Bücher veröffentlicht von Dean Street Press

"e;Thou Shalt Not Kill."e;All New Orleans is disturbed at the rumour that one of its civic treasures, a fragment of the Gutenberg Bible, has been stolen. But when the rumour becomes a fact and is followed by a series of murders so hideous that every paper's headlines screamed each new phase of the case, the concern changes to panic. Each new crime centres on the same group of people: wealthy, respected and influential. Yet the police and District Attorney struggle to find a definite clue on which to base an arrest.Each of the suspects could benefit from the death of the murder victims, and each new clue further embroils the seemingly most innocent. In the deft weaving of the plot, and in the vivid delineation of District Attorney Dan Farrell-honest, capable and trustworthy-the journalist Wade-shrewd and persistent-Terry Sheldon-rich, impulsive and hot-headed-and Winifred Gonzales, with a charm too rich for youth and face too young for age, the authors have provided a set of characters the reader will remember long after the book is finished.The Gutenberg Murders was originally published in 1931. This new edition includes an introduction by crime fiction historian Curtis Evans.

"e;A woman in a red raincoat killed Linton Barclay."e;Paradise Island, the brightest spot of all playgrounds edging the Gulf of Mexico, caters gladly to those who can afford to pay well for their entertainment. Twelve miles from the mainland, it has, under the suave management of Brett Allison, come to be known for sports, gaming tables, and the Peacock Club.For some time Federal authorities have suspected a connection between the Island and the increased activities in the drug traffic along the coast, but when Major Jack Raymond, stocky as the cigars he smokes, and Andrew Dillingham, scion of one of the south's oldest families, are sent to investigate, they encounter in the person of lovely Eva Shale, whose wealth comes from an unknown source, an enigma of the first order.A tropical storm, so common to the locale, which sweeps the island, brings with it a murder which fastens its suspicious fingers upon every resident of the Peacock Club-save Daisy Dillingham who does as she pleases, says what she pleases, and for years has been dreaded, adored and obeyed.Two and Two Make Twenty-Two was originally published in 1932. This new edition includes an introduction by crime fiction historian Curtis Evans.

"e;Do not doubt me, my friends; you shall all be dead before morning."e;New Orleans, 1930. Eight guests are invited to a party at a luxurious penthouse apartment, yet on arrival it turns out that no one knows who their mysterious host actually is. The latter does not openly appear, but instead communicates with the guests by radio broadcast. What he has to tell his guests is chilling: that every hour, one of them will die. Despite putting the guests on their guard, the Host's prophecy starts to come horribly true, each demise occurring in bizarre fashion. As the dwindling band of survivors grows increasingly tense, their confessions to each other might explain why they have been chosen for this macabre evening-and invoke the nightmarish thought that the mysterious Host is one of them. The burning question becomes: will any of the party survive, including the Host . . . ?The Invisible Host (1930) established one of the best-loved and most durable forms in classic mystery fiction. It was famously to reappear in Agatha Christie's And Then There Were None (1939). How much Christie's novel is indebted to its predecessor is open to conjecture (and the subject is discussed in our new introduction, by crime fiction historian Curtis Evans). Whatever the verdict, readers will delight in The Invisible Host, an innovative and most unusual mystery from the golden age of crime fiction. It was adapted into a play, and a Hollywood movie as The Ninth Guest (1934).

When the time comes for you to retire, Hugo, if you want a quiet life, don't settle down in the country. Bury yourself in London or any really large city, and you can live like a hermit, but avoid the outskirts of a village. I am dazed by the ceaseless whirl of activities in which almost everyone in and round Ravenskirk is involved.Sara Monteith makes an ideal correspondent for Hugo Jamieson, brother of her lost love Ivo, killed in the war before they could marry. Her neighbours in the lovely Border village of Ravenskirk don't know that Sara has moved here because it's where Ivo and Hugo grew up, but they welcome her warmly. Soon, she's drawn into the active village social scene of tea parties, gardening, carol-singing, and Coronation festivities, dodging the judgments of stern Miss Bonaly, defending her helper Madge Marchbanks, an unwed mother, befriending kind, practical Elizabeth Drysdale and charming Mrs. Currie and her daughter Sylvia (the latter first met halfway through Sara's drawing room window), and having an embarrassing first encounter with rugged Major Whitburn. Add in her nephew Arthur, neglected by an indifferent father, Arthur's dog Pam, and even Hugo himself returning unexpectedly from overseas, and Sara's life is a 'ceaseless whirl' indeed!Molly Clavering was for many years the neighbour and friend of bestselling author D.E. Stevenson (in just such a village as Ravenskirk), and they may well have influenced one another's writing. First published in 1955, Dear Hugo is one of the funniest of her spirited, joyful comedies of Scottish village life. This new edition includes an introduction by Elizabeth Crawford.

"e;Old age really must be creeping upon me at last,"e; said Susan Armstrong. "e;I find more and more that what I most enjoy is a quiet evening at home by the fire, with a book..."e;Susan Armstrong is savouring a quiet evening at home with husband Jed, but her peace is fleeting. A call from Jed's irritating cousin results in a visit from young Amanda, whose ace pilot husband is missing (and none too sorely missed). There are complications with their neighbours, the embittered Larry Heriot and his spiteful sister Ruth, and with the formidable trio of Misses Pringle, the gossipy Furies of the village. Susan's brother Oliver and cheerful wife Peggy come in for difficulties as well. Of course, it all works out in the end, but not before some distressing confusion, grave misunderstandings, and rollicking adventures, permeated with eccentric and lovable characters and vivid Scottish landscapes.Molly Clavering was for many years the neighbour and friend of bestselling author D.E. Stevenson, and they may well have influenced one another's writing. First published in 1939 (under the pseudonym B. Mollett) and out of print for more than 80 years, Touch Not the Nettle reunites us with characters from the earlier Susan Settles Down (though they may be read in any order). This new edition includes an introduction by Elizabeth Crawford.i

'Ever heard of the Alibi Club?,' Robin asked when he was driving me home after one of the most disastrous first nights in theatrical history.When Tessa's Scotland Yard husband Robin is invited to speak at the renowned and respectable Alibi Club, she is excited to be surrounded by the members - all mystery writers of the first rank - although one is missing.Crime novelist and playwright William Montgomerie has died, leaving behind a widow and a lost manuscript. His former spouse, Gwen, suddenly blossoms into literary fame after years of struggling in the shadows. The splendidly eccentric Myrtle Sprygge, whose clairvoyant powers and old relationship with Montgomerie further complicate the situation, and lead Tessa to wonder whether Gwen is taking credit for something she didn't write. When Gwen is found murdered, everyone wonders what - and who - could have triggered such revenge.Dead on Cue was originally published in 1985. This new edition features an introduction and afterword by crime fiction historian Curtis Evans.'A light hand, an engaging ease, and an inventive mind: all welcome qualities in the writing of crime novels.' Financial Timesi 'What makes her such good company - and the whole point of Miss Morice's book is to converse, as it were, with Tessa Crichton - is not her deductive skill but her shrewd eye and quick tongue for people and situations.' Daily Telegraph

Who would suspect her of a sense of fun and irony, of a passionate love for beauty and the power to drag it from its hidden places? Who could imagine that Miss Mole had pictured herself, at different times, as an explorer in strange lands, as a lady wrapped in luxury and delicate garments, as the mother of adorably naughty children and the inspiringly elusive mistress of a poet?Hannah Mole is a forty-ish spinster, haunted by her past and drifting from post to post-now a governess, now a companion for elderly women. She rarely lingers long due to a slightly troubled relationship with the truth, a tendency to speak her mind, and a fundamental mistrust of others. But Hannah's darker instincts are tempered by a stubborn self-respect and a surprising ability to find joy and inspiration in ordinary life. When she returns to her home town of Radstowe and takes an unpromising job in the home of the stuffy, widowed Reverend Corder and his daughters, she finds a situation in which her unique characteristics are not only appreciated but essential.In Miss Mole, winner of the James Tait Black Memorial Prize in 1930, E.H. Young created her most complex, unlikely, yet imminently lovable heroine in a tale packed with rich characters, brilliant humour, and quiet triumph.

Burden, who had served in the war, and had considerable experience of death in its violent forms, took a pace forward. He saw at once that Mr. Wynter was beyond mortal aid.Gregory Wynter is shot dead through the window of his dressing room. There is no apparent motive for the crime, and it seems impossible for the murderer to have escaped before the police arrive. The dead man's brother, Austin, enlists the help of Christopher and Vivienne Perrins, a brother-and-sister team of private investigators.In this classic puzzler, the Perrins piece together the complex relationships within the Wynter household and beyond. What they discover leads surprisingly to romance, not to mention the unravelling of an "e;impossible"e; murder which also involves a box of poisoned chocolates . . .Murder at Monk's Barn was originally published in 1931. This new edition features an introduction by crime fiction historian Tony Medawar.

When she turned round I saw that she had a carving knife in her hand.Why has Pelham Hargrave returned to his childhood home after twenty-five successful years in Canada and the United States, and is his beautiful and neurotic young American wife quite what she claims to be? Why has a celebrated Hollywood director chosen to retire to a remote English country house, and why does one young woman covet the house and another loathe it? Above all, what is the secret of old Nannie's power, which allows her to dominate the household from her rocking chair?These are some of the questions which confront the soignee Tessa Crichton, actress wife of Scotland Yard detective Robin Price, when she arrives to spend a quiet weekend with her godmother in Herefordshire. One by one the puzzles are unravelled, thanks to Tessa's spirited and irrepressible curiosity, plus a little help from her husband, but not before two people have died and Tessa herself has narrowly escaped the same fate.Nursery Tea and Poison was originally published in 1975. This new edition features an introduction and afterword by crime fiction historian Curtis Evans.'Anne Morice has a gift for creating intelligent, affection-generating characters, set in light and entertaining atmospheres.' Spectator'Relaxing, polished entertainment of high order.' Daily Telegraph

'What if he'd done it in reverse? Supposing the murder had already been committed by the time you saw him?'The elegant actress Tessa Crichton is starring in a film to be made in Paris. Her husband Robin (otherwise Detective Inspector Price of Scotland Yard) and her cousin Ellen travel with her but the trip is off to a peculiar start when Tessa's jewel case disappears - and mysteriously turns up again; no jewellery missing. She and Robin go racing at Longchamps, attend an evening of Indian folk music, and get invited to lunch by a chance acquaintance. Their social activities seem perfectly innocent and enjoyable - before murder is committed and Tessa finds herself in possession of some very dangerous knowledge.Anne Morice's talents for characterisation and humour are well displayed in a classical whodunnit with elements of espionage and kidnapping.Murder on French Leave was originally published in 1972. This new edition features an introduction and afterword by crime fiction historian Curtis Evans.'Anne Morice has a gift for creating intelligent, affection-generating characters, set in light and entertaining atmospheres.' Spectator'Relaxing, polished entertainment of high order.' Daily Telegraph

'For God's sake don't get the idea that you're Miss Marple. It could quite conceivably lead to your being whacked on the head.'The narrator of this classic mystery is fashionable young actress, Tessa Crichton-obliged to turn private detective when murder strikes in the rural stronghold of Roakes Common. Leading hate-figures in the community are Mr. and Mrs. Cornford - the nouveaux riches of the local Manor House - suspected by some of malicious dog killing.Tessa however has other things on her mind when she goes to stay with her cousin Toby and his wife Matilda. There's her blossoming career, for one thing, not to mention coping with her eccentric cousins. Also the favourable impression made by a young man she meets under odd circumstances in the local pub. If it wasn't for that dead body turning up in a ditch . . .The murder mystery will lead Tessa to perilous danger, but she solves it herself, witty, blithe and soignee to the last. The story is distinguished by memorable characterisation and a sharp ear for dialogue, adding to the satisfaction of a traditional cunningly-clued detective story.Death in the Grand Manor was originally published in 1970. This new edition features an introduction and afterword by crime fiction historian Curtis Evans.'A charming whodunit . . . full of unforced buoyance . . . a remedy for existentialist gloom.' Edmund Crispin'It provides a modern version of the classical type of detective story. I was much taken with the cheerful young narrator . . . and I think most readers will feel the same way. Warmly recommended.' Francis Iles'Entrancingly fresh and lively whodunit . . . Excellent dialogue.' Observer

She announced herself, rather self-consciously, as Mrs. Henry Smith, and he replied that Mrs. Cornwallis was expecting her. To Caroline, following him through a wide shabby hall, the whole episode was beginning to feel like a nightmare. She was intensely conscious of herself-of her dress, her voice, the way she placed her feet. She felt like a cook-general going to be interviewed."e;Mrs. Henry Smith,"e; said the butler contemptuously.In Four Gardens, the most emotional and nostalgic of Margery Sharp's brilliant novels, we meet the lovable Caroline Smith (nee Chase) and glimpse the stages of her life through the gardens in which she digs. There's the lavish abandoned one in which she has no right to dig; the tiny one in which she has no time to dig; the extravagant one, complete with stubborn gardener, in which she's not allowed to dig; and one final garden, hers and hers alone, in which she finds quiet, wise contentment. As we follow Caroline through the vicissitudes of life, we meet her adoring husband Henry, her shockingly modern children Leon and Lily, and friends and neighbours from the self-righteous Ellen Taylor to the posh but hilariously down-to-earth Lady Tregarthan.First published in 1935 and out of print for more than half a century, Four Gardens has long been a favorite of Margery Sharp fans and is one of six early Sharp novels now available from Furrowed Middlebrow and Dean Street Press.'The Jane Austen touch, springing from a detached, quiet power of observation, a delicious, satirical way of relishing affectation, and a respect for sensible, genuine people.' New York Times

Terence danced, alas, only fairly well. She tried to hide the fact from herself.Una Beaumont, nineteen years old and desperate to leave the small Cornish town of Tregulla to try her luck on the London stage, finds her hopes dashed by her mother's sudden death and its financial implications. She broods about, working with her father on their small flower farm, but her boredom melts with the arrival of a womanizing artist, Terrence Willows, and his charming sister Emmeline (who spends her time 'footling about'). On hand to witness the resulting sparks are Una's childhood friend Barnabas, his brother Hugo, recovering from a car crash, their military father, who loathes tourists, and an array of other colourful locals. Soon, Terrence's dancing ability is the least of the facts Una is hiding from herself...First published in 1962 and out of print for decades, The Weather at Tregulla is a funny, touching tale of ill-advised young love against the glorious backdrop of the Cornish coast. This new edition features an introduction by twentieth-century women's historian Elizabeth Crawford.'The characters are wonderfully well drawn, with a clear-eyed unsentimental sympathy of which Miss Gibbons has the secret' Sphere

“A lot of quiet people are sitting about talking, and one of them suddenly feels there will be murder done. And it was!”The narrator of This Delicate Murder is Penny Mercer, murder-mystery author. She and novelist-husband Vincent are invited by Lionel Fonders to a shooting-party at Chustable Manor, where the other guests are mostly fellow-writers of various types. But Penny and Vincent become embroiled in a vexing murder case when their host is fatally shot in the field. Fonders was not generally beloved, but it is Vincent himself who becomes the chief suspect in his host’s unnatural death.In his attempt to clear himself, he enlist the help of clever attorney and amateur sleuth William Power to find the fiend who put paid to Fonders. With so many jealous authors at hand, the field of suspicion is wide. Can you keep pace with Power?“Nearly watertight impeccability” Observer“Henrietta Clandon’s novels are always welcome. She has developed a style of her own in crime fiction.” Anthony Berkeley