Bücher veröffentlicht von Fitzcarraldo Editions

Drawing from personal experience, Despentes shatters received ideas about rape and prostitution,and explodes common attitudes about sex and gender. KING KONG THEORY is a manifesto for a new punk feminism,reissued here in a brilliant new translation by Frank Wynne.

A beautiful meditation on war, violence, memory and injustice, set in the occupied Palestinian territories.

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child. This is the story, written forty years later, of a trauma Ernaux never overcame.

Getting Lost is the diary kept by Annie Ernaux during the year and a half she had a secret love affair with a younger, married man, an attache to the Soviet embassy in Paris. Her novel, Simple Passion, was based on this affair, but here her writing is immediate and unfiltered. In these diaries it is 1989 and Annie is divorced with two grown sons, living in the suburbs of Paris and nearing fifty. Her lover escapes the city to see her there and Ernaux seems to survive only in expectation of these encounters. She cannot write, she trudges distractedly through her various other commitments in the world, she awaits his next call; she lives merely to feel desire and for the next rendezvous. When he is gone and the moment of desire has faded, she feels that she is a step closer to death.Lauded for her spare prose, Ernaux here removes all artifice, her writing pared down to its most naked and vulnerable. Translated brilliantly for the first time by Alison L. Strayer,Getting Lostis a haunting record of a woman in the grips of love, desire and despair.

A powerful meditation on ageing and familial love, I Remain in Darkness recounts Annie Ernaux's attempts to help her mother recover from Alzheimer's disease, and then, when that proves futile, to bear witness to the older woman's gradual decline and her own experience as a daughter losing a beloved parent. Haunting and devastatingly poignant, I Remain in Darkness showcases Ernaux's unique talent for evoking life's darkest and most bewildering episodes.

With the death of her aunt, Maria Stepanova is left to sift through an apartment full of faded photographs, old postcards, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled, these shards tell the story of how a seemingly ordinary Jewish family managed to survive the twentieth century.

A mother and daughter travel from abroad to meet in Tokyo: they walk along the canals through the autumn evenings, escape the typhoon rains, share meals in small cafes and restaurants, and visit galleries to see some of the city's most radical modern art. All the while, they talk: about the weather, horoscopes, clothes, and objects, about family, distance, and memory. But uncertainties abound. Who is really speaking here - is it only the daughter? And what is the real reason behind this elliptical, perhaps even spectral journey? At once a careful reckoning and an elegy, Cold Enough for Snow questions whether any of us speak a common language, which dimensions can contain love, and what claim we have to truly know another's inner world. Selected from more than 1,500 entries, Cold Enough for Snow won the Novel Prize, a new, biennial award offered by Fitzcarraldo Editions, New Directions (US) and Giramondo (Australia), for any novel written in English that explores and expands the possibilities of the form.

Taking the form of random journal entries over the course of seven years, Exteriors concentrates on the ephemeral encounters that take place just on the periphery of a person's lived environment. Ernaux captures the feeling of contemporary living on the outskirts of Paris: poignantly lyrical, chaotic, and strangely alive.

Inside a luxury housing complex, two misfit teenagers sneak around and get drunk. Franco Andrade, lonely, overweight, and addicted to porn, obsessively fantasizes about seducing his neighbor - an attractive married woman and mother - while Polo dreams about quitting his gruelling job as a gardener within the gated community and fleeing his overbearing mother and their narco-controlled village. Each facing the impossibility of getting what he thinks he deserves, Franco and Polo hatch a mindless and macabre scheme. Written in a chilling torrent of prose by one of our most thrilling new writers, Paradais explores the explosive fragility of Mexican society - fractured by issues of race, class and violence - and how the myths, desires, and hardships of teenagers can tear life apart at the seams.

What makes us who we are? And why do we lead one life and not another? The year is coming to a close and Asle, an ageing painter and widower who lives alone on the southwest coast of Norway, is reminiscing about his life. His only friends are his neighbour, Asleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjorgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgangers - two versions of the same person, two versions of the same life, both grappling with existential questions about life, death, love, light and shadow, faith and hopelessness. Written in melodious and hypnotic 'slow prose', The Other Name: Septology I-II is an indelible and poignant exploration of the human condition by Jon Fosse, 'a major European writer' (Karl Ove Knausgaard), in which everything is always there, and past and present flow together.

In A GIRL'S STORY, Annie Ernaux revisits the summer of 1958, her first away from home, and recounts the first night she spent with a man.

In her old house by the fjord, Signe lies on a bench and sees a vision of herself as she was more than twenty years earlier: standing by the window waiting for her husband Asle, on that terrible late November day when he took his rowboat out onto the water and never returned. Her memories widen out to include their whole life together, and beyond: the bonds of family and the battles with implacable nature stretching back over five generations, to Asle's great-great-grandmother Aliss. In Jon Fosse's vivid, hallucinatory prose, all these moments in time inhabit the same space, and the ghosts of the past collide with those who still live on. Aliss at the Fire, is a visionary masterpiece, a haunting exploration of love and loss that ranks among the greatest meditations on marriage and human fate.

An essay with the reach and momentum of a novel, Kate Briggs's THIS LITTLE ART is a genre-bending song for the practice of literary translation, offering fresh, fierce and timely thinking on reading, writing and living with the works of others.

Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have roots? Or to have left a piece of oneself somewhere long since abandoned?In Dandelions, Thea Lenarduzzi pieces together her family history through four generations' worth of migration between Italy and England, and the stories scattered like seeds along the way. At the heart of this book is her grandmother Dirce, a former seamstress and a repository of tales that are by turns unpredictable, unreliable, significant. Through the journeys of Dirce and her relatives, from the Friuli to Sheffield and Manchester and back again, a different kind of history emerges.A family memoir rich in folk legends, food, art, politics and literature, Dandelions heralds the arrival of an exceptional writer: bold, joyful and wise.

In 1963, Annie Ernaux, 23 and unattached, realizes she is pregnant. Shame arises in her like a plague: understanding that her pregnancy will mark her and her family as social failures, she knows she cannot keep that child. This is the story, written forty years later, of a trauma Ernaux never overcame.

In this extraordinary book, an acclaimed young war reporter chronicles a dangerous journey on the smuggler's road to Europe, accompanying his friend, an Afghan refugee, in search of a better future.

SUPPOSE A SENTENCE is a critical and personal reflection on the art of the sentence in literature.

Reminiscent of the work of Nobel Prize laureate Svetlana Alexievich, What Have You Left Behind? powerfully draws together civilian accounts of the Yemeni civil war and serves as a vital reminder of the scale of the human tragedy behind the headlines.

Blending memoir, polemic and feminist philosophy, Intervals is a deeply moving work that harnesses the political potential of grief to raise essential questions about choice, interdependence and end-of-life care.

In her latest work, Annie Ernaux recounts a relationship with a student thirty years her junior - an experience that transforms her, briefly, back into the 'scandalous girl' of her youth. At once stark and tender, The Young Man is a taut encapsulation of Ernaux's relationship to time, memory and writing.

What is it like to live with chronic insomnia? In Sleepless, Marie Darrieussecq recounts her own experiences alongside those of fellow insomniacs, writers and artists including Virginia Woolf, Marguerite Duras and Franz Kafka.

Bold and immersive, The Variations is a novel of startling originality about music and the difficulty - or impossibility - of living with the past.

Laughter shakes us out of our deadness. An outburst of spontaneous laughter is an eruption from the unconscious that, like political resistance, poetry, or self-revelation, expresses a provocative, impish drive to burst free from external constraints. Taking laughter's revelatory capacity as a starting point, and rooted in Nuar Alsadir's experience as a poet and psychoanalyst, Animal Joy seeks to recover the sensation of feeling alive and embodied.Writing in a poetic, associative style, blending the personal with the theoretical, Alsadir ranges from her experience in clown school, Anna Karenina's morphine addiction, Freud's unfreudian behaviors, marriage brokers and war brokers to 'Not Jokes', Abu Ghraib, Fanon's negrophobia, smut, the Brett Kavanaugh hearings, laugh tracks, the problem with adjectives, to how poetry can wake us up. At the centre of the book, though, is the author's relationship with her daughters, who erupt into the text like sudden, unexpected laughter. These interventions - frank, tender, and always a challenge to the writer and her thinking - are like tiny revolutions, pointedly showing the dangers of being severed from our True Self and hinting at ways we might be called back to it. A bold and insatiably curious prose debut,Animal Joyis an ode to spontaneity and feeling alive.

Bonsai is the story of Julio and Emilia, two young Chilean students who, seeking truth in great literature, find each other instead. Like all young couples, they lie to each other, revise themselves, and try new identities on for size, observing and analyzing their love story as if it's one of the great novels they both pretend to have read. As they shadow each other throughout their young adulthoods, falling together and drifting apart, Zambra spins a formally innovative, metafictional tale that brilliantly explores the relationship among love, art, and memory.

Barely educated and valued since childhood strictly for his labour, Ernaux's father had grown into a hard, practical man who showed his family little affection. Narrating his slow ascent towards material comfort, Ernaux's cold observation in A Man's Place reveals the shame that haunted her father throughout his life.