Bücher veröffentlicht von Dusie

Bathed in sources as diverse as Christine de Pizan's 1405 The Book of the City of Ladies, C.S. Lewis' Narnia series of the mid 20th c., Lauren Faust's 21st c My Little Pony reboot, Greco-Roman and Judeo-Christian narrative figurines, luminous lesbian modernists, and so on, Treadwell's Penny Marvel & the book of the city of selfys is at once an interrogation and an integration of permeable and fraying narratives of feminine selfhood, to allow for the inherent sovereignty of every syllable and sybil.

Deborah Poe is the author of the poetry collections keep (DUSIE), the last will be stone, too (Stockport Flats), Elements (Stockport Flats), and Our Parenthetical Ontology (CustomWords), as well as a novella in verse, He¿le¿ne (Furniture Press). Her writing has appeared in journals like Denver Quarterly, Bellingham Review, Court Green, Colorado Review, Yellow Field, Touch the Donkey, and Jacket2. Her visual works -including video poems and handmade book objects-have been exhibited at Pace University (New York City), Casper College (Wyoming), Center for Book Arts (New York City), University of Arizona Poetry Center (Tucson), University of Pennsylvania Kelly Writers House at Brodsky Gallery (Philadelphia), and ONN/OF "a light festival" (Seattle), as well as online with Bellingham Review, Elective Affinities, Peep/Show, Trickhouse, and The Volta. She lives in Seattle.

Written during the Spring and Summer of 2016, this book of poems wrestles in the time where the author felt a chaotic beginning. The title, Last Days on Earth, does not mean that we are finished. In the Last Days On Earth… represents how our old ways are being replaced by what is emerging as a "New Love." The 'sections' of the text and the "off-mirror" like images created in each two-page spread are meant as spaces for meditative reflection. This makes it possible to read a few lines at a time and have the space to reflect and feel what they 'mean' and how they resonate in you. It is in that resonance where we have an opportunity to feel a greater connection to one another and all. The 'sections' of the text, and the "off-mirror" like images created by each two-page spread, are meant as spaces for meditative reflection. In this space that Ross gives the reader the chance to read a few lines at a time and resonate and feel in that space-in the meaning and refrain to explore a deeper connection to oneself and another in the world.

New innovative poems by American Poet Vincent Zompa. "Chasing the answer to the turning flame's tongue," Vincent Zompa's Heard Animal offers us "a conversation in a new language." These incandescent poems of place and displacement record a restless nomad's traveling across land- scapes of memory and desire, radical uprootings of language, unholy sacraments of the imagination. Here inner and out worlds collide and " The heart is simply homesick, learning the word for windows." --L. S. Asekoff