Bücher veröffentlicht von Farrar, Strauss & Giroux-3pl

Winner of the PEN/Martha Albrand Award for the Art of the Memoir Jeffery Smith was living in Missoula, Montana, working as a psychiatric case manager when his own clinical depression began. Eventually, all his prescribed antidepressant medications proved ineffective. Unlike so many personal accounts, Where the Roots Reach for Water tells the story of what happened to Smith after he decided to give them up. Trying to learn how to make a life with his illness, Smith sets out to get at the essence of--using the old term for depression--melancholia. Deftly woven into his "personal history" is a "natural history" of this ancient illness. Drawing on centuries of art, writing and medical treatises, Smith finds ancient links between melancholia and spirituality, love and sex, music and philosophy, gardening, and, importantly, our relationship with landscapes.

In this collection of essays, John Thorne sets our to explore the origins of his identity as a cook, going "here" (the Maine coast, where he'd summered as a child and returned as an adult for a decade's sojourn), "there" (southern Louisiana, where he was captivated by Creole and Cajun cooking), and "everywhere" (where he provides a sympathetic reading of such national culinary icons as the hamburger, white bread, and American cheese, and sits down to a big bowl of Texas red). These intelligent, searching essays are a passionate meditation on food, character, and place.

What the two great modern revolutions can teach us about democracy todayThe American and French revolutions presented the world with two very different visions of democracy. Although both professed similar Enlightenment ideals of freedom, equality, and justice and set similar political agendas, there were also fundamental differences. The French sought a complete break with a thousand years of history; the Americans were content to preserve many aspects of their English heritage. Why did the two revolutions follow such different trajectories? And what lessons do they offer us about democracy today? In lucid narrative style, Dunn captures the personalities and lives of the great figures of both revolutions, and shows how their stories added up to make two very different events.

Milan, a cynical ex-professor of psychology, escaped from the bleak Czechoslovakia of the 1960's to become a Hollywood psychiatrist to the stars. The Prague he knew fades into memory, and with the end of the Cold War seems to disappear altogether. But when he returns years later to film an Arthurian legend, the past is waiting. Stasi agents, abandoned castles, and ugly visions of a fascist Europe plague Milan, and he finds himself imprisoned for a grisly murder he didn't commit. Jailed once again in the land of his birth, Milan turns to a pig, his prison companion, to tell his story. Savage and humorous, In a Pig's Ear is a harrowing inquiry into the mystery of identity.

At the heart of Michael Ignatieff's riveting novel about a woman's descent into Alzheimer's are the tangled threads of a Midwestern family, frayed by time and tragedy yet still connected - as much by pride, embarrassed love, and sibling rivalry as by the painful ties of family loyalty. More than a tale of isolated tragedy, Scar Tissue explores the bonds of memory, their configuartion in self-identity, and their relationship to love, loyalty, and death.

The poet Gjertrud Schnackenberg, whom William Logan once called "the most talented American poet under the age of forty," published her first book of poems in 1982. She has since become one of our most respected authors of verse.Schnackenberg's first three books, collected in Supernatural Love, show the thrilling evolution of a unique voice in today's letters. From an early mastery in which precision and heartbreak are inseparable, her poetry accelerates book by book through the searching, dense, and metaphysical imagery--as well as the cascading syntax--which have become her signature. Whether we are witnessing her classic portrait of Darwin in his last year or discovering the vertiginous brillance of her elegy for the Byzantine monuments of Ravenna, we find in Schnackenberg gemlike poems offered as visionary documents, unmistakable in their glittering range and passion--and never the same twice.

The collected essays of the late Irish writer, who has belatedly been acclaimed as a rare European master. In these literary, personal and political pieces, most of which were originally published in small Irish newspapers, Butler treats topics from anti-fascism to the tone of Irish country life with uncommon elegance, power and range.

Internationally celebrated for her novels, Nadine Gordimer has devoted much of her life and fiction to the political struggles of the Third World, the New World, and her native South Africa. Living in Hope and History is an on-the-spot record of her years as a public figure--an observer of apartheid and its aftermath, a member of the ANC, and the champion of dissident writers everywhere.In a letter to fellow Nobel laureate Kenzaburo Oe, Nadine Gordimer describes Living in Hope and History as a "modest book of some of the nonfiction pieces I've written, a reflection of how I've looked at this century I've lived in." It is, in fact, an extraordinary collection of essays, articles, and addresses delivered over four decades, including her Nobel Prize Lecture of 1991.

A bighearted selection from the inimitable Australian poet's diverse ten-book body of work Les Murray is one of the great poets of the English language, past, present, and future. Learning Human contains the poems he considers his best: 137 poems written since 1965, presented here in roughly chronological order, and including a dozen poems published for the first time in this book. Murray has distinguished between what he calls the "Narrowspeak" of ordinary affairs, of money and social position, of interest and calculation, and the "Wholespeak" of life in its fullness, of real religion, and of poetry. Poetry, he proposes, is the most human of activities, partaking of reason, the dream, and the dance all at once -- "the whole simultaneous gamut of reasoning, envisioning, feeling, and vibrating we go through when we are really taken up with some matter, and out of which we may act on it. We are not just thinking about whatever it may be, but savouring it and experiencing it and wrestling with it in the ghostly sympathy of our muscles. We are alive at full stretch towards it." He explains: "Poetry models the fullness of life, and also gives its objects presence. Like prayer, it pulls all the motions of our life and being into a concentrated true attentiveness to which God might speak." The poems gathered here give us a poet who is altogether alive and at full stretch toward experience. Learning Human, an ideal introduction to Les Murray's poetry, suggests the variety, the intensity, and the generosity of this great poet's work so far.

A longtime teacher, activist, feminist, and masterful writer of short fiction and essays, Paley is also an accomplished poet. Combining her two previous collections with unpublished work, Begin Again traces the career of a direct, attentive, and always unpredictable poet. Whether describing the vicissitudes of life in New York City or the hard beauty of rural Vermont, whether celebrating the blessings of friendship or protesting against social injustice, her poems brim with compassion and tough good humor.

In the years before his death at age sixty-eight in 1998, Hughes translated several classical works with great energy and ingenuity. His Tales from Ovid was called "one of the great works of our century" (Michael Hofmann, The Times, London), his Oresteia of Aeschylus is considered the difinitive version, and his Phèdrewas acclaimed on stage in New York as well as London. Hughes's version of Euripides's Alcestis, the last of his translations, has the great brio of those works, and it is a powerful and moving conclusion to the great final phase of Hughes's career. Euripides was, with Aeschylus and Sophocles, one of the greatest of Greek dramatists. Alcestis tells the story of a king's grief for his wife, Alcestis, who has given her young life so that he may live. As translated by Hughes, the story has a distinctly modern sensibility while retaining the spirit of antiquity. It is a profound meditation on human mortality. Ted Hughes's last book of poems, Birthday Letters, won the Whitbread Book of the Year Prize. He was Poet Laureate to Queen Elizabeth II and lived in Devon, England until he died in 1998.

A hilarious monologue about fatherhood by a unique comic voiceIn Morning, Noon and Night that master of the confessional, Spalding Gray, tells the event-filled, emotionally charged, and outrageously funny story of one day of his life in October 1997, after the birth of his son Theo. Horrified by the prospect of having another son, considering what he and his two brothers did to their father, and ambivalent about the idea of living in a small, quaint town on eastern Long Island that seems an odd detour for a man destined for California, Gray comes to feel, of course, a profound affinity for his baby boy, born with the looks of a "wet, blue beaver." But this is not merely a father's account of an infant son; it's the story of his new life with his girlfriend Kathie; his regally precocious eleven-year-old stepdaughter, Marissa ("Please don't let me die a virgin!"); and his older son, Forrest, who stymies Gray time and again with his metaphysical inquisitiveness-"Daddy, what's behind the stars?" "How do flies celebrate?"A richly comic work about parenthood, about adults who don't grow up and children who do, Morning, Noon and Night stands as Gray's most mature work to date.

What do you get when a down-on-his-heels puppeteer working as a file clerk on the seventh-and-a-half floor of a Manhattan office building discovers a secret portal into the brain of John Malkovich? Hilarity, drama, and perhaps the most unique film of the 90s. Being John Malkovich, which stars John Cusack, Cameron Diaz and, of course, John Malkovich as himself, is Charlie Kaufman's screenwriting debut. The movie premiered to universal acclaim and is guaranteed to become a classic of modern cinema.

From the first crises in America's farming regions in the 1870s through the fracture and demise of grass-roots protest organizations at the end of the century. American Populism chronicles the Populists' battles with the dominant institutions of an industrializing nation. In this readable and balanced account, Robert McMath examines Populism's relation to the social and economic networks of rural communities and to churches, schools, fraternal organizations, and trade unions, showing how it became a natural response to dramatically changing times.

A chilling account of the fate of intellectuals and artists in contemporary Cuba, Herberto Padilla's frankly autobioghraphical novel is the story of a writer who refuses to give over to the revolutionary state othe power of his art. In the process, Heroes Are Grazing In my Garden paints an astonishingly realistic portrait of an idealist movement gone sour, and the lives of the men and womern lost in the somber turn of the tide.

Written in 1971, Madmen and Specialists is one of Soyinka's most excoriating portrayals of abusers and abused in the new Nigeria ushered in by Biafra and the civil war of 1967-70. Set in the "surgery" of a doctor, the play is populated by mendicants and the "insane," all fodder for "experimentation" by a shape-shifting doctor whose experiments may be more sinister than they at first appear.

Winner of Five Obies, now back in print after fifteen years, a stage adaptation of classic stories by Hawthorne and MelvilleIn the three plays in The Old Glory--Endecott and the Red Cross; My Kinsman, Major Molineux; and Benito Cereno--the most powerful figure in postwar American poetry confronts the most haunting American fiction writers of the nineteenth century. The result is a mythical, nightmare history of three centuries in America. In Endecott and the Red Cross, Hawthorne's Puritan governor, horrified by his colony's high living, declares, "Everything in America will be Bible, blood and iron. / England will no longer exist." The other two plays, based on Hawthorne's My Kinsman, Major Molineux and Melville's Benito Cereno, take up the themes of parricide and independence: one in Boston on the eve of the Revolutionary War, the other on a merchant ship in the Caribbean in the early nineteenth century.The plays were first performed in 1964, when the poet Randall Jarrell wrote: "I have never seen a better American play than Benito Cereno, the major play in Robert Lowell's The Old Glory . . . The play is a masterpiece of imaginative knowledge."

For centuries Egypt has been a citadel of Islamic learning and thought, and since the signing of the Egyptian-Israeli Peace Treaty in 1979, it has been of immense strategic importance to American interests in the Middle East. But Egypt is also a country in crisis, torn between the old and the new, between unsettled religious revival and secular politics. President Hosni Mubarak favors a secular society. But Mubarak's government faces constant conflict with militant clerics such as Sheikh Omar Abdel-Rahman. In A Portrait of Egypt, Mary Anne Weaver argues that an Islamist victory in Egypt is almost inevitable, and, unlike that of Shi'ite Iran, its impact on the Islamic world will be truly profound.Based on exclusive interviews with militants and front men, generals and presidents, A Portrait of Egypt is essential reading for anyone trying to understand the far-reaching consequences of the growing impact of Islamist politics and policies on the West.

The first guide of its kind, covering all stages of the adoption processAdopting on Your Own addresses the questions and concerns of prospective single parents. Lee Varon, a practicing therapist specializing in adoption counseling and the single mother of two adopted children, helps readers make an evenhanded assessment of whether adoption is right for them, then leads them through the different stages of arranging and financing the adoption. She weighs the advantages of open versus closed and international versus domestic adoption for the single parent, and demystifies potentially daunting steps such as choosing an agency and preparing for the home study.Adopting on Your Own also offers up-to-date information on the latest developments in interracial adoption policy, the legal rights of gays and lesbians to adopt, and the evolving attitudes of agencies and social workers toward single-parent adoptions. Throughout the book, Varon draws on personal anecdotes and the experiences of her clients to offer honest, insightful advice on every step of the adoption process.

The Next Illogical Step In Love Poetry"The next illogical step in love poetryThe most inscrutable beautiful names in this worldalways do sound like diseases.It is because they are engorged. G., I am a fool.What we feel in the solar plexus wrecks us.Halfway squatting on a crate where feeling happened. Caresses."--from "Dear Gonglya,"At once hyper-contemporary and archaic, erotic, indecorous, and extravagant like nobody else, Brenda Shaughnessy seeks outrageous avenues of access to the heart, "This strumpet muscle under your breast describing / you minutely, Volupt, volupt."

In 1633, at age eleven, Bankei Yotaku was banished from his family's home because of his consuming engagement with the Confucian texts that all schoolboys were required to copy and recite. Using a hut in the nearby hills, he wrote the word Shugyo-an, or "practice hermitage," on a plank of wood, propped it up beside the entrance, and settled down to devote himself to his own clarification of "bright virtue."He finally turned to Zen and, after fourteen years of incredible hardship, achieved a decisive enlightenment, whereupon the Rinzai priest traveled unceasingly to the temples and monasteries of Japan, sharing what he'd learned."What I teach in these talks of mine is the Unborn Buddha-mind of illuminative wisdom, nothing else. Everyone is endowed with this Buddha-mind, only they don't know it." Casting aside the traditional aristocratic style of his contemporaries, he offered his teachings in the common language of the people. His style recalls the genius and simplicity of the great Chinese Zen masters of the T'ang dynasty.This revised and expanded edition contains many talks and dialogues not included in the original 1984 volume.

"Marriage is like a rain forest," Vicki Covington writes in Cleaving. "The story of a marriage contains all that grows in the canopy, all that is visible from an aerial, or public, view. The understory of a marriage is the place where . . . we struggle, fight, and conceive. It's the place where compost is made, where anything can grow, including forgiveness." Told in the authors' alternating voices, Cleaving is both the story and the understory of a marriage.Childhood acquaintances, Vicki and Dennis meet again in their twenties and wed. they "promise each other nothing" and get more than they'd bargained for: alcoholism, infidelity, infertility, uncertainty. tumult gives way to sobriety, parenthood, and meaningful work, but a yearning remains. In a quest to root themselves in the larger world, they embark on a mission to dig water wells in Central America, assuaging a spiritual thirst by addressing a practical need. Yet even this is part of the story-the visible, overarching canopy-of the marriage. The understory-and the triumph of this haunting book, which is neither sentimental nor cynical-is its portrayal of the eddying of passion through the institution that enshrines but cannot contain it.A soulful and unsparing portrait of the forces that threaten-and sustain-a relationship over time.

The provocative interpretation of American political rhetoricAmericans like to use words of sentiment and sympathy, passion and power, to explain their democracy. In a provocative new work, Andrew Burstein examines the metaphorically rich language which Americans developed to express their guiding principle: that the New World would improve upon the Old. In journals, letters, speeches, and books, an impassioned rhetoric of "feeling" set the tone for American patriotism. Burstein shows how the eighteenth century "culture of sensibility" encouraged optimism about a global society: the new nation would succeed. Americans believed, as much by sublime feeling as by intellectual achievement or political liberty. As they grew more self-confident, this pacific ideal acquired teeth: noble Washington and humane Jefferson yielded to boisterous Jackson, and the language of gentle feeling to the force of Manifest Destiny. Yet Americans never stopped celebrating what they believed was their innate impulse to do good.

Langston Hughes's most beloved character comes back to life in this extraordinary collectionLangston Hughes is best known as a poet, but he was also a prolific writer of theater, autobiography, and fiction. None of his creations won the hearts and minds of his readers as did Jesse B. Semple, better known as "Simple." Simple speaks as an Everyman for African Americans in Uncle Sam's America. With great wit, he expounds on topics as varied as women, Gospel music, and sports heroes--but always keeps one foot planted in the realm of politics and race. In recent years, readers have been able to appreciate Simple's situational humor as well as his poignant questions about social injustice in The Best of Simple and The Return of Simple. Now they can, once again, enjoy the last of Hughes's original Simple books.

"Jazz is my religion, and surrealism is my point of view."Ted Joans was one of the first Beat poets in the Greenwich Village arts scene, pioneering a movement that often overlooked his profound contributions. His poetry mixes the rhythms of jazz music with "hand grenades" of truth, and his live reading performance style anticipated the spoken word movement. Black Pow-Wow is a collection of the best of Joans' early poetry, including such well-known poems as "Jazz Is My Religion," "Passed On Blues: Homage to a Poet," and "The Nice Colored Man." Many of his poems speak to his friends and contemporaries--including Charlie Parker, Jack Kerouac, Allan Ginsberg, Bob Kaufman, Salvador Dali, Andre Breton, and particularly Langston Hughes--as well as his extensive travels across the African continent and around the world. His avante-garde poems also reflect his style as a painter and collage artist, call for social protest, and denounce racism, sexual repression, and injustice.This groundbreaking collection, one of only two mainstream publications Joans produced, perfectly captures the pulse of the Beat Generation and the rhythms of blues.