Bücher veröffentlicht von Farrar, Strauss & Giroux-3pl

The Sun is dying, and mankind is dying with it. Our last hope is a spaceship and a crew of eight men and women. They carry a device which will breathe new life into the star. But, deep into their voyage, out of radio contact with Earth, their mission is starting to unravel. Soon, the crew are fighting not only for their lives, but their sanity.

"Trenchant in its critical analysis, absorbing and sympathetic in its account of his private life, Kezich's Fellini is a revelation. It effaces virtually everything written to date about the Italian maestro . . . This engrossing biography mirrors its subject. It's affectionate, garrulous and often rambling, and in sudden flashes of brilliance it offers a penetrating view of Fellini's life and art." -Peter Cowie, The Nation"Few writers are able to approach Fellini with the privilege of intimate experience and friendship . . . Kezich fills the pages of this biography with uncommon detail and artistry, presenting a chronicle that weaves life with film, fact with fantasy, in a style reminiscent of the great director's avant-garde style . . . For the aficionado of Fellini's works, this narrative of his life provides a sea of subtle, precious anecdotes. To those yet unacquainted with the Italian master, the book is an introduction not only to the man's life, but his art, also. It's a captivating read." -Karoun Demirjian, The Christian Science Monitor"Kezich's forty-year friendship with the maestro allows him to offer up an intimate and lively portrait of Fellini filled with revealing anecdotes and psychological insight." -Michel Ciment, author of Kubrick and Kazan on Kazan

From the mid-1930s to 1978 Elizabeth Bishop published some ninety poems and thirty translations. Yet her notebooks reveal that she embarked upon many more compositions, some existing in only fragmentary form and some embodied in extensive drafts. Edgar Allan Poe & The Juke-Box presents, alongside facsimiles of many notebook pages from which they are drawn, poems Bishop began soon after college, reflecting her passion for Elizabethan verse and surrealist technique; love poems and dream fragments from the 1940s; poems about her Canadian childhood; and many other works that heretofore have been quoted almost exclusively in biographical and critical studies.This revelatory and moving selection brings us into the poet's laboratory, showing us the initial provocative images that moved Bishop to begin a poem, illustrating terrain unexplored in the work published during her lifetime. Editor Alice Quinn has also mined the Bishop archives for rich tangential material that illuminates the poet's sources and intentions.

The Man with Night Sweats is a haunting depiction of a world ravaged by illness that is part elegy for those who have been lost and part evocation of the changes that await those who survive. It is also one of the few works of literature that have fully met both the aesthetic and the moral challenges that the AIDS epidemic poses. The nobility and sobriety of Thom Gunn's forms enhance and underscore the gravity and pathos of his subjects. The results have the cathartic and healing power of great art.

For decades readers and critics have acclaimed Yves Bonnefoy as France's greatest living poet. His most recent book of verse, The Curved Planks, crowns an oeuvre that has won him the highest international honors. More than any other single work, this sequence embodies the astonishing variety of Bonnefoy's art. A rich fabric of themes, styles, and genres, it balances aesthetic complexity with heartfelt directness.This bilingual edition of The Curved Planks sets the French texts alongside English versions by the noted translator Hoyt Rogers, who has collaborated closely with Bonnefoy in crafting poems that re-create the freshness and vision of the originals. This volume also includes a preface by the renowned poet and critic Richard Howard and essays by the translator that situate The Curved Planks in the author's body of work. All assist in introducing the English-language reader to Bonnefoy's profound poetic gift.

Strikingly contemporary new work by an acclaimed poetInto It, Lawrence Joseph's fourth book of poems, is as bold a book as any in American poetry today-an attempt to give voice to the extremes of American reality in the time since, as Joseph puts it, "the game changed."Joseph's first three books dramatized the challenge of maintaining one's self in a world in the hold of dehumanizing forces. The new book finds him in a time and place where "the immense enlargement / of our perspectives is confronted / by a reduction of our powers of action"-where the word "wargame" is a verb and "the weight of violence / is unparalleled in the history / of the species." Along the New York waterfront, on a crowded street, at the site where the World Trade Center stood: Joseph enters into these places to capture the thoughts and images, the colors and feelings, and the language that give the present its pressured complexity. Few contemporary writers have been able to shape this material into poetry, but Joseph has done so masterfully-in poems that are daring, searching, and classically satisfying. Into It is a new work by a poet of great originality and scope.

For two hundred years, the Terror has haunted the imagination of the West. The descent of the French Revolution from rapturous liberation into an orgy of apparently pointless bloodletting has been the focus of countless reflections on the often malignant nature of humanity and the folly of revolution. David Andress, a leading historian of the French Revolution, presents a radically different account of the Terror. In a remarkably vivid and page-turning work of history, he transports the reader from the pitched battles on the streets of Paris to the royal family's escape through secret passageways in the Tuileries palace, and across the landscape of the tragic last years of the Revolution. The violence, he shows, was a result of dogmatic and fundamentalist thinking: dreadful decisions were made by groups of people who believed they were still fighting for freedom but whose survival was threatened by famine, external war, and counter-revolutionaries within the fledging new state. Urgent questions emerge from Andress's trenchant reassessment: When is it right to arbitrarily detain those suspected of subversion? When does an earnest patriotism become the rationale for slaughter?Combining startling narrative power and bold insight, The Terror is written with verve and exceptional pace-it is a superb popular debut from an enormously talented historian.

"Politics is about the reconciliation of the irreconcilable," says Nadia Blye, a young American war reporter turned academic who teaches political studies at Yale. With her faith in academia beginning to erode and memories from her time in the Balkans and the Middle East haunting her, Nadia travels with her boyfriend, Philip Lucas, to rural England to visit her father, Oliver, who has his own past to reckon with. The challenge of Nadia's encounter with Oliver forces decisions on her that will affect her for the rest of her life.For thirty-five years, David Hare has written plays that capture the flavor of our times and address the interconnection between our secret motives and our public politics. In The Vertical Hour, he continues his investigation of the morality of international intervention, and of how the war in Iraq impacts the lives of British and American citizens.

In 1979, Steven C. Caton went to a remote area of Yemen to do fieldwork on the famous oral poetry of its tribes. The recent hostage crisis in Iran made life perilous for a young American in the Middle East; worse, he was soon embroiled in a dangerous local conflict and tribal hostilities simmered for months. Yemen Chronicle is his extraordinary report both on events that ensued and on the many theoretical-let alone practical-difficulties of doing ethnography in such circumstances. Caton also offers a profound meditation on the political, cultural, and sexual components of modern Arab culture.

A reissue of the book that first examined the future of reading and literature in the electronic age, now with a new introduction and AfterwordIn our zeal to embrace the wonders of the electronic age, are we sacrificing our literary culture? Renowned critic Sven Birkerts believes the answer is an alarming yes. In The Gutenberg Elegies, he explores the impact of technology on the experience of reading. Drawing on his own passionate, lifelong love of books, Birkerts examines how literature intimately shapes and nourishes the inner life. What does it mean to "hear" a book on audiotape or decipher its words in electronic form on a laptop screen? Can the world created by Henry James exist in an era defined by the work of Bill Gates? Are books as we know them-volumes printed in ink on paper, with pages to be turned as the reading of each page is completed-dead?At once a celebration of the complex pleasures of reading and a bold challenge to the information technologies of today and tomorrow, The Gutenberg Elegies is an essential volume for anyone who cares about the past and the future of books.

"Historical, hypothetical, but marvelously intense: a fascinating short novel by one of Europe's most consistently haunting novelist." - Kirkus Reviews

A reissue of the tour de force by the Nobel laureate that is "a vision of elemental reality so vivid we seem to hallucinate the scenes" (The New York Times Book Review). It opens during the London blitz, when a naked child steps out of an all-consuming fire; that child, Matty, becomes a wanderer and a seeker. Two more lost children await him, twins as exquisite as they are loveless. In a final conflagration, William Golding's book lights up both the inner and outer darknesses of our time.

Listen to what they did.Don't listen to what they said.What was written in bloodHas been set up in lead.-from "Blood and Lead"The leading poet of his generation, James Fenton has over the course of his career built a body of work breathtaking in its range and sensibility. From the passionate political poems that launched him into fame to the intimate illuminations of love-and loss of love-in his later work, Fenton's poetry has always been marked by formal daring, wit, and an abiding empathy for the victims of war and political oppression. With selections from all of his published work since The Memory of War, the entire text of his libretto The Love Bomb, and new, previously uncollected poems, Selected Poems is an imaginative and formal tour de force.

"The flowers, trees, birds, clouds, and effects of light that Schuyler describes with such élan, even if only glimpsed from the window of his apartment, could easily be transposed to the poetry written in Japan or Persia many centuries ago. Even more, his culture and learning, worn so lightly as almost to pass unnoticed, link his verse to other and larger traditions, as in this reflection on Baudelaire - clearly intended as an artistic credo of sorts ..." - Open Letters Monthly

From one of the preeminent intellectual figures of the twentieth century, a highly personal testimonial of what Canetti himself chooses to term "notations," bits and pieces: notes, aphorisms, fragments. Taken together, they present an awesomely tender, guiltily gloomy meditation on death and aging." A mosaical portrait of an old body's mind determined to do its exercises and not lose a step--and fascinating for that." - Kirkus Reviews

Now there is no reason to prevent anybody from making a film. The technology exists, the equipment is much cheaper than it was, the post-production facilities are on a laptop computer, the entire equipment to make a film can go in a couple of cases and be carried as hand luggage on a plane. -Mike FiggisIn this indispensable guide, Academy Award nominee Mike Figgis offers the reader a step-by-step tutorial in how to use digital filmmaking technology so as to get the very best from it. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process-from working with actors to lighting, framing, and camera movement. He dispenses further wisdom on the editing process and the use of sound and music, all while establishing a sound aesthetic basis for the digital format.Offering everything that you could wish to know on the subject, this is a handbook that will become an essential backpocket eference for the digital film enthusiast-whether your goal is to make no-budget movies or simply to put your video camera to more use than just holidays and weddings.

Notes from Hampstead is a map of the late Nobel laureate's thinking, a triumphant compendium of aphoristic, enigmatic, and expository writings covering a characteristically diverse range of subjects."Canetti is a meticulous writer, and in reading his notes, one can easily see him hovering over a just formed sentence, pencil in hand, wondering whether to cut or to add or to leave well enough alone." - Publishers Weekly

The Play of the Eyes is the third volume in Nobel Prize winning author Elias Canetti's trilogy of memoirs.Here, Canetti describes his young adult life as he tries to make it as a writer in Vienna during the 1930s, and provides vivid accounts of the remarkable figures he meets along the way, usually in cafes, from Robert Musil, Thomas Mann, and Herman Broch, among others. "Canetti uses a dramatist's gifts here to achieve emotional depth; his mother's death, sketched simply against the backdrop of a crumbling Europe, takes on a tragic dignity." - Publishers Weekly

In 2002, Frank Bidart published a sequence of poems, Music Like Dirt, the first chapbook ever to be a finalist for the Pulitzer Prize. From the beginning, he had conceived this sequence as the opening movement in a larger structure--now, with Star Dust, finally complete.In this profound and unforgettable new book, the dream beyond desire (which now seems to represent human destiny) is rooted in the drive to create, a drive tormented at every stage by failure, as the temporal being fights for its survival by making an eternal life. Bidart is a poet of passionate originality, and Star Dust shows that the forms of this originality continue to deepen and change as he constantly renews his contract with the idea of truth.Star Dust is a 2005 National Book Award Finalist for Poetry.

Young people and improvisational theater should be a natural combination-so why do we so rarely find this combo in today's classrooms? According to Elizabeth Swados-playwright, director, composer, poet, author of children's books and of an acclaimed family memoir-improvisational theater is the perfect creative outlet for junior-high and high-school students . . . if only they can be given the tools and the guidance to make the most of this natural yet rigorous art form.Drawing on her own experience teaching inner-city children in the groundbreaking musical Runaways and in teaching the techniques of improv theater in schools around the country, as well as on her own background in experimental theater, Swados provides a step-by-step guide to bringing out the natural creativity and enthusiasm key to young people creating-and enjoying-improvisational theater. Covering the basics-from freeing the imagination to learning about how to work with an ensemble, from how to master different forms of movement and sound to how to create different kinds of characters-this is the book for teachers and students eager to learn how to express fully the creative talent that all children are born with.

Now as never before, exotic animals and plants are crossing the globe, borne on the swelling tide of human traffic to places where nature never intended them to be. Bird-eating snakes hitchhike to Hawaii in the landing gear of airliners; pernicious European zebra mussels, riding in ships' ballast water, disrupt aquatic ecosystems across the United States; feral camels and poisonous foreign toads plague Australia; giant Indonesian pythons lurk beneath homes in suburban Miami. As alien species jump from place to place and increasingly crowd native and endangered species out of existence, biologists speak fearfully of "the homogenization of the world." Never mind bulldozers and pesticides: the fastest growing threat to biological diversity may be nature itself. Out of Eden is a dazzling personal journey through this strange and shifting landscape. Alan Burdick tours the front lines of ecological invasion in the company of world-class scientists: in Hawaii, Tasmania, Guam, San Francisco; in lush rain forests, aboard an Alaska-bound oil tanker, inside a spacecraft-assembly facility at NASA. Wry and reflective, animated and provocative, Out of Eden is a search both for scientific answers and for ecological authenticity, from a writer of remarkable range and talent.Out of Eden is a 2005 National Book Award Finalist for Nonfiction.

A brilliant and urgent appraisal of one of the most profound conflicts of our timeEven before George W. Bush gained reelection by wooing religiously devout "values voters," it was clear that church-state matters in the United States had reached a crisis. With Divided by God, Noah Feldman shows that the crisis is as old as this country--and looks to our nation's past to show how it might be resolved. Today more than ever, ours is a religiously diverse society: Muslim, Hindu, and Buddhist as well as Catholic, Protestant, and Jewish. And yet more than ever, committed Christians are making themselves felt in politics and culture.What are the implications of this paradox? To answer this question, Feldman makes clear that again and again in our nation's history diversity has forced us to redraw the lines in the church-state divide. In vivid, dramatic chapters, he describes how we as a people have resolved conflicts over the Bible, the Pledge of Allegiance, and the teaching of evolution through appeals to shared values of liberty, equality, and freedom of conscience. And he proposes a brilliant solution to our current crisis, one that honors our religious diversity while respecting the long-held conviction that religion and state should not mix. Divided by God speaks to the headlines, even as it tells the story of a long-running conflict that has made the American people who we are.

In a Norwegian coastal town, society's carefully woven threads begin to unravel when an unsettling stranger named Johan Nagel arrives. With an often brutal insight into human nature, Nagel draws out the townsfolk, exposing their darkest instincts and suppressed desires. At once arrogant and unassuming, righteous and depraved, Nagel seduces the entire community even as he turns it on its head-before disappearing as suddenly as he arrived.

"This book is endlessly enlightening and entertaining . . . will appeal to all dog owners." -Ann LaFarge, Taconic NewsHow do dogs think? Short of breeding a talking dog (not as impossible as it sounds), the best we can do is to carefully observe and record their behavior. And after a decade of research, the internationally renowned ethologist Vilmos Csányi has brilliantly captured the high degree of mutual understanding and empathy that exists between humans and their proverbial best friends.Drawing in part on close observations of his own dogs, Flip and Jerry, Csányi argues that the long-standing alliance of dogs and humans arose from the problem-solving and communications skills evident in wolves, from which all modern dogs are descended. These basic intellectual skills were refined and enhanced as dogs and humans evolved together over tens of thousands of years. And because dogs were bred to be mankind's helpmates, the dog owner who knows what to look for can interpret their thoughts, desires, and motivations.

"Elegant biography . . . a fast-moving, entertaining, and finely written story." --Simon Schama, The New YorkerGeorge Nathaniel Curzon's controversial life in public service stretched from the high noon of his country's empire to the traumatized years following World War I. As viceroy of India under Queen Victoria and foreign secretary under King George V, the obsessive Lord Curzon left his unmistakable mark on the era. David Gilmour's award-winning book is a brilliant assessment of Curzon's character and achievements, offering a richly dramatic account of the infamous long vendettas, the turbulent friendships, and the passionate, risky love affairs that complicated and enriched his life. Born into the ruling class of what was then the world's greatest power, Curzon was a fervent believer in British imperialism who spent his life proving he was fit for the task. Often seen as arrogant and tempestuous, he was loathed as much as he was adored, his work disparaged as much as it was admired. In Gilmour's well-rounded appraisal, Curzon is seen as a complex, tragic figure, a gifted leader who saw his imperial world overshadowed at the dawn of democracy.