Bücher veröffentlicht von Dagmar Miura

The Sower went out to Sow is a book inspired by the New Testament teachings of Jesus and the preaching of the Gospel demonstrated by the practices and teaching of the Apostles of the early Christian Church.The book is appropriate for Christians of all persuasions and experience and explains, in easy-to-read language, a wide range of important Christian truths and principles covered by the early Church teachings of Paul and other leading apostles.

Don't mess with the hothead-or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap.Hired by engineer Ben to find out why he'd been blackballed by a potential employer, Slater tries to uncover a nebulous nondisclosure agreement that Ben says he's never seen. Sleazy lawyer Sybil is no help, and Slater digs into her grift with wannabe film director and card-room boss Dragan. An excursion to Santa Fe uncovers more dirt, and a trip to a tiny island in the Pacific leads to Slater scrambling to save his own neck. As he closes in on the truth, Slater gets entangled with the mesmerizing redhead Graham, clashes with boyfriend Pike over his sex habits, and endures a tragedy that takes out an old friend. What he ultimately unearths leaves him frustrated and Ben enraged-but Slater devises a final scheme that will either outsmart the mastermind or send them all to the hoosegow.Freelance investigator Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from main squeeze Pike, business partner Max, and operatives Andy and Etta.

Artist Andretta Salinger awakens one day in an old stone country house she's bought from a family ownership of six generations to find she's been living for two years with the bones of someone murdered and buried in the floor of her cellar. When Andretta finds herself drawn willy-nilly into the small-town police investigation of a homicide committed in 1868, it's into the scandal-ridden lives of the great railroad barons of the day and to identifying the murderer.

Don't mess with the hothead-or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap.Hired to track down Finley, the missing boyfriend of tech worker Truax, Slater soon discovers that the job isn't really what he was asked to do. The search for Finley leads him to an arcane book and the flying-saucer subculture, where a deep dive takes Slater out into the Mojave Desert, leaving him unsure of the precise boundaries of reality itself. With input from Doris and his operatives, and begrudging help from his romantic partner, Pike, to weasel him out of a jam, Slater cuts a dogged path to sort out what Truax really wants, and what Finley is really up to, all the while juggling high explosives, navigating his deepening narrative complex with Pike, and never failing to throw that punch.A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from main squeeze Pike, business partner Max, and operatives Andy and Etta.

What happens when we die? And what happens after that?Drawing from more than two hundred conversations with departed family members and friends, Beverly Holliday takes readers on a journey into the afterlife. She answers the questions many of us have contemplated about Heaven. What happens the moment we leave our physical bodies? Where do we go? Who do we see? What do we do?Beyond What We Can See offers both fascinating and comforting details about an existence currently beyond our wildest imaginings.

When two women detectives in the CID division of a large city police force, one a forty-year veteran, the other a rookie, are forcibly teamed together in an unfriendly partnership, the rookie follows the many-years-old cold case of a painting found in a stolen deposit box. As she traces its path from obscurity to potential world fame at auction, the older detective, disdaining the efforts of her younger partner, investigates the more recent and seemingly unrelated violent homicide of an important city councilman. The paths of both widely different investigations merge, however, united by evidence in the cold case, and the two detectives become as one to successfully hunt down those guilty of the homicide.

Working with the Text Styles that are built into the software we already use, we can simplify and speed up the process of turning a manuscript into a completed book or document. This guide is aimed at writers, editors, and designers who work freelance or in small organizations that don't have the resources to acquire beginning-to-end publishing systems. Using text styles removes the ambiguity of the intentions of writers and content creators, and saves the people doing design and layout from guesswork.

Don't mess with the hothead-or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from his idiot cop ex-boyfriend, Conrad, and regular squeeze Andy.While navigating a torrid affair with Pike, a hookup from a past job, Slater gets brought in on a case by Chila, an insurance company staffer. Like flexing a disused muscle, the romance dredges up things long forgotten, and Slater upends his life-moving house and making radical changes in his bad habits as he falls deeper into what he calls his "narrative complex" with Pike. On the insurance job Slater soon decides he's been misled, as his client's explanations start to look more improbable. Tracking down the beneficiary, Slater wades into the world of LA's classic nightclubs and big bands, tangling with a femme fatale, a slick crooner, and a seedy crypto bro. When he uncovers the real reason Chila has him bird-dogging her target, he's forced to choose where his loyalty lies. Slater manages to concoct intricate vengeance on the one who messed with him, but will his angry machinations mean he's the one who winds up in jail instead?

Don't mess with the hothead-or he might just mess with you. Slater Ibanez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from his idiot cop ex-boyfriend, Conrad, and regular squeeze Andy.Trying to sort out the cause of shipping delays at a mine in a remote part of Nevada, Slater grills the driver Bender and the armed guard Vitale, responsible for trucking the shipments to the city, and ferrets out some of their secrets. Not sure whether the enigmatic Hernan is a birthright airhead or an exquisitely talented con artist, against his better judgment Slater winds up in the sack with him. Finally heading to the mining camp in a cargo plane, Slater and his operative Etta meet more of the players and see some strange things in the vast empty desert. The trip back to LA takes an unexpected turn, leaving Slater with a dilemma that threatens his very survival.

Using a medieval wishing charm to escape from a big city museum where she is mistakenly locked in for the night, Jessica, along with Annie-Mae, a homeless Rag Doll, ends up not at home but in OR, where the country's evil Great Leader holds the charm hostage until brought a feather from a deified Golden Swan in Hoppitland, country of the Stick people. With a brief welcoming respite among friendly rats in their the canyon country of Rodentia, then a perilous trip across a great man-eating Vine Forest, Jessica brings a golden feather back to OR where, after Annie-Mae chooses to return to Rodentia, she uses the medieval charm, first in a heads-on defiant showdown with the all-powerful Great Leader of OR, then to wish herself safely back home.

Love for a poor old plow horse sees Jessica on an exciting new adventure.

On yet another exciting adventure In Fairyland, now to rescue little Prince Ethan of the land of No, held hostage by the evil sorceress Lady Citronella, Jessica teams up with two old friends: Greta, the fairy princess, often disguised as a witch, and Sir Percival, the doughty monocled Englishman who fantasizes hunting hares with his trusty gun. Flying them about is Greta's irrepressible witch's broom, Sweepy, who saves the day while all the time thinking he's the old-fashioned Wabash Cannonball train made famous in country-western music.

Don't mess with the hothead-or he might just mess with you. Slater Ibanez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from his idiot cop ex-boyfriend, Conrad, and regular squeeze Andy.Hired by banker Tad to track down a missing shrink, Slater soon finds there's more going on, like the cryptic list Bianca left in her briefcase. An excursion to Bianca's college leads to an intriguing ex-husband, a conspiracy theorist's blog posts, and a suburban bungalow that's been thoroughly sanitized, but Bianca remains elusive. Slater goes undercover with a gardening crew, and infiltrates a police investigation at a seedy hotel, but what's the connection to Bianca's list? Meanwhile his field operative, Etta, has taken up renovating the office as a part-time gig, bringing a degree of chaos for Slater and his business partner, Max. As the conspiracy theories get more bizarre, Slater gets closer to the truth, uncovering why Bianca is lying low, and maybe even why Tad has been playing him all along. Trolling the underbelly of the city and the high-desert wilderness, Slater zeroes in on the truth, never hesitating to hit on guys, throw a punch, or demand answers.

Don't mess with the hothead-or he might just mess with you. Slater Ibanez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from his idiot cop ex-boyfriend, Conrad, and regular squeeze Andy.On an insurance job, Slater's hunt for missing beneficiary Daniel takes him from wrangling the hardscrabble grifters of Skid Row to infiltrating the sleazy pieds-a-terre and private jets of the city's moneyed elite. Eventually the quest takes Slater to New Mexico, where he rents an old pickup and revisits his equestrian past in pursuit of a shadowy group dedicated to flying saucers. Galliform, an old quarry, pops up in the sprawling desert, and Slater has to navigate around law enforcement, not quite willing to collaborate with them but intent on not winding up in the hoosegow. Hooking up with all the wrong guys and drinking way too much, Slater gradually starts to see what's really going on. As Galliform increases the pressure and things heat up, Slater has to decide between doing what's right and preserving his own neck.

When the bodies of a retired couple in a small town are discovered six months after their deaths, the local police chief, his lead detective, and the county coroner all rule the couple a shared suicide. One young woman police officer, however, suspects murder. Her dogged pursuit of the killer or killers against orders to desist eventually leads her to evidence that the deceased couple were silenced to cover up a major scandal at the state capitol and to a terrifying shoot-out when she finally runs the killers to earth.

Lili aimerait te raconter sa vie dans la ruche. C''est une très vaillante petite abeille qui habite avec sa maman et ses milliers de sœurs et frères. La vie n''est pas facile pour Lili et sa famille. Elle se demande ce que leur réserve le futur. Sa maman lui a dit qu''ils partiront en vacances mais elle ne sait ni quand ni comment. La seule chose qu''elle a entendu dire par deux vieilles abeilles c''est qu''il y aurait un essaim en effervescence. Tu découvras la vie de Lili l''abeille et de sa famille au fil des saisons dans l''attente des vacances.