Bücher veröffentlicht von Europa Editions

A number 1 bestseller in France and translated into over twenty-five languages, Billie is one of the most beloved French novels to be published in recent years. A brilliant evocation of contemporary Paris and a moving tale of friendship, Anna Gavalda's new novel tells the story of two young people, Billie and Franck, who, as the story opens, are trapped in a gorge in the Cevennes Mountains. Billie begins to tell stories from their lives in order to calm herself and Franck as darkness encroaches. In alternating episodes, the novel moves between recollections of the two characters' childhoods and their dire predicament.Franck's life has been impacted by a childhood spent with a perennially unemployed father who toyed with Christian extremism and a mother aestheticized by antidepressants. A bright kid, Franck's future was menaced at every turn by the bigotry surrounding him. As for Billie, her abiding wish as an adult is to avoid ever having to come into contact with her family again. To escape from her abusive and alcohol-addled family, she was willing to do anything and everything. The wounds have not entirely healed.At the heart of Gavalda's moving story lies a generosity of spirit that will take readers' breath away, and an unshakable belief in the power of art to lift the most fragile among us to new vistas from which they can see futures full of hope, love, and dignity. Billie is a beautifully crafted novel for readers of all ages and from all walks of life that conveys a positive message about overcoming life's trials and tribulations.

She is among the greatest Italian authors of recent years.-Corriere della SeraFerrante dissects the personal microcosm so well, and with awesome lucidity and precision shows us the meanderings of a woman's mind, the suffering that accompanies being abandoned, and the awful rumbling of time passing.-El MundoElena Ferrante has given us a startlingly beautiful novel of exceptional and bold strength.-Il ManifestoSevere and rigorously unsentimental, packed full of passages written with dizzying intensity at a rare and acute pitch. Ferrante is at her best when her writing holds tight to those nagging, niggling obsessions that make up our mental landscapes.-La StampaA national bestseller for almost an entire year, The Days of Abandonment shocked and captivated its Italian public when first published. It is the gripping story of a woman's descent into devastating emptiness after being abandoned by her husband with two young children to care for. When she finds herself literally trapped within the four walls of their high-rise apartment, she is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal.

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world. IN THIS VOLUME: Paolo Macry on Naples' "monarch mayors"・Francesco Abazia on the influence of the US Army's presence on Neapolitan popular music・Cristina Napolitano on the Neapolitan diaspora, and what it means to come back・Gianni Montieri on the city's passion for football・Alessandra Coppola on the cult of the young victims of the Camorra, or the police, and much more... In recent years, Naples has been the subject of countless books, films and TV series, making it even more difficult to imagine a Neapolitan normality, if it exists at all. As Naples becomes the most filmed city in Italy, where to look for the ordinary, the average? Maybe we need to "go up" to Vomero, a neighborhood considered almost alien to the city, middle class, homogeneous, peaceful? A reality in sharp contrast with the over-the-top life of the historic centre, crossed as it is by a thousand stratifications - architectural, historical and social. And yet even there we find an alternative reading: the city as a model of coexistence between ancient and modern. While some areas have been waiting for decades for much promised redevelopment, others have benefited from cutting-edge projects with far-reaching positive impact, representing a Naples that attracts talent, exports models, and colonizes instead of being colonized.

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world. IN THIS VOLUME: Hell Joseon by Elisa Shua Dusapin - The View from the North by Lee Hyeonseo - Lessons in Democracy by Jiyoung Choi - plus: the Samsung Republic and the most militarized border in the world, the real reason why Korean women don't have children, democracy and K-pop, baseball, esports, and shamanism, and much more... From kimchi to TV series, from Oscar-winning films to K-pop, from webtoons to cosmetics, in recent years Korea has captured the global imagination, one viral trend at a time. In this volume, The Passenger sets out in search of the world's coolest nation. Eighty years ago, at the end of a devastating civil war, South Korea was one of the poorest countries in the world, under constant threat from the Communist regime north of the 38th parallel and completely dependent on the United States for its security and prosperity. Today, it is the world's tenth-largest economy, a dynamic and innovative country with a per capita GDP similar to that of Western Europe, a lively and participatory democracy that stands up to its larger, more powerful neighbors. And above all, the country is the origin of the hallyu--the Korean wave--which has reached every corner of the world and taken the global entertainment, food, and culture industries by storm. This extremely rapid and astonishing transformation has inevitably brought ruptures and contradictions. If the global youth looks to Korea as previous generations looked to Hollywood and New York, young Koreans instead talk about Hell Joseon: a country that is rapidly aging, an economic system dominated by powerful chaebols (family-controlled conglomerates), a fiercely competitive educational system, a generational gap in outlook and behavior and, at the center of it all, the role of women-- one of the keys that The Passenger has chosen to try to decipher a complex, fascinating country, central to the dynamics of today's world, and that is often exoticized and idealized to the same extent.

"Two years before leaving home my father said to my mother that I was very ugly. The sentence was uttered under his breath, in the apartment that my parents, newly married, had bought in Rione Alto, at the top of Via San Giacomo dei Capri. Everything—the spaces of Naples, the blue light of a very cold February, those words—remained fixed. But I slipped away, and am still slipping away, within these lines that are intended to give me a story, while in fact I am nothing, nothing of my own, nothing that has really begun or really been brought to completion: only a tangled knot, and nobody, not even the one who at this moment is writing, knows if it contains the right thread for a story or is merely a snarled confusion of suffering, without redemption."