Bücher veröffentlicht von Farrar, Straus and Giroux

One of the most admired American poets of his generation, James Wright (1927-80) wrote contemplative, sturdy, and generous poems with an honesty, clarity, and stylistic range matched by very few--then or now. From his Deep Image-inspired lyrics to his Whtimanesque renderings of Neruda, Vallejo, and other Latin American poets, and from his heartfelt reflections on life, love, and loss in his native Ohio to the celebrated prose poems (set frequently in Italy) that marked the end of his important career, Above the River gathers the complete work of a modern master. It also features a moving and insightful introduction by Donald Hall, Wright's longtime friend and colleague.

In this acclaimed international bestseller, Claudio Magris tracks the Danube River, setting his finger on the pulse of Central Europe, the crucible of a culture that draws on influences of East and West, Christianity and Islam. In each town he raises the ghosts that inhabit the houses and monuments, from Ovid and Marcus Aurelius to Kafka and Canetti, in "a fascinating blend of anecdote and history" (San Francisco Examiner).

Winner of the Pulitzer Prize for Drama, 1982A black sergeant cries out in the night, "They still hate you," then is shot twice and falls dead. Set in 1944 at Fort Neal, a segregated army camp in Louisiana, Charles Fuller's forceful drama--which has been regularly seen in both its original stage and its later screen version starring Denzel Washington--tracks the investigation of this murder. But A Soldier's Play is more than a detective story: it is a tough, incisive exploration of racial tensions and ambiguities among blacks and between blacks and whites that gives no easy answers and assigns no simple blame.

The Collected Stories of Colette beings together in one volume for the first time in any language the comprehensive collection of short stories by the novelist known worldwide as Colette, and now acknowledged, with Proust, as the most original French narrative writer of the first half of our century. of the one hundred stories gathered here, thirty-one appear for the first time in English and another twenty-nine have been newly translated for this volume.

When we look at a painting hanging on an art gallery wall, we see only what the artist has chosen to disclose--the finished work of art. What remains mysterious is the process of creation itself--the making of the work of art. Everyone who has looked at paintings has wondered about this, and numerous efforts have been made to discover and depict the creative method of important artists. A Giacometti Portrait is a picture of one of the century's greatest artists at work.James Lord sat for eighteen days while his friend Alberto Giamcometti did his portrait in oil. The artist painted, and the model recorded the sittings and took photographs of the work in its various stages. What emerged was an illumination of what it is to be an artist and what it was to be Giacometti--a portrait in prose of the man and his art. A work of great literary distinction, A Giacometti Portrait is, above all, a subtle and important evocation of a great artist.

When John McPhee returned to the island of his ancestors-Colonsay, twenty-five miles west of the Scottish mainland-a hundred and thirty-eight people were living there. About eighty of these, crofters and farmers, had familial histories of unbroken residence on the island for two or three hundred years; the rest, including the English laird who owned Colonsay, were "incomers." Donald McNeill, the crofter of the title, was working out his existence in this last domain of the feudal system; the laird, the fourth Baron Strathcona, lived in Bath, appeared on Colonsay mainly in the summer, and accepted with nonchalance the fact that he was the least popular man on the island he owned. While comparing crofter and laird, McPhee gives readers a deep and rich portrait of the terrain, the history, the legends, and the people of this fragment of the Hebrides.

A New York Times Notable Book for 2011 Giacomo Leopardi is Italy's greatest modern poet, the first European writer to portray and examine the self in a way that feels familiar to us today. A great classical scholar and patriot, he explored metaphysical loneliness in entirely original ways. Though he died young, his influence was enormous, and it is no exaggeration to say that all modern poetry, not only in Italian, derives in some way from his work.Leopardi's poetry is notoriously difficult to translate, and he has been less well known to English-language readers than his central significance for his own culture might suggest. Now Jonathan Galassi, whose translations of Eugenio Montale have been widely acclaimed, has produced a strong, fresh, direct version of this great poet that offers English-language readers a new approach to Leopardi. Galassi has contributed an informative introduction and notes that provide a sense of Leopardi's sources and ideas. This is an essential book for anyone who wants to understand the roots of modern lyric poetry.

"By far the most helpful, entertaining, up-to-date and accessible treatment of the energy-economy-environment problematique available." --John P. Holdren, Scientific AmericanA fiercely independent and irresistibly entertaining look at the economic, political and technological forces that are reshaping the world's management of energy resources, Power to the People has been hailed as "as good a manifesto for the new energy world as you will find." (Fred Pearce, New Scientist). The Economist's Environment and Energy correspondent, Vijay V. Vaitheeswaran sees great opportunity in the energy realm today, and he documents an energy revolution already under way. From the corporate boardroom of a Texas oil titan who denies the reality of global warming, to a think tank nestled in the Rocky Mountains where a visionary named Amory Lovins is developing hydrogen fuel-cell technology that could make the internal combustion engine obsolete, Vaitheeswaran gamely pursues the people who hold the keys to our future. Avoiding the traditional divide that pits free markets against the wisdom of conservation and the need for clean energy, Power to the People debunks myths without debunking hope.

* A New York Times Editors' Choice * Publishers Weekly Best Nonfiction Books of 2021 *I am not talking about surviving. I am not talking about becoming human, but about how I came to realize that I had always already been human. I am writing about all that I wanted to have, and how I got it. I am writing about what it cost, and how I was able to afford it. Jan Grue was diagnosed with spinal muscular atrophy at the age of three. Shifting between specific periods of his life-his youth with his parents and sister in Norway; his years of study in Berkeley, St. Petersburg, and Amsterdam; and his current life as a professor, husband, and father-he intersperses these histories with elegant, astonishingly wise reflections on the world, social structures, disability, loss, relationships, and the body: in short, on what it means to be human. Along the way, Grue moves effortlessly between his own story and those of others, incorporating reflections on philosophy, film, art, and the work of writers from Joan Didion to Michael Foucault. He revives the cold, clinical language of his childhood, drawing from a stack of medical records that first forced the boy who thought of himself as "e;just Jan"e; to perceive that his body, and therefore his self, was defined by its defects.I Live a Life Like Yours is a love story. It is rich with loss, sorrow, and joy, and with the details of one life: a girlfriend pushing Grue through the airport and forgetting him next to the baggage claim; schoolmates forming a chain behind his wheelchair on the ice one winter day; his parents writing desperate letters in search of proper treatment for their son; his own young son climbing into his lap as he sits in his wheelchair, only to leap down and run away too quickly to catch. It is a story about accepting one's own body and limitations, and learning to love life as it is while remaining open to hope and discovery.

A Village Life, Louise Gluck's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place:All the roads in the village unite at the fountain.Avenue of Liberty, Avenue of the Acacia Trees-The fountain rises at the center of the plaza;on sunny days, rainbows in the piss of the cherub.-from "e;tributaries"e;Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed. Gluck has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as "e;the type of describing, supervising intelligence found in novels rather than poetry,"e; as Langdon Hammer has written of her long lines-expansive, fluent, and full-manifesting a calm omniscience. While Gluck's manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.

A debut novel of love, narcissism, and ailing cattleIdiopathy (?d?'?p??i): a disease or condition which arises spontaneously or for which the cause is unknown.Idiopathy: a novel as unexpected as its title, in which Katherine, Daniel, and Nathan-three characters you won't forget in a hurry-unsuccessfully try to figure out how they feel about one another and how they might best live their lives in a world gone mad. Featuring a mysterious cattle epidemic, a humiliating stint in rehab, an unwanted pregnancy, a mom-turned-media personality ("e;Mother Courage"e;), and a workplace with a bio-dome housing a perfectly engineered cornfield, it is at once a scathing satire and a moving meditation on love and loneliness. With unusual verbal finesse and great humor, Sam Byers neatly skewers the tangled relationships and unhinged narcissism of a self-obsessed generation in a remarkable, uproarious first novel.

First acclaimed as a story-length memoir, then expanded into a novel, Sylvia draws us into the lives of a young couple whose struggle to survive Manhattan in the early 1960s involves them in sexual fantasias, paranoia, drugs, and the extreme intimacy of self-destructive violence.Reproducing a time and place with extraordinary clarity, Leonard Michaels explores with self-wounding honesty the excruciating particulars of a youthful marriage headed for disaster.

Now in eBook, the first full account of Nobel Peace Prize laureate Aung San Suu Kyi's role in the struggle against Burma's military junta. Included is a new afterword by the author, which covers events from the time of the original publication in 1998 to Aung San Suu Kyi's release from house arrest in May 2002.

The story of four modern American Catholics who made literature out of their search for GodIn the mid-twentieth century four American Catholics came to believe that the best way to explore the questions of religious faith was to write about them-in works that readers of all kinds could admire. The Life You Save May Be Your Own is their story-a vivid and enthralling account of great writers and their power over us.Thomas Merton was a Trappist monk in Kentucky; Dorothy Day the founder of the Catholic Worker in New York; Flannery O'Connor a "e;Christ-haunted"e; literary prodigy in Georgia; Walker Percy a doctor in New Orleans who quit medicine to write fiction and philosophy. A friend came up with a name for them-the School of the Holy Ghost-and for three decades they exchanged letters, ardently read one another's books, and grappled with what one of them called a "e;predicament shared in common."e;A pilgrimage is a journey taken in light of a story; and in The Life You Save May Be Your Own Paul Elie tells these writers' story as a pilgrimage from the God-obsessed literary past of Dante and Dostoevsky out into the thrilling chaos of postwar American life. It is a story of how the Catholic faith, in their vision of things, took on forms the faithful could not have anticipated. And it is a story about the ways we look to great books and writers to help us make sense of our experience, about the power of literature to change-to save-our lives.

Fourteen years ago, the American writer Wallis Wilde-Menozzi moved with her husband and daughter to Parma, a prosperous city in northern Italy. Searching for a way to find a place within a city that has existed since Roman times, she conducted a highly personal investigation of the often baffling, closed way of life she encountered. Mother Tongue explores Parma, largely through the lives of its women, some historical figures-Giuseppe Verdi, Correggio, the Renaissance badessa Giovanna Piacenza-and other extraordinary individuals. It is also a remarkable, probing evocation of an American life that has been tried and tempered by two very different societies. No other book evokes so poignantly and profoundly the role of food, faith, and family attachment in Italian life and, by reflection, in our own.

I have sat and listened to too manywords of the collaborating muse,and plotted perhaps too freely with my life,not avoiding injury to others,not avoiding injury to myself-to ask compassion . . . this book, half fiction,an eelnet made by man for the eel fightingmy eyes have seen what my hand did.Winner of the 1974 Pulitzer Prize in Poetry, The Dolphin was controversial from the beginning: many of the poems include the letters that Robert Lowell's wife, the celebrated writer and critic Elizabeth Hardwick, wrote to him after he left her for the English socialite and writer Caroline Blackwood. He was warned by many, among them Elizabeth Bishop, that "e;art just isn't worth that much."e; Nevertheless, these poems are a powerful document of an impulsive love, and a moving record of Lowell's change from one life and marriage in America to a new life on new terms with a new family in England, rendered with the stunning technical power and control for which he was so celebrated. This new edition, which follows the 1973 edition, includes scans of the pages of Lowell's original manuscript, giving us a look into the brilliant and complicated mind of one of our most beloved and distinguished poets.

In The Improbability Principle, the renowned statistician David J. Hand argues that extraordinarily rare events are anything but. In fact, they're commonplace. Not only that, we should all expect to experience a miracle roughly once every month. But Hand is no believer in superstitions, prophecies, or the paranormal. His definition of "miracle" is thoroughly rational. No mystical or supernatural explanation is necessary to understand why someone is lucky enough to win the lottery twice, or is destined to be hit by lightning three times and still survive. All we need, Hand argues, is a firm grounding in a powerful set of laws: the laws of inevitability, of truly large numbers, of selection, of the probability lever, and of near enough. Together, these constitute Hand's groundbreaking Improbability Principle. And together, they explain why we should not be so surprised to bump into a friend in a foreign country, or to come across the same unfamiliar word four times in one day. Hand wrestles with seemingly less explicable questions as well: what the Bible and Shakespeare have in common, why financial crashes are par for the course, and why lightning does strike the same place (and the same person) twice. Along the way, he teaches us how to use the Improbability Principle in our own lives-including how to cash in at a casino and how to recognize when a medicine is truly effective. An irresistible adventure into the laws behind "chance" moments and a trusty guide for understanding the world and universe we live in, The Improbability Principle will transform how you think about serendipity and luck, whether it's in the world of business and finance or you're merely sitting in your backyard, tossing a ball into the air and wondering where it will land.