Bücher veröffentlicht von Farrar, Straus and Giroux (BYR)

The celebrated Danish poet Tove Ditlevsen begins the Copenhagen Trilogy ("A masterpiece" -The Guardian) with Childhood, her coming-of-age memoir about pursuing a life and a passion beyond the confines of her upbringing-and into the difficult years described in Youth and DependencyTove knows she is a misfit whose childhood is made for a completely different girl. In her working-class neighborhood in Copenhagen, she is enthralled by her wild, red-headed friend Ruth, who initiates her into adult secrets. But Tove cannot reveal her true self to her or to anyone else. For "long, mysterious words begin to crawl across" her soul, and she comes to realize that she has a vocation, something unknowable within her-and that she must one day, painfully but inevitably, leave the narrow street of her childhood behind.Childhood, the first volume in the Copenhagen Trilogy, is a visceral portrait of girlhood and female friendship, told with lyricism and vivid intensity.

A sparkling YA debut rom-com about a popular high-school girl, her ex-boyfriend-turned-best-friend, and the girl they both fall for-perfect for fans of Becky Albertalli or Casey McQuiston.Sam Dickson is a charismatic actress, ambitious and popular with big plans for her future. Ros Shew is one of the smartest people in school-but she's a loner, and prefers to keep it that way. Then there's Christian Powell, the darling of the high school soccer team. He's not the best with communication, which is why he and Sam broke up after dating for six months; but he makes up for it by being genuine, effusive, and kind, which is why they're still best friends.When Christian falls for Ros on first sight, their first interaction is a disaster, so he enlists Sam's help to get through to her. Sam, with motives of her own, agrees to coach Christian from the sidelines on how to soften Ros's notorious walls. But as Ros starts to suspect Christian is acting differently, and Sam starts to realize the complexity of her own feelings, their fragile relationships threaten to fall apart.This fresh romantic comedy from debut author Rachel Roasek is a heartfelt story about falling in love-with a partner, with your friends, or just with yourself-and about how maybe, the bravest thing to do in the face of change is just love somebody.

"This book changed my life. Tom Rasmussen's honesty, vulnerability, and fearlessness jump out of every page and every word. It is the queer bible I've always needed." -Sam Smith, singer and songwriter"Tom covers the nuance, doubt, and uncertainty of being a drag queen. Crystal covers the transcendence . . . Charisma and quick intelligence-two qualities that have long been prerequisites for drag . . . Diary puts on technicolor display." -Katy Waldman, The New YorkerIn these pages, find glamour and gaffes on and off the stage, clarifying snippets of queer theory, terrifyingly selfish bosses, sex, quick sex, KFC binges, group sex, the kind of honesty that banishes shame, glimmers of hope, blazes of ambition, tender sex, mad dashes in last night's heels plus a full face of make-up, and a rom-com love story for the ages. This is where the unspeakable becomes the celebrated. This is the diary of a drag queen-one dazzling, hilarious, true performance of a real, flawed, extraordinary life. "I hope people like me will read this and feel seen and loved by it. I hope people who aren't like me will enjoy it, laugh with it, learn from it. And I hope people who don't like me will file lawsuits just so I can wear my brand-new leopard-print skirt suit and bust their asses in court."-Crystal Rasmussen, in Refinery29

Critically acclaimed author of In the Wake, "Christina Sharpe is a brilliant thinker who attends unflinchingly to the brutality of our current arrangements . . . and yet always finds a way to beauty and possibility" (Saidiya Hartman).A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past-public ones alongside others that are poignantly personal-with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages-sometimes about language, beauty, memory; sometimes about history, art, photography, and literature-always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.At the heart of Ordinary Notes is the indelible presence of the author's mother, Ida Wright Sharpe. "I learned to see in my mother's house," writes Sharpe. "I learned how not to see in my mother's house . . . My mother gifted me a love of beauty, a love of words." Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method," collects entries from a community of thinkers toward a "Dictionary of Untranslatable Blackness," and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.4-color art throughout

Although young Montague Mad-Rat lives in--or rather, under--New York City, he know very few rats besides his mother, who makes hats, his father, who builds mud castles, and his globe-trotting Aunt Elizabeth. But Montague's life takes an abrupt turn for the eventful the stormy day he meets Isabel Moberly-Rat on his way home from Central Park.Home, for Montague, is an old sewer pipe. He now learns that there is a cityful of other rats out there who inhabit abandoned piers and lead considerably less eccentric and more luxurious lives than his family. What's more, these rats are in the midst of a grave crises. A human being has decided to turn their piers into parking lots, and an extermination campaign is already under way.As Montague stumbles into this wider, bewildering world, he long to help ratdom (and impress Isabel). But what can he do, when his only talent is painting the seashells his Aunt Elizabeth brings him from her travels? And to make matters worse, it turns out that a drunken uncle of his, Montague Mad-Rat the Elder, has made their name a standing joke in the rat world. For the first time in his life, young Montague finds out what it is to feel helpless and alone--little realizing that he has not only Isabel and his seashells on his side but his despised drunken uncle as well.

A much-anticipated guide to saving democracy, from one of our most essential political thinkers.Everyone knows that democracy is in trouble, but do we know what democracy actually is? Jan-Werner Müller, author of the widely translated and acclaimed What Is Populism?, takes us back to basics in Democracy Rules. In this short, elegant volume, he explains how democracy is founded not just on liberty and equality, but also on uncertainty. The latter will sound unattractive at a time when the pandemic has created unbearable uncertainty for so many. But it is crucial for ensuring democracy's dynamic and creative character, which remains one of its signal advantages over authoritarian alternatives that seek to render politics (and individual citizens) completely predictable. Müller shows that we need to re-invigorate the intermediary institutions that have been deemed essential for democracy's success ever since the nineteenth century: political parties and free media. Contrary to conventional wisdom, these are not spent forces in a supposed age of post-party populist leadership and post-truth. Müller suggests concretely how democracy's critical infrastructure of intermediary institutions could be renovated, re-empowering citizens while also preserving a place for professionals such as journalists and judges. These institutions are also indispensable for negotiating a democratic social contract that reverses the secession of plutocrats and the poorest from a common political world.

Tristan defeats Ireland's greatest warrior and gains the friendship of his uncle, the King of Cornwall, who entrusts him with a very special mission: to sail the seas in search of a queen."The storytelling is superb." --The Horn Book

Esther remembers her own experience of the Holocaust as a Jewish girl living in Amsterdam, and recounts to her grandson Daniel and his friend Jeroen how she escaped from the Nazis and survived by going into hiding in the countryside. Her parents were not so lucky. Esther knows they were sent to a concentration camp and died there, and with Daniel's help she embarks on a search to discover what happened to them during the last months of their lives. After tracking down an old friend who now lives in Israel, Esther finally learns the shocking story of how her parents met their fates at Auschwitz.

From 2023 Astrid Lindgren Memorial Award laureate Laurie Halse Anderson, the groundbreaking modern classic Speak is a bestselling National Book Award Finalist for Young People's Literature with more than 3.5 million copies sold. "Speak up for yourself-we want to know what you have to say." From the first moment of her freshman year at Merryweather High, Melinda knows this is a big fat lie, part of the nonsense of high school. She is friendless, outcast, because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. As time passes, she becomes increasingly isolated and practically stops talking altogether. Only her art class offers any solace, and it is through her work on an art project that she is finally able to face what really happened at that terrible party: she was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her. Her healing process has just begun when she has another violent encounter with him. But this time Melinda fights back, refuses to be silent, and thereby achieves a measure of vindication. In Laurie Halse Anderson's powerful novel, an utterly believable heroine with a bitterly ironic voice delivers a blow to the hypocritical world of high school. She speaks for many a disenfranchised teenager while demonstrating the importance of speaking up for oneself.

A timeless novel about the kindness of strangersNear a little cove where a brook runs out to the sea live a girl and her grandmother. All alone with no neighbors at all, the two lead a peaceful existence. They have a house, dine on sea kale and mussels and sand snails, and build fires from driftwood. But the grandmother is very old. When the time comes that the girl must bury the woman, she makes up a funeral song about the birds she is watching: Two crows never fly alone, and death is never, ever past. The next day the same crows seem to beckon her, and so the Crow-Girl begins her journey, one in which she will meet people both warm and cold, hurt and hurtful. And the Crow-Girl, before she knows it, has the makings before her of a new family . . . This lyrical story, with its characters' moments of darkness always overcome through incredible humanity, introduces a strong new voice for American readers.

In this award-winning book from Japan, three young boys curious about death learn--and teach--some valuable lessons about life and friendship.The Friends is the winner of the 1997 Boston Globe - Horn Book Award for Fiction.

Set in a trailer park called Paradise"e;You're just wasting your God-given talents if you don't get yourself something besides a little ole harmonica to play."e; Wylene made it sound so easy. Martin had always like music -- liked to listen to it, liked to make up tunes in his head. But all he had to do was say the word "e;piano"e; to his father and all hell would break loose. His father thought music was for sissies, and was always mad at Martin for not being good at baseball. But with a lot of help from his friends Wylene and Sybil and his grandmother, Hazeline, Martin learns that, although he can't change his father, he can learn to stick up for himself. With humor, pathos, and a colorful cast of offbeat characters, Barbara O'Connor shows that there's room for genius wherever there's a place for compassion-- even in Paradise.