Bücher veröffentlicht von Ecco Press

"This cookbook is a whole way of life. What care, love, and work have gone into it. I find it fascinating. I think people would just love it, as it is not like anything else around." -Julia ChildIn the high Alpine valley of Le Grande Chartreuse, Roy Andreis de Groot discovered by accident a charming and unpretentious little inn L'Auberge de l'Atre Fleuri. Impressed by the devotion of its owners to perpetuating the tradition of supreme country dining, Mr. de Groot returned to the inn to record their recipes for natural country soups, hearty winter stews, roasted meats, pates, terrines, and fruity and spirituous desserts--the best of French cooking.Superb food, fine wine and the perfect blending of both into a series of menus for memorable lunches and dinners, together with the unique French Alpine recipes that build each meal--these are the ingredients of this remarkable book, now considered a classic.

W.H. Auden is unquestionably one of the most fascinating and influential literary figures of the twentieth century. His formal innovations in poetry and drama have immeasurably affected modern literary consciousness, as have his reactive views about political and literary trends. At the time he wrote The Prolific and the Devourer, Auden was moving away from his vocal Marxism of the 1930s toward a committed Christianity in the 1940s and beyond. The Prolific and the Devourer sheds new light on the personal and public worlds he inhabited, philosophically drawing the line between the position of the artist and that of the politician. The book takes its title and, in part, its form from William Blake's The Marriage of Heaven and Hell. In Auden's interpretation, the Prolific are those who produce: the farmer; the skilled worker; the scientist; the cook; the innkeeper; the doctor; the teacher; the athlete; the artist. The Devourers are the political types who depend on what is already produced for their well-being: the "Judges, Policemen, Critics. These are the real Lower Orders, the low, sly lives, whom no decent person should receive in his house." As in Blake, the sections and subsections of Auden's book are unified and propelled by the oracular need to express the key components of human nature. The first section contains a series of aphoristic statements and personal reflections that usher us into the enormous territory to be explored. In the second section, Auden chooses examples from politics, religion, and literature to expound his views on human and historical evolution. The third section examines the characters of the Prolific and the Devourer in relation to Catholic, Protestant, andRomantic traditions and to Socialist and Fascist beliefs. The question and answer form employed in the final section allows Auden to reveal his inner struggle to reach some understanding of God, the supernatural, and pacifism. At a time when spiritual and political values are co

In this sexy, racy collection of short prose takes by a master of the form, Joyce Carol Oates makes her own appointment with character and event--a sort of extended sequential reverie that surprises and sometimes shocks, but always satisfies.

Excerpts from the novels, plays, and poems of the French convict, prostitute, and literary artist join notes from his film, The Penal Colony, letters, essays, and a rare interview, all edited by a contemporary biographer.

Borges On WritingIn 1971, Jorge Luis Borges was invited to preside over a series of seminars on his writing at Columbia University. This book is a record of those seminars, which took the form of informal discussions between Borges, Norman Thomas di Giovanni--his editor and translator, Frank MacShane--then head of the writing program at Columbia, and the students. Borges's prose, poetry, and translations are handled separately and the book is divided accordingly.The prose seminar is based on a line-by-line discussion of one of Borges's most distinctive stories, "The End of the Duel." Borges explains how he wrote the story, his use of local knowledge, and his characteristic method of relating violent events in a precise and ironic way. This close analysis of his methods produces some illuminating observations on the role of the writer and the function of literature.The poetry section begins with some general remarks by Borges on the need for form and structure and moves into a revealing analysis of four of his poems. The final section, on translation, is an exciting discussion of how the art and culture of one country can be "translated" into the language of another.This book is a tribute to the brilliant craftsmanship of one of South America's--indeed, the world's--most distinguished writers and provides valuable insight into his inspiration and his method.

A dazzling collection and already a standard reference for those interested in contemporary drama, Plays in One Act is a unique compilation of plays and monologues that showcases a stunning and diverse array of work from some of the most important voices in theater.Forty-three modern works are collected here: from plays by important contemporary artists such as David Mamet, Wendy Wasserstein, Sam Shepard, and John Guare, to gems by masters like Arthur Miller and Tennessee Williams, and newer talents like Carol S. Lashof and Perry Souchuk. Leading British playwrights -- Tom Stoppard, David Hare, and John Osborne -- are also featured, along with the international voices of Václav Hacel and Kobo Abe, and works by such established wtiters as Eudora welty, Joyce Carol Oates, Richard Ford, and Garrison Keilor, who are writing outside their traditional genres.