Bücher veröffentlicht von Farrar, Straus and Giroux

John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all of his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach for how to build an effective, multifaceted narrative. Truby's method for constructing a story is at once insightful and practical, focusing on the hero's moral and emotional growth. As a result, writers will dig deep within and explore their own values and worldviews in order to create an effective story. Writers will come away with an extremely precise set of tools to work with-specific, useful techniques to make the audience care about their characters, and that make their characters grow in meaningful ways. They will construct a surprising plot that is unique to their particular concept, and they will learn how to express a moral vision that can genuinely move an audience.The foundations of story that Truby lays out are so fundamental they are applicable-and essential-to all writers, from novelists and short-story writers to journalists, memoirists, and writers of narrative non-fiction.

AN INSTANT NEW YORK TIMES BESTSELLER"e;Provocative and appealing . . . well worth your extremely limited time."e; -Barbara Spindel, The Wall Street JournalThe average human lifespan is absurdly, insultingly brief. Assuming you live to be eighty, you have just over four thousand weeks.Nobody needs telling there isn't enough time. We're obsessed with our lengthening to-do lists, our overfilled inboxes, work-life balance, and the ceaseless battle against distraction; and we're deluged with advice on becoming more productive and efficient, and "e;life hacks"e; to optimize our days. But such techniques often end up making things worse. The sense of anxious hurry grows more intense, and still the most meaningful parts of life seem to lie just beyond the horizon. Still, we rarely make the connection between our daily struggles with time and the ultimate time management problem: the challenge of how best to use our four thousand weeks.Drawing on the insights of both ancient and contemporary philosophers, psychologists, and spiritual teachers, Oliver Burkeman delivers an entertaining, humorous, practical, and ultimately profound guide to time and time management. Rejecting the futile modern fixation on "e;getting everything done,"e; Four Thousand Weeks introduces readers to tools for constructing a meaningful life by embracing finitude, showing how many of the unhelpful ways we've come to think about time aren't inescapable, unchanging truths, but choices we've made as individuals and as a society-and that we could do things differently.

INSTANT NEW YORK TIMES BESTSELLER A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution-from the development of agriculture and cities to the origins of the state, democracy, and inequality-and revealing new possibilities for human emancipation.For generations, our remote ancestors have been cast as primitive and childlike-either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself.Drawing on pathbreaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what's really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume.The Dawn of Everything fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action.Includes Black-and-White Illustrations

A single-volume hardcover edition that brings together the three volumes of the Southern Reach Trilogy, which were originally published as paperback originals in February, May, and September 2014.Annihilation is the first volume in Jeff VanderMeer's Southern Reach trilogy, Authority is the second, and Acceptance is the third. Area X-a remote and lush terrain-has been cut off from the rest of the continent for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; all the members of the second expedition committed suicide; the third expedition died in a hail of gunfire as its members turned on one another; the members of the eleventh expedition returned as shadows of their former selves, and within months of their return, all had died of aggressive cancer. This is the twelfth expedition. Their group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain and collect specimens; to record all their observations, scientific and otherwise, of their surroundings and of one another; and, above all, to avoid being contaminated by Area X itself. They arrive expecting the unexpected, and Area X delivers-they discover a massive topographic anomaly and life forms that surpass understanding-but it's the surprises that came across the border with them, and the secrets the expedition members are keeping from one another, that change everything. After the disastrous twelfth expedition chronicled in Annihilation, the Southern Reach-the secret agency that monitors these expeditions-is in disarray. In Authority, John Rodriguez, aka "Control," is the team's newly appointed head. From a series of interrogations, a cache of hidden notes, and hours of profoundly troubling video footage, the secrets of Area X begin to reveal themselves-and what they expose pushes Control to confront disturbing truths about both himself and the agency he's promised to serve. And the consequences will spread much further than that. It is winter in Area X in Acceptance. A new team embarks across the border on a mission to find a member of a previous expedition who may have been left behind. As they press deeper into the unknown-navigating new terrain and new challenges-the threat to the outside world becomes more daunting. The mysteries of Area X may have been solved, but their consequences and implications are no less profound-or terrifying.

First published in 1979, Joan Didion's The White Album records indelibly the upheavals and aftermaths of the 1960s. Examining key events, figures, and trends of the era-including Charles Manson, the Black Panthers, and the shopping mall-through the lens of her own spiritual confusion, Joan Didion helped to define mass culture as we now understand it. Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

WINNER OF THE NOBEL PRIZE IN LITERATUREA haunting new book by a poet whose voice speaks of all our lifetimesLouise Gluck's thirteenth book is among her most haunting. Here as in the Wild Iris there is a chorus, but the speakers are entirely human, simultaneously spectral and ancient. Winter Recipes from the Collective is chamber music, an invitation into that privileged realm small enough for the individual instrument to make itself heard, dolente, its line sustained, carried, and then taken up by the next instrument, spirited, animoso, while at the same time being large enough to contain a whole lifetime, the inconceivable gifts and losses of old age, the little princesses rattling in the back of a car, an abandoned passport, the ingredients of an invigorating winter sandwich, a sister's death, the joyful presence of the sun, its brightness measured by the darkness it casts. "e;Some of you will know what I mean,"e; the poet says, by which she means, some of you will follow me. Hers is the sustaining presence, the voice containing all our lifetimes, "e;all the worlds, each more beautiful than the last."e; This magnificent book couldn't have been written by anyone else, nor could it have been written by the poet at any other time in her life.

"e;A surreal excursion into heartache and horror narrated by a man undone by grief . . . Along with allusions to Rod Serling and The Exorcist, there are shades of H. P. Lovecraft, Stephen King, zombie literature and, at least once, A Hitchhiker's Guide to the Galaxy . . . You don't want to read this book right before bed."e; -Sarah Lyall, The New York Times Book Review"e;This intense cosmic horror with a touch of Mexican American folklore is incredibly creepy and moving."e; -Margaret Kingsbury, BuzzFeedIt was Vera's idea to buy the Itza. The "e;world's most advanced smart speaker!"e; didn't interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house-who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room.It was funny and strange right up until Vera was killed, and Thiago's world became unbearable. Pundits and politicians all looking to turn his wife's death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room . . .The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape-not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world.A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent.

2015 National Translation Award Winner in PoetryPaul Celan, one of the greatest German-language poets of the twentieth century, created an oeuvre that stands as testimony to the horrors of his times and as an attempt to chart a topography for a new, uncontaminated language and world. Breathturn into Timestead: The Collected Later Poetry gathers the five final volumes of his life's work in a bilingual edition, translated and with commentary by the award-winning poet and translator Pierre Joris.This collection displays a mature writer at the height of his talents, following what Celan himself called the "turn" (Wende) of his work away from the lush, surreal metaphors of his earlier verse. Given "the sinister events in its memory," Celan believed that the language of poetry had to become "more sober, more factual . . . 'grayer.'" Abandoning the more sumptuous music of the first books, he pared down his compositions to increase the accuracy of the language that now "does not transfigure or render 'poetical'; it names, it posits, it tries to measure the area of the given and the possible." In his need for an inhabitable post-Holocaust world, Celan saw that "reality is not simply there; it must be searched for and won."Breathturn into Timestead reveals a poet undergoing a profound artistic reinvention. The work is that of a witness and a visionary.

In fierce, textured voices, the women of Ovid's Metamorphoses claim their stories and challenge the power of mythI am the home of this story. After thousands of years of other people's tellings, of all these different bridges, of words gotten wrong, I'll tell it myself.Seductresses and she-monsters, nymphs and demi-goddesses, populate the famous myths of Ovid's Metamorphoses. But what happens when the story of the chase comes in the voice of the woman fleeing her rape? When the beloved coolly returns the seducer's gaze? When tales of monstrous transfiguration are sung by those transformed? In voices both mythic and modern, Wake, Siren revisits each account of love, loss, rape, revenge, and change. It lays bare the violence that undergirds and lurks in the heart of Ovid's narratives, stories that helped build and perpetuate the distorted portrayal of women across centuries of art and literature. Drawing on the rhythms of epic poetry and alt rock, of everyday speech and folk song, of fireside whisperings and therapy sessions, Nina MacLaughlin, the acclaimed author of Hammer Head, recovers what is lost when the stories of women are told and translated by men. She breathes new life into these fraught and well-loved myths.

An intimate, revealing memoir from one of the most important activists of our time. While working as an intelligence analyst in Iraq for the United States Army in 2010, Chelsea Manning disclosed more than seven hundred thousand classified military and diplomatic records that she had smuggled out of the country on the memory card of her digital camera. In 2011, she was charged with twenty-two counts related to the unauthorized possession and distribution of classified military records, and in 2013, she was sentenced to thirty-five years in military prison.The day after her conviction, Manning declared her gender identity as a woman and began to transition, seeking hormones through the federal court system. In 2017, President Barack Obama commuted her sentence and she was released from prison.In README.txt, Manning recounts how her pleas for increased institutional transparency and government accountability took place alongside a fight to defend her rights as a trans woman. Manning details the challenges of her childhood and adolescence as a naive, computer-savvy kid, what drew her to the military, and the fierce pride she has about the work she does. This powerful, observant memoir will stand as one of the definitive testaments of our digital, information-driven age.

John Dryden called Virgil's Georgics, written between 37 and 30 B.C.E., "the best poem by the best poet." The poem, newly translated by the poet and translator David Ferry, is one of the great songs, maybe the greatest we have, of human accomplishment in difficult--and beautiful--circumstances, and in the context of all we share in nature. The Georgics celebrates the crops, trees, and animals, and, above all, the human beings who care for them. It takes the form of teaching about this care: the tilling of fields, the tending of vines, the raising of the cattle and the bees. There's joy in the detail of Virgil's descriptions of work well done, and ecstatic joy in his praise of the very life of things, and passionate commiseration too, because of the vulnerability of men and all other creatures, with all they have to contend with: storms, and plagues, and wars, and all mischance.

Cow. Slob. Pig. How many insults can you hear before you have to stand up and defend the woman you love? Tom faces just that question when he falls for Helen, a bright, funny, sexy young woman who happens to be plus sized-and then some. Forced to explain his new relationship to his shallow (although shockingly funny) friends, finally he comes to terms with his own preconceptions of the importance of conventional good looks. Neil LaBute's sharply drawn play not only critiques our slavish adherence to Hollywood ideals of beauty but boldy questions our own ability to change what we dislike about ourselves.

The coming-of-age story of one of Jamaica Kincaid's most admired creations--newly available in paperbackLucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. Lewis and Mariah are a thrice-blessed couple--handsome, rich, and seemingly happy. Yet, alomst at once, Lucy begins to notice cracks in their beautiful facade. With mingled anger and compassion, Lucy scrutinizes the assumptions and verities of her employers' world and compares them with the vivid realities of her native place. Lucy has no illusions about her own past, but neither is she prepared to be deceived about where she presently is. At the same time that Lucy is coming to terms with Lewis's and Mariah's lives, she is also unravelling the mysteries of her own sexuality. Gradually a new person unfolds: passionate, forthright, and disarmingly honest. In Lucy, Jamaica Kincaid has created a startling new character possessed with adamantine clearsightedness and ferocious integrity--a captivating heroine for our time.

Disarmingly witty and poignant, Sloane Crosley's memoir explores multiple kinds of loss following the death of her closest friend.Grief Is for People is a deeply moving and surprisingly suspenseful portrait of friendship, and a book about loss packed with verve for life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in friends, philosophy, and art, hoping for a framework more useful than the unavoidable stages of grief. For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, while Russell is still alive, Sloane's apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place. When Russell dies exactly one month later, his suicide propels her on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll brought on by the pandemic.Crosley's search for truth is frank, darkly funny, and gilded with a resounding empathy. Upending the "grief memoir," Grief Is for People is the category-defying story of the struggle to hold on to the past without being consumed by it. A modern elegy, it rises precisely to console and challenge our notions of mourning during these grief-stricken times.

One of our greatest novelists and thinkers presents a radiant, thrilling interpretation of the book of Genesis.For generations, the book of Genesis has been treated by scholars as a collection of documents, by various hands, expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherency, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true. Both of these approaches preclude an appreciation of its greatness as literature, its rich articulation and exploration of themes that resonate through the whole of Scripture. Marilynne Robinson's Reading Genesis, which includes the original text, is a powerful consideration of the profound meanings and promise of God's enduring covenant with man. This magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation.

One of the few indisputable geniuses of pop music, Sly Stone is a trailblazer and a legend. He created a new kind of music, mixing Black and white, male and female, funk and rock. As a songwriter, he penned some of the most iconic anthems of the 1960s and '70s, from "Everyday People" to "Family Affair." As a performer, he electrified audiences with a persona and stage presence that set a lasting standard for pop-culture performance.Yet his life has also been a cautionary tale, known as much for how he dropped out of the spotlight as for what put him there in the first place. People know the music, but the man remains a mystery. In Thank You (Falettinme Be Mice Elf Agin), his much-anticipated memoir, he's finally ready to share his story-a story that many thought he'd never have the chance to tell.Written with Ben Greenman, who has written memoirs with George Clinton and Brian Wilson, among others, and created in collaboration with Sly Stone's manager, Arlene Hirschkowitz, Thank You (Falettinme Be Mice Elf Agin) includes a foreword by Questlove.

One of the world's leading woman politicians tells her inspiring storyAt forty-one, Gro Harlem Brundtland, physician and mother of four, was appointed prime minister of Norway-the youngest person and the first woman ever to hold that office. In this refreshingly forthright memoir, Brundtland traces her unusual and meteoric career. She grew up with strong role models-her parents were active in the Norwegian resistance and involved in postwar politics. She became known as a pro-choice crusader in the seventies and entered politics as the minister of the environment. She appointed eight women to her second eighteen-member cabinet, to this day a world record, and was the leading figure in the process that led to the Earth Summit in Rio in 1992. As director-general of the World Health Organization since 1997, Brundtland is the first woman elected to run a major UN institution. Along the way, she met a host of international politicians, including Margaret Thatcher-who did not share Brundtland's view on feminism-Mikhail Gorbachev, Nelson Mandela, Ronald Reagan, and Hillary Clinton.Brundtland writes candidly and with humor about raising children in the political limelight and about dealing with political opposition and stereotypes about women. Hers is a fascinating story of one person's ability to make a difference-globally.