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Lyra is an orphan who lives in a parallel universe in which science, theology and magic are entwined. Lyra's search for a kidnapped friend uncovers a sinister plot involving stolen children and turns into a quest to understand a mysterious phenomenon called Dust.

It is the story of the Galactic Empire, crumbling after twelve thousand years of rule. And it is the particular story of psycho-historian Hari Seldon, the only man who can see the horrors the future has in store: a dark age of ignorance, barbarism and violence that will last for thirty thousand years.

Here, too, are thrilling, terrifying stories such as 'The Fog Horn' - perfect for reading under the covers. Read for the first time, these stories are a feast for the imagination;

In the five novels by Ireland's greatest comic writer we can explore the full range of his invention, from the multi-layered madness of At Swim-Two-Birds to the piercing realism of The Hard Life and the surreal logic of The Third Policeman.

Hugo's grand medieval melodrama tells the story of the beautiful Esmeralda, a gypsy girl loved by three men: Archdeacon Frollo, his adoptive son Quasimodo, bell-ringer of Notre-Dame cathedral, and Captain Phoebus.

Includes "Things Fall Apart", "No Longer at Ease", and "Arrow of God". In "Things Fall Apart" the individual tragedy of Okonkwo, 'strong man' and tribal elder in the Nigeria of the 1890s is intertwined with the transformation of traditional Igbo society under the impact of Christianity and colonialism.

more recent luminaries include Brecht, Cavafy, Gabriela Mistral, Dylan Thomas, Iku Takenaka, Pablo Neruda, Wislawa Szymborska, Anne Stevenson, Maya Angelou, Derek Walcott, John Burnside and Ian McMillan.

Primarily known as a dramatist, Chekhov also wrote short stories. This selection of his work includes "The Swedish Match", "Easter Eve", "Mire", "On the Road", "Verotchka", "Volodya", "The Kiss", "Sleepy" and "The Steppe".

The legendary origin of the Roman nation which tells the story of the Trojan Prince Aeneas who escaped with some of his men after Troy fell and sailed to Italy under the protection of the goddess Venus. Here they settled and laid the foundations of Roman power.

In Lord Byron's lifetime, details of his travels were widely known through poems set in different countries, ranging from his homes in Scotland and England, through Europe and the Middle East, to the South Pacific and into extra-terrestrial realms. At the same time, a much more personal story was being shared with friends and family. Even when divided from those whose company he most enjoyed, Byron continued to share his thoughts and feelings about wherever he happened to be. His compulsive letter-writing reveals a strong desire to reach across space, to connect and reconnect with those elsewhere. While his memoirs did not survive the ceremonial posthumous bonfire at 50 Albemarle Street, many of Byron's correspondents treasured every word in their possession. This means a remarkable legacy has been preserved in letters that still seem as alive with conversational energy as when they were dashed off more than two hundred years ago. Through Byron's letters and journals, we are still able to become mental travellers, transported across time and space by this brilliant, mercurial, magnificent and often maddening writer.

Variations on a musical theme by a striking range of authors, among them Flaubert, Turgenev, Proust, Nabokov, Katherine Mansfield, Kazuo Ishiguro, Ian McEwan, Amit Chaudhuri, Bernard MacLaverty and Maya Angelou. Wesley Stace's attractive medley embraces musical genres from Virginia Woolf's 'A String Quartet' to Langston Hughes's 'The Blues I'm Playing' and Cathi Unsworth's rock-'n'-roll 'Johnny, Remember Me'. Short stories are interspersed with interludes from longer works - E. M. Forster's Howards End, Ann Patchett's Bel Canto and Vikram Seth's An Equal Music. Here are music lessons, solos and duets, rehearsals and performances - and a whole suite of stories demonstrating that music is indeed the food of love. The perfect marriage of the musical and the literary.

The archetypal Romantic, killed in a duel in 1837 at the age of 37, Alexander Pushkin was effectively the founder of modern Russian literature. Though famous as a poet, he was equally at home in prose, and this volume includes all his short fiction, as well as unfinished sketches and fragments. Here of course are his masterpieces, 'The Queen of Spades', Pushkin's ironic take on both the supernatural and the society tale, the terse, deadpan Tales of Belkin, often humorous yet imbued with deep understanding of human nature, and his unsurpassable novella, The Captain's Daughter, which, informed by his meticulous research into the Pugachev Rebellion against Catherine the Great, is a perfect combination of folk epic, historical narrative and romance. Other works include the richly comic 'A History of the Village of Goriukhino', the imaginative historical fiction 'The Moor of Peter the Great' (based on the life of the author's own great-grandfather. Pushkin was particularly proud of his African ancestry), and 'Journey to Arzrum', the fascinating autobiographical account of his (unauthorized, and greatly displeasing to the Tsar) travels in the Caucasus at the time of the 1828-9 Russo-Turkish war.

The Uyghur people of Central Asia have a long and distinguished tradition of poetry - indeed, their first oral epic was circulating as early as the 2nd century BCE. In the medieval period Sufi poetry flourished, embracing Persian forms such as the ghazal, which spoke eloquently of beauty, love, loss and separation. A major poet, Alshir Navayi (1441­-1501) fully established classical Turkic or Chagatai as a perfect vehicle for poetic expression. Some contemporary poets continue to find inspiration within the traditional forms, while others experiment with a freer style of verse.Uyghur poetry reflects the magnificent natural landscapes where the Uyghurs have lived for two millennia - endless steppes, soaring mountain ranges and mysterious deserts, crossed by the historic Silk Road. It is also shaped by their turbulent past, caught between warring empires or marauding warlords - and their deeply troubled present.The Uyghurs form a minority in China, where the government is now making a systematic attempt to erase their language and culture. Many intellectuals have been imprisoned, and many poets are now writing from exile, including the editor and translator of this volume, Aziz Isa Elkun, who lives in London. Uyghur Poems is not only a celebration of an ancient and vibrant poetic tradition, but also a vital witness to a culture under threat.

Elves, changelings, leprechauns, pixies, brownies and sprites; England's Queen Mab, France's Melusine, Scandinavian nixies and Scottish selkies: these magical creatures are sometimes mischievous, sometimes dangerous, always enchanting. This collection brings together a diverse array of literary fairies: here are Spenser's Faerie Queene, Shakespeare's Titania, Keats's Belle Dame Sans Merci, of course, but also Rimbaud's 'Fairy', Goethe's 'Erl-King', Denise Levertov's 'Elves', Sylvia Plath's 'Lorelei', Christopher Okigbo's 'Watermaid', Neil Gaiman's 'The Fairy Reel' and Patience Agbabi's changeling boy ('The Double').

Dip into this inspired assortment of concise masterpieces, and draw out - a fragment of Sappho from ancient Greece, a perfect haiku from Japan; a brief nature poem by John Clare, Robert Frost, Ted Hughes or Boris Pasternak; a compact love poem by Alexander Pushkin or Anne Bradstreet, Robert Herrick or Carol Ann Duffy; a miniature story by Hardy, Rumi or Roethke; a pithy meditation by Wang Wei, Emily Dickinson, Tennyson or Lorca. Dip again, and discover the compressed wit of Dorothy Parker and Ogden Nash; contemporary poets Simon Armitage and Moniza Alvi at their most succinct; short poems in very odd shapes from Apollinaire and Vaclav Havel ... So few lines, so much variety: epitaphs and epigrams; couplets and quatrains; lyrics, limericks and lullabies - go on, dip again.

Place of refuge, place where we can be ourselves; place we long to escape from, place where we are confronted by absence and loneliness; shabby downtown apartment or idyllic country cottage. Like it or loathe it, home is where we do most of our living. Home is, of course, many things to many poets. It is Billy Collins's favourite armchair and Imtiaz Dharker's 'Living Space' in the slums of Mumbai. It is Wordsworth's 'dear Valley' of Grasmere, and Philip Larkin's Coventry, that place where nothing so famously happens. It may be somewhere we long for, perhaps unattainably: Ovid and Mahmoud Darwish lament their home countries, Kapka Kassabova seeks 'a house we can never find', while Jules Supervielle is 'Homesick for the Earth'.There is an abundance of domestic life. Attend a miserable breakfast chez Jacques Prévert; observe Wendy Cope and partner happily 'Being Boring'. Cut to Anna Barbauld's washing-day, Marilyn Nelson dusting, Buson mending his clothes and Fiona Wright contending with a Tupperware party. Peep in on Amy Lowell in the bath and John Donne in bed, Auden in the privy and Joy Harjo at the kitchen table. Here are removals and homecomings, neighbours good and bad. Inevitably, after a year of enforced domesticity, some lockdown thoughts (Anna McDonald, Pauline Prior-Pitt); Mary Oliver's dream house, Naomi Shihab Nye's homes where children live, the far-from-safe houses of U. A. Fanthorpe, and some final reflections on the idea of a dwelling place from Rumi, Emily Dickinson, John Burnside, Vinita Agrawal, Derek Walcott, Les Murray and Iman Mersal. It may not always be sweet, but there is certainly No Place Like Home.

Ever since Pushkin, Russian poets have been famous for their ability to combine private and public experience in lyric poetry of a comprehensiveness and intensity unmatched elsewhere.

Coleridge is the most complex and brilliant, yet the most elusive and intense of the great Romantic writers. This book includes a selection of verse and prose which tells about his work.

Edith Wharton's subtle variation on the theme of the eternal triangle features Anna Leath, a rich American widow living in France; and the first love of Anna's youth, George Darrow, who has come back into her life. Hoping to be reunited with George, Anna finds the path of love does not run smooth.

Roberta is the eldest daughter of a man unjustly sent to prison, who shows great courage, and who is ultimately reunited with her father when he is vindicated and restored to his family. This book spawned the TV film starring Jenny Agutter as Roberta, and Bernard Cribbins as the railway porter.

In a book that is part fairy tale and part thinly veiled autobiography, Dickens transmutes his life experience into a brilliant series of comic and sentimental adventures in the spirit of the great eighteenth-century novelists he so much admired.