Bücher veröffentlicht von Deep Vellum Publishing

A highly-acclaimed master work of fiction from Cartarescu, author of Blinding: an existence (and eventually a cosmos) created by forking paths.Based on CA rtA rescu's own role as a high school teacher, Solenoid begins with the mundane details of a diarist's life and quickly spirals into a philosophical account of life, history, philosophy, and mathematics. One character asks another: when you rush into the burning building, will you save the newborn or the artwork? On a broad scale, the novel's investigations of other universes, dimensions, and timelines reconcile the realms of life and art.The novel is grounded in the reality of late 1970s/early 1980s Communist Romania, including long lines for groceries, the absurdities of the education system, and the misery of family life. The text includes sequences in a tuberculosis sanatorium, an encounter with an anti-death protest movement, a society of dream investigators, and an extended visit to the miniscule world of dust mites living on a microscope slide.Combining fiction with autobiography and history- the scientists Nicolae Tesla and George Boole, for example, appear alongside the Voynich manuscript-Solenoid ruminates on the exchanges possible between the alternate dimensions of life and art, as various, monstrous dimensions erupt within the Communist present.

"A remarkable collection of diary entries from cross-genre Portuguese author Maria Gabriela Llansol, which span dozens of diaries and 33 years. "She dedicated herself to this work regularly, at the same time, in the same place, and in almost the same position..." (The Book of Communities). Over the course of her life, Maria Gabriela Llansol wrote many thousands of pages. She left behind 70 diaries in all, which began in November 1974 and continued until 2007. Three of them were published during her lifetime. Diary I begins the day she finishes The Book of Communities and ends the day she finishes The Remaining Life, in 1977. Diary II picks up two years later, when she is finishing In the House of July and August and beginning the second trilogy. It follows her through the second trilogy and captures her first ideas for the Lisbonleipzig duology; it is here where Bach and Pessoa begin their encounter, in 1982. Diary III is less a diary than a mourning of the death of her friend, the Portuguese writer Virgâilio Ferreira, one of the only contemporary writers with whom she felt any affinity, a mapping of their relationship and a conversation between them"--

"The Democratic Republic of Congo, otherwise known as Congo-Kinshasa or DRCongo, has had a series of names since its founding. The name of Zaire best corresponds to the experience of the novel's characters. The years of Mobutu's regime were filled with utopias, dreams, fantasies and other uncontrolled desires for social redemption, the quest for easy enrichment and the desecration of places of power. Among these events: Zairians' immigration to Angola during the civil war boycotting the borders inherited from colonization, as if the country did not have its own diamonds, and the occupation of public places by children from outside. The author creates the atmosphere of the time through a roundup of characters: the diviner Tshiamuena, also known as Madonna of the Cafunfo mines, prides herself of being God with whoever is willing to listen to her. Franz Baumgartner, an apprentice writer originally from Austria and rumba lover, goes around the bars in search of material for his novel. Sanza, Le Blanc and other street children share information to the intelligence services when they are not living off begging and robbery. Djibril, taxi driver, only lives for reggae music. As soon as night falls, each character dances and plays his own role in a country mined by dictatorship"--

"In his second "novel," "Newspaper," the acclaimed writer, photographer, and artist Edouard Leve made perhaps his most radical attempt to remove himself from his own work. Made up of fictionalized newspaper articles, arranged according to broad sections some familiar, some not "Newspaper" gives us a tour of the modern world as reported by its supposedly impartial chroniclers. Much of this "news" is quite sad, some is funny, but the whole serves as a gory parody of the way we have been taught to see our lives and the lives of our fellow human beings."--Back cover.

In his debut collection of poetry in English, the widely acclaimed author of Tram 83 returns to the Deep Vellum catalog with a moving lyric meditation on the Democratic Republic of Congo and its namesake river.

A classic Swedish-Finnish novel, haunting, profoundly personal, evocative novel, written in verse, dissecting one woman's fraught relationship with her alcoholic husband.