Bücher veröffentlicht von Faber & Faber

Here, the bodies of indigenous, Latinx, black and brown women are simultaneously the body politic and the body ecstatic, and portrayed with a glowing intimacy: the alphabet of a hand in the dark, the hips' silvered percussion, a thigh's red-gold geometry, the emerald tigers that leap in a throat.

'Six days ago, a man blew himself up by the side of a road in northern Wisconsin ...' In this book, the explosion that detonates the narrative also ends the life of its hero, Benjamin Sachs, and brings two FBI agents to the home of one of Sachs' oldest friends, the writer Peter Aaron. What follows is Aaron's story...

Lips the colour of blood, the sun an unprecedented orange, train wheels that sound like 'guilt, and guilt, and guilt': these are just some of the things Mary Ventura begins to notice on her journey to the ninth kingdom. 'But what is the ninth kingdom?' she asks a kind-seeming lady in her carriage.

Many of the world's leading physicists are confident that they are on track to discover a new understanding of the universe which will entail a complete rethink of gravity, space and time. What is extraordinary is that they are achieving these breakthroughs through thought alone.

When she hears about an unidentified body that's been pulled out of the fountain in Druid Hill Park, Maddie thinks she is about to uncover a story that will finally get her name in print.

An autobiography of a musician who, as a founding member of the avant-garde group Throbbing Gristle, has consistently challenged the boundaries of music over the past four decades. It is the story of her work as a pornographic model and striptease artiste which challenged assumptions about morality, erotica and art.

Following a brutal attack, Kate makes the uncharacteristically bold decision of moving from London to Boston, in an apartment swap with her cousin, Corbin Dell. But after her arrival Kate makes a shocking discovery: Corbin's next-door neighbour, Audrey Marshall, may have been murdered. Far from home and emotionally unstable, who can Kate trust?

'You will not find a more devoted, thorough, loving and surprising book on the life of Leonard Bernstein - the most extraordinary man of extraordinary talents. Read it.' Lauren Bacall''Humphrey Burton has written a very detailed and candid account of his friend . . . The mass of material is superbly handled . . So much intelligence .

Of the three revisionist works John Charmley has written about British foreign policy in the mid-twentieth century this is the centrepiece. The author argues that Churchill deserves more credit for 'their finest hour' than has been granted, but just as his virtues were built on the heroic scale, so too were his faults and failures. The statesman who had struggled to destroy Nazism and restore Europe's balance of power ended by allowing Stalin to dominate central and eastern Europe.This is no mere exercise in debunking, in many ways the complex man presented in these pages is more interesting than the more hagiographical portraits.'This is not instant history run up to cause a sensation, but a meticulously documented reappraisal of Churchill's war leadership and of the career that led up to it. Nor is its tone contemptuous or vindictive. The author accepts that Churchill was a great man. His starting point is that even great men make mistakes.' John Keegan, Daily Telegraph 'Probably the most important revisionist text to be published since the war.' Alan Clark, The Times

First published in 1995, David Nokes' major biography of John Gay (1685-1732) was the first full-length life of Gay for over fifty years, and drew on hitherto unpublished letters. Presenting Gay as a complex character, torn between the hopes of court preferment and the assertion of literary independence, Nokes offers both a lively and accessible read for the non-specialist and a comprehensive scholarly study. Best-known for The Beggar's Opera, Gay is here revealed as a contradictory figure. Nokes argues that Gay's self-effacing and self-mocking literary persona was largely responsible for perpetuating an image of himself as a genial literary non-entity. Often cast as a neglected genius, dependent on others, he in fact left a considerable fortune after his death. Depicted by his friends as both a childlike innocent and a rakish ladies' man, he produced the most successful and subversive theatrical satire of his generation, and volumes of bestselling Fables.

From the opening story about a married woman who takes a trip to the city with a single purpose in mind - to sleep with another man - Antarctica draws you into a world of obsession, betrayal and fragile relationships. In 'House Calls', Cordelia wakes on the last day ofthe twentieth century and sets off along the coast road to keep a date with her lover that has been nine years in the waiting. In 'The Singing Cashier', a local postman visits two sisters bearingfishy gifts in the hope that his favour will be returned in kind. One of the most moving and disturbing stories in the collection, 'Passport Soup', features Frank Corso, who sits alone eating green tomatoes and bacon, mourning the disappearance of his nine-year-old daughter: 'At one point in that late evening, she was there, and then she wasn't.' Keegan's characters inhabit a world where dreams, memory and chance can have crippling consequences for those involved. Compassionate, witty and unsettling, Antarctica is a collection to be savoured.

I lay there alone in bed, feeling the black shadow creeping up the underside of the world like a flood tide. Nothing held, nothing was left. The silver airplanes and the silver capes all dissolved and vanished, wiped away like the crude drawings of a child in coloured chalk from the colossal blackboard of the dark.The writings in this collection outline Plath's early preoccupation with issues of mental illness, creativity and femininity, all of which would become recurrent themes in her later work. They offer special insight into her development as a writer, and arguably paved the way for her only full-length piece of prose writing, the loosely veiled fictional autobiography, The Bell Jar.This second edition contains the thirteen stories included in the first edition together with five pieces of her journalism, as well as a few fragments from her journal; and a further nine stories selected from the Indiana archive.

Miram Toews's All My Puny Sorrows - Sunday Times Top Choice Summer ReadElf and Yoli are two smart, loving sisters.Elf is a world-renowned pianist, glamorous, wealthy, happily married: she wants to die.Yoli is divorced, broke, sleeping with the wrong men: she desperately wants to keep her older sister alive.When Elf's latest suicide attempt leaves her hospitalised weeks before her highly anticipated world tour, Yoli is forced to confront the impossible question of whether it is better to let a loved one go.Miriam Toews's All My Puny Sorrows, at once tender and unquiet, offers a profound reflection on the limits of love, and the sometimes unimaginable challenges we experience when childhood becomes a new country of adult commitments and responsibilities.'The novel she has written - so exquisitely that you'll want to savour every word - reads as if it has been wrenched from her heart.' Christina Patterson, Sunday Times'[Miriam Toews] has produced a masterly book of such precise dignity. It is, also against all the odds, at times a desperately humorous novel.' Daily Mail 'Toews takes her place alongside Alice Munro, Robertson Davies, Margaret Atwood and Mordicai Richler as the loveliest quintet of Canadian writing.' Los Angeles Times

In a bestselling work of profound and lasting importance, the late Albert Hourani told the definitive history of the Arab peoples from the seventh century, when the new religion of Islam began to spread from the Arabian peninsula westwards, to the present day. It is a masterly distillation of a lifetime of scholarship and a unique insight into a perpetually troubled region.This updated edition by Malise Ruthven adds a substantial new chapter which includes recent events such as 9/11, the US invasion of Iraq and its bloody aftermath, the fall of the Mubarak and Ben Ali regimes in Egypt and Tunisia, and the incipient civil war in Syria, bringing Hourani's magisterial History up to date. Ruthven suggests that while Hourani can hardly have been expected to predict in detail the massive upheavals that have shaken the Arab world recently he would not have been entirely surprised, given the persistence of the kin-patronage networks he describes in his book and the challenges now posed to them by a new media-aware generation of dissatisfied youth.In a new biographical preface, Malise Ruthven shows how Hourani's perspectives on Arab history were shaped by his unique background as an English-born Arab Christian with roots in the Levant.

Rosencrantz and Guildenstern Are Dead is a play which, as it were, takes place in the wings of Hamlet, and finds both humour and poignancy in the situation of the ill-fated attendant lords. The National Theatre production in April 1967 made Tom Stoppard's reputation virtually overnight. Its wit, stagecraft and verbal verve remain as exhilarating as they were then and the play has become a contemporary classic.'One of the most original and engaging of post-war plays.' Daily Telegraph

This volume, introduced by the author, brings together three novels first published separately. 'The trilogy comprises Carnival (1985), The Infinite Rehearsal (1987) and The Four Banks of the River of Space (1990), novels linked by metaphors borrowed from theatre, traditional carnival itself and literary mythology. The characters make Odyssean voyages through time and space, witnessing and re-enacting the calamitous history of mankind, sometimes assuming sacrificial roles in an attempt to save modern civilisation from self-destruction.' Independent on Sunday 'The Four Banks of the River of Space is a kind of quantum Odyssey... in which the association of ideas is not logical but... a 'magical imponderable dreaming'. The dreamer is Anselm, another of Harris's alter egos, like Everyman Masters in Carnival and Robin Redbreast Glass in The Infinite Rehearsal... Together, they represent one of the most remarkable fictional achievements in the modern canon.' Listener

Britain, although not the first Mass Observation title, was the one that made its name. Britain was published as Penguin Special and is reported as selling over 100, 000 in ten days. It was published in January 1939, and seventy years on Faber Finds are reissuing it. The aim of Mass Observation was to create 'an anthropology of ourselves', to provide a study of everyday lives of ordinary people in Britain. In this book, arranged and written by Tom Harrisson and Charles Madge (two of the founders of Mass Observation) the notorious year of 1938 is anatomized. It was the year of Munich. The first half of the book deals with the unfolding crisis, culminating with Neville Chamberlain waving his scrap of paper, the agreement with Hitler, from No. 10 Downing Street. A Mass Observation observer was there. The Press gave wildly misleading impressions of the turn-out. In fact the crowd was under 5000. As the commentary tartly observes, 'No second division football club could survive on a Chamberlain gate.' A bleakly comic moment is recorded, 'P. M. stretches out his arm for silence. Several in crowd appear to take this as a Fascist salute and stretch forth their arms likewise.'Other chapters deal with the dance craze 'The Lambeth Walk', all-in wrestling, the cow's-head cult of Westhoughton (the chapter is aptly entitled A Slight Case of Totemism) and the Two Minutes' Silence on Armistice Day. As the Times said then, ' . . . With these anthropological spies among us one wonders how statesmen and journalists will ever again dare to speak and write on behalf of ''the people''. For here are ''the people''.

This novel follows the lives of two 11-year-olds intent on escaping childhood. As the strength of their friendship is tested repeatedly, they begin to take their first, exhilarating steps towards adulthood.

We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of cultural-ecological catastrophe, where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point and that although earlier eras had their own obsessions with antiquity - the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism - never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?

It was, of course, the Battle of Britain, or rather its conclusion, that prompted one of Winston Churchill's most memorable pieces of oratory that has its epitome in the sentence, 'Never in the field of human conflict was so much owed by so many to so few.' If the Battle of Britain had been lost it is very likely the New Order to which the Axis powers had pledged themselves would have become global with unthinkable consequences for the world afterwards.The importance of the Battle of Britain cannot be exaggerated though inevitably in the succeeding years the accretion of myth has brought about many distortions. This multi-faceted symposium emerged from the Centre of Second World War Studies at Edinburgh University with the aim, in the words of the editors, 'to reassess established themes while opening up new ones.' After a masterly introduction by Brian Bond, the book is divided into six parts: Before the Battle; The Battle; The View from Afar; Experience and Memory; The Making of a British Legend and The Significance. The contributors are: Klaus A. Maier; Malcolm Smith; Horst Boog; Sebastian Cox; Sergei Kudryshov; Richard P. Hallion; Theodore F. Cook; Hans-Ekkehard Bob; Wallace Cunningham; Nigel Rose; Owen Dudley Edwards; Angus Calder; Tony Aldgate; Adrian Gregory; Jeremy Lake and John Schofield; Paul Addison and Jeremy A. Crang and Richard Overy. No survey could be more wide-ranging or fascinating. First published in 2000 to mark the 60th anniversary, it is now being reissued in 2010 to mark the 70th anniversary.'But it is terrific. It's not only an acknowledgement of the heroism of the fighter pilots (and all the ancillary crew), but a serious contribution to the historical record. Seventeen contributors write about the Battle from pretty much every conceivable angle; and Addison and Crang have chosen them well. . . This is not an automatically worshipful book; it poses questions about the morality of war, the existence of heroism, the reliability of memory. But it treats the subject honestly and with justice. And it tells us why we won: because, it would appear, it helps to come from a society that is sceptical of authority rather than in blind, unthinking terror of it.' Nicholas Lezard, Guardian''This book is a first-class piece of work, stimulating, informative and concise.' Brian Holden Reid, Times Higher Education Supplement.'This is a nugget of a book . . . it assembles, most readably, a range of authoritative and international views on the Battle, its history, and its significance.' Air Chief Marshall Sir Michael Graydon, Royal United Services Institute'This is a much told story, but the varied viewpoints of the 20 contributors to Burning Blue - ranging from a fascinating essay by Owen Dudley Edwards on the air war as reflected in children's literaturer to the memories of pilots who fought in it on both sides - give an impressive breadth and depth. And even though it strips away hindsight and refuses to burnish legends, what is left is still one of the most remarkable stories in the whole of British history. The British empire didn't last a thousand years, but the man was right: this truly was its finest hour.' David Robinson, The Scotsman

On 12 May 1883, the German flag was raised on the coast of South-West Africa, modern Namibia - the beginnings of Germany's African Empire. As colonial forces moved in , their ruthless punitive raids became an open war of extermination. Thousands of the indigenous people were killed or driven out into the desert to die. By 1905, the survivors were interned in concentration camps, and systematically starved and worked to death.Years later, the people and ideas that drove the ethnic cleansing of German South West Africa would influence the formation of the Nazi party. The Kaiser's Holocaust uncovers extraordinary links between the two regimes: their ideologies, personnel, even symbols and uniform. The Herero and Nama genocide was deliberately concealed for almost a century. Today, as the graves of the victims are uncovered, its re-emergence challenges the belief that Nazism was an aberration in European history. The Kaiser's Holocaust passionately narrates this harrowing story and explores one of the defining episodes of the twentieth century from a new angle. Moving, powerful and unforgettable, it is a story that needs to be told.

London, 1903. Two women are hanged in Holloway Prison for killing babies. More than thirty years later, their crimes resurface with shocking consequences...When Josephine Tey sets out to write a novel about Amelia Sach and Annie Walters, the notorious Finchley baby farmers, she can have little idea that the research for her book will be needed to help solve a modern-day killing - the sadistic murder of a young seamstress, found dead in the Motley sisters' studio, amid preparations for a star-studded charity gala. The girl's death seems to be the result of a long-standing domestic feud, but Josephine's friend, Inspector Archie Penrose, is unconvinced; and when a second young woman is involved in an horrific accident soon afterwards, the search begins for a vicious killer who will stop at nothing to keep the past where it belongs.Moving between the decadence and glamour of a private women's club, the bleak surroundings of Holloway prison, and the deprivation of London's slums, Two for Sorrow is a dark and unsettling exploration of the way in which the crimes of the past destroy those left behind - long after justice is done.

'A comic novel on the grand scale written with tremendous confidence and verve. Mario, 18-year-old law student and radio news-editor, falls scandalously for his Aunt Julia, the 32-year-old divorced wife of a cousin, and the progressively lunatic story of this affair is interwoven with episodes from a series of radio soap-operas written by his friend Pedro Comacho. Vargas Llosa's huge energy and inventiveness is extravagant and fabulously funny.' New Statesman

'I lost my own father at 12 yr. of age and know what it is to be raised on lies and silence...'To the authorities in pursuit of him, outlaw Ned Kelly is a horse thief, bank robber and police-killer. But to his fellow ordinary Australians, Kelly is their own Robin Hood. In a dazzling act of ventriloquism, Peter Carey brings the famous bushranger wildly and passionately to life.

"e;We wanted to live in a place that could feed us: where rain falls, crops grow, and drinking water bubbles up right out of the ground."e;Barbara Kingsolver opens her home to us, as she and her family attempt a year of eating only local food, much of it from their own garden. Inspired by the flavours and culinary arts of a local food culture, they explore many a farmers market and diversified organic farms at home and across the country. With characteristic warmth, Kingsolver shows us how to put food back at the centre of the political and family agenda. Animal, Vegetable, Miracle is part memoir, part journalistic investigation, and is full of original recipes that celebrate healthy eating, sustainability and the pleasures of good food.

Meet Mr Bones, the canine hero of Paul Auster's remarkable novel. Bones is the sidekick of Willy G. Christmas, a brilliant but troubled poet-saint from Brooklyn. Together they sally forth across America to Baltimore, Maryland, on one last great adventure, searching for Willy's old teacher, Bea Swanson. Years have passed since Willy last saw his beloved mentor, who used to know him as William Gurevitch, son of Polish war refugees. But is Mrs Swanson still alive? And if not, what will prevent Willy from vanishing into that other world known as Timbuktu? 'In this brilliant novel, Auster writes with economy, precision and the quirky pathos of noir, addressing the pernicious ubiquity of American consumerism, the nature of love and the core riddles of ontology. Above all, though, this is the affecting tale of a special dog's place in the universe of humans and in the fleeting life of a special man.' Publishers Weekly

With America quietly gearing up for war in the Middle East, twenty-year-old Tassie Keltjin, a 'half-Jewish' farmer's daughter from the plains of the Midwest, has come to university - escaping her provincial home to encounter the complex world of culture and politics. When she takes a job as a part-time nanny to a couple who seem at once mysterious and glamorous, Tassie is drawn into the life of their newly-adopted child and increasingly complicated household. As her past becomes increasingly alien to her - her parents seem older when she visits; her disillusioned brother ever more fixed on joining the military - Tassie finds herself becoming a stranger to herself. As the year unfolds, love leads her to new and formative experiences - but it is then that the past and the future burst forth in dramatic and shocking ways. Refracted through the eyes of this memorable narrator, A Gate at the Stairs is a lyrical, beguiling and wise novel of our times.

The humour of self-deprecation is peculiarly English. Few people do it better than Jeremy Lewis. His first two autobiographical volumes - Playing for Time and Kindred Spirits - are being reissued in Faber Finds to coincide happily with his third volume - Grub Street Irregular - being published by HarperCollins.The second volume of Jeremy Lewis's wonderfully entertaining autobiography sees him starting out, with a mixture of diffidence and self-professed incompetence, on a career in publishing. Along the way we see him tucking into cod and chips with Jane and Geoffrey Grigson, drinking tea with Kingsley Amis and retsina with Patrick Leigh-Fermor. When reviewing this book, Christopher Sinclair-Stevenson called it 'The funniest book I have ever read about publishing...this is not merely a hugely entertaining book, but an important one'. That judgment still stands.

Moran is an old Republican whose life was forever transformed by his days of glory as a guerilla leader in the War of Independence. Now, in old age, living out in the country, Moran is still fighting - with his family, his friends, even himself - in a poignant struggle to come to terms with the past.'A masterpiece.' John Banville'John McGahern is the Irish novelist everyone should read.' Colm Toibin'It is compact but not dense, spare yet rich, and brimming with tension.' Observer'An overwhelming experience.' The Times'McGahern brings us that tonic gift of the best fiction, the sense of truth - the sense of transparency that permits us to see imaginary lives more clearly than we see our own.' John Updike'One of the greatest writers of our era.' Hilary Mantel, New Statesman