Bücher veröffentlicht von FUEL Publishing

Working as a prison guard in St Petersburgs notorious Kresty Prison, the author diligently recorded over 3,000 criminal tattoos, documenting their meanings within this closed society. This title explores the extremes of this collection.

Documenting over 3,000 tattoo drawings, this title describes the motifs that represent the uncensored lives of Russian criminal classes, ranging from violence and pornography to politics and alcohol.

Containing over 140 exclusive photographs - ranging from private homes to football stadia - across every region of the country, Brutalist Italy is the first publication to focus entirely on this subject.

The first ever spomenik guidebook, with over 75 examples alongside map references and information on why they exist and who built them. Spomenik' the Serbo-Croat/Slovenian word for 'monument' - refers to a series of memorials built in Tito's Republic of Yugoslavia from the 1960s-1990s, marking the horror of the occupation and the defeat of Axis forces during World War II. Hundreds were built across the country, from coastal resorts to remote mountains. Through these imaginative forms of concrete and steel, a classless, forward-looking, socialist society, free of ethnic tensions, was envisaged. Instead of looking to the ideologically aligned Soviet Union for artistic inspiration, Tito turned to the west and works of abstract expressionism and minimalism. As a result, Yugoslavia was able to develop its own distinct identity through these brutal monuments, which were used as political tools to articulate Tito's personal vision of a new tomorrow. Today, following the breakup of the country and the subsequent Yugoslav Wars of the 1990s, some have been destroyed or abandoned. Many have suffered the consequences of ethnic tensions - once viewed as symbols of hope they are now the focus of resentment and anger. This book brings together the largest collection of spomeniks published to date. Each has been extensively photographed and researched by the author, to make this book the most comprehensive survey of this obscure and fascinating architectural phenomenon. A fold-out map on the reverse of the dust jacket shows the exact location of each spomenik using GPS coordinates.

The follow up to Soviet Cities by acclaimed Russian photographer and Instagram sensation Arseniy Kotov. A photography book featuring four areas of the post-Soviet republics seen over four different seasons

A `dachä is a country house, made of wood, used by Soviet citizens to escape the rigors of the city for rural idyll. Widespread in the countries of the former USSR, this important cultural and architectural form has been largely ignored academically. In Dacha Fyodor Savintsev documents this particularly Russian phenomenon, his photographs constitute a unique record of a rapidly vanishing fairytale wooden world. The word `dachä has been used to describe constructions ranging from grand imperial villas to small sheds. Originally bestowed by the Tsar to reward courtiers, this custom continued following the revolution, with Soviet cooperatives building dachas for their members. Supposedly for the benefit of labourers, in reality they were destined for those favoured by the State, including famous writers, architects and artists ¿ from Pasternak to Prokofiev. The fall of the Soviet Union accelerated their use, as economic uncertainty forced city dwellers towards self-sufficiency. The dacha tradition has survived Revolution, war and the collapse of Communism, becoming an integral part of life in the process. Using contemporary photographs to showcase these uniquely individual buildings for the first time, alongside an introduction explaining their historical and cultural context, Dacha is the only publication of its kind.

Roberto Conte works closely with architectural practices, artists and designers, specializing in documenting buildings of the 20th century ¿ ranging from avantgarde and nationalist structures to post-war modernism, brutalism and contemporary architecture. Stefano Perego began photographing the industrial ruins of Milan in 2006 and has since documented hundreds of abandoned sites across Europe. After visiting the former Yugoslavia he resolved to concentrate on the modernist and brutal architecture of former socialist countries. Damon Murray and Stephen Sorrell have been publishing books on Soviet culture since 2004 from the Russian Criminal Tattoo Encyclopaedia to Soviet Bus Stops.