Bücher veröffentlicht von FARRAR STRAUSS & GIROUX

"A history of the right-wing political figures who defined the early 1990s"--

Magical realism meets Southern Gothic in this commanding young adult debut from Ciera Burch about true love, the meaning of home, and the choices that haunt us.Welcome to Coldwater. Come for the ghosts, stay for the drama.Jericka Walker had planned to spend the summer before senior year soaking up the sun with her best friend on the Jersey Shore. Instead she finds herself in Coldwater, Maryland, a small town with a dark and complicated past where her estranged grandmother lives-someone she knows only two things about: her name and the fact that she left Jericka's mother and uncle when they were children. But now Jericka's grandmother is dying, and her mother has dragged Jericka along to say goodbye.As Jericka attempts to form a connection with a woman she's never known, and adjusts to life in a town where everything closes before dinner, she meets "ghost girl" Kat, a girl eager to leave Coldwater and more exciting than a person has any right to be. But Coldwater has a few unsettling secrets of its own. The more you try to leave, the stronger the town's hold. As Jericka feels the chilling pull of her family's past, she begins to question everything she thought she knew about her mother, her childhood, and the lines between the living and the dead.

The boldly original, dramatic intertwined story of Catherine de' Medici, Elisabeth de Valois, and Mary, Queen of Scots-three queens exercising power in a world dominated by men.Orphaned from infancy, Catherine de' Medici endured a tumultuous childhood. Married to the French king, she was widowed by forty, only to become the power behind the French throne during a period of intense civil strife. In 1546, Catherine gave birth to a daughter, Elisabeth de Valois, who would become Queen of Spain. Two years later, Catherine welcomed to her nursery the beguiling young Mary Queen of Scots, who would later become her daughter-in-law.Together, Catherine, Elisabeth, and Mary lived through the sea changes that transformed sixteenth-century Europe, a time of expanding empires, religious discord, and populist revolt, as concepts of nationhood began to emerge and ideas of sovereignty inched closer to absolutism. They would learn that to rule as a queen was to wage a constant war against the deeply entrenched misogyny of their time.Following the intertwined stories of the three women from girlhood through young adulthood, Leah Redmond Chang's Young Queens paints a picture of a world in which a woman could wield power at the highest level yet remain at the mercy of the state, her body serving as the currency of empire and dynasty, sacrificed to the will of husband, family, kingdom.

The story of a revolution in classical music and technology, told through a century of recordings of the music of Johann Sebastian BachIn Reinventing Bach, his remarkable second book, Paul Elie tells the electrifying story of how musicians of genius have made Bach's music new in our time, at once restoring Bach as a universally revered composer and revolutionizing the ways that music figures into our lives. As a musician in eighteenth-century Germany, Bach was on the technological frontier-restoring organs, inventing instruments, and perfecting the tuning system still in use today. Two centuries later, pioneering musicians began to take advantage of breakthroughs in audio recording to make Bach's music the sound of modern transcendence. The sainted organist Albert Schweitzer played to a mobile recording unit set up at London's Church of All Hallows in order to spread Bach's organ works to the world beyond the churches. Pablo Casals, recording at Abbey Road Studios, made Bach's cello suites existentialism for the living room; Leopold Stokowski and Walt Disney, with Fantasia, made Bach the sound of children's playtime and Hollywood grandeur alike. Glenn Gould's Goldberg Variations opened and closed the LP era and made Bach the byword for postwar cool; and Yo-Yo Ma has brought Bach into the digital present, where computers and smartphones put the sound of Bach all around us. In this book we see these musicians and dozens of others searching, experimenting, and collaborating with one another in the service of Bach, who emerges as the very image of the spiritualized, technically savvy artist. Reinventing Bach is a gorgeously written story of music, invention, and human passion-and a story with special relevance in our time, for it shows that great things can happen when high art meets new technology.

Afghans revere poetry, particularly the high literary forms that derive from Persian or Arabic. But the poem above is a folk couplet-a landay, an ancient oral and anonymous form created by and for mostly illiterate people: the more than 20 million Pashtun women who span the border between Afghanistan and Pakistan. War, separation, homeland, love-these are the subjects of landays, which are brutal and spare, can be remixed like rap, and are powerful in that they make no attempts to be literary. From Facebook to drone strikes to the songs of the ancient caravans that first brought these poems to Afghanistan thousands of years ago, landays reflect contemporary Pashtun life and the impact of three decades of war. With the U.S. withdrawal in 2014 looming, these are the voices of protest most at risk of being lost when the Americans leave.After learning the story of a teenage girl who was forbidden to write poems and set herself on fire in protest, the poet Eliza Griswold and the photographer Seamus Murphy journeyed to Afghanistan to learn about these women and to collect their landays. The poems gathered in I Am the Beggar of the World express a collective rage, a lament, a filthy joke, a love of homeland, an aching longing, a call to arms, all of which belie any facile image of a Pashtun woman as nothing but a mute ghost beneath a blue burqa.

Susan Sontag occupies a special place in Modern American letters. She has become our most important critic, while her brilliant novels and short fiction are, at long last, getting the recognition they deserve. Sontag is above all a writer, which is only to say that, though the form may differ, there is an essential unity in all her work. The truth of this is perhaps more evident in A Susan Sontag Reader than in any of Sontag's individual books. The writer selected a sampling of her work, meaning the choice both to reflect accurately a career and also to guide the reader toward those qualities and concerns which she prizes in her own writing. A Susan Sontag Reader is arranged chronologically and draws on most of Sontag's books. There are selections from her two novels, The Benefactor and Death Kit, and from her collections of short stories, I, etcetera. The famous essays from the 1960s--"Against Interpretation," "Notes on Camp," and "On Style"--which established Sontag's reputation and can be fairly said to have shaped the cultural views of a generation are included, as are selctions from her two subsequent volumes of essays, Styles of Radical Will and Under the Sign of Satury.A part of Sontag's best-selling On Photography is also included. It is astonishing to read these works when they are detached from the books they appeared in and offered instead in the order in which Sontag wrote them. The connections between various literary forms, the progression of themes, are revealed in often startling ways. Moreover, Sontag has included a long interview in which she moves mroe informally over the whole range of her concerns and of her work. The volume ends with "Writing Itself," a previously uncollected essay on Roland Barthes which, in the eyes of many, is one of Sontag's finest achievements.This collection is, in a sense, both a self-potrait and a key for a reader to understand the work of one of the most imporant writers of our time.

From New York Times-bestselling author Deborah Diesen and illustrator Lucy Fleming, Hello, Fall! is a touching story of the autumn season. Fall is here! Colorful leaves whisper to each other. Geese honk as they flock across the sky. Pumpkins listen patiently from their patch. The season announces itself in all sorts of ways-if you stop to say hello! A grandfather and his granddaughter welcome fall in this sweet, whimsical story about finding beauty and wonder in every moment.

In 2010, the French mathematician Cédric Villani received the Fields Medal, the most coveted prize in mathematics, in recognition of a proof that he devised with his close collaborator Clément Mouhot to explain one of the most surprising theories in classical physics. Birth of a Theorem is Villani's own account of the years leading up to the award. It invites readers inside the mind of a great mathematician as he wrestles with the most important work of his career. But you don't have to understand nonlinear Landau damping to love Birth of a Theorem. It doesn't simplify or overexplain; rather, it invites readers into a collaboration. Villani's diaries, e-mails, and musings enmesh you in the process of discovery. You join him in unproductive lulls and late-night breakthroughs. You're privy to dining-hall conversations at the world's greatest research institutions. Villani shares his favorite songs, his love of manga, and the imaginative stories he tells his children. In mathematics, as in any creative work, it is the thinker's whole life that propels discovery--and with Birth of a Theorem, Cédric Villani welcomes you into his.

The vanished way of life of Eastern European Jews in the early part of the twentieth century is the subject of this extraordinary novel. All the strata of this complex society were populated by powerfully individual personalities, and the whole community pulsated with life and vitality. The affairs of the patriarchal Meshulam Moskat and the unworldly Asa Heshel Bannet provide the center of the book, but its real focus is the civilization that was destroyed forever in the gas chambers of the Second World War.