Bücher veröffentlicht von Farrar, Strauss & Giroux-3pl

In Myself with Others, Fuentes has assembled essays reflecting three of the great elements of his work: autobiography, love of literature, and politics. They include his reflections on his beginning as a writer, his celebrated Harvard University commencement address, and his trenchant examinations of Cervantes, Gabriel Garcia Marquez, and Borges.

For all those who have become entangled in the ever-burgeoning sphere of confusing literary terminology, Professors Karl Beckson and Arthur Ganz provide clear and entertaining explanations, in this, their now-classic reference work. From abecedarius to zeugma, they gracefully guide the reader through the intricacies of literary forms and ideas. Over the years, Literary Terms has been revised and enlarged as Professors Beckson and Ganz have added new entries from recent literary theory and scholarship, bringing the total number of entries to over 900. It is an indispensable asset for understanding such concepts as deconstruction, Russian Formalism, feminist criticism, psychoanalytic criticism, semiotics, and the surfeit of others that have emerged in the ongoing process of interpreting literature. Throughout the text, numerous helpful examples drawn from a multitude of sources-nursery rhymes to Shakespeare-clarify the concepts discussed. In addition, not only the terminology itself but also the historical and philosophical background necessary to a fuller understanding of any work is examined. The result is a readable dictionary that illuminates as much as it delights, providing essential information for the student as well as the professional.

WINNER OF THE NOBEL PRIZE IN LITERATUREThe Cubs and Other Stories is Mario Vargas Llosa's only volume of short fiction available in English. Vargas Llosa's domain is the Peru of male youth and machismo, where life's dramas play themselves out on the soccer field, the dance floor, and on street corners.The title story, "The Cubs," tells the story of the carefree boyhood of P.P. Cuellar and his friends, and of P.P.'s bizarre accident and tragic coming of age. Innovative in style and technique, it is a work of both physical and psychic loss.In a candid and perceptive forward to this collection of early writing, Vargas llosa provides background to the volume and a unique glimpse into the mind of the Nobel Prize-winning artist.

"Lanford Wilson is the rare dramatist, witty and humorous, who sees all his characters from the inside...Balm is life itself trapped in a play."--New YorkBalm in Gilead and Other Plays features Lanford Wilson's first full-length play. It takes place in upper Manhattan at a greasy, slum diner, Frank's cafe, where drug addicts, sex works, and petty criminals come to escape their boredom and suffering.

A Barthes Reader gives one the image of Barthes as one of the great public teachers of our time, someone who thought out, argued for, and made available several steps in a penetrating reflection on language sign systems, texts- and what they have to tell us about the concept of being human. Susan Sontag's prefatory essay is one of her finest acts of criticism, informed by intellectual sympathy and a sure sense of the contours of the mind she is describing.

A Platonic dialogue in the form of a double anachronism--the action takes place two centuries after our era--Joseph Brodsky's only play, Marbles, is set in a prison cell that alone provides for the three unities of classic drama: those of time, place, and action. A nightmare rather than a utopia, this play proceeds according to the immanent logic of mental aggravation as its two characters, the inmates Publius and Tullius, examine the tautology of their psychological, historical, and purely physical confines. The fusion of its dour, somewhat terrifying vision with the macabre hilarity of its verbal texture allows Marbles to take its audience beyond the farthest reaches of the theatre of the absurd, into territory more suitable for modernist imagination than for human experience.

Derek Walcott's eighth collection of poems, The Arkansas Testament, is divided into two parts--"Here," verse evoking the poet's native Caribbean, and "Elsewhere." It opens with six poems in quatrains whose memorable, compact lines further Walcott's continuous effort to crystallize images of the Caribbean landscape and people.For several years, Derek Walcott has lived mainly in the United States. "The Arkansas Testament," one of the book's long poems, is a powerful confrontation of changing allegiances. The poem's crisis is the taking on of an extra history, one that challenges unquestioning devotion.

The Image is a collection of twenty-two entertaining stories that range in time from the old days in Warsaw to recent years in America. The title story is haunted by a unique love that falls like a shadow between a newly married couple.

J. G. Ballard's fourth novel, which established his reputation as a writer of extraordinary talent and imaginative powers, tells the story of a physician specializing in the treatment of leprosy who is invited to a small outpost in the interior of Africa. Finding the roadways blocked, he takes to the river, and embarks on a frightening journey through a strange petrified forest whose area expands daily, affecting not only the physical environment but also its inhabitants.

WINNER OF THE NOBEL PRIZE IN LITERATUREThe book's first section is a tete-a-tete with Emma Bovary; the second traces the gestation and birth of the novel, as well as Flaubert's method, his mania for documentation, and the novel's literary sources; the third situates it in literary history. Vargas Llosa's first work of non-fiction will send the reader back to Flaubert's masterpiece with renewed interest.

In this splendid collection of short essays, gardener, writer, and professor Allen Lacy takes readers on a series of garden excursions, beginning at home. Lacy writes of his experiences with a variety of plants--evening primrose, prairie gentian, sumac, coreopsis, fuchsias, gloriosa lilies--in his own garden in New Jersey. Then he charts his travels to other gardens, in the United States, Spain, Switzerland, the Netherlands. Final essays in Farther Afield include a discussion of garden writing, profiles of other horticulturists, and humorous pieces on cats and houseplants, and, of course, flamingoes.

Love and Exile contains the three volumes of the Nobel Prize Winner's spiritual autobiography, covering his childhood in a rabbinical household in Poland, his young manhood in Warsaw and his beginning as a writer, and his emigration to New York before the outbreak of war, with the concomitant displacement of a Yiddish writer in a strange land.

WINNER OF THE NOBEL PRIZE IN LITERATUREThe action of The Time of the Hero, Nobel Prize-winning author Mario Vargas Llosa's first novel, takes place at the Leoncio Prado Military Academy in Lima, Peru. There, four angry cadets who have formed an inner circle in an attempt to ward off the boredom and stifling confinement of the military academy set off a chain of events that starts with a theft and leads to murder and suicide. The Time of the Hero presents, with great accuracy and power, the cadets' nightmare life: brutal initiation rights, poker in the latrines, drinking contests; and, above all else, the strange military code which, whether broken or followed, can only destroy.When The Time of the Hero was first published in Peru in 1962, it was considered so scandalous that a thousand copies were burned in an official ceremony at the Leoncio Prado Military Academy. That same year, the book received the Biblioteca Breve Prize, an award given to the best work of fiction in the Spanish language."...[A]s with other fine writers, Vargas functions on more than a single level of meaning." - The New York Times

In March 1953, seventeen years before he received the Nobel Prize, Alexander Solzhenitsyn ended his term in the Ekibastuz labor camp with the play Victory Celebrations and seven of the twelve scenes of Prisoners committed to memory. During his ensuing internal exile, he completed Prisoners and started another play, The Love-Girl and the Innocent. The result is a dramatic trilogy focusing on events of the year 1945: the Russian army's advance into East Prussia and the "repatriation" of former Russian prisoners of war to the Gulag labor camps. The three plays transmute Solzhenitsyn's own bitter experience of war and imprisonment. In Victory Celebrations (translated by Helen Rapp and Nancy Thomas), one can recognize the author in Sergei Nerzhin, a captain in a Soviet artillery battalion whose staff improvises a banquet in a captured castle in East Prussia. Celebration turns to conflict when Nerzhin sides with Galina-a Russian emigree whose husband is fighting with the Germans-against Lieutenant Gridnev, an officer in military counter-intelligence who insists Galina is a spy. Prisoners (translated by Helen Rapp and Nancy Thomas, and based in part on Solzhenitsyn's own initial arrest and captivity) follows a group of political prisoners, including ex-POWs, from their arrival in a Soviet prison on the Prussian border through their perfunctory interrogation, trial, and conviction. Solzhenitsyn's alter-ego in The Love-Girl and the Innocent (translated by Nicholas Bethell and David Burg) is Rodion Nemov, a new prisoner in a labor camp whi is unwilling to compromise in order to survive. This final play in the trilogy is, as Martin Esslin wrote of the 1981 Royal Shakespeare Company production, "a classic portrayal of the Gulag."These plays from the 1950s are among the Nobel laureate's earlier writings. But in his indignation at injustice and moral bankruptcy, Solzhenitsyn the playwright prefigures Solzhenitsyn the great novelist.

The title poem of this collection, set on an Irish island, tells of a pilgrim on an inner journey that leads him back into the world that formed him, and then forward to face the crises of the present. Writing in The Washington Post Book World, Hugh Kenner called this narrative sequence "as fine a long poem as we've had in fifty years."

No historian writes with such command of language or feeling for human nature. The difference is his luminous imagination, as Henry Steele Commager observes in the introduction to the newest Horgan volume, Of America East & West, a sumptuous selection from fifteen of the earlier works, many of which have been long out of print. I began reading Paul Horgan more than twenty years ago and he has given me no end of pleasure ever since. Whether in fiction, history or biography, he is a writer of large vision and manysidedness. He can be serene, funny, elegant, earthy and lyrical. He can range across art, opera, politics, natural history, military history and intellectual history. Narrative energy suffuses everything he writes. But it is his gift of empathy that lifts his work to the level of art and gives the history he writes 'reality.'

It was with Alexis that, in 1928, Marguerite Yourcenar began her career as a novelist. The book remains one of the stellar literary debuts of the century. Yourcenar has created a moving meditation on the relationship between pleasure and love."The rich, many colored subtlety of her great novels -- Memoirs of Dadrian; The Abyss; Alexis; Coup de Grace; and others -- is reminiscent of their intricate tapestries, while her sublime mystical appreciation of Nature and its beauty evokes the golden age of landscape painting in the Low Countries." - The Paris Review

Winner of the 1981 Nobel Prize, this first volume of the author's autobiography provides a searching portrait of his personal background and creative development. Elias Canetti was one of the major intellectual figures and polymaths of the twentieth century. A master of many genres, he is known especially for his novel, Auto-da-Fe, and his great work of social theory, Crowds and Power. But Canetti's genius is perhaps nowhere more evident than in the three volumes of his autobiography. This first volume, Tongue Set Free, provides a searching portrait of the author's personal background and creative development as it presents the events, personalities (especially Canetti's mother), and intellectual forces that shaped the growth of the artist as a young man.

The second volume in the Nobel Prize winning author Elias Canetti's trilogy of memoirs, The Torch in My Ear This book presents an account of Canetti's young manhood, of his arrival in Vienna in the early 1920s, of his schooling, and of the beginning of his life as a writer.

Legacies is the author's own selection from his work, and represents the many facets of Padilla's art: his lyrical love poems, his almost Audenesque meditations on other poets, his deceptively simple verses about history.This edition presents the English translations and original Spanish poems side by side on facing pages.

Thomas, the child-protagonist of The Issa Valley, is subject to both the contradictions of nature in this severe northern setting and sometimes enchanting, sometimes brutal timbre of village life. There are the deep pine and spruce forests, the grouse and the deer, and the hunter's gun. There is Magdalena, the beautiful mistress of the village priest, whose suicide unleashes her ghost to haunt the parish. There are also the loving grandparents with whom Thomas lives, who provide a balance of the not-quite-Dostoevskian devils that visit the villagers. In the end, Thomas is severed from his childhood and the Issa River, and leaves prepared for adventures beyond his valley. Poetic and richly imagined, The Issa Valley is a masterful work of fiction from one of our greatest living poets.

Nobel laureate Seamus Heaney's first collection of prose, Preoccupations, begins with a vivid account of his early years on his father's farm in Northern Ireland and his coming of age as a student and teacher in Belfast. Subsequent essays include critical work on Gerard Manley Hopkins, William Wordsworth, John Keats, Robert Lowell, William Butler Yeats, John Montague, Patrick Kavanagh, Ted Hughes, Geoffrey Hill, and Philip Larkin.

Marguerite Yourcenar instantly assumes command of our imagination in her novel The Abyss. Almost before we know it the author establishes a scene and time, and engages us in the fate of two cousins.