Bücher veröffentlicht von Farrar, Strauss & Giroux-3pl

Mark Bibbins finds damaged glamour at the fringes of respectability in this exceptional debut collectionI was bornwith capable eyes,a moveable heartand time to spare.-from "Euphorium"In his restless and unpredictable debut, Mark Bibbins offers a virtuosic poetry. Lovers struggle to connect; groupies, hustlers, and corporate drones covet better-or at least different-lives; locations fluctuate, without forewarning, from bars to beaches to city streets. With beguiling tonal and formal variety, these poems question the ordinary and unwitting acceptance of the status quo as they hover where "error arranges itself." As indebted to Stereolab and Siouxsie Sioux as to any poetic lineage, Sky Lounge introduces an imagination committed to making irreverence, sensuality, and elegy into a provocative new music.

"A thoughtful examination of the machinery of extinction . . . By turns harrowing and elegiac, thrilling and informative." -Michiko Kakutani, The New York TimesThree or four times an hour, eighty or more times a day, a unique species of plant or animal vanishes forever. And yet, every so often one of these lost species resurfaces. "Having adventures most of us can only dream about" (The Times-Picayune), Scott Weidensaul pursues stories of loss and recovery, of endurance against the odds, and of surprising resurrections.

"Who Owns History? testifies to Eric Foner's lifelong personal commitment to writing histories that advance the struggle for racial equality and economic justice." -David Glassberg, The Sunday Star-LedgerHistory has become a matter of public controversy, as Americans clash over such things as museum presentations, the flying of the Confederate flag, and reparations for slavery. So whose history is being written? Who owns it?Eric Foner answers these and other questions about the historian's relationship to the world of the past and future in this provocative, even controversial, study of the reasons we care about history-or should.

Winner of the National Book Award"An astonishing work concerning personal honor and dishonor, shame and shamelessness. A book of stunning insights and suspense." -Studs TerkelHalf a century later, the investigation of Hollywood radicals by the House Committee on Un-American Activities still haunts the public conscience. Naming Names, reissued here with a new afterword by the author, is the definitive account of the hearings, a National Book Award winner widely hailed as a classic. Victor S. Navasky adroitly dissects the motivations for the investigation and offers a poignant analysis of its consequences. Focusing on the movie-studio workers who avoided blacklists only by naming names at the hearings, he explores the terrifying dilemmas of those who informed and the tragedies of those who were informed on. Drawing on interviews with more than 150 people called to testify-among them Elia Kazan, Ring Lardner Jr., and Arthur Miller-Naming Names presents a compelling portrait of how the blacklists operated with such chilling efficiency.

Three Libretti-Ranging In Setting From Ancient Jerusalem To Pre-Apocalyptic London-From An Acclaimed PoetThis volume of libretti marks new work-and new terrain-for James Fenton. Commissioned by companies in New York and England, these musical pieces make the most of the poet's poignant, witty, and characteristically lyrical verse. Whether evoking modern-day London on the edge of apocalypse in The Love Bomb, a timeless land beyond the moon in this version of Salman Rushdie's children's novel Haroun and the Sea of Stories, or ancient Jerusalem in his stirring oratorio The Fall of Jerusalem, which was composed to mark the millennium, Fenton's lucid storytelling and stylish wordplay bring these pieces vividly to life-with equal power in performance or on the page.Haroun and the Sea of Stories was commissioned by the New York City Opera and had its premiere at Lincoln Center in September 2003."[James Fenton] writes as no one else dares to--with clarity, wit, and the simplest of rhymes."--Voice Literary Supplement

"Readable and reliable . . . [Gilmour's] assessment of the political background of Kipling's writings is exemplary." -Earl L. Dachslager, Houston ChronicleDavid Gilmour's superbly nuanced biography of Rudyard Kipling, now available in paperback, is the first to show how the great writer's life and work mirrored the trajectory of the British Empire, from its zenith to its final decades. His great poem "Recessional" celebrated Queen Victoria's Diamond Jubilee in 1897 and his last poems warned of the dangers of Nazism, while Kipling himself, an icon of the empire, was transformed from an apostle of success to a prophet of national decline. As Gilmour makes clear, Kipling's mysterious and enduring works deeply influenced the way his readers saw both themselves and the British Empire, and they continue to challenge our own generation.

A selection of the best of three decades of writing about poetry, a celebration of the "tenacious curiosity" (Los Angeles Times) of the Nobel laureateWhether autobiographical, topical, or specifically literary, these writings circle the central preoccupying questions of Seamus Heaney's career: "How should a poet properly live and write? What is his relationship to his own voice, his own place, his literary heritage, and the contemporary world?"Along with a selection from Heaney's three previous collections of prose (Preoccupations, The Government of the Tongue, and The Redress of Poetry), the present volume includes a rich variety of pieces not previously collected in books, ranging from formal lectures to radio commentaries about the rural Ireland of his childhood to illuminating reviews of his contemporaries. In its soundings of a wide range of poets-Irish and British, American and Eastern European, predecessors, fellows, and successors-Finders Keepers becomes, as its title heralds, "an announcement of both excitement and possession."

I love to swim in the sea, which keepstalking to itselfin the monotone of a vagabondwho no longer recalls exactly how long he's been on the road. Swimming is like prayer:palms join and part,join and part,almost without end.--from "On Swimming"Without End draws from each of Adam Zagajewski's English-language collections, both in and out of print--Tremor, Canvas, and Mysticism for Beginners--and features new work that is among his most refreshing and rewarding. These poems, lucidly translated, share the vocation that allows us, in Zagajewski's words, "to experience astonishment and to stop still in that astonishment for a long moment or two."

Poetic and provocative, a challenge to women to create more spiritually rich and balanced lives.A successful writer and a committed feminist, Kathleen Hirsch, at age forty, finds herself searching for something more. How, she asks, can women's lives be more spiritually alive and whole? Can we reclaim in our most productive years what we sacrificed to earlier ideas of success? What is the place of silence and creativity in our busy lives?Unable to trek to Tibet or retreat to a cabin in the woods, she enters a season of reflection in the midst of her everyday life. A career crisis, the sudden death of a brother, and the birth of her son, all in a year's time, deepen her probing. Hirsch examines the role of women's friendships and the definition of worthwhile work. Her inner pilgrimage gradually moves her to seek out a range of remarkable women who are consciously trying to live in balance. They lead her to bold conclusions that will inspire many women who are seeking realistic ways to live more multidimensional lives.Beautifully written, A Sabbath Life will serve as A Gift from the Sea for the twenty-first century.

Brian Friel explores the most Chekhovian of themes in his three new works inspired by the great Russian dramatist: the absurd realm which lies between perpetual hope and a penchant for self-destruction. Whether exploring the loneliness of an unhappy marriage (in The Yalta Game, based on Chekhov's story The Lady with the Lapdog), or imagining the bittersweet meeting of Sonya (Uncle Vanya's niece) and Andrei (the brother of a certain three sisters) in a new work inspired by characters from two Chekhov plays, Friel shows his own masterful range.

Robert Anasi's The Gloves offers a gritty, spirited inside look at the world of amateur boxing today.The Golden Gloves tournament is center stage in amateur boxing-a single-elimination contest in which young hopefuls square off in steamy gyms with the boxing elite looking on.Anasi took up boxing in his twenties to keep in shape, attract women, and sharpen his knuckles for the odd bar fight. He thought of entering "the Gloves," but put it off. Finally, at age thirty-two-his last year of eligibility-he vowed to fight, although he was an old man in a sport of teenagers and a light man who had to be even lighter (125 pounds) to fight others his size.So begins Anasi's obsessive preparation for the Golden Gloves. He finds Milton, a wily and abusive trainer, and joins Milton's "Supreme Team": a black teenager who used to deal guns in Harlem, a bus driver with five kids, a hard-hitting woman champion who becomes his sparring partner. Meanwhile, he observes the changing world of amateur boxing, in which investment bankers spar with ex-convicts and everyone dreads a fatal blow to the head. With the Supreme Team, he goes to the tournament, whose outcome, it seems, is rigged, like so much in boxing life today.Robert Anasi tells his story not as a journalist on assignment but as a man in the midst of one of the great adventures of his life. The Gloves, his first book, has the feel of a contemporary classic.

Poems from every phase of the career of a great poetThis selection of Ted Hughes's poetry, made by the author himself in 1995, includes poems from every phase of his four-decade career. Here are poems from Hughes's first book, The Hawk in the Rain, and its successor, Lupercal, which introduced him as a major poet; from Wodwo, Crow and Gaudete, book-length poetic sequences in which the natural world is made into a thrilling and terror-filled analogue to our human one; and from six volumes of his maturity, here arranged thematically, in which the poet is at once rural chronicler and form-breaking modern artist. The volume also includes previously uncollected poems and eight poems later incorporated into Birthday Letters, Hughes's meditation in verse on his marriage to Sylvia Plath, which became an international bestseller the year after his death.

My aim is to take familiar things and makePoetry of them, and do it in such a wayThat it looks as if it was as easy as could beFor anybody to do it . . . the power of makingA perfectly wonderful thing out of nothing much.--from "The Art of Poetry" When David Ferry's translation of The Odes of Horace appeared in 1997, Bernard Knox, writing in The New York Review of Books, called it "a Horace for our times." Now Ferry has translated Horace's two books of Epistles, in which Horace perfected the conversational verse medium that gives his voice such dazzling immediacy, speaking in these letters with such directness, wit, and urgency to young writers, to friends, to his patron Maecenas, to Emperor Augustus himself. It is the voice of a free man, talking about how to get along in a Roman world full of temptations, opportunities, and contingencies, and how to do so with one's integrity intact. Horace's world, so unlike our own and yet so like it, comes to life in these poems. And there are also the poems -- the famous "Art of Poetry" and others -- about the tasks and responsibilities of the writer: truth to the demands of one's medium, fearless clear-sighted self-knowledge, and unillusioned, uncynical realism, joyfully recognizing the world for what it is.

From thriving black market to big business, the commercialization of birth control in the United StatesIn Devices and Desires, Andrea Tone breaks new ground by showing what it was really like to buy, produce, and use contraceptives during a century of profound social and technological change. A down-and-out sausage-casing worker by day who turned surplus animal intestines into a million-dollar condom enterprise at night; inventors who fashioned cervical caps out of watch springs; and a mother of six who kissed photographs of the inventor of the Pill -- these are just a few of the individuals who make up this riveting story.

In My Mother's House and Sido, Colette plays fictional variations on the themes of childhood, family, and, above all, her mother. Vividly alive, fond of cities, music, theater, and books, Sido devoted herself to her village, Saint-Saveur; to her garden, with its inhabitants and its animals; and, especially, to her children, particularly her youngest, whom she called Minet-Chéri. Unlike Gigi and Chéri, which focus largely on sexual love and its repercussions, My Mother's House and Sido center on the compelling figure of a powerful, nurturing woman in late-nineteenth-century rural France, conveying the impact she had on her community and on her daughter-who grew up to be a great writer.

An outrageous tale of fast cash, pretty women, dirty politics and extravagant greed in the Bayou StateLouisiana is our most exotic state. It is religious and roguish, a place populated by Cajuns, Creoles, Rednecks, and Bible-thumpers. It is a state that loves good food, good music, and good times. Laissez les bons temps rouler -- let the good times roll -- is the unofficial motto. Louisiana is also excessively corrupt.In the 1990s, it plunged headlong into legalized gambling, authorizing more games of chance than any other state. Leading the charge was Governor Edwin Edwards, who for years had flaunted his fondness for cold cash and high-stakes gambling, and who had used his razor-sharp mind and catlike reflexes to stay one step ahead of the law. Gambling, Edwin Edwards, and Louisiana's political culture would prove to be a combustible mix.Bad Bet on the Bayou tells the story of what happened when the most corrupt industry came to our most corrupt state. It is a sweeping morality tale about commerce, politics, and what happens when the law catches up to our most basic human desires and frailties.

Colette began writing Break of Day in her early fifties, at Saint-Tropez on the Côte d'Azur, where she had bought a small house after the breakup of her second marriage. The novel's theme-the renunciation of love and the return to an independent existence supported and enriched by the beauty and peace of nature-grows out of Colette's own period of self-assessment in the middle of her life. A collection of subtle reflections about love and life, it is among her most thoughtful and stylistically bold works.

Hugh Brody crystallizes three decades of studying, learning from, crusading for, and thinking about hunter-gatherers in this profound and provocative book. Contrary to stereotype, he says, it is the farmers and their colonizing descendants-ourselves-who are the true nomads, doomed to the geographical and spiritual restlessness embodied in the story of Genesis. By contrast, the hunters have a deep attachment to the place and ways of their ancestors that stems from an enviable sense, distinctively expressed in thought, word, and act, of being part of the fabric of the natural and spiritual worlds.

"Fifteen years ago I killed my sister." So begins Adam Rapp's highly acclaimed play Nocturne, in which a 32-year-old former piano prodigy recounts the tragic events that tore his family apart. With a keen eye for human relationships and a deft ear for language, Rapp explores the aftershock of this unimaginable event. The father is so incapable of forgiveness he puts a gun in his son's mouth; the mother so shattered, she deserts the family and eventually takes leave of her sanity altogether; the son--only 17 years old at the time--sets out for New York City. There, he seeks an uneasy refuge in books and reinvents himself as a writer. Across the decade and a half that follows he tries to cope with the ramifications of his own anguish and estrangement while making a desperate search for redemption. A devastating, elegant, and gripping dissection of the American dream, Nocturne signals a brave new voice in American theater.

The powerful collection by the bestselling translator of BeowulfIn the finland of perch, the fenland of alder, on airThat is water, on carpets of Bann stream, on holdIn the everything flows and steady go of the world.--from "Perch"Seamus Heaney's collection travels widely in time and space, visiting the sites of the classical world and revisiting the poet's childhood: rural electrification and the light of ancient evenings are reconciled within the orbit of a single lifetime. This is a book about origins (not least, the origins of words) and oracles: the places where things start from, the ground of understanding -- whether in Arcadia or Anahorish, the sanctuary at Epidaurus or the Bann valley in County Derry.Electric Light ranges from short takes to conversation poems. The pre-Socratic wisdom that everything flows is held in tension with the elegizing of friends and fellow poets. These gifts of recollection renew the poet's calling to assign things their proper names; once again Heaney can be heard exting his word hoard and roll call in this, his eleventh collection.

Sharp-eyed critiques and appreciations of the essential poets of our time. James Fenton is unique among contemporary writers in having achieved equal distinction as a poet and -- in his reportage and criticism -- as a master of trenchant prose. What is more, he has shown himself a devoted critic of both American and British modern poetry, an explainer of each tradition to the other and to itself. In these lectures, delivered at Oxford (where he succeeded Seamus Heaney as Professor of Poetry from 1994 to 1999), Fenton moves easily from Philip Larkin's laments for the British Empire, to Heaney's uneasy rebellion against it, to Robert Frost's celebrations of American conquest; from W. H. Auden on Shakespeare's homoeroticism to the vexed "feminism" of Elizabeth Bishop; from Wilfred Owen's juvenilia to Marianne Moore's youthful agitation for women's suffrage.In these lectures -- many of which appeared in The New York Review of Books -- Fenton makes sense of the last century in poetry, and explores its antecedents and its legacies, with the lucidity, wit, and gusto that have made his criticism famous.

Essays on the most celebrated Italian poet by eminent poets of the twentieth century"Perhaps confessions by poets, of what Dante has meant to them, may even contribute something to the appreciation of Dante himself."-T. S. Eliot The great fourteenth-century poet has been an unequaled influence on many writers in the twentieth century, whose "confessions" may well foster a deeper appreciation of Dante. Previously published essays by some of this century's most renowned poets-Pound, Eliot, Mandelstam, Robert Fitzgerald, Borges, Merrill, Montale, Lowell, Duncan, Auden, Yeats, Charles Williams, Nemerov, Heaney-join new essays commissioned by the editors. Contemporary poets Mary Campbell, W. S. Di Piero, J. D. McClatchy, W. S. Merwin, Robert Pinsky, Rosanna Warren, Alan Williamson, and Charles Wright reflect on Dante as well as on their own complex (and often contentious) relationship to his legacy. Their engagement with his work offers a fresh perspective on the Commedia and its author that more academic writing does not provide.As the editors write, a new consideration of Dante "should generate insights not only about his work but also about poetry written in our own language and time.

Commenting upon the nature of friendship, loyalty, patronage, creativity, and moral courage the author explores the lives of Gertrude Stein, Alice B. Toklas, Arletty, Marie-Laure de Noailles, Errieta Perdididi, and Louise Bennett Lord. "Lord is a witty and elegant writer, catching the foibles and virtues of his subjects and chronicling his own succession of lovers with matter-of-fact precision. He is a gentle and literate companion; his book, a deeply affectionate reminiscence of friendships." - Publishers Weekly

This fresh and vivid portrait of the postwar Paris art world, written by a member of Picasso's circle, sheds original new light on the greatest of modern artists and on the most important and least-known of his loves, the alluring and formidable photographer and painter Dora Maar.

Michael Burleigh's The Third Reich presents a major study of one of the twentieth century's darkest periods.Until now there has been no up-to-date, one-volume, international history of Nazi Germany, despite its being among the most studied phenomena of our time. The Third Reich restores a broad perspective and intellectual unity to issues that have become academic subspecialties and offers a brilliant new interpretation of Hitler's evil rule.Filled with human and moral considerations that are missing from theoretical accounts, Michael Burleigh's book gives full weight to the experience of ordinary people who were swept up in, or repelled by, Hitler's movement and emphasizes how international themes for Nazi Germany appealed to many European nations. It also focuses on the Nazi's wartime conduct to dominate the Continental economy and involve gigantic population transfers and exterminations, recruitment of foreign labor, and multinational armies.

A valuable examination of the tyranny of body image--this time over menNot so long ago, what the average American man did mattered more than how he looked. Since the 1970s, however, projecting the right look has become more and more essential, and men are spending millions of dollars on fitness training, bodybuilding, hair replacement, and cosmetic surgery in the relentless pursuit of physical perfection.What has caused American men to fall into the beauty trap so long assumed to be a special danger for women? This book looks at the confluence of social, economic, and cultural changes that have shaped the new cult of male body image in postwar America. Lynne Luciano explores what men are doing to themselves, asks why they are doing it, and discovers what this new world tells us about American society today.

Buffalo Bill's Wild West presents a fascinating analysis of the first famous American to erase the boundary between real history and entertainmentCanada, and Europe. Crowds cheered as cowboys and Indians--and Annie Oakley!--galloped past on spirited horses, sharpshooters exploded glass balls tossed high in the air, and cavalry troops arrived just in time to save a stagecoach from Indian attack. Vivid posters on billboards everywhere made William Cody, the show's originator and star, a world-renowned figure.Joy S. Kasson's important new book traces Cody's rise from scout to international celebrity, and shows how his image was shaped. Publicity stressed his show's "authenticity" yet audiences thrilled to its melodrama; fact and fiction converged in a performance that instantly became part of the American tradition.But how, precisely, did that come about? How, for example, did Cody use his audience's memories of the Civil War and the Indian wars? He boasted that his show included participants in the recent conflicts it presented theatrically, yet he also claimed it evoked "memories" of America's bygone greatness. Kasson's shrewd, engaging study--richly illustrated--in exploring the disappearing boundary between entertainment and public events in American culture, shows us just how we came to imagine our memories.

Curt is a small-town cop in the Midwest; Sandy is the nineteen-year-old prostitute he first tries to arrest, then attempts to help, at the cost of his badge. What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being. Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.