Bücher veröffentlicht von Faber & Faber

Foremost among the biographies that Maurice Collis wrote during his wide-ranging literary career is Siamese White - an account of the career of Samuel White of Bath who, during the reign of James II, was appointed by the King of Siam as a mandarin of that country.

The story itself, Kafka's most famous, hardly needs describing - a travelling salesman, Gregor Samsa, wakes up one morning to find he has been transformed into an enormous bug - but Faber Finds is offering something rare, the very first English translation which has been out of print for over sixty years.

When the mysterious Green Knight arrives unbidden at the Round Table one Christmas, only Gawain is brave enough to take up his challenge.

A story of three generations destroyed by drink, drugs and bohemian life. George Lambert served as a war artist in Palestine and Gallipoli, and became Australia's leading painter. His son Constant founded the Sadlers Wells ballet, and Kit Lambert managed the pop group, The Who, and was murdered.

The play was the winner of the Susan Smith Blackburn Award 2001, the Critics' Circle Best New Play Award 2002, and the People's Choice Best New Play Award 2002.

Set amid the corrupt glamour and multiplying intrigues of Alexandria in the 1930s and 1940s, the novels of Durrell's "Alexandria Quartet" (of which this is the first) follow the shifting alliances - sexual, cultural and political - of a group of quite varied characters.

Traces the life of the famous Russian actor and producer who developed his own approach to acting and describes the influence of his productions.

General Sir Frank Kitson was commissioned into the army in 1945. This book tells his story. In the course of his service he spent many years in Germany and took part in counter-insurgency and peace-keeping activities in Kenya, Malaya, Oman, Cyprus and Northern Ireland.

'A drawing of the world when I was young.'So Gwen Raverat, the grand-daughter of Charles Darwin, described Period Piece, her classic memoir of a Cambridge childhood, which since its initial publication in 1952 has never been out of print.

LONGLISTED FOR THE BAILEY'S WOMEN'S PRIZE FOR FICTION 2017WINNER OF THE JAMES TAIT BLACK MEMORIAL PRIZE 2017SHORTLISTED FOR THE GOLDSMITHS PRIZE 2016SHORTLISTED FOR THE BORD GAIS IRISH NOVEL OF THE YEAR 2016SHORTLISTED FOR THE RSL ENCORE AWARD 2017SHORTLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD 2018LONGLISTED FOR THE BAILEY'S WOMEN'S PRIZE FOR FICTION 2017LONGLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD From the writer of one of the most memorable debuts of recent years, a story of first love and redemption. One night in London an eighteen year old girl, recently arrived from Ireland to study drama, meets an older actor and a tumultuous relationship ensues. Set across the bedsits and squats of mid-nineties north London, The Lesser Bohemians is a story about love and innocence, joy and discovery, the grip of the past and the struggle to be new again.

As the acknowledged 'Queen of Crime' P.D. James was frequently commissioned by newspapers and magazines to write a special short story for Christmas. Four of the very best of these have been rescued from the archives and are published together for the first time. P.D. James's sparkling prose illuminates each of these perfectly formed stories, making them ideal reading for the darkest days of the year. While she delights in the secrets that lurk beneath the surface at enforced family gatherings, her Christmas stories also provide enjoyable puzzles to keep the reader guessing. From the title story about a strained country house gathering on Christmas Eve, another about an illicit affair that ends in murder, and two cases for James's poet-detective Adam Dalgliesh -- each treats the reader to James's masterfully atmospheric story-telling, always with the lure of a mystery to be solved.

1878: Pope Pius IX dies, after a misguided papacy that has stamped out liberalism, centralized papal power and witnessed the Pope's declaration of Infallibility. The Judas Cloth is told from the standpoint of Pius's son Nicola Santi, an orphan unaware of his scandalous paternity, who becomes a priest intent on honest and compassionate service, only to suffer disillusion.'A wonderful basilica of a novel.' Independent'An astonishing achievement.' Irish Times'Rich in bizarre theatre... unabashed period drama, gorgeous and sinister grand guignol.' Sunday Times'O'Faolain gently but unmistakably draws parallels with today's church... I hope his holiness reads it.' Telegraph

First published in 1978, The Victims of Love was the last in a quartet of novels by Colin Spencer concerning the Simpson family and their charged relationships across the generations. Now we are in the 1960s, as Sundy Simpson attempts a reclusive existence as a single mother and Matthew struggles with the aftermath of a superficially civilised divorce and the continued rage of passion within.In a new preface Colin Spencer recalls how he drew inspiration from his own life and the lives of others, intending 'to be as honest to my experience as I can be, to be ruthless in my vision of others as I have been to myself'.'Affecting, hilarious, and grave . . . [the Generation Quartet] is a tapestry of unforgettable characters in all their seaminess and sadness, their idealism and desires. It is a delight to meet them again.' Sir Huw Weldon

'A variation on the theme of The Turn of the Screw in the manner of Graham Greene with an olive from The Cocktail Party and a dash of Dashiell Hammett.' Cyril ConnollyFirst published in 1961, The Scarlet Boy saw the versatile Arthur Calder-Marshall venturing into gothic terrain with a study in the paranormal. Historian George Grantley agrees to find a property for his school-friend Kit Everness, now a successful QC, in Grantley's home town of Wilchester. Grantley's eye falls on a place dear to him in childhood: Anglesey House, where his boyhood companion Charles Scarlet lived with his glamorous mother, Helen. But Charles committed suicide there, and some say the house is haunted. Grantley and Everness are undeterred; however, they will come to find their rational views tested, and the lives of their loved ones endangered.

First published in 1967, The Tyranny of Love was the second in a quartet of novels by Colin Spencer concerning the Simpson family. At the forefront of this story is Matthew, only son of Eddy and Hester Simpson. He loathes his lecherous father and wants to avenge his mother's misery. He begins an obsessive, sexless relationship with Jane, the girl next door, but his driving passion tends in another direction, and threatens to cause chaos.This edition of the novel includes a new preface by Colin Spencer.'[The novel] has a passionate feeling for the sensuous world; the characters live at full blast, a family driven by dark and uncontrollable forces, but always flesh and blood people.' London Illustrated News

This phenomenal novel is the first in a trilogy packed with shooting contests, train robberies, festivals under the stars, powerful Djinni magic and an electrifying love story."e;Tell me that and we'll go. Right now. Save ourselves and leave this place to burn. Tell me that's how you want your story to go and we'll write it straight across the sand."e;Dustwalk is Amani's home. The desert sand is in her bones. But she wants to escape. More than a want. A need. Then a foreigner with no name turns up to save her life, and with him the chance to run. But to where? The desert plains are full of danger. Sand and blood are swirling, and the Sultan's enemies are on the rise.

Conor Cruise O'Brien's brilliant and hugely controversial 1965 essay on the political convictions of W. B. Yeats is the title-piece for this superb 1988 collection of pieces on politics, religion, nationalism and terrorism.'O'Brien is a man of strong views, and he writes with verve and wit. Agree with him or not, one reads him with enjoyment.' Foreign Affairs'[Passion and Cunning] displays once again [O'Brien's] wonderful range of talents: a beautiful command of the language, gentle wit and coruscating satire, shrewd political judgment and a raking critical power. O'Brien is, moreover, a critic against all-comers, his spiky guns pointing in all directions: woe betide anyone incautious enough to presume that O'Brien is on their 'side'. . . O'Brien believes in all manner of good causes, but his own independence is finally what he cares about most.' R. W. Johnson, London Review of Books

In 1977 Prime Minister James Callaghan and Liberal leader David Steel struck a constitutional deal, by which the Labour government could survive a vote of no confidence and get its business through Parliament, while the Liberals gained access to the anterooms of power.The Pact, a contemporaneous account of the hatching and workings of the 'Lib-Lab' deal of 1977-8, is an invaluable time-capsule of British politics but also a pointer to its future. Coalition government has oft been scorned in Britain, since - as Alistair Michie and Simon Hoggart note - the main parties regard their opponents chiefly as 'targets off which points may be scored'. But hung parliaments and inter-party deals, as revived in May of 2010, may be back to stay.This new edition of The Pact, in memory of its co-author Simon Hoggart (1946-2014), includes new prefaces by David Steel, Roy Hattersley, and the journalist Stephen Bush.

'A marvellous and remarkable book.' Melvyn Bragg'A life-affirming novel.' TelegraphFirst published in 1963, Anarchists in Love was the first of a quartet of novels by Colin Spencer concerning the Simpson family. This volume centres on Sundy Simpson, who, on a warm May evening in Brighton, runs into Reg Pearson in a bar. They begin an affair: she paints, he writes, and on the surface they seem well matched. Reg, however, is a keeper of secrets.In a new preface to this edition Colin Spencer recalls the controversy that attended its first publication, and his wish to celebrate Brighton, 'which appeared to me in my twenties to be as complicated as the human soul'.

In Herod: Reflections on Political Violence (first published in 1978) Conor Cruise O'Brien collects a number of essays alongside three short plays that dramatise political arguments through the infamous figure of the Roman king of Judaea for whom the collection is named.'A great book. In it, O'Brien not only denounces IRA terrorism, as you would expect from a mainstream politician, but - in a sense quite different from the rationalisations offered by ideological apologists for political violence - seeks to understand it. I mean, really understand it - not extenuate it by equivocation and non sequitur. And his thinking leads him to attack the republican mythology at the heart of the Irish state. Few writers have analysed terrorism so acutely or been as effective in undermining its ideological justifications.' Oliver Kamm, from his preface to this edition

The Suspecting Glance (first published in 1972) collects Conor Cruise O'Brien's four T. S. Eliot Memorial Lectures as delivered at the University of Kent, Canterbury, in November 1969. The lectures were inspired by O'Brien's experience of holding the Albert Schweitzer Chair in Humanities at New York University from 1965-9, and there teaching students in whom he noted burning radical convictions but also a disconcerting 'lack of suspicion in those bright, young eyes'. Whereas to O'Brien's mind the 'suspecting glance' was a mark of political maturity that had to be first directed at one's own opinions prior to decrying another's.Brien's Eliot lectures were, as his friend Frank Callanan noted, a 'corrective gesture' toward his New York experience. In them he considers four writers - Machiavelli, Burke, Nietzsche, Yeats - whom he reads as being 'profoundly aware of the resource and versatility of violence and deception in man, in society, and in themselves'.

'Members of the jury, the case is now before you to decide on the evidence . . . There is no alternative plea of manslaughter or justifiable homicide; your verdict varies only between innocence and guilt . . .'It is the final day of the Claude Levy murder trial, about which everyone has an opinion - friends and enemies, bar-stool experts and neighbourhood gossips. The question is clear: did Levy murder his friend and patient Christopher Hall by poisoning him? But the motive is murky: was jealousy over a woman really at the root of events? Prosecution and defence are equally coherent. Gradually, as if through fog, the figure of Levy acquires definition. Meanwhile in the jury room it falls to twelve men and women to decide his fate.Published in 1933, About Levy was the second novel by Arthur Calder-Marshall (1908-92), a rich and brilliant variation on the courtroom drama.

Written in 1972 in the wake of Bloody Sunday and direct rule, States of Ireland was Conor Cruise O'Brien's searching analysis of contemporary Irish nationalism: part-memoir, part-history, part-polemic.'If The Great Melody (1992) is O'Brien's major academic work, States of Ireland is the one that will endure as a vital moment in Irish intellectual and political history.' Roy Foster, Standpoint'States of Ireland [is] a book which influenced a generation. [O'Brien] saw that partition, while scarcely desirable in itself, recognized the reality of two different communities in the island, and that the Dublin state's formal irredentist claim on Northern Ireland was undemocratic and even imperialistic, as well as insincere. The republican ideology to which most Irish people paid lip service was a shirt of Nessus, he later wrote: "e;it clings to us and burns"e;.' Geoffrey Wheatcroft,Oxford Dictionary of National Biography

Conor Cruise O'Brien's penetrative reading of Albert Camus, Nobel laureate and author of L',tranger and La Peste, was originally published in 1970.'O'Brien's Camus is brilliant. While having been himself profoundly moved by Camus's work, he asks why students have so often misinterpreted him.' Marghanita Laski, The Times'[Camus] displays O'Brien's cultivated intelligence at its most joyous pitch, and . . . demonstrates his unique critical talent . . . [O'Brien] demonstrates that Camus was far from being an exemplar of the truly independent intellectual and that his conception of "e;Mediterranean culture"e; served to legitimise France's possession of Algeria . . . O'Brien's prose has a sweet rigour as he first explores Camus's sense of estrangement and unreality, and then places his work within a social context.' Tom Paulin, Times Literary Supplement

Arguably Conor Cruise O'Brien's most influential and admired book was this brilliant collection of essays - on history, literature and public affairs - first published in 1965. 'I can still remember the excitement with which I discovered a copy of Writers and Politics, in a provincial library in Devonshire thirty years ago. Nobody who tries to write about either of those subjects, or about "e;the bloody crossroads"e; where they have so often met, can disown a debt to the Cruiser.' Christopher Hitchens, London Review of Books'When a liberal can write such pieces as "e;Mercy and Mercenaries"e;, "e;Journal de Combat"e;, "e;Varieties of Anti-Communism"e;, "e;A New Yorker Critic"e;, and "e;Generation of Saints"e;, an important voice has returned to our culture.' Raymond Williams,Guardian

The last of the three trilogies authored by David Stacton (1923-68) was described by the author as 'an intermezzo designed to deal with sexual relations'. After Old Acquaintance (1962) and Sir William (1963) came Kaliyuga (1965), described by Stacton as 'the story of the relations of Siva and Kali, lightly told'.Its chief figures are Charlie and Denise, an American couple in Switzerland, prone to domestic spats. After one such set-to Charlie finds himself wishing men were gods, so to be spared the banality of life's cyclical little dramas. But he knows not of what he speaks or wants. In Hindu mythology the gods go round and round as we do, making the same mistakes - as Charlie and Denise will discover.

The first literary phase in the brilliant and protean career of Conor Cruise O'Brien was his work as critic for Dublin literary magazine The Bell, which begat this collection of essays first published in 1952 (under the pseudonym 'Donat O'Donnell', as O'Brien was then a working civil servant.) In it, O'Brien set himself to a study of 'the patterns of several exceptionally vivid imaginations which are permeated by Catholicism' - from Graham Greene and Evelyn Waugh to Francois Mauriac and Paul Claudel - and to analyse 'what those patterns might share'. The originality and flair of Maria Cross won O'Brien many vocal admirers, among them Dag Hammarskjold, cerebral Secretary-General of the United Nations.'A most interesting and at times brilliant book, admirably and wittily written.'New Statesman'One of the most acute and stimulating books of literary criticism to be published for some years.' Spectator

It Was the Nightingale (1962) was the tenth volume of Williamson's great roman-fleuve, A Chronicle of Ancient Sunlight. After only a year of married happiness, Phillip Maddison experiences tragedy when his young wife Barley dies in childbirth. Left with a baby son, a cat, a dog and an otter cub he and Barley rescued while on holiday in France, Phillip endures the deepest grief. When the otter goes missing Phillip dedicates his life to searching for her, in the hope that success might grant him a new start in life.'At times almost unbearably poignant... In It Was the Nightingale Maddison enters a world with which Williamson, on the strength of the remarkable Tarka the Otter, will always be associated.' Anthony Burgess, Ninety-Nine Novels: The Best in English Since 1939

July 1960: The newly independent Congo is hit by the secession of its mineral rich-province Katanga, led by Mo,se Tshombe and backed by Belgium and Britain.June 1961: Dr Conor Cruise O'Brien arrives in Katanga as Special Representative of United Nations Secretary General Dag Hammarskj,ld, his task (under a UN resolution) to arrest and repatriate the mercenaries and foreign interests propping up Tshombe. The consequences of this mission will prove fateful for all parties.This is the story of how a brilliant Irish diplomat found himself in Africa amid one of history's maelstroms. O'Brien reconstructs the complex, tragic, sometimes comic events of a drama in which he found himself controversially at centre stage. The result is history from the inside: a valuable study of 'the game of nations', and of the UN's unique functioning and malfunctioning.

1946, Texarkana: a town on the border of Texas and Arkansas. Disgraced New York reporter Charlie Yates has been sent to cover the story of a spate of brutal murders - young couples who've been slaughtered at a local date spot. Charlie finds himself drawn into the case by the beautiful and fiery Lizzie, sister to one of the victims, Alice - the only person to have survived the attacks and seen the killer up close. But Charlie has his own demons to fight, and as he starts to dig into the murders he discovers that the people of Texarkana have secrets that they want kept hidden at all costs. Before long, Charlie discovers that powerful forces might be protecting the killer, and as he investigates further his pursuit of the truth could cost him more than his job... Loosely based on true events, The Dark Inside is a compelling and pacy thriller that heralds a new voice in the genre. It will appeal to fans of RJ Ellory, Tom Franklin, Daniel Woodrell and True Detective.