Bücher veröffentlicht von David Robbins

Chameleaby D.H. RobbinsAnguished voices gnaw through the subconscious of a schizophrenic like termites of the psyche. There is nowhere to turn as the commanding voices conjure up a will to murder. Such is the case with Reverend Thomas Barragan Deavers as he hears the controlling voice of his inner God. By the time Thomas Barragan was an eight-year-old boy, his mother had instilled within him the emotional foundations of the daughter she would have preferred. Now, as an adult, and a Reverend, his female instincts have consumed him. Operating under his alter-ego, "Chamelea," he becomes a "liberator of souls." He has developed his talent as a hypnotist and his calling as a man of God to secure the trust of his female victims. He worms his way onto his female victim's insecurities to mesmerize them-with the help of LSD-laced Communion wafers-into finding absolution to then die by his hand under his direction. It is, after all, God's will for them. By dispensing his own brand of last rites as predator and priest, they die in his embrace, as he feels the warmth of their departing souls enrich his own. Only in this way can The Reverend Barragan satisfy his--and his inner god's--compulsion to nurture his inherent and rapacious woman's soul. It is, after all, his god's will for him. He believes Chamelea, that person within him, is pure."Chamelea" is also a story of the dysfunctional relationship between Reverend Barragan and his estranged twenty-one-year-old daughter, Regina. Having lost her mother to a suspicious drowning over ten years before, she and her father have distanced themselves from the ability to love. The Reverend is as driven to seek her out as she is compelled to escape her memory of him.

Boxing with HemingwayBy D.H. RobbinsHow much must a writer sacrifice of himself for the ghost of his genius? Quentin Flynn moved from Greenwich Village to Paris on a quest for a talent that had seemingly eluded him through his feckless, yet successful career as a pulp novelist. Through his search to find a new literary style, he finds Sarah Feldman, a painter and commercial artist. She is at first a kindred spirit, but then becomes his muse-not so much for his writing, but for something else lacking in his life: how to feel love. He reaches his bottom to finally realize that he had been competing only with himself. As Quentin attempts to climb from the abyss of his self-doubts, Sarah retreats into a discovery of her own through her hidden affection for Hannah, a successful artist in Vienna. Set during the Jazz Age from 1925-1929, "Boxing with Hemingway" begins in the artsy Montparnasse district in Paris, a haven for struggling local and ex-patriot artists and writers. The story journeys through cameos of Vienna, Berlin, Florence, and Hollywood. Quentin brushes shoulders with Gertrude Stein, Ernest Hemingway, F Scott and Zelda Fitzgerald, Director Tod Browning, and Isadora Duncan, among others.