Bücher veröffentlicht von Eyewear Publishing

It Takes a Killer . . . Foster is not Jasper's father. He's the assassin who killed his family. Jasper was eight years old when he was kidnapped and raised by a killer. Not only raised . . . trained. To Raise a Killer . . . Jasper has now been a trained assassin for decades. Not only does he kill for a living, he has continued in Foster's footsteps - raising a 'family' of his own. Lost souls of the departed. Children who should be dead. Saved by Jasper. To Raise a Killer . . . Now, Jasper must contend with the imminent return of his most accomplished protégé, Gulliver. He decides to tell him everything - his life, how he came to be the man he is now, and what has happened to the family since he left. Only, there is someone else out there determined to stop Jasper and find the lost and missing. And they'll stop at nothing to bring an end to what Jasper has built.

This is a book of poems to remember those for whom 'time had lapsed.' The poems begin innocently with common collections, rocks or coins, and progressively, become memories that gather the death in the folds of language, to commemorate the passage. The words are most forceful for those closest to the heart of the narrator. The poems mourn a secret bond with each lost one. In the work of grief, special harmonies in poetry open the soul to the transcendent joy of simply being.

A Crime In the Land of 7,000 Islands is a powerhouse crime thriller fused with folk tales and the influence of anime. This psychological literary fiction tells the tale of Ikigai Johnson, a Special Agent working out of the FBI's Portland, Oregon field office, who pledges to bring justice to children abused by a monstrous American in the Philippines. Amidst an expertly accurate police procedural, Ikigai recounts her tale to her eleven-year-old daughter through fantastical allegory. Her story exposes the damage that arises from exploitation, inequality, and generational trauma. Exploring the nuances of criminal justice, it enacts the battle between our courage and our submission to fear. It is an important call to act against evil.

Racecar Jesus, winner of the Christopher Smart - Joan Alice Poetry Prize, turns the wheel of western spirituality with equal parts western skepticism, and the poems work toward practical enlightenment the way a bricklayer might; only, what they're building is the opposite edifice. Racecar Jesus converts the sacred into the ordinary--or perhaps, it's the other way around.

Theology of the Broken invites the reader into a garden--a messy, sensual place of potential and despair--and into the Garden, where the myth of Adam and Eve is exploded and rewritten into a tale of separation and communion. The book opens with bulbs that have landed on the author's porch and expands into a hallucinatory chorus of flowers, interspersed with mythic poems upended from all ordinary perspective. In this garden the Fall is division: male from female, body from soul. The poems wander through a landscape alternately lush and desolate until Adam and Eve are united again, momentarily.

A lively, amusing, insightful and possibly unique account of what it is like to be a Master of an ancient livery company.

shines a light on the natural world with precision and wonder. Her writing draws on traditions of Chinese poetry, presenting a world where Sun, Moon and Wind are alive and interacting uniquely with each leaf, blade of grass and tiny flower.

In times of uncertainty we desperately crave something to bring comfort to our troubled hearts. Whether it's a song, art, a piece of music or an inspiring poem, we seek to find a temporary place of refuge against the turmoil of the times. This collection of poetry is not a panacea for the ills of modern society. It's not an escape, rather it aims to reflect with candidness the complex, sometimes contradictory, emotions of the human experience. Feelings of despair, hope, love, and anger can assail the mind at times and sometimes it's almost impossible to put those feelings into words. It's my hope that those who read the myriad of emotional shades and colours of my own personal experiences will find a comfort in knowing that we're not alone.

Moving through the puckered stone of Roman ruins in the present, poet Debasish Lahiri unearths rumpled vestments of the human heart buried there, making the ruins revenant. On the leeward side of heraldry and historical oversight women and men, lovers and misanthropes, unwilling gladiators and unlikely saints, doomed dreamers and gullible aesthetes thrive in the pages of Legion of Lost Letters. These forgotten beings from beyond the millennial horizon ponder the second millennium. The light of these lives, effigies of breathing, made pale and frail by time, resonates Legion of Lost Letters: a light that is not yet loud enough to be heard.

Robert Minhinnick is a Welsh poet exploring the coves and caves of his home town, recalling its history, aware of its dangers. With 'Wild Swimming at Scarweather Sands', he remembers the countless wrecks on the dangerous coast of south Wales. Visiting the shoreline of his home he discovers a world where both history and climate change are inescapable.

These poems take the reader on a fantastic journey through the first season of the hit 1960s TV series I Dream of Jeannie. Each poem corresponds to an episode in that season, originally aired in 1965. Watching on the black and white set from her loungeroom in Perth, Western Australia, the poet, like millions of other little girls, dreamed of being the sultry Jeannie who lived inside a glass-stoppered bottle in a bachelor's house in Cocoa Beach, Florida. Revisiting the series as an adult, the poet recreates a world in which a woman searches for love with a surly astronaut, using her superpowers to further her quest.

The Signalman is Ezra Miles' debut collection of poems. They coalesce around the poet's time working in a rural signalbox, the isolation and loneliness falling to an impassioned dialogue with God. At turns both violent and tender, these lyrical poems navigate an ecologically-strained landscape populated by foxes and ghosts. Suffering and beauty sit side by side, as history rotates around personal tragedy, heartbreak and loss. A strange fire burns never far from the surface, its embers blowing across the collection, illuminating the harsh environment and casting long shadows across every face. Who are we, when we're on our own? And what are we, without each other? The Signalman points us in the right direction.

Ege Dundar is a young Turkish activist forced to relocate to London and then Berlin. His debut poetry collection dives into the loss and longing ushered in by exile contrasted by the many forms of beauty found all around, with many poems fired by a passion for human rights and freedom of artistic expression. Relating this experience to the wider exodus of self-discovery, Dundar explores what may lie beyond our ideas of love, loneliness and resilience when 'titanic darkness' descends and 'the lights shine through miniscule cracks'.

Charm Offensive, Ross White's debut poetry collection, explores the space between Dickinson's directive to tell the truth slant and the universal reality of seeing the truth slant without knowing it. Charting the ways that tenderness can resolve into dissonance and uncertainty can resolve into transcendence, Charm Offensive crackles with the dangers of being alive and the joys of remaining defiant. At turns playful and surreal, exuberant and somber, these poems urge readers to find something new to trust in the world.

The Art of Coming Undone is American poet Christie Collins's first full-length collection of poems, which includes artwork by Dutch artist Erna Kuik. At its core, this collection is a celebration of the self, of imagination, and of reinvention. Based largely on autobiographical events that trace a life-changing move from Louisiana to Wales, Collins's poems also weave a narrative about the different kinds of love that shaped her story: love that is lost, unrequited love, the possibility of new love after heartbreak, and perhaps most importantly, learning to love and value the self. This collection reminds readers that while loss, setbacks, and struggles are an inevitable part of life, they are not defining. We each have the power to reshape - and retell - our stories and to start again.

Focusing on the invisible sway and pull of grief, as seen through a lens of mental health experiences that inform the narrative voice, Rearview Funhouse is a collection of poems that seeks to put the spectacle of loss and what comes after on vibrant and aching display, asking the reader to consider -or reconsider - the ways that we collectively process loss and the expectations we place on the grieving. Exploring multiple forms of loss, Rearview Funhouse acknowledges the roles of the living and the departed in the experience of moving through and moving on.

When Ana Maria Caballero's young son is diagnosed with epilepsy, her family collides with the reality of illness, but also with Western medicine. A Petit Mal follows the narrative arc of this blunt collision, one that plunges its readers into multiple alternative methods of healing and the spiritual implications therein. Caballero's boldly innovative book unfolds as a page-turner, one whose topics are especially relevant to audiences interested in wellness, not as yet another banner, but as a committed, practical approach to life.

Ghost Hunt is a poetry book of powerful truths in the aftermath of a sudden death. Laced with expressions of loss and an exploration of the spectrum of human emotions, this collection takes you on a jolting journey with a firm hand of keen insight and humour.