Bücher veröffentlicht von Faber & Faber

Others came before and after him but no person is more strongly associated with the revival of English folk song and dance at the turn of the twentieth-century than Cecil Sharp (1859-1924). He collected about 5000 folk songs and nearly 500 dances. This prodigious achievement is told by someone who perhaps knew him better than anyone else. Maud Karpeles was his assistant for many years and accompanied him on his expeditions to the Southern Appalachian Mountains. This remains the definitive biography of the greatest figure in the English folk song and dance movement.

Published in 1954, John Cowper Powys called this novel, a 'long romance about Odysseus in his extreme old age, hoisting sail once more from Ithaca'. As usual there is a large cast of human characters but Powys also gives life and speech to inanimates such as a stone pillar, a wooden club,and an olive shoot. The descent to the drowned world of Atlantis towards the end of the novel is memorably described, indeed, Powys himself called it 'the best part of the book'.Many of Powys's themes, such as the benefits of matriarchy, the wickedness of priests and the evils of modern science which condones vivisection are given full rein in this odd but compelling work.

In this panoramic novel of Friar Roger Bacon, John Cowper Powys displays his genius at its most fecund. First published in 1956, this novel, set in thirteenth-century Wessex, is an amalgam of all the qualities that make John Cowper Powys unique. The love-story of Lil-Umbra and Raymond de Laon, and the quest of the Mongolian giant, Peleg, for Ghosta, the girl seen, loved, and lost on the battlefield, are intermingled with the historical, theological and magical threads which form the brocade of this novel. Dominating all is the mysterious creation of Roger Bacon one of the boldest as well as most intricate of Powys' world-changing inventions. Professor G. Wilson Knight called this 'A book of wisdom and wonders'.

Ducdame was John Cowper Powys' fourth novel published in 1925. It is set in Dorset. The protagonist, Rook Ashover (a wonderfully Powysian name) is an introverted young squire with a dilemma: to go on loving his mistress, Netta Page, or, make a respectable marriage and produce an heir.Of his early novels (pre- Wolf Solent) this one is often considered to be the most carefully constructed and best organized. Like them all it contains a gallery of rich, complex characters and glorious writing.

Rodmoor is, unusually for a John Cowper Powys novel, set in East Anglia, Rodmoor itself being a coastal village.The protagonist, Adrian Sorio, is a typically Powys-like hero, highly-strung with only precarious mental stability. He is in love with two women - Nance Herrick and the more unconventional Phillipa Renshaw. This was Powys second novel, published in 1916. It deploys a rich and memorable cast of characters.

Wood and Stone was John Cowper Powys' first novel published in 1915. It is no prentice-work however - the author was already in his forties. The novel is set in the area of south Somerset that John Cowper Powys grew up in. The village of Nevilton is based on Montacute where his father was vicar for many years. When he wrote it Powys was living in the USA and it is perhaps this absence that accounts for the heightened vividness of the descriptive writing. Powys deploys a large and wonderfully delineated cast of characters. They are loosely divided between 'the well-constituted' and 'the ill-constituted'. Characteristically Powys favours the latter.

The Haunted Study, a rare example of a work of literary history that is genuinely interdisciplinary, explores how the leading novelists of the late Victorian and Edwardian periods came to develop so many of the attitudes that are now generally accepted as characteristically modern. The writing of fiction is not treated as though it exists in some kind of isolation, but is shown to be intimately related to other forms of social activity. Conrad, James, Meredith, and their immediate modernist successors Joyce, Lawrence, and Woolf, may now seem to be set apart in a variety of crucial ways from, say, Ouida and Marie Corelli, or even Gissing, Wells, and Bennett, but all of them worked within the same rapidly changing society and were unavoidably influenced by its dominant economic, political, and cultural concerns. These influences were not peripheral, but central and formative. They profoundly affected the creation of a commercially fragmented culture as well as the nature of fiction within that culture. The Haunted Study covers an exceptionally large number of authors, from the critically despised to the critically admired, and examines the impact on their work of such factors as the professionalisation of literature, the earning power of authors, the emergence of new kinds of readers, and, disturbingly present throughout the whole period, fundamental democratic change.

'The most remarkable phenomenon of the English poetic scene during the last ten years or so has been the advent, or perhaps I should say the irruption, of Gavin Ewart' wrote Philip Larkin. Larkin was one among many poets and critics who admired Gavin Ewart's work; Stephen Spender, Anthony Thwaite and Peter Porter were also fans. Influenced by T. S. Eliot and Ezra Pound, but especially by W. H. Auden, Ewart was a prolific poet and his verse reflected a bawdy wit and an irrepressible sense of humour. He was largely known for his irreverence to sexual convention and is the second most prolific contributor to Making Love to Marilyn Monroe: The Faber Book of Blue Verse. The poems in the Selected Poems were chosen by Ewart before his death in 1995 and were published for the first time in 1996. They are a selection of the best work from a writer of poetry for both adults and children who had a long and productive career.

Jacob Bronowski was, with Kenneth Clarke, the greatest popularizer of serious ideas in Britain between the mid 1950s and the early 1970s. Trained as a mathematician, he was equally at home with painting and physics, and wrote a series of brilliant books that tried to break down the barriers between 'the two cultures'. He denounced 'the destructive modern prejudice that art and science are different and somehow incompatible interests'. He wrote a fine book on William Blake while running the National Coal Board's research establishment. The Common Sense of Science, first published in 1951, is a vivid attempt to explain in ordinary language how science is done and how scientists think. He isolates three creative ideas that have been central to science: the idea of order, the idea of causes and the idea of chance. For Bronowski, these were common-sense ideas that became immensely powerful and productive when applied to a vision of the world that broke with the medieval notion of a world of things ordered according to their ideal natures. Instead, Galileo, Huyghens and Newton and their contemporaries imagined 'a world of events running in a steady mechanism of before and after'. We are still living with the consequences of this search for order and causality within the facts that the world presents to us.

'Oh prams on concrete balconies, what will your children see? Oh white and antiseptic life in school and home and clinic, oh soul-destroying job with handy pension, oh loveless life of safe monotony, why were you created?'First and Last Loves is a collection of Betjeman's essays on architecture, first published to coincide with an exhibition at the Soane Museum, and a worthwhile volume in its own right. Introduced with a lively tirade against mediocrity entitled 'Love is Dead', Betjeman discusses a range of topics including conservation battles, modern architecture and his passion for railways.

'My own interest started in seeking out what was old. When the guide told me that this was the bed in which Queen Elizabeth slept, I believed him. When owners of country cottages in Suffolk told me their cottage was a thousand years old, I believed them too. I thought that this or that church was the smallest in England, and that secret passages ran under ruined monasteries, so that monks could get to the nearest convent without being seen. The older anything was the lovelier I thought it.'Most famous for his poetry, John Betjeman was also passionate about architecture, 'preferring all centuries to my own'. In his first prose work, Ghastly Good Taste (1933), he vigorously defends his love of Victorian and Edwardian architecture, considered deeply unfashionable at the time. With the savage humour of his famous satire 'Slough', he attacks notions of Modernism and (at the other extreme) unthinking antiquarianism.

Autobiography was first published in 1947 and was described by J. B. Priestley as 'one of the best pieces of writing that ever found a way to our Book Society. He is a writer who has learned how to write and the result is glorious.' Sir Neville Cardus is best remembered as a writer on both cricket and music and during his lifetime achieved an unparalleled reputation as one of England's greatest journalists on these two very different subjects. Born in Rusholme in Manchester Cardus carved out an international reputation for himself by his own ability, efforts and imagination and created, as his biographer Christopher Brookes put it, 'a beguiling personal legend in the course of a career which extended over fifty years.' 'This is a very, very good book. Cricket and music - how he makes both these worlds pulsate, life comic as well as life magnificent.' Robert Lynd'A superb work by a master of English.' Wilfred Pickles

Following his two classics, Ask the Fellows Who Cut the Hay and The Horse in the Furrow, renowned oral historian George Ewart Evans continues his study of the vanishing customs, working habits and rich language of the farming communities of East Anglia with The Pattern Under the Plough (Faber, 1966). Although based on East Anglia, this book was and remains of wider interest, for - as the author pointed out at the time - similar changes were occurring in North America, and also happening with remarkable speed in Africa.In chronicling the old culture George Ewart Evans has taken its two chief aspects, the home and the farm. He describes the house with its fascinating constructional details, the magic invoked for its protection, the mystique of the hearth, the link of the bees with the people of the house, and some of their fears and pre-occupations. Among the chapters on the farm is one of Evans's most original pieces of research: the description of the secret horse societies. Beautifully illustrated by David Gentleman, this book is important not only for the material it reveals about the past but for the implications for present-day society.'As real (and as valuable) as the evidence unearthed by the spadework of archaeology.' Observer

The Suffolk Punch - that sturdy, compact draft horse of noble ancestry - was, until mechanisation, the powerhouse of the East Anglian farming community. In The Horse in the Furrow (1960), renowned social historian George Ewart Evans explores this potent symbol of a bygone era, and the complex network - farmer, horseman, groom, smith, harness-maker and tailor - which surrounded it. Evans charts a fascinating course, demonstrating the connectedness of husbandry, custom and dialect, and arguing for an organic, inclusive study of these aspects of rural life. In particular, the section on folklore sheds light on some of the most obscure practices, with the Punch standing proudly at its centre.With beautiful illustrations by Charles Tunnicliffe, The Horse in the Furrow is an engaging and subtle portrait of an animal at the heart of its community

In The Fifth Monarchy Men (Faber, 1972), Professor Capp places the movement in the context of the rise of millenarian thought in Europe from the Reformation and its rapid spread in England during the Civil Wars. For many radicals, the execution of King Charles cleared the way for King Jesus, and heralded the establishment of a revolutionary millennium. The apparent apostasy of the Rump Parliament and Oliver Cromwell channelled part of the wave of millenarian feeling into the formation of a specific sect. This first comprehensive study of the Fifth Monarchists movement traces its history and examines its social, political, legal and religious proposals. Although it had the support of some gentry and army officers, it was essentially an urban movement of artisans, apprentices, and even labourers, reaching lower down the social scale than any contemporary radical movement, with the possible exception of the Diggers. Professor Capp discusses its structure, and its relationship to other revolutionary sects, notably the Levellers and Quakers. He analyses the social, political and economic programmes of the self-styled saints which, though revolutionary, were elitist rather than equalitarian. The Fifth Monarchists' militant foreign policy was shaped by the twofold consideration of exporting the revolution and of strengthening the position of English trade. Their much-derided call for the re-establishment of the Mosaic Code is the culmination of a long tradition of such thinking amongst Puritan and earlier writers.Appendices provide biographies of almost 280 Fifth Monarchists and the location of all known Fifth Monarchist groups.

"e;He is a very clever fellow, but he will never be a bishop"e;. (George III). "e;A more profligate parson I never met"e;. (George IV). "e;I sat next to Sydney Smith, who was delightful...I don't remember a more agreeable party"e;. (Benjamin Disraeli). "e;I wish you would tell Mr Sydney Smith that of all the men I ever heard of and never saw, I have the greatest curiosity to see ...and to know him"e;. (Charles Dickens). How one agrees with Dickens. Without doubt, Sydney Smith was the most famous wit of his generation. But there was more to him than that, he was an outstanding representative of the English liberal tradition. Starting as an impoverished village curate he went to Edinburgh as a tutor, and co-founded the Edinburgh Review, the first major nineteenth-century periodical. Happily married, he moved in 1803 to London, where he was introduced into the Holland House circle - of which he quickly became an admired and popular member - but at the age of thirty-eight a Tory government banished him to a village parsonage. There he became 'one of the best country vicars of whom there is a record', and after his two chief causes - the Catholic Emancipation Act of 1829 and the Reform Bill of 1832 - triumphed, he was rewarded by a canonry of St. Paul's. This generous selection of his writings gives the full flavour of his mind and intellectual personality. In a characteristically stimulating introduction in which he discusses Sydney Smith both as an individual and as a shining exemplar of the liberal mind, W. H. Auden places him with Jonathan Swift and Bernard Shaw among the few polemic authors 'who must be ranked very high by any literary standard.' As Macaulay said he was "e;The Smith of Smiths"e;.

Meg Eliot is the wife of a successful barrister and with that comes a lovely home in Westminster, cocktail parties and a round of charity committees. She is the model wife and her life is one of ease, contentment and privilege.All that changes though when she is suddenly left widowed after a senseless tragedy. Totally alone she is thrust into a struggle to reconstruct her life as she realises that she doesn't really know who she is anymore or who she is supposed to be. The Middle Age of Mrs Eliot follows Meg as she tries to make sense of the realities of life, of living and contemplates the future and its possibilites. What she finds is the ability to survive and, also, the joys of new friendships, new opportunities and perhaps even the idea of a new love. Described by the Daily Telegraph as 'one of fiction's great female creatures', Meg Eliot is a powerful heroine who inspired readers when she first appeared in 1958.

'I thought that no man liveth and dieth to himself, so I put behind what I thought and what I did the panorama of the world I lived in - the things that made me.'Sean O'Casey, 1948Sean O'Casey's six-part Autobiography, originally published between 1939 and 1955, is an eloquently comprehensive self-portrait of an artist's life and times, unsurpassed in literature.As its title suggests, Rose and Crown (1952) reflects O'Casey's experience of making a new home in England where, socialist passion intact, he makes a sharp study of the General Strike of 1926. Sunset and Evening Star (1954) offers both valediction and celebration: for though O'Casey views Ireland as 'a decaying ark... afraid of the falling rain of the world's thought', he can still envisage the nation's young 'throwing out some of the musty stuff, bringing the fresh and the new...'Faber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please seeour blog, www.faberfindsblog.co.uk.

'I thought that no man liveth and dieth to himself, so I put behind what I thought and what I did the panorama of the world I lived in - the things that made me.' Sean O'Casey, 1948Sean O'Casey's six-part Autobiography, originally published between 1939 and 1955, is an eloquently comprehensive self-portrait of an artist's life and times, unsurpassed in literature.Drums Under the Windows (1945) sees O'Casey's young (pre-writing) life taking shape amid the extraordinary tumult of Ireland in the early twentieth century, thus leading him into the fray of the Easter Rising of 1916. Inishfallen, Fare Thee Well (1949) charts the steps towards his emigration from Ireland in 1926: a move pressed upon O'Casey by his hard struggle against the restrictions and prohibitions wrought by Irish society, church and state.Faber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog, www.faberfindsblog.co.uk.

Legend has it that Hollywood lures gifted writers into its service with sunshine and money, only to treat them as glorified typists and plot-mechanics, peripheral to the main business of moviemaking. This is what Ian Hamilton describes as 'the writer-in-chains saga that emerges from any study of Hollywood during its so-called golden years - the period I have marked as running from 1915-1951.' But in this superb account of what befell the likes of Faulkner, Fitzgerald, Chandler and Huxley by working for the Dream Factory, Hamilton argues that these writers 'were in the movies by choice: they earned far more money than their colleagues who did not write for films, and in several cases they applied themselves conscientiously to the not-unimportant task at hand. And they had a lot of laughs...''Fascinating and enjoyable.' New Statesman'Abounds in marvelous stories, apocryphal, fabulous, funny and even true.' ObserverFaber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog, www.faberfindsblog.co.uk.

In this, the companion volume to his earlier autobiographical Apostate (1926), Forrest Reid continues his 'chronicle of a prolonged personal adventure'. Private Road (first published in 1940) offers Reid's descriptions of his early writing efforts; a youthful correspondence with Henry James that began with promise yet ended disappointingly ('the Master was not pleased...'); his Cambridge encounters with such luminaries as Ronald Firbank and W.B. Yeats; the production and reception of his first published works; and his valued friendships with E.M. Forster and Walter de la Mare. The closing stages of the book reflect Reid's unique sense of the spiritual: a compelling meditation on our 'second life' in a place Reid calls 'dreamland', wherein a 'shadowy agent' conjures an atmosphere that can hold powerful inspirational properties for the artist.Faber Finds is devoted to restoring to readers a wealth of lost/neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit faberfinds.co.uk. To join the dialogue with fellow book-lovers please see ourblog faberfindsblog.co.uk. Normal 0 false false false /* Style Definitions */

'I was obsessed - let me confess - by cities and settlements in the Central and South Americas that are an enigma to many scholars. I dreamt of their abandonment, their bird-masks, their animal-masks ... Did their inhabitants rebel against the priests, did obscure holocausts occur, civil strife, famine, plague? Was Jonestown the latest manifestation...?' Jonestown (1996), one of Wilson Harris's most acclaimed creations, is a fictional re-imagining of the real-life ritual mass suicide orchestrated by Reverend Jim Jones in the remote Guyana forest in 1978. The novel's narrator, Francisco Bone, has survived the suicide albeit in a traumatized condition. By way of a dream-book he tries to heal his psychic wound, under the influence of the Mayan concept of time that twins past and future. Faber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog, www.faberfindsblog.co.uk.

Black Marina, set on an 'island paradise' in the Caribbean, tells a story of great force and poignancy partly inspired by the events surrounding the invasion of Grenada in 1983.Holly Baker, an English woman, came to St James during her carefree days of bar-hopping in the 1960s. Somehow she never managed to get away. Now, her loyalties fluctuating, she is caught up in the advanced stages of a drama both personal and political - and which embodies the conflicts inherent in this small, dangerously placed society. As the island and its visitors prepare for Christmas, events that were seeded at the time of Holly's arrival on St James finally blow up into a violent and chilling debacle.'A gentle and poetic style contains a hot, explosive story.' Vogue'Witty and tragic.' ListenerFaber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog, www.faberfindsblog.co.uk.

'Going to law courts is a good education for a novelist. It provides you with the most extravagant material, and it teaches the near impossibility of reaching the truth.'Sybille Bedford, Paris Review (1993)For The Faces of Justice (1961) Sybille Bedford journeyed through Europe to sit in the press box of the courts of law - high courts, low courts, police courts. In England, Germany, Austria, Switzerland, France, she watched the prisoners at the bar, the accusing community arrayed against them, the advocates, the jurors, the judges on the bench. She saw justice being attempted under the law - the best we can do, the worst we can do - varying in subtle yet astonishing ways from country to country. The result is a story about justice, humanity and the individual - moving, dramatic, superbly observed, splendidly told.

In the last eight years of his life - and he died when he was only thirty-three - Denton Welch wrote three novels, umpteen short stories, hundreds of poems, and - between 1942 and 1948, a profoundly personal and moving journal that recorded his swift maturity into a writer of genius. Therein he wrote of his battle with ill-health, his life lived in claustrophobic rooms, and (in frank, erotic terms) his frustrated pursuit of the 'ideal friend.' And yet he encountered some of the foremost writers of his time - Edith Sitwell, Herbert Read, Harold Nicolson, Vita Sackville West - and recorded every aspect of life with a fresh and arresting sensitivity.

Born in 1917 into an aristocratic Boston family Robert Lowell was not yet thirty when his first major collection of poems, Lord Weary's Castle, won the Pulitzer Prize. With Life Studies, his third book, he found the intense, highly personal voice that made him the foremost American poet of his generation. He held strong, complex and very public political views. His private life was turbulent, marred by manic depression and troubled marriages. But in this superb biography (first published in 1982) the poet Ian Hamilton illuminates both the life and the work of Lowell with sympathetic understanding and consummate narrative skill. 'Our one consolation for Ian Hamilton's early death is that his work seems to have lived on with undiminished force... The critical prose, in particular, still sets a standard that nobody else comes near.' Clive James

The English have always regarded the French with a passionate mixture of love and hatred. Simultaneously divided and linked by the English Channel - or la Manche - both countries continue profoundly to affect the other for good or ill. In his delightfully impressionistic appreciation of Britain's closest neighbour, first published in 1987, 'unashamed Francophile' Christopher Sinclair-Stevenson separates clich, from fallacy to reveal the essence of France and the French.'A book which will have a considerable appeal for all those who love France; for in Christopher Sinclair-Stevenson they will meet a kindred spirit...' Financial Times'Whets the reader's appetite for the next visit across the Channel.' Evening Standard'Urbane and charming.' Times

Alan Hackney's first novel, Private's Progress tells the story of the hapless Stanley Windrush. Called up in 1942 after his first year at Oxford, and despite his best efforts to avoid any kind of work or action, Stanley wanders from one mishap to the next, causing mayhem and meeting a host of unscrupulous characters along the way. First published in 1954, Private's Progress was later made into a Boulting Brothers' film of the same name, and is the prequel to I'm All Right Jack, also published by Faber Finds.

Peter Waring (1937) is a full-scale revision of Reid's earlier Following Darkness (1912) in which Peter, a sensitive boy with literary inclinations, grows up unhappily in the household of his father, a cold village schoolmaster in Newcastle, County Down, and among his Belfast relatives whom he finds intolerable.'An acute and subtle story of adolescence.... A delicacy and a grave beauty which make their own quiet appeal.' Times'Reid has written one of the finest studies of the mental, sexual, spiritual life of the adolescent without ever mentioning the words.' Glasgow Herald

Falling in love is one of the strangest things we can do - and one of the things that makes us uniquely human. But what happens to our brains when our eyes meet across a crowded room? Why do we kiss each other, forget our friends, seek a 'good sense of humour' in Lonely Hearts adverts and try (and fail) to be monogamous? How are our romantic relationships different from our relationships with friends, family or even God? Can science help us, or are we better off turning back to the poets?Basing his arguments on new and experimental scientific research, Robin Dunbar explores the psychology and ethology of romantic love and how our evolutionary programming still affects our behaviour. Fascinating and illuminating, witty and accessible, The Science of Love and Betrayal is essential reading for anyone who's ever wondered why we fall in love and what on earth is going on when we do.