Bücher veröffentlicht von Faber & Faber

In the course of her brilliant career Sylvia Townsend Warner wrote superbly in many and diverse forms but never penned a memoir, properly speaking. However, from the 1930s to the 1970s she did contribute a series of short reminiscences to the New Yorker. Scenes of Childhood collects and orders those reminiscences, thus forming a volume that reads as a joyous, wry and moving testament to the experience of being alive. The collection evokes a recognisably English world of nannies, butlers, pet podles, public schools, 'good works' and country churches, but the resonances of these stories are universal - funny and touching by turns.

Lucy Carmichael - Margaret Kennedy's tenth novel, first published in 1951 and a work by a mature novelist at the height of her powers - opens on an unforgettably disastrous scene, as the novel's eponymous heroine, preparing to savour her wedding day, is instead jilted at the altar. Lucy Carmichael's recovery from this calamity forms the substance of the story that follows. She takes a job in the rural Lincolnshire village of Ravonsbridge, at an educational institute established by a wealthy manufacturer for the cultural benefit of the local community. This employment will come to offer Lucy a second chance at romance, but it also brings her unexpectedly into contact with a host of remarkable characters who will influence how she sees the world.Lucy Carmichael has a density of realism, full of details and observations that the reader will recognize as truthful, and the rich sense of real people leading real lives, as Margaret Kennedy paints of her characters in three dimensions and gives each one his or her due within the story.

We Come Unseen, first published in 2001, follows the careers of six Royal Navy submariners from their graduation from Dartmouth's Britannia Royal Naval College in 1963, just after the Cuban Missile Crisis, to the fall of the Berlin Wall in 1989. Between these dates, it seemed that nuclear war was never far away - and Jim Ring explains not only the nuclear threat and its beginnings in the last days of the Second World War, but why the Polaris and Trident submarines ('capable of inflicting the damage of the bombs that fell on Hiroshima and Nagasaki many times over'), and their accompanying attack submarines, were critical to avoiding war. Alongside a gripping narrative of the Cold War game of hide-and-seek played out under the waves of the northern seas, Ring gives an account of the history of submarine warfare from its earliest, pre-nuclear days to the 1982 combat in the Falklands.'A welcome acknowledgement of one of the Cold War's little-known aspects.' Alan Judd, Sunday Telegraph'An extraordinary story . . . one of the most significant naval books of the year.' Ship's Telegraph'A remarkable story.' Navy News

The Great Cellists is a comprehensive and authoritative history of the lives and work of the cello's great performers and teachers, from the emergence of the solo instrument in the seventeenth century to the present day.In its early history, the cello was a genuine 'bass' violin that came in three sizes and from the thirteenth century was played side by side with viols and later violins. The instrument we know today came into general use by the time the great makers of the seventeenth and eighteenth centuries - such as Amati, Stradivari and Guarneri - brought their craft to perfection and made numerous of the instruments most sought after by today's virtuosi.Many of the earliest known professional cellists were employed as court musicians, but their names have not been widely known. The most familiar names belong to those early cellists who were also composers: Boccherini, Romberg, Piatti and Popper. In more recent times, the great Europeans Becker, Klengel and Salmond led to Feuermann, Piatogorsky, Fournier, Rostropovich, and above all to Casals; and they, in turn, have greatly influenced contemporary musicians such as the late Jacqueline du Pr, and the manifold brilliant players from Russia, Japan and the USA. The Great Cellists reveals a splendid range of personalities from the conventional to the eccentric. Included also are the numerous less well-known cellists who were important as founders of the various national 'schools'.Margaret Campbell has interviewed many eminent musicians and had rich access to letters and private documents in her coverage of the last hundred years. Her absorbing book presents to the reader a rich vision of skills and traditions that have been handed down nationally through the generations, and developed internationally since the twentieth century. It is a book for string players, students, concertgoers and CD buffs - indeed, anyone who enjoys the sound of the cello.

The Riviera has inspired countless novelists and artists, attracted as much by its visitors as by its location (Somerset Maugham called it 'a sunny place for shady people'). But for the majority of the English, the Riviera was made famous by rumour and report: it was the scene of the romance of Edward VIII and Wallis Simpson; and, post-war, became the vacation spot of Hollywood starlets. But the C,te d'Azur has a long history of attracting foreign celebrities and royalty, since the seventeenth century, when it was a stopping point on the route south for aristocratic Grand Tourists. Later, English and Scottish invalids, among them Robert Louis Stevenson, followed doctors' orders and holidayed on the Riviera for their health. Jim Ring explores these origins and the developments that took place on the coast - the impact of rail travel, of war, of celebrity and of the English.'An entertaining survey . . . It is the ideal book to hide your smirk behind on the Promenade des Anglais as yet another roller-blading granny glides past in a leopard-sking thong.' Sunday TelegraphJim Ring's Riviera corrals an array of vignettes of the C,te d'Azur's most famous habitu,s from the Romans to the Rolling Stones . . . a stylish and pleasingly gossipy overview of the region's fluctuating fortunes.' Time Out'A highly readable history.' Guardian

This carefully researched and definitive book recreates the magic of the greatest violinists in history. In three centuries, the solo performer progressed from downtrodden private servant to revered public idol. The supreme artists Corelli, Vivaldi, Viotti, Paganini, Vieuxtemps, Joachim and Auer were pivotal figures in the history of violin playing, while more recent times have seen Sarasate, Ysaye and the virtuosi of the modern recording era. The Great Violinists reveals a range of personalities from the conventional to the eccentric. In her coverage of the last hundred years, Margaret Campbell has interviewed many eminent musicians and had rich access to letters and private documents. Her book offers a vivid portrait of skills and traditions that have been handed down through generations. It is a book for string players, students, concert goers and music buffs - indeed, anyone who enjoys the sound of the violin.

Norman Gash's magnificent two-volume life of Sir Robert Peel - Mr Secretary Peel (1961) and Sir Robert Peel (1972) - is the standard work on the great statesman, and is widely considered one of the great biographies of 19th-century prime ministers. Faber Finds is delighted to return both to print, beginning with Mr Secretary Peel.As Gash puts it memorably, 'Peel, born in 1788 in the world of Gibbon and Joshua Reynolds, of stage-coaches, highwaymen and the judicial burning of women, died in 1850 in the age of Faraday and Darwin, of Punch, railway excursions, trade unions and income tax...' Over the course of Peel's life Britain was remodeled, and it may be argued that Peel himself did more than any other political figure in reconciling the new forces in society with its older institutions. But as a politician Peel could be a controversial figure, his pragmatism pressing him into unpopular decisions. The son of an industrial millionaire, his instincts were for the cause of good government over narrow party interest. Norman Gash interpreted Peel as the intellectual founder of the modern Conservative Party - an aristocratic administrator and natural consensus politician who believed in courting the urban middle class as well as landowners and farmers.Mr Secretary Peel carries its subject's story from birth through his entry into politics in Ireland, his early positions in Tory governments, his tenure as Home Secretary from 1822 (which included his establishing of the Metropolitan Police Force) and up to the struggles over the issue of Catholic Emancipation.'A rich and perceptive portrait of a statesman in the making,' Philip Ziegler, Telegraph.

After an undistinguished career at Oxford, Stanley Windrush wanders from one escapade to another in the world of paid employment. The unwitting cause of an international furore in his indefinable role at the Foreign Office, he soon loses more jobs in the world of industry. He swiftly decides to take up a post as an unskilled worker - to be 'one of the chaps that reap the benefit', as his uncle advises - where his na,ve dealings with the trade unions only cause more trouble for everyone.Originally released in 1958 as Private Life, the follow-up to Private's Progress, the novel was swiftly made into a popular film, I'm All Right Jack.'Funny, critical and good-tempered, all at the same time and apparently without the slightest effort.' The Times'Wonderfully funny.' Sunday Express'Brilliantly funny.' Manchester Evening News'Extremely funny.' Manchester Guardian

Ever since the Second World War and the Holocaust, historians, psychologists and theologians alike have attempted to explain how a single personality could bring about some of the greatest horrors of the modern era. Ron Rosenbaum's Explaining Hitler investigates the meanings and motivations people have attached to Hitler and his disturbing policies - and whether or not he believed his own doctrines - and explores the continuing fascination with the nature of evil. The book also documents the story of the earliest critic of Hitler, the Munich Post in the 1920s and 1930s, and its violent demise.First published in 1998, and using interviews of leading experts such as Hugh Trevor-Roper, Alan Bullock and Daniel Goldhagen, and discussing the work of many more, Exploring Hitler is a balanced overview of a dark subject.

Immortalized as the author of The Riddle of the Sands, Erskine Childers led a life quite as enigmatic and adventurous as his classic novel.Childers was orphaned at an early age. Though he was brought up in County Wicklow, he received an English education that culminated in a clerkship to the House of Commons, voluntary service in the Boer War, and the writing of his great novel. Thus far he appeared patriotic, imperialist and largely conformist. But marriage to a strong-willed Bostonian and an increasing interest in the affairs of Ireland led to his questioning the imperial Zeitgeist. At first this took constitutional forms, but such was Childers' frustration with progress towards any manner of Irish independence from British rule, that on the eve of the First World War he instigated gun-running to supporters of the Home Rule movement.Nonetheless, he still regarded it as his duty to serve England, and during the war he distinguished himself as an observer in the early seaplanes and torpedo boats. Traumatized, however, by the Easter Rising of 1916, he finished the war profoundly divided in his loyalties. With the Irish question now critical, Childers settled his fate by becoming the official propagandist for the Republican movement. He opposed the treaty that established the Irish Free State, regarding the compromise as anathema, and joined the IRA. Hunted by the Free State authorities, he was eventually captured and executed in November 1922.Set against the backdrop of Britain's imperial zenith, the great naval arms race and the First World War, Jim Ring's acclaimed biography of Childers does full justice to this dramatic and intriguing story. 'Jim Ring has written a fine and fluent biography of an extraordinary man, navigating the angry waters [of Irish politics] with a sure hand but dodging none of the difficulties.' Independent on Sunday

For English read British which is not to quibble with the title but, as Jim Ring himself explains, 'During the period on which this book focuses, it was the custom - in the words of a Scot - ''to let the part - the larger part - speak for the whole.'' Those countries which received them - France, Italy, Austria, Germany, and above all Switzerland - all talked of the English, and the presence of the English in the Alps was precisely so described. To use the term British would thus have been an anachronism.'The nineteenth century will forever be associated with the growth of the British Empire, but nearer home there was a quieter conquest taking place. Gradually the English were taking over the Alps, scaling their peaks, driving railways through them, and introducing both winter sports and those quintessential English institutions - tea, baths, lawn tennis and churches - to remote mountain villages.Jim Ring tells the remarkable story of the English love affair with the Alps, from its beginnings with the Romantic movement, when poets such as Byron and Shelly wrote of the mountains with awed delight, through the great days of the 1850s and 1860s and the formation of the Alpine Club, to the inter-war years when the English assured the future prosperity of the alpine resorts by virtually inventing and then popularizing downhill-skiing.Part history, part biography, How the English made the Alps brings the characters - the artists, the scientists, the gentleman-adventurers, the invalids, the aristocrats, eccentrics and mountain-scramblers - vividly to life.'Jim Rings's book cannot be bettered.' Daily Mail'Fascinating' Stephen Venables, Daily Telegraph 'Evocative and entertaining' Financial Times'A comprehensive, well-written account of a fascinating subject' Guardian

Gustav Mahler is the most influential symphonist of the twentieth century. In this pioneering study, Norman Lebrecht reveals the man and musician through the words of his contemporaries.Using many previously unpublished documents, he constructs a profile of Mahler even more complex and compelling than that familiar from his letters and the often unreliable memoirs of his widow, Alma. Compassionate or callous, idealistic or pragmatic, Mahler aroused violently contrasting impressions and emotions in those who lived and worked with him.Accounts of the composer include the artist Alfred Roller's description of Mahler's naked body, a Nazi-era reappraisal by one of his closest relatives, Natalie Bauer-Lechner's unpublished jottings of Mahler's childhood, and Stefan Zweig's report of his final voyage. Together, they form a remarkable and deeply illuminating image of a formidable personality.'The effect is cumulative, sometimes contradictory and vivid - like a written version of a radio or film portrait.' Classical Music'Norman Lebrecht's Mahler Remembered is quite breathtakingly interesting.' Birmingham Post

In her introduction Tania Alexander writes, 'The Baltic philosopher Count Hermann Keyserling . . . once remarked: ''I am not a Dane, not a German, not a Swede, not a Russian nor an Estonian, so what am I - a little of all these.'' Tania Alexander felt the same, 'I share his sense of confused identity.' She was born in St Petersburg, but as a young child was taken to Estonia, at that time a province of Russia which was later to become the northernmost of the three independent Baltic States created in the aftermath of the First World War. The tone of her memoir, mainly set in Kallij,rv, is almost idyllic, surprisingly so given the political upheaval of the period. In her own words 'my early life was influenced by three women, all of them complex characters and strong personalities, who had to find their own way of adapting to very different from those they might have expected to enjoy. My Irish governess, Micky, sacrificed her family and suffered exile - a mother ostracised by the pressure of Victorian values. My Aunt Zoria lost everyone who was dear to her, as well as her homeland and her position in society. Anr my mother, who stayed behind in Russia throughout the terrifying events of the revolution and civil war, lost her home, her husband and, perhaps most important to her, her great love - a loss which profoundly affected the rest of her life.' Her mother was Baroness Moura Budberg and 'her great love' was the famous diplomat and spy, Robert Bruce Lockhart, expelled from Russia in 1918. Among her other lovers were Maxim Gorky and H. G. Wells who both feature in this memoir.In his review, Harrison Salisbury refers to 'a world which now seems almost beyond our belief . . .' That is true, and yet there an unexpected link with today's UK political scene: Moura Budberg was Nick Clegg's great, great aunt. The lineage is like this: Moura Budberg's sister, Alexandra, was the mother of Clegg's grandmother, Baroness Kira von Engelhardt, who was born in Russia in 1909.'Reminiscent of a story by Turgenev. Delightful.' Sunday Telegraph 'History, biography, an exploration of the relationship between mother and daughter: Tania Alexander's book is a little of all these.' Times Literary Supplement 'An engaging memoir full of vivid portraits. There is Gorky, a compassionate giant among the Bolsheviks; there is H. G. Wells, and there are the comforting figures who surrounded Tania at Kall?,rv, her Irish governess, Micky, Uncle Sahsa, inconsolable over the defeat of the Tsarist regime, and a host of cousins and friends.' Financial Times 'Tania Alexander has written an unforgettable memoir of a world which now seems almost beyond our belief - the pre-revolutionary Russian era and that followed, it a tale that inevitably centres around the the figure of her remarkable mother, the Baroness Moura Budberg - her life in Tsarist society, in the Bolshevik society of Lenin and Gorky, and later that of H. G. Wells and England. There is nothing else quite like it.' Harrison Salisbury

Julius Caesar combines in one volume two of Rex Warner's most acclaimed historical novels: The Young Caesar and Imperial Caesar. The latter won the 1960 James Tait Black Memorial Prize for Fiction. Together these two novels create one of the most compelling and substantial portraits in modern fiction of Caesar's remarkable life and times. 'A very brilliant analysis of the emotional disciplines, the political subtlety and the moral realism required to secure absolute power. It is a remarkable historical reconstruction.' Angus Wilson, Observer'As a feat of sustained historical imagination Rex Warner's autobiography of Julius Caesar is an astonishing achievement . . . A very wonderful book which grows in the memory.' C. V. Wedgwood'This splendid books ranks with Graves's I, Claudius and with Marguerite Yourcenar's Memoirs of Hadrian as a near-masterpiece of the re-creation of the ancient world. It will banish forever the boredom that often still lingers round one's memories of having to translate Caesar.' Elizabeth Jennings, The Listener

It is 1939. The world stands on the brink of Armageddon. In the Soviet Union, years of revolution, fear and persecution have left the country unprepared to face the onslaught of Nazi Germany. For the coming battles, Stalin has placed his hopes on a 30-ton steel monster, known to its inventors as the T-34 tank, and, the 'Red Coffin' to those men who will soon be using it. But the design is not yet complete. And when Colonel Nagorski, the weapon's secretive and eccentric architect, is found murdered, Stalin sends for Pekkala, his most trusted investigator. Stalin is convinced that a sinister group calling itself the White Guild, made up of former soldiers of the Tsar, intend to bring about a German invasion before the Red Coffin is ready. While Soviet engineers struggle to complete the design of the tank, Pekkala must track down the White Guild and expose their plans to propel Germany and Russia into conflict.

Ian Hamilton wrote two books on J. D. Salinger. Only one, this one, was published. The first, called J. D. Salinger: A Writing Life, despite undergoing many changes to accommodate Salinger was still victim of a legal ban. Salinger objected to the use of his letters, in the end to any use of them. The first book had to be shelved. With great enterprise and determination however, Ian Hamilton set to and wrote this book which is more, much more, than an emasculated version of the first.For someone whose guarding of his privacy became so fanatical it is perhaps surprising how much Ian Hamilton was able to disinter about his earlier life. Until Salinger retreated completely into his bolt-hole outside Cornish in New Hampshire many aspects of his life, though it required assiduousness on the biographer's part, could be pieced together. A surprising portrait emerges; although there were early signs of renunciation, there were moments when his behaviour could almost be described as gregarious. The trail Hamilton follows is fascinating, and the story almost has the lineaments of a detective mystery with the denouement suitably being played out in Court.'As highly readable and as literate an account of Salinger's work from a biographical perspective as we are likely to receive' The Listener'A sophisticated exploration of Salinger's life and writing and a sustained debate about the nature of literary biography, its ethical legitimacy, its aesthetic relevance to a serious reading of a writer's books' Jonathan Raban, Observer'Hamilton's book is as devious, as compelling, and in a covert way, as violent, as a story by Chandler' Victoria Glendinning, The Times

Winner of a Betty Trask AwardShortlisted for the Dylan Thomas Prize and the Commonwealth Book PrizeLonglisted for the Desmond Elliot PrizeThe Spider King's Daughter is a modern-day Romeo and Juliet set against the backdrop of a changing Lagos, a city torn between tradition and modernity, corruption and truth, love and family loyalty. Seventeen-year-old Abike Johnson is the favourite child of her wealthy father. She lives in a She lives in a sprawling mansion in Lagos, protected by armed guards and ferried everywhere in a huge black jeep. But being her father's favourite comes with uncomfortable duties, and she is often lonely behind the high walls of her house. A world away from Abike's mansion, in the city's slums, lives a seventeen-year-old hawker struggling to make sense of the world. His family lost everything after his father's death and now he runs after cars on the roadside selling ice cream to support his mother and sister.When Abike buys ice cream from the hawker one day, they strike up an unlikely and tentative romance, defying the prejudices of Nigerian society. But as they grow closer, revelations from the past threaten their relationship and both Abike and the hawker must decide where their loyalties lie.

Fragrant Harbour is the story of four people whose intertwined lives span Asia's last seventy years. Tom Stewart leaves England just before it is hit by the Great Depression to seek his fortune, and finds it in running Hong Kong's best hotel. Sister Maria is a beautiful and uncompromising Chinese nun whom Stewart meets on the boat out from England; their friendship spans decades and changes both their lives. Dawn Stone is an English journalist who becomes the public face of money and power and big business. Matthew Ho is a young Chinese entrepreneur whose life has been shaped by painful choices made long before his birth, and who is now facing his own difficulties, and opportunities, in the twenty-first century. The complacency of colonial life in the 1930s; the horrors of the Japanese occupation during the Second World War; the post-war boom and transformation of Hong Kong into a laboratory of capitalism at its most cut-throat; the growth of the Triads; the handover of the city to the Chinese - all these are present in Fragrant Harbour, an epic novel of one of the world's great cities.

In this acrobatic and virtuosic collection, Paul Auster traces the compulsion to make literature. In a selection of interviews, as well as in the essay 'The Red Notebook' itself, Auster reflects upon his own work, on the need to break down the boundary between living and writing, and on the use of certain genre conventions to penetrate matters of memory and identity. The Red Notebook both illuminates and undermines our accepted notions about literature, and guides us towards a finer understanding of the dangerously high stakes involved in writing. It also includes Paul Auster's impassioned essay 'A Prayer for Salman Rushdie', as well as a set of striking and bittersweet reminiscences collected under the apposite title, 'Why Write?'

'I was twelve years old the first time I walked on water . . .'So begins Mr Vertigo, the story of Walt, an irrepressible orphan from the Mid-West. Under the tutelage of the mesmerising Master Yehudi, Walt is taken back to the mysterious house on the plains to prepare not only for the ability to fly, but also for the stardom that will accompany it.At the same time a delighted race through 1920s Americana and a richly allusive parable, Mr Vertigo is a compelling, magical novel - a work of true originality by a writer at the height of his powers. 'A virtuoso piece of storytelling by a master of the modern American fable.' The Independent

In Altman on Altman, one of American cinema's most incorrigible mavericks reflects on a brilliant career.Robert Altman served a long apprenticeship in movie-making before his great breakthrough, the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller, The Long Goodbye,Thieves Like Us, Nashville . . . In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, underscored his comeback.Now he recalls the highs and lows of his career trajectory to David Thompson in this definitive interview book, part of Faber's widely acclaimed Directors on Directors series. 'Hearing in his own words in Altman on Altman just how much of his films occur spontaneously, as a result of last-minute decisions on set, is fascinating . . . For film lovers, this is just about indispensable.' Ben Sloan,Metro London

Berlin/WallIn two contrasted readings for the stage, David Hare visits a place where a famous wall has come down; then another where a wall is going up.BerlinFor his whole adult life, David Hare has been visiting the city which so many young people regard as the most exciting in Europe. But there's something in Berlin's elusive character that makes him feel he's always missing the point. Now, to celebrate the twentieth anniversary of the reunification, he offers a meditation about Germany's restored capital - both what it represents in European history, and the peculiar part it has played in his own life.WallThe Israeli/Palestine security fence will one day stretch 486 miles, from one end of Israel to the other. It will be four times as long as the Berlin wall, and in places twice as high. In this second monologue, the playwright recalls his trips to both Israel and the Palestinian territory and offers a history of the wall's building, an exploration of the philosophy behind it and a personal account of those who live on either side. Berlin premiered at the National Theatre, London, in February 2009 and Wall premiered at the Royal Court Theatre, London, in March 2009.'Of all British dramatists, Hare is the one who has always seemed to have the sharpest awareness of what is going on around him, which is what makes him such an eagerly sought-after journalist.' Michael Billington

Written in the 1950s, the eight stories collected here are brilliantly of their time: the decade of rubber plants, espresso bars and skiffle, of Suez, Teddy Boys and Angry Young Men.With compassion and deadly accuracy, Angus Wilson charts the scandals and secrets of the respectable middle classes - Kennie, the Borstal Boy mascot of an intellectual clique; June Raven, an SW3 hostess who gets over-involved with one of her publisher-husband's authors; Lord Peacehaven, retired megalomaniac; Maurice Liebig, teenage pawn in a family feud; and the mad old man who finds the justice of God in a hen roost.

Angus Wilson's first volume of short stories, The Wrong Set was first published in 1949 to immense critical acclaim. The collection is a brilliantly funny exposure of the protective devices with which people seek to mask deep-laid egotism. There is the wallowing in self-adulation on the part of the 'crazy Cockshott family', as they delight to dub themselves. There is the search for really nice standards on the part of Vi, singer at the 'Passion Fruit' nightclub - as hopelessly bemused a spirit as ever lived in sin at Earl's Court and attempted to lecture a young Communist nephew with untidy hair and spectacles. There is the humbug of the bullying new curator at the provincial Art Gallery. And the staff dance at the South Kensington hotel, where lives the lady who spends her life trying to achieve 'a Knightsbridge appearance on a Kensington purse', and where, as the evening progresses and the drinks begin to tell, the lady-like fa,ades and gentlemanly courtesy of the clientele crack up with a vengeance.

Revenge was all Leadford could think of as he set out to find the unfaithful Nettie and her adulterous lover. But this was all to change when a new comet entered the earth's orbit and totally reversed the natural order of things. The Great Change had occurred and any previous emotions, thoughts, ambitions, hopes and fears had all been removed. Free love, pacifism and equality were now the name of the game. But how will Leadford fare in this most utopian of societies ...?H. G. Wells was responsible for an entirely new genre of writing. It was his bold, daring and hugely innovative books that first introduced readers to the concept of time travel, invisibility, genetic experimentation and interstellar invasion - ideas that have gone on to inspire future generations and given rise to the entire science fiction industry.

Mr Bensington and Professor Redwood were amongst that new breed of men - or 'scientists' as they had become known. They discover Herakleophorbia IV, a chemical foodstuff that accelerates growth, and, after a series of experiments, the countryside is overrun with giant chickens, rats, wasps and worms. Havoc ensues, but Benson and Redwood are undeterred and begin to use 'the food of the gods' on humans. Soon, children are growing up to 40 feet high. But where will the experiments end?H. G. Wells was responsible for an entirely new genre of writing. It was his bold, daring and hugely innovative books that first introduced readers to the concept of time travel, invisibility, genetic experimentation and interstellar invasion - ideas that have gone on to inspire future generations and given rise to the entire science fiction industry.

Mr Hoopdriver is an expert in his field - a perfect gentleman with more than a little flair behind the drapers' counter. Yet Mr Hoopdriver is growing tired of measuring out yards of gingham and selling endless reels of threads. He yearns for new discoveries, new adventures and above all, a change of scenery. Determined to leave the humdrum behind him, he mounts his bicycle and embarks on a journey across England. Liberation, excitement and friendship with a pretty young girl await him - but what will happen when the real world catches up with him? First published in 1896, during the bicycle's golden age, The Wheels of Chance is a delightful comic novel, capturing a period of momentous social change.

After My Fashion has an unusual publishing history. Although it was John Cowper Powys' third novel and written in 1920, it wasn't published until 1980. It seems that when his US publisher turned it down Powys made no effort to place it elsewhere. Indeed, when Powys had finished a book he tended to be oddly indifferent to its fate. The novel has two other unusual features: its locations (Sussex and Greenwich Village); and Isadora Duncan being the inspiration for Elise, the dancer and mistress of the protagonist, Richard Storm (based quite largely on Powys himself).As one would expect from Powys the writing is vivid, not least in the descriptions of the Sussex landscape and the bohemian milieu of Greenwich Village.

'There is an old saying, 'Murder will out.' I am really unable to see why this should be so...' Israel Rank: The Autobiography of a Criminal (1907) inspired the classic Ealing film Kind Hearts and Coronets. But though both works are comedies about a serial murderer, they are different creatures. The eponymous narrator of Roy Horniman's novel, son of a Jewish commercial traveller, offers his memoirs from the condemned cell, having murdered six people who stood between him and an earldom he hoped to inherit. Through Israel's story Horniman explores and parodies the anti-Semitic attitudes of Edwardian England. "e;A superb thriller, but also a disturbing study in human nature. The narrative pace never slackens, thanks to the spareness and elegance of Horniman's prose ...it is a book of its time, quite faithful to it, and (despite its 400 pages) over all too quickly"e;. (Simon Heffer, in his Preface).

Still Life: Sketches from a Tunbridge Wells Childhood (the sub-title is important) was first published in 1984. It won the J.R. Ackerley Prize for Literary Biography in that year. It is a classic among middle-class memoirs. In twenty-one short chapters the town is vividly anatomized. So too are its residents: meet Dr Ranking and, best of all, meet the Limbury-Buses living a life of contented ossification.'Cobb remembers, and that, as well as his redeeming freedom from all conventional standards of dignity and relevance, is what makes this offbeat, capricious book a rare treasure'. John Carey, Sunday Times 'A remarkable feat of making purest autobiography part of a general, social history... Cobb has broken one of the strangest silences in English social commentary; on the missing history of the English bourgeoisie'. Michael Neve, Times Literary Supplement