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'To attack and ambush, to snipe and raid is the job of the Australian Guerrilla. By rifle and grenade, by machine-gun and mortar to kill them, harry them, trap them, grant them not one moment's peace day or night. Break their hearts! Smash their outposts, blow up their tanks, bomb their communications, burn their airfields. To be a hawk by day and a shadow by night, to be a killer by day or night is the sworn job of the Australian Guerrilla on his native soil.' These Australian guerrilla manuals were written by Ion Idriess at the time of imminent invasion by the Japanese. Following the massive bomb attack on Darwin in early 1942, Idriess wrote six manuals in one year to help aid the local militia, based on his extensive experience in guerrilla tactics in World War 1. As the Japanese continued to raid Sydney Harbour, Newcastle, Broome and Toowoomba, Idriess offered his knowledge on the art of warfare to Australians at home.

Abdul the Sniper was the pride of the Turkish Army. They named his rifle 'The Mother of Death'. Because, so declared the Ottoman Guard, 'her breech gave birth to bullets which destroy the lives of men'... Idriess was a trooper with the Light Horse at Gallipoli, all the way to Beersheba, and his diary was published as The Desert Column. Drawing on his military experience, this is one of six manuals written for soldiers and civilians in 1942, when invasion by the Japanese seemed imminent. This volume includes the full story of the duel between Australian sniper Billy Sing and his opposite number, Abdul the Terrible in the trenches at Gallipoli. A believer in guerrilla warfare in the open spaces of Australia, Mr. Idriess seeks, by thrilling narrative and advice, to teach young men and people of the back country how to use the rifle to the best advantage. To be a guerrilla one has to be a good rifleman - a sniper - acting independently of other troops, clever at camouflage, with keen ears, and with eyes that are observant and sharp. - Newcastle Herald

Idriess was a trooper with the Light Horse at Gallipoli, all the way to Beersheba, and his diary was published as The Desert Column. Drawing on his military experience, this is one of six manuals written for soldiers and civilians in 1942, when invasion by the Japanese seemed imminent. Here Mr Idriess gives in illustrative detail the technique of guerrilla warfare under Australian conditions. As will be seen by the subject headings, every phase is dealt with. Here is the complete vade-mecum for the guerrilla fighter, a forceful, vivid book that teaches how, in Australia, he may play a part as vital as that played by the Russian guerrilla in aiding his army.

(Author's Preface)I should like to state at the beginning of my book that what is stated in it on controversial matters is my own firm opinion, except where in a few cases the views of other people are published and their names given.I wish to make it clear that though there were, and are, sharp differences of opinion on the subject of Fast-Leg-Theory bowling between myself and some Australians, there was always an atmosphere of complete cordiality between the teams on both sides. Although we differ seriously over my Fast-Leg-Theory bowling I have done my best in the following pages not to disturb that atmosphere.Until now my side of the matter has not been heard. I have refused many tempting offers to break silence. As a fast bowler and a hitter by nature I have written strongly because I cannot express myself otherwise.I hope very much indeed that in doing so, though I was one, of the aggrieved parties in Australia, I have given nobody half the offence from which I suffered so often on the last tour.A belief exists that some of the things I have written about are not yet to be discussed.Obviously I differ from that view. I do so because I feel that in a matter of such vital interest to cricketers as the possible admission by legislation of such a far-reaching principle as that bowlers may not bowl as they like, no cricketer can keep silent. I believe I have only written here what very many cricketers are saying. But I have written supported by first-hand knowledge.For the many imperfections of style and language in my first book I beg the indulgence of my reader.Yours Sincerely,H. Larwood

(Author Note)Forty Fathoms Deep is part of the story of the pearl seas of north-western Australia. In all but a few instances, I have used names well known in the pearl world of Broome, but have taken care not to hurt susceptibilities. I am conscious I have only gleaned in a field rich with romance. There is material for many books in the adventurous lives of the men who have built up the history and industry of Broome. It is to be hoped that someone more persuasive than I will induce them to sit down and write, or, failing that, sit and talk for the enlightenment and entertainment of fellow Australians. I am greatly indebted to numerous friends in Broome who have helped me with material and who went to such pains to get for me authentic data. Hail and farewell, with a warm heart, to Con and old Sebaro, and to all the divers and tenders and seamen who were so patient at explaining the many things I desired to see and know. To all, a fair wind and a hungry market when the fleets put to sea! ION L. IDRIESS.

For a long time I have been intending to write down earliest memories to discover how many I retain clear-cut before my memory is too moth-eaten. I meant to do this as a diary for myself alone, as sailors in the doldrums erect full-rigged ships in bottles just because the mind is an instrument that sanity cannot leave idle. I must find some kind of exercise for a mind unused except on chores or with the triffle-traffle of housewives.' Miles Franklin wrote this delightful autobiography in 1952-1953. She was unable to arrange for publication before her death in 1954 and the MS. came to Angus and Robertson Ltd from her executors, the Permanent Trustee Co. Ltd of New South Wales. It was first published in 1963.

Deep in Australia's outback, a woman has been murdered, her daughter vanished. Ole Fren Yorky, a crazy wanderer, is known to have been in the area, and his footprints have been identified near the body. When he too disappears, even the Aboriginal trackers are baffled. Bony's approach changes everything...It becomes one of Bony's great adventures... He pictures the merits of Aboriginal society. And he uses weather - in this case the threatening rising of the lake - to picture man's heroic stature. The setting, the events, the pace of telling the story, the style of telling it - all combine to make this a tight, effective crime novel. - From The Spirit of Australia by Ray Brown.

It is in a harsh and eerie landscape - the crater formed by the meteor they called "The Stranger" - that another stranger is found... dead. In an area where the presence of every outsider is announced by the bush telegraph, how had this man passed unreported? Who was he? How had he died? No tracks around the crater and no stranger in town. It soon becomes obvious to Bony that both the locals and the Aboriginals are guarding a secret - untill the will of the Tribe breaks their silence...This is undoubtedly Upfield's strongest book, for a number of reasons: 1) Bony is at his best in his detective work; 2) Upfield is at his best in studying the social and cultural situations of the white and the Aboriginals; 3) though the physical setting is less intense than in some other works, it is strong here; 4) Upfield's symbolism - especially in the use of the metaphor of clothes vs nakedness - is extraordinarily complex. There is no doubt that this particular book is a masterpiece in every way. - from The Spirit of Australia by Ray Brown.