Bücher veröffentlicht von Edward Everett Root

This new work is currently the only book devoted to the teaching of one of the most canonical and frequently taught American authors. The specially commissioned essays are designed to help teachers meet students at points of genuine interest and need. They incorporate biographical, literary, historical, and multidisciplinary scholarship.

That Ezra Pound was the chief architect of Modernism in English and American poetry is well established. So, too, is the fact that in T. S. Eliot he discovered a peer, whose early career he fostered. Together, Pound and Eliot defined what Modern Poetry meant. But they also had peers in two great Irish writers: Yeats in poetry and Joyce in fiction.

This book brings to the fore much new work on this key area of Pound’s endeavours and interests, and on the social, political, and philosophical implications of his works. They also deal with his interests in Chinese virtues, Egyptian hieroglyphs and autobiographical myths, where he combined his appreciation of both the Green World and the arts.

This two-volume set brings together the essential and extensive publications by Professor Thompson otherwise scattered in many journals. These pieces form a major supplement to his classic book English Landed Society.

This two-volume set brings together the essential and extensive publications by Professor Thompson otherwise scattered in many journals. These pieces form a major supplement to his classic book English Landed Society.

This unusual work offers a personal documentary and highly individual witness to the terrible events in Flanders in 1917. The Battle of "e;Third Ypres"e; - popularly known as "e;Passchendaele"e; - epitomized the worst slaughter on the western front of the First World War. Many thousands killed, to no avail; the trenches full of mud; the total annihilation of the landscape; attempts to break through to victory which only produced minor movement forward, and at a terrible cost. This book tells the previously untold story of daily life immediately behind the frontline during the tragic year of 1917. The author, who kept a detailed record of events and attitudes, was a village priest, Achiel Van Walleghem. He lived in Reninghelst, just west of Ypres, and kept an extensive day-by-day account. He was very well informed by the officers lodging in his presbytery. And, urged by his innate curiosity, he witnessed and noted the arrival of the first tanks and the increasing importance of the artillery. He also visited the camps of the Chinese Labour Corps and the British West Indies Regiment. On 7 June 1917 he awoke early to see the enormous mines of the Battle of Messines exploding. And he was present when a deserter was shot at dawn. He records all this - and much more - with an unusual humanity. As a bystander living amidst the troops, he often had a special view of the events that unfolded before his eyes. Van Walleghem notes much that mattered to the soldiers there, and to the local people. This includes the influence of bad weather on the mood and morale of both troops and civilians, as well as military events. His comments on the different attitudes of English, Irish, Australian or other Empire troops and divisions are often priceless. But Van Walleghem equally records the misery of the local Flemish population and their relationship with the British rank and file: in bad times such as when a local is accused of spying, but also in good times when a village girl gets married to a British soldier. This diary is not just a forgotten source of the western front, it is one that will forever change our views on the conflict, and on how men and women tried to cope. In a year when many works will be published about Passchendaele this is a unique book.

The leading historian in this field here offers a number of specific studies which do much to illuminate the politics, literature and culture of alternative visions.Contents: Introduction. “Moral Force” and “Physical Force” in the Poetry of Chartism: John Mitchell and David Wright of Aberdeen; Mrs Rochester and Mr Cooper: Alternative Visions of Class, History and Rebellion in the “Hungry Forties”; Voices of Anger and Hope from the 1840s to the 1940s: Hugh Williams, T.E. Nicholas and Idris Davies; Bart Kennedy: Hater of Slavery, Tramp and Professor of Walking; Rebels on the Stage: Turn-of-the-Century Plays by Wilde, Galsworthy, Jones and Lawrence; The Shipbuilders’ Story; Felled Trees – Fallen Soldiers; Individual, Community and Conflict in Scottish Working-Class Fiction, 1920-1940; Genteel Anarchism: Herbert Read’s Poetry of Two Wars; Foregrounding the Kitchen: Everyday Domestic Life in Painting and Drama (with illustrations); Anti-authoritarianism in James Kelman’s Late-Twentieth-Century Fiction; John Burnside’s Living Nowhere as Industrial Fiction. Index.

This book begins with 'ways of seeing' the lives and times of religious and other organisations as instances of cultural creativity, and as rival clusters of social potential. It tells the story of class conflict over forms of association - for example between the Friendly Societies and the private insurance industry since National Insurance began with Lloyd George in 1911. Stephen uses his experience at Ruskin College to think practically as well as historically about co-operative schools, 'access' to Higher Education and the idea of a co-operative university. The book ends by suggesting ways forward for Co-operative Studies and co-operative politics - examining the obstacles and opportunities facing twenty-first century Co-operative and Mutual Enterprise.

This revelatory and often startling book is the most unusual insider-story about book publishing ever issued. It pivots on the enormous changes in publishing, its culture and politics over four tumultuous decades since the 1970s. / The book does so in providing a detailed blow-by-blow account of the author's struggles over the eventual publication of his classic and magisterial work Charles Dickens and His Publishers. This was originally issued in 1978 - and reissued in a second revised edition by Oxford University Press in 2017. / "Behind The Scenes" is an essential 'read' for every author faced with the complexities of the modern publishing world. / It deals with the many distinct components: authorship, illustration, bibliography, printing, cultural formations, circulation, readership, and use. Valuably, too, it is about the many challenges to overcome. / Robert Patten shows what has recently happened to scholarly publishing, as instanced by his book with OUP. He analyses how the process of soliciting, editing, publishing, and selling one retail title was and is conducted (and how changes have happened since the 1970s); who initiates and formulates a project, and how; under what cultural regimes-legal, commercial, academic. He asks what combination of agencies [persons, machinery, distribution systems] enables a book to be manufactured, marketed and sold in the various ways in which books reach the marketplace today. It is a key work in communications history.

Sir John (Jack) Harold Plumb (1911 - 2001) was a great British historian. He led an extraordinary life of startling contrasts, much of it cloaked in secrecy. This memoir attempts to lift that cloak This is a very personal account written by Neil McKendrick, a fellow historian, a fellow Master of a Cambridge college and one his oldest and closest friends, who knew Plumb from his early days to his dying hours some fifty years after they first met. This new memoir depicts a startlingly revelatory portrait of a complex and controversial man who moved from poverty to great affluence; from beginning his life in a two-up two-down terrace house in Leicester to end it in what was called "Jack's Palace" surrounded by a world-class collection of Vincennes and Sèvres. Plumb's personality was sufficiently beguiling to attract the attention of four significant novelists who left six vivid if unflattering fictional versions of him - depicting him as a ruthless charmer, a serial bisexual philanderer and, most bizarrely of all, as a murderer planning a further murder. In truth the real man needed no fictional elaboration to make him unusually interesting. In fact his life is often astonishing. The historian, who achieved such international eminence that, on the direct order of the US President and after a unanimous vote in Congress, the Union flag was flown over the American Congress on his 80th birthday to do honour to the historian who had taught the American people so much, was no run of the mill academic. In addition to his academic work, during the Second World War Plumb worked in the code-breaking department of the Foreign Office at Bletchley Park, Hut 8 & Hut 4; later Block B. He headed a section working on a German Naval hand cipher, Reservehandverfahren. He became Professor of Modern English History at Cambridge in 1966, serving as Master of Christ's College from 1978-82, when he was knighted in 1982. His pupils included Simon Schama, Roy Porter, Niall Ferguson and Quentin Skinner. Plumb had moved from drinking beer in down-market pubs in his youth to drinking champagne in aristocratic drawing rooms and owning the finest collection of claret in Cambridge; from a passionate socialist for most of his life (with, at one time, strong Communist sympathies) to a passionate Thatcherite in his 70s; from his provincial working class family in Leicester to become a close friend of the Rothschilds and a companion of the Queen's sister who gave a memorable 80th birthday party for him in her home at Kensington Palace Gardens. He moved from a Cambridge college reject in his youth to the Mastership of Christ's; from a rejected author (of both a novel and his early research) to an acclaimed and prolific writer, editor and journalist; from a conventional heterosexual youth in Leicester to an opportunistic bisexual life thereafter; from his life-enhancing and inspiring best to his embittered worst in extreme old age; from his infancy when he was wet-nursed by a friend of his mother's to his funeral when he was buried without mourners or music or elegies or even a coffin. For all his achievements, his life also encompassed failure and disappointments and its end was almost unbearably sad. This memoir is an attempt to do for Plumb what a relative of Lord Macaulay once did for that great historian, when he wrote: "There must be tens of thousands whose interest in history and literature he has awakened and informed by his pen, and who would gladly know what manner of man it was that has done them so great a service". The "manner of man" that emerges from this book is as fascinating as it is surprising.

This major new work on significant but neglected or marginalised late nineteenth-century and early twentieth-century Irish women writers could not be more timely.  / This collection presents international research on the work of Irish women writers at the turn of the twentieth century. Discovering new voices and introducing original perspectives on the lives, works and networks of more familiar literary figures, these essays make a key contribution to contemporary feminist recovery projects and remapping the landscape of Irish literature of this period. / There is a burgeoning interdisciplinary and international field in which a diverse range of hitherto neglected Irish women writers have been recovered, and their lives, works, networks and other contexts illuminated.  Irish Women Writers at the Turn of the Twentieth Century capitalises on this rich, diverse and innovative field, drawing on new scholarship that develops existing strands of enquiry further. It also opens up new avenues for exploration. / The strengths of the work is in its seeking of new engagements specifically in relation to Irish women’s cultural economies, particularly literary networks, access to literary production and publication, the long nineteenth century and emergent modernist aesthetics. A further key concern is the politics of retrieval of lost women’s lives and writings, the relationship of Irish feminist critical projects to the ongoing acts of commemoration associated with the formation of the Irish state, and increasing concerns with the future-proofing of ‘lost’ feminist digital recovery projects of the 1990s. / This new collection of original work offers new scholarship about these concerns in late nineteenth-century and early twentieth-century Irish women’s writing. It draws attention to the significant figure of the Irish New Woman, feminism in the archives, vegetarianism and suffrage, anthologies and the canon, literary and publishing networks, digital methodologies, and women’s writing and intellectual journals, newspaper and periodical histories. / Waking The Feminists, a movement campaigning for better female representation in the arts was established in Ireland in 2015. The launch of ‘Fired!’, a ‘convergence of practising women poets and academics responding to the publication of The Cambridge Companion to Irish Poets (2017) protested against the exclusion of Irish women poets generally from the literary canon, including many who were popular and prolific during the nineteenth century. / Two recently held events – ‘Irish Women Playwrights and Theatremakers’ (2017) and the symposium, “Occluded Narratives: Researching Irish Women’s Writing (2016) - foregrounded the interest in these areas and the plenitude of new research. The present book draws on work first presented at the editors’ symposium, “Occluded Narratives: Researching Irish Women’s Writing (1880-1910)” (May Immaculate College, Limerick 2016) where the Irish Women’s Writers Network was also launched.

This revised edition includes an introduction and bibliographical guide to electoral sources for the important period of reforms, 1832-1885, by Professor H. J. Hanham. It remains an essential work of reference for any serious study of the electoral system of the UK. It is an indispensable work by the noted Parliamentary insider who devoted his life to his compendiums.