part of a multivolume series. Each volume would feature different poets and their works.Literary Criticism: Gilfillan, being a literary critic, may have provided commentary or analysis in addition to the poems and memoirs. His insights could offer readers a deeper understanding of the featured poets and their contributions.Period Covered: Depending on the poets included, the collection may cover a range of periods in British literary history.

Go, idle Boy! I quit thy pow'r; Thy couch of many a thorn and flow'r; Thy twanging bow, thine arrow keen, Deceitful Beauty's timid mien; The feign'd surprize, the roguish leer, The tender smile, the thrilling tear, Have now no pangs, no joys for me, So fare thee well, for I am free! Then flutter hence on wanton wing, Or lave thee in yon lucid spring, Or take thy bev'rage from the rose, Or on Louisa's breast repose: I wish thee well for pleasures past, Yet bless the hour, I'm free at last. But sure, methinks, the alter'd day Scatters around a mournful ray; And chilling ev'ry zephyr blows, And ev'ry stream untuneful flows; No rapture swells the linnet's voice, No more the vocal groves rejoice; And e'en thy song, sweet Bird of Eve!With whom I lov'd so oft to grieve, Now scarce regarded meets my ear, Unanswer'd by a sigh or tear. No more with devious step I choose To brush the mountain's morning dews; "To drink the spirit of the breeze," Or wander midst o'er-arching trees; Or woo with undisturb'd delight, The pale-cheek'd Virgin of the Night, That piercing thro' the leafy bow'r, Throws on the ground a silv'ry show'r. Alas! is all this boasted ease To lose each warm desire to please, No sweet solicitude to know, For others' bliss, for others' woe, A frozen apathy to find, A sad vacuity of mind? O hasten back, then, heavenly Boy, And with thine anguish bring thy joy! Return with all thy torments here, And let me hope, and doubt, and fear. O rend my heart with ev'ry pain! But let me, let me love again.

"La Criminalité Comparée" est un ouvrage de Gabriel Tarde, sociologue et criminologue français. Voici un résumé de l'¿uvre :Dans "La Criminalité Comparée", Gabriel Tarde entreprend une analyse comparative des phénomènes criminels. L'auteur s'intéresse aux différentes formes de criminalité et cherche à établir des comparaisons entre les sociétés, les époques et les cultures. Son objectif est de dégager des tendances générales et des motifs communs qui traversent les divers contextes criminels.Tarde examine les facteurs qui influent sur la criminalité, allant au-delà des explications purement juridiques pour inclure des aspects sociaux, psychologiques et économiques. Il explore également les variations dans les taux de criminalité et les réponses sociales à la délinquance.L'approche comparative de Tarde vise à élargir la compréhension de la criminalité en examinant ses manifestations à travers des perspectives diverses. Il propose une réflexion sur la nature humaine, la société et les forces qui contribuent à la genèse des comportements criminels.En résumé, "La Criminalité Comparée" offre une analyse comparative approfondie des phénomènes criminels, explorant les divers aspects de la délinquance à travers le prisme de la sociologie et de la criminologie.

As a soul from whom companionships subside The meaningless and onsweeping tide Of the river hastening, as it would disown Old ways and places, left this stone Of sand above the valley, to look down Miles of the valley, hamlet, village, town. It is a head-gear of a chief whose head, Down from the implacable brow, Waiting is held below The waters, feather decked With blossoms blue and red, With ferns and vines; Hiding beneath the waters, head erect, His savage eyes and treacherous designs. It is a musing memory and memorial Of geologic ages Before the floods began to fall; The cenotaph of sorrows, pilgrimages Of Marquette and LaSalle. The eagles and the Indians left it here In solitude, blown clean Of kindred things: as an oak whose leaves are sere Fly over the valley when the winds are keen, And nestle where the earth receives Another generation of exhausted leaves.

THICK-SPRINKLED BUNTING Thick-sprinkled bunting! flag of stars!Long yet your road, fateful flag¿long yet your road, and lined with bloody death,For the prize I see at issue at last is the world,All its ships and shores I see interwoven with your threads greedy banner;Dream'd again the flags of kings, highest borne, to flaunt unrival'd?O hasten flag of man¿O with sure and steady step, passing highest flags of kings,Walk supreme to the heavens mighty symbol¿run up above them all,Flag of stars! thick-sprinkled bunting! BEAT! BEAT! DRUMS! Beat! beat! drums!¿blow! bugles! blow!Through the windows¿through doors¿burst like a ruthless force,Into the solemn church, and scatter the congregation,Into the school where the scholar is studying;Leave not the bridegroom quiet¿no happiness must he have now with his bride,Not the peaceful farmer any peace, ploughing his field or gathering his grain,So fierce you whirr and pound you drums¿so shrill you bugles blow. Beat! beat! drums!¿blow! bugles! blow!Over the traffic of cities¿over the rumble of wheels in the streets;Are beds prepared for sleepers at night in the houses? no sleepers must sleep in those beds,No bargainers' bargains by day¿no brokers or speculators¿would theycontinue?Would the talkers be talking? would the singer attempt to sing?Would the lawyer rise in the court to state his case before the judge?Then rattle quicker, heavier drums¿you bugles wilder blow. Beat! beat! drums!¿blow! bugles! blow!Make no parley¿stop for no expostulation,Mind not the timid¿mind not the weeper or prayer,Mind not the old man beseeching the young man,Let not the child's voice be heard, nor the mother's entreaties,Make even the trestles to shake the dead where they lie awaiting the hearses,So strong you thump O terrible drums¿so loud you bugles blow.