Bücher veröffentlicht von Duke University Press

Donna J. Haraway refigures our current epoch, moving away from the Anthropocene toward the Chthulucene: an epoch in which we stay with the trouble of living and dying on a damaged earth while living with and understanding the nonhuman in complex ways conducive to building more livable futures.

Showing how feminist theory is generated from everyday life and the ordinary experiences of being a feminist, Sara Ahmed highlights the ties between feminist theory and living a life that sustains it by building on legacies of feminist of color scholarship and discussing the figure of the feminist killjoy.

Cultural theorist Sara Ahmed demonstrates how queer studies can put phenomenology to productive use by analyzing what it means for bodies to be "oriented" in space and time.

Originally published in 1939, Aime Cesaire's Cahier d'un Retour au Pays Natal is a landmark of modern French poetry and a founding text of the Negritude movement. This bilingual edition features a new authoritative translation, revised introduction, and extensive commentary, making it a magisterial edition of Cesaire's surrealist masterpiece.

Ties together political economy and affect in a time of decreased expectations.

Bringing together classic and writings of the trailblazing feminist theorist Chandra Talpade Mohanty, this title addresses some of the pressing and complex issues facing contemporary feminism. It offers a sustained critique of globalization and urges a reorientation of transnational feminist practice toward anti-capitalist struggles.

Sara R. Farris examines the calls for gender equality from an unlikely collection of European right-wing nationalist political parties, neoliberals, and some feminist theorists and policymakers, showing how their exploitation of feminist ideals justifies anti-Islam and anti-immigrant rhetoric and policies.

Using the multiple meanings of "wake" to illustrate the ways Black lives are determined by slavery's afterlives, Christina Sharpe weaves personal experiences with readings of literary and artistic representations of Black life and death to examine what survives in the face of insistent violence and the possibilities for resistance.

Regarded by many as one of the leading works of this century, this novel documents the resistance to fascism in Europe (and within Germany) during WWII.

Walter D. Mignolo provides a sweeping examination of how colonialty has operated around the world in its myriad forms between the sixteenth and twenty-first centuries while calling for a decolonial politics that would delink from all forms of Western knowledge.

In Amkoullel, the Fula Boy, Malian writer Amadou Hampate Ba-one of the towering figures in the literature of twentieth-century Francophone Africa-tells in striking detail the story of his youth, which was set against inter-ethnic conflict and the arrival and installation of French colonialism.

Sarah Jane Cervenak traces how Black artists and writers who create alternative spaces for Black people to gather free from those Enlightenment philosophies that presume Black people and land as given to enclosure and ownership.

Annmarie Mol reassess notions of human being and becoming by thinking through the activity of eating, showing how eating is a lively practice bound up with our identities, actions, politics, and senses of belonging in the world.

Mack Hagood outlines how noise-cancelling headphones, tinnitus maskers, white noise machines, nature-sound mobile apps, and other forms of media give users the ability to create sonic safe spaces for themselves, showing how the desire to block certain sounds are informed by ideologies of race, gender, and class.

Bonnie Ruberg presents twenty interviews with twenty-two queer video developers whose radical, experimental, vibrant, and deeply queer work is driving a momentous shift in the medium of video games.

Patricia Hill Collins offers a set of analytical tools for those wishing to develop intersectionality's capability to theorize social inequality in ways that would facilitate social change.

Achille Mbembe theorizes the genealogy of the contemporary world-one plagued by inequality, militarization, enmity, and a resurgence of racist, fascist, and nationalist forces-and calls for a radical revision of humanism a the means to create a more just society.

Terry Smith-who is widely recognized as one of the world's leading historians and theorists of contemporary art-traces the emergence of contemporary art and further develops his concept of contemporaneity through analyses of topics ranging from Chinese and Australian Indigenous art to architecture.

The Hundreds-composed of pieces one hundred or multiples of one hundred words long-is Lauren Berlant and Kathleen Stewart's collaborative experimental writing project in which they strive toward sensing and capturing the resonances that operate at the ordinary level of everyday experience.

Drawing on numerous examples from popular culture, Sarah Banet-Weiser examines the relationship between popular feminism and popular misogyny as it plays out in advertising, online and multi-media platforms, and nonprofit and commercial campaigns, showing how feminism is often met with a backlash of harassment, assault, and institutional neglect.

Jennifer C. Nash reframes black feminism's engagement with intersectionality, contending that black feminists should let go of their possession and policing of the concept in order to better unleash black feminist theory's visionary and world-making possibilities.

In this ethnography Liisa H. Malkki reverses the study of humanitarian aid, focusing on aid workers rather than aid's recipients. She shows how aid serves the needs of its recipients and providers.

Brenna Bhandar examines how the emergence of modern property law contributed to the formation of racial subjects in settler colonies, showing how the colonial appropriation of indigenous lands depends upon ideologies of European racial superiority as well as legal narratives that equated civilized life with English concepts of property.

Over the course of several personal essays, genderqueer activist/writer Eli Clare weaves together memoir, history, and political thinking to explore meanings and experiences of home, all the while providing an intersectional framework for understanding how we actually experience the daily hydraulics of oppression, power, and resistance.

Sharon R. Kaufman examines the quandary of patients, families and doctors not knowing the point where enough medical treatment becomes too much treatment. A hidden chain of drivers among science, industry, new technology, and insurance spur this quandary, serving to obscure the ability to identify the difference between extraordinary and ordinary medicine.

Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.