Bücher veröffentlicht von FlowerSong Press

Hominis Aurora is a collection of poems in three parts (sacred numerology of the beginning, evolution and end or the triangle as exemplification of the birth of knowledge) manifested in the metaphoric subtitles of Tempus, Ritualis and Communitas. The book embarks on a journey toward the telluric and the mystical, specifically within the transition between the prehistoric eras known as the Paleolithic and Neolithic periods. This time initiates the beginning of everything: the creation of language, the aura of thought, poetry in its ethereal stage, ferocious individualism, the formation of social groups, the beginning of human mythology, artistic expression, bellicose conflicts, the emergence of agriculture, immigration, man vs. nature, the seeds of ingenuity, and man facing his own existential reality and that of all others. Since no written history exists from which to construct that poetic world of human genesis, one must rely on investigation of the disciplines of archeology, fine arts and anthropology, These disciplines, especially art, were crucial in the elaboration of the book; which, to a great extent, is a love letter to the fine arts, as stated in the epigraph of the English poet William Wordsworth. Hominis aurora es un poemario en tres partes (numerolog├¡a sacra de comienzo, evoluci├│n y final o el tri├íngulo como ejemplificaci├│n del nacimiento del conocimiento) manifestado en los subt├¡tulos metaf├│ricos de Tempus, Ritualis y Communitas. El libro emprende un viaje hacia lo tel├║rico y lo m├¡stico, espec├¡ficamente dentro de la transici├│n de las eras de la prehistoria conocidas como el periodo paleol├¡tico y neol├¡tico. All├¡ se da el comienzo a todo: creaci├│n de la lengua, el aura del pensamiento, la poes├¡a en su estado et├⌐reo, el individualismo aferrador, formaci├│n de los grupos sociales, inicio de la mitolog├¡a humana, la expresi├│n art├¡stica, los conflictos b├⌐licos, el surgimiento de la agricultura, la inmigraci├│n, hombre versus naturaleza, brote del ingenio y la realidad existencial del hombre ante s├¡ mismo y los dem├ís.  Al no existir una historia escrita para construir aquel mundo po├⌐tico de la g├⌐nesis humana, se ha recurrido a investigar a trav├⌐s de las disciplinas de la arqueolog├¡a, las artes pl├ísticas y la antropolog├¡a.  Estas disciplinas, en especial el arte, fueron cruciales en la revelaci├│n del libro. El libro, en gran medida, es una carta de amor a las bellas artes, como queda expresado en el ep├¡grafe del poeta ingl├⌐s William Wordsworth

"Everything is Returned to the Soil is a bilingual, full-length poetry collection of poems on the spiritual, political, and cultural realms. Reading Briana Mu├▒oz''s poetry is like following her as she reclaims her Indigenous culture, recounts moments growing up wedged in-between two borders, all while breaking long existing patriarchal structures within her existence as a woman of color."

George Floyd. Breonna Taylor. Eric Garner. Sandra Bland. Tamir Rice.So many others for so many years. In 2010 police killed over a thousand people in the U.S. Black people are 3x more likely to be killed by  police than white people. 99% of killings by police from 2013 - 2019 have not resulted in officers being charged with a crime. The names of the murdered will not be forgotten. We call on poets, writers, and artists to submit work for an anthology that addresses the continuing problem of police violence in this country and around the world.Your much appreciated purchase allows FlowerSong to continue putting out important anthologies and publications.

...and so, the Wind was Born is about a wind character who finds healing in the many forms of love; self, romantic, friendship, communal, familial, and spiritual. The main character, is the personification of a queer, gender fluid, poet and artist healing from their trauma. This individual discovers that they are wind and wonders what type of wind they are. Are they destructive like a hurricane or gentle love messages in a breeze? This character begins to think about how the wind might also be their love interest, Mon Coeur, because they feel the wind around them every time Mon Coeur is near. The two wind characters begin self discovery outside of their trauma, but the Main character is struggling to let go of the past and searching the present for love. It takes this character a while to get past the desire and need to be accepted by others to feel validated. The main character feels they destroy everything in their path--especially love-- because they fear not being good enough or strong enough or loving enough, but after many tries comes to find that she/he is more than the wind--they are love--and it is important to free themself. They discover who they really are beyond titles. It is by stripping away titles that they find that there is something much deeper and more powerful than romance, but friendship, and sangha. The trials and tribulations of the two characters show us how love not only heals two people in a relationship, but can extend beyond self and couples, and evolve into family and community. Which allows the main character to eventually discuss their desire to help heal the world around them through love, friendship, community, andconnection. This book of poetry shows us how love is an ouroboros, constantly reshaping our love for ourselves and others and making room for more-it is limitless and ineffable. It shows us how we are all connected and that love of self is love for others, and vice versa. The wind character Mon Coeur teaches the main character that love is how we survive and strive through the liminal. She teaches us that endings are beginnings, and that life has just begun.

alurista, the proto-poet laureate of Aztlan whose enigmatic nom de plume has long been synonymous with Chicano poetry, returns with a pristine and rarefied homecoming coda. ZAZ (in Cal├│: "bam!" or "right on!"), recalls classic Spik in Glyph? multi-dimensional sonic, phonetic and textual word play burnished by astonishing and unapologetic interlingual English, Spanish, Nahuatl and Cal├│ hybridity. The spare and resonant verse gathered in this arresting volume speaks to the mundane, the profane and the esoteric simultaneously. At once ceremonial prayer chants and oracular pronouncements, the poems shimmer yet remained anchored by a welcome formal purity. This collection brings the internationally acclaimed alurista-a leading voice at the historic, first-ever Festival de Flor y Canto (USC, 1973)-home as well to a dynamic new imprint named in honor of that venerated floricanto ("flower-song" from the Nahuatl) tradition. 

Sonia Gutiérrez''s Dreaming with Mariposas, written in a Tomás Rivera and Sandra Cisneros bildungsroman vignette style, recounts the story of the Martínez family as told through the eyes of transfronteriza/transboundary Sofía Martínez, "Chofi," Francisco and Helena''s daughter, as well as multiple narrators, emulating oral tradition. The novel embraces food as a communal practice with the ability to heal a family through storytelling. Dreaming with Mariposas presents glimpses of poetic diction in times of anti-rhetoric, inspiring readers to reclaim their sacred spaces and voices and to pursue dreams even when the future looks dismal. Chofi witnesses institutional racism, sexual harassment, and colorism and learns to navigate her parents'' dreams and her dreams as she discovers her superpower, the strength of her Mexican Indigenous heritage, and the spirit world.