Bücher veröffentlicht von Farrar, Strauss & Giroux-3pl

Set in the Baltic provinces in the aftermath of World War I, Coup de Grace tells the story of an intimacy that grows between three young people hemmed in by civil war: Erick, a Prussian fighting with the White Russians against the Bolsheviks; Conrad, his best friend from childhood; and Sophie, whose unrequited love for Conrad becomes an unbearable burden.

A Part of Speech contains poems from the years 1965-1978, translated by various hands."Like the Auden who was, no less than Lowell, his champion, Brodsky is a master of traditional forms." - The New York Times Book Review

This landmark 1973 study of city policemen portrays in detail work "on the street,"the way police regard their work, the way they deal day-by-day with suspects and criminals, with colleague and superiors, and with the general public. Jonathan Rubinstein spent over a year with the Philadelphia police force, riding second man in patrol cars on all shifts, and from this experience he describes every aspects of a policeman's working life: his conception of the place he polices; his sense of territory; the extent of his knowledge of the people he polices; his technique for surveillance of his area; his use of the tools of the trade to control people; his complicated relationships with his coworkers and his sergeant, who dominates his working life. And, of course, he deals extensively with the eternal problems of corruption and brutality.Written with great insight and without pro- or anti-police bias, City Police is rich in illustrative incidents and serves as an excellent model for future studies of police work.

The last book published before the poet's death, Day by Day was awarded the National Book Critics Circle Award prize for poetry in 1977 and cements Lowell's reputation as one of the great poetic voices of the century.

Poet, novelist, critic, and teacher, Randall Jarrell was a diverse literary talent with a distinctive voice, by turns imaginative, realistic, sensitive, and ironic. His poetry, whether dealing with art, war, memories of childhood, or the loneliness of everyday life, is powerful and moving. A poet of colloquial language, ample generosity, and intimacy, Jarrell wrote beautifully "of the American landscape," as James Atlas noted in American Poetry Review, "[with] a broad humanism that enabled him to give voice to those had been given none of their own."The Complete Poems is the definitive volume of Randall Jarrell's verse, including Selected Poems (1955), with notes by the author; The Woman at the Washington Zoo (1960), which won the National Book Award for Poetry; and The Lost World (1965), "his last and best book," according to Robert Lowell. This volume also brings together several of Jarrell's uncollected or posthumously published poems as well as his Rilke translations.

Not quite translations--yet something much more, much richer, than mere tributes to their original versions--the poems in Imitations reflect Lowell's conceptual, historical, literary, and aesthetic engagements with a diverse range of voices from the Western canon. Moving chronologically from Homer to Pasternak--and including such master poets en route as Baudelaire, Rimbaud, Rilke, and Montale--the fascinating and hugely informed pieces in this book are themselves meant to be read as "a whole," according to Lowell's telling Introduction, "a single volume, a small anthology of European poetry."

The Good Conscience is Carlos Fuentes's second novel. The scene is Guanajuato, a provincial capital in Central Mexico, once one of the world's richest mining centers. The Ceballos family has been reinstated to power, and adolescent Jaime Ceballos, its only heir, is torn between the practical reality of his family's life and the idealism of his youth and his Catholic education. His father is a good man but weak; his uncle is powerful, yet his actions are inconsistent with his professed beliefs. Jaime's struggle to emerge as a man with a "good conscience" forms the theme of the book: can a rebel correct the evils of an established system and at the same time retain the integrity of his principles?

Hamsun's portrait of a man rejecting the claims of bourgeois society for a Rousseauian embrace of Nature and Eros, in a remarkable new translation."The work contains a harmony found only in the highest types of poetry; it is actually poetry set in prose, and boasts the best traits of each." Isaac Bashevis Singer

Delmore Schwartz: The Life of an American Poet is based on interviews, letters, and an extraordinary collection of unpublished papers that had never before been examined. Delmore Schwartz was only twenty-four in 1938 when his first book, In Dreams Begin Responsibilities, was published. He received praise from T. S. Eliot, Ezra Pound, Allen Tate, John Crowe Ransom, Wallace Stevens, and William Carlos Williams. For Tate, it was "the only genuine innovation we've had since Eliot and Pound." A decade later, the short-story collection The World Is a Wedding was published; many critics characterized it as the definitive portrait of their generation.In this biography, the first about the man whom John Berryman called "the most underrated poet of the twentieth century," James Atlas traces Schwartz's history, from the arrival of his Romanian ancestors in New York, to his youth in Washington Heights, to his career at Harvard as a graduate student in philosophy, and onward to the flowering of his generation in the '40s, when he and the critics, poets, and novelists who were his friends made their reputations. Schwartz's brilliant satires of his friends and acquaintances, his autobiographical stories, and his letters to his illustrious peers contribute to this vivid portrait of an era-and of that era's most trenchant chronicler.

One of The Sunday Times' (U.K.) Books of the Year"Garnett's life will not need to be written again." -Andrew Morton, Times Literary SupplementA penetrating biography of the most important English-language editor of the early twentieth centuryDuring the course of a career spanning half a century, Edward Garnett-editor, critic, and reader for hire-would become one of the most influential men in twentieth-century English literature. Known for his incisive criticism and unwavering conviction in matters of taste, Garnett was responsible for identifying and nurturing the talents of a generation of the greatest writers in the English language, from Joseph Conrad to John Galsworthy, Henry Green to Edward Thomas, T. E. Lawrence to D. H. Lawrence.In An Uncommon Reader, Helen Smith brings to life Garnett's intimate and at times stormy relationships with those writers. ("I have always suffered a little from a sense of injustice at your hands," Galsworthy complained in a letter.) All turned to Garnett for advice and guidance at critical moments in their careers, and their letters and diaries-in which Garnett often features as a feared but deeply admired protagonist-tell us not only about their creative processes, but also about their hopes and fears.Beyond his connections to some of the greatest minds in literary history, we also come to know Edward as the husband of Constance Garnett-the prolific translator responsible for introducingTolstoy, Dostoevsky, and Chekhov to an English language readership-and as the father of David "Bunny" Garnett, who would make a name for himself as a writer and publisher."Mr. Edward Garnett occupies a unique position in the literary history of our age," E. M. Forster wrote. "He has done more than any living writer to discover and encourage the genius of other writers, and he has done it without any desire for personal prestige." An absorbing and masterfully researched portrait of a man who was a defining influence on the modern literary landscape, An Uncommon Reader asks us to consider the multifaceted meaning of literary genius.

Can someone honestly love a person whom they have deceived for thirty years? This is the central question behind Wrecks, Neil LaBute's latest foray into the dark side of human nature. Meet Edward Carr: loving father, successful businessman, grieving widower. In this concise powerhouse of a play, LaBute limns the boundaries of love, exploring the limits of what society will accept versus what the heart will desire. This collection also features rarely staged short plays, including "Liars' Club," "Coax," and the never-before-seen "Falling in Like."

A pathbreaking new study of women and moralityHow do people decide what is "good" and what is "bad"? How does a society set moral guidelines -- and what happens when the behavior of various groups differs from these guidelines? Martha Saxton tackles these and other fascinating issues in Being Good, her history of the moral values prescribed for women in early America. Saxton begins by examining seventeenth-century Boston, then moves on to eighteenth-century Virginia and nineteenth-century St. Louis. Studying women throughout the life cycle -- girls, young unmarried women, young wives and mothers, older widows -- through their diaries and personal papers, she also studies the variations due to different ethnicities and backgrounds. In all three cases, she is able to show how the values of one group conflicted with or developed in opposition to those of another. And, as the women's testimonies make clear, the emotional styles associated with different value systems varied. A history of American women's moral life thus gives us a history of women's emotional life as well. In lively and penetrating prose, Saxton argues that women's morals changed from the days of early colonization to the days of westward expansion, as women became at once less confined and less revered by their men -- and explores how these changes both reflected and affected trends in the nation at large.

A "challenging and rewarding novel"* from Nobel Prize-winning author Peter Handke.The time is an unspecified modernity, the place possibly Europe. Absence follows four nameless people -- the old man, the woman, the soldier, and the gambler -- as they journey to a desolate wasteland beyond the limits of an unnamed city. "In this smoothly written fable, Handke forcefully summons readers to the recognition that the essence of human life lies in the striving for self-expression even though its perfect realization must always remain elusive."-*Publishers Weekly"A remarkably abstract book even for the very abstract Handke... Slippery but engrossing work, silkily translated." - Kirkus Reviews

"Those who gravitate to the regions where fiction, poetry, imaginative flights and speculative fancy converge constitute Handke's natural audience." - Publishers WeeklyNobel Prize winner Peter Handke's novel Across tells the story of a quiet, organized classics teacher named Andreas Loser. One night, on the way to his regularly scheduled card game, he passes a tree that has been defaced by a swastika. Impulsively yet deliberately, he tracks down the defacer and kills him. With this act, Loser has crossed an invisible threshold, and will be stuck in this secular purgatory until he can confess his crime.

The first in-depth historical account of the events that inspired Toni Morrison's novel Beloved.In the middle of a frigid Sunday night in January 1856, a twenty-two-year-old Kentucky slave named Margaret Garner gathered up her family and raced north, toward Cincinnati and freedom. But Margaret's master followed just hours behind and soon had the fugitives surrounded. Thinking all was lost, Margaret seized a butcher knife and nearly decapitated her two-year-old daughter, crying out that she would rather see her children dead than returned to slavery. She was turning on her other three children when slave catchers burst in and subdued her.Margaret Garner's child-murder electrified the United States, inspiring the longest, most spectacular fugitive-slave trial in history. Abolitionists and slaveholders fought over the meaning of the murder, and the case came to symbolize the ills of the Union in those last dark decades before the Civil War. Newspaper columnists, poets, and dramatists raced to interpret Margaret's deeds, but by the century's end they were all but forgotten. Steven Weisenburger is the first scholar to delve into this astonishing story in more than a century. Weisenburger integrates his innovative archival discoveries into a dramatic narrative that paints a nuanced portrait of the not-so-genteel Southern culture of slavery and its destructive effect on all who lived in and with it.

Nobel Prize winner Peter Handke's first full-length drama, hailed in Europe as "the play of the decade" and compared in importance to Waiting for GodotKaspar is the story of an autistic adolescent who finds himself at a complete existential loss on the stage, with but a single sentence to call his own. Drilled by prompters who use terrifyingly funny logical and alogical language-sequences, Kaspar learns to speak "normally" and eventually becomes creative--"doing his own thing" with words; for this he is destroyed.In Offending the Audience and Self-Accusation, one-character "speak-ins," Handke further explores the relationship between public performance and personal identity, forcing us to reconsider our sense of who we are and what we know.

In Being a Character, Christopher Bollas argued that Freud's vision of the dream process is a model for all unconscious mental experience. In Cracking Up he extends his exploration of the inner world of human experience and suggests that the rhythm of that experience is vital to individual creativity. It allows us to develop what the author calls a 'separate sense', which we use to assess the meanings of our own experiences and also to attune ourselves sympathetically to the lives of other people.In this original and thought-provoking book, Bollas examines how people educate one another in the idioms of their unconscious lives and considers the nature and consequences of the traumas that inhibit the freedom to do this. He studies what we mean by the past - is it unchangeable or can history be a creative, open understanding of experience? We come to know who we are by giving form and meaning to our past - yet what do we mean by the self? Bollas' answer suggests yet more ways in which the 'separate sense' expresses each person's unique qualities.

Winner of the Los Angeles Times Book Prize for HistoryIn this study of the fateful encounters between Europe and Asia on the shores of a legendary sea, Neal Ascherson explores the disputed meaning of community, nationhood, history, and culture in a region famous for its dramatic conflicts. What makes the Back Sea cultures distinctive, Ascherson agrues, is the way their comonent parts came together over the millennia to shape unique communities, languages, religions, and trade. As he shows with skill and persuasiveness, Black Sea patterns in the Caucasus, Russia, Ukraine, Romania, Turkey, and Greece have linked the peoples of Europe and Asia together for centuries.

Out of Danger (1994) was Fenton's first collection of poems in ten years, and the poems in it renew and amplify the qualities of unflinching observation and freewheeling verbal play that made his earlier Children in Exile so distinctive and distinguished. The poems in this book's title sequence address the dangers of love, and the love of danger; Fenton proposes that in love, politics, and poetry alike the truth is "something you say at your peril" and yet "something you shouldn't contain." Part II of the book, "Out of the East," is a series of ironical fight songs about political violence-- in Manila, the Middle East, Tiananmen Square, and elsewhere. Part III, "Maski Paps," reveals again Fenton's celebrated talents for light-verse nonsense. And in "The Manila Manifesto" he turns his gifts loose upon the world of poetry itself in ways that will both enrage and delight. Out of Danger is refined and daring, jocular and deeply challenging.

This extraordinary collection of correspondence by Paul Bowles spans eight decades and provides an evolving portrait of an artist renowned for his privacy. From his earliest extant letter, written at the age of four, to his precocious effusions to Aaron Copeland and to Gertrude Stein; from his meditations on mescaline as relayed to Ned Rorem, to his intensely moving letters to Jane Bowles during her illness, In Touch fills in the lacunae left by previous biographers and offers a rare look at the many aspects of Bowles's brilliant career-as composer, novelist, short-story master, travel writer, translator, ethnographer, and literary critic. Here is Bowles on the genesis of his first novel, The Sheltering Sky; on his distaste for Western melodies and his dogged attempts to record indigenous Moroccan music; on the Beats, Gore Vidal, Truman Capote, and Tennessee Williams; on the nature and craft of writing; on Bernardo Bertolucci, David Byrne, and Sting; on the decline of American and the challenges of living in North Africa. Gossipy, reflective, enlightening, and always entertaining, In Touch stands as an epistolary autobiography of one of the legendary writers of our time, and a unique chronicle of the twentieth-century avant-garde.

The early twentieth century was a time of technological revolution in the United States. New inventions and corporations were transforming the economic landscape, bringing a stunning array of consumer goods, millions of additional jobs, and ever more wealth. Steven J. Diner draws on the rich scholarship of recent social history to show how these changes affected Americans of all backgrounds and walks of life, and in doing so offers a striking new interpretation of a crucial epoch in our history.

In this moving exploration of parenthood, an American mother and a Tibetan father have a three-year-old son believed to be the reincarnation of a Buddhist lama. When a Tibetan lama and a monk come to their home unexpectedly, asking to take their child away for a life of spiritual training in India, the parents must make a life-altering choice that will test their strength, their marriage, and their hearts.The Oldest Boy is a richly emotional journey filled with music, dance, puppetry, ritual, and laughter-Sarah Ruhl at her imaginative best. A meditation on attachment and unconditional love, the play asks us to believe in a world in which sometimes the youngest children are also the oldest and wisest teachers.