Bücher veröffentlicht von Grove Atlantic

"Sex, vengeance, and betrayal in modern day Tehran-Navid Sinaki's bold and cinematic debut is a queer literary noir following Anjir, a morbid romantic and petty thief whose boyfriend disappears just as they're planning to leave their hometown for good. Anjir and Zal are childhood best friends turned adults in love. The only problem is they live in Iran, where being openly gay is criminalized, and the government's apparent acceptance of trans people requires them to surgically transition and pass as cis straight people. When Zal is brutally attacked after being seen with another man in public, despite the betrayal, Anjir becomes even more determined to carry out their longstanding plan: Anjir, who's always identified with the mythical gender-changing Tiresias, will become a woman, and they'll move to a new town for a fresh start as husband and wife. Then Zal vanishes. Stalking and stealing his way through the streets, clubs, library stacks, hotel rooms, and museum halls of Tehran, Anjir's morals and gender identity are pushed to new places in the pursuit of Zal, peace, and self-determination. Steeped in ancient Persian and Greek myths, and brimming with poetic vulnerability, subversive bite, and noirish grit, Medusa of the Roses is a page-turning wallop of a story from a bright new literary talent"--

"From the National Book Award-longlisted author of Finding Florida, a sparkling, sweeping chronicle of the author's life and discoveries in an ancient town in "Deep France," from nearby prehistoric caves to medieval dynastic struggles to the colorful characters populating the area today. When T. D. Allman purchased an 800-year-old house in the mountain village of Lauzerte in southwestern France, he aimed to find refuge from the world's tumults. Instead, he found that humanity's most telling melodramas, from the paleolithic to the postmodern, were graven in its stones and visible from its windows. Indeed, the history of France can be viewed from the perspective of Lauzerte and its surrounding area-just as Allman, from one window, can see Lauzerte unfold before him in the Place des Corniáeres, where he watches performances of the opera Tosca and each Saturday buys produce from "Fred, the Foie Gras Guy"; while from the other side facing the Pyrenees he surveys the fated landscape that generated many events giving birth to the modern world. The dynastic struggles of Eleanor of Aquitaine, he finds, led to Lauzerte's remarkably progressive charter issued in 1241, which even then enshrined human rights in its 51 articles. From Eleanor's marriage to English king Henry II in 1154 dates the never-ending melodrama pitting English arrogance against French resistance; in 2016 Brexit demonstrated that this perpetual contretemps is another of the vaster conditions life in Lauzerte illuminates. Allman chronicles the many conflicts that have swirled in the region, from the Catholic Church's genocidal campaign to wipe out "heresy" there; to France's own sixteenth-century Wars of Religion, which saw hundreds massacred in the town square, some inside his house; to World War II, during which Lauzerte was part of Nazi-occupied Vichy. In prose as crystalline as his view to the Pyrenees on a clear day, Allman animates Lauzerte and its surrounding communities-Cahors, Moissac, Montauban-all ever in thrall to the magnetic impulse of Paris. Witness to so many dramas over the centuries, his house comes alive as a historical protagonist in its own right, from its wine-cellar cave to the roof where he wages futile battle with pigeons, to the life lessons it conveys. "The onward march of history, my House keeps demonstrating, never takes a rest," he observes, pulling us vividly into his world"--

"A spellbinding new novel from New York Times Notable Author and Caine Prize winner Leila Aboulela about an embattled young woman's coming of age during the Mahdist War in nineteenth-century Sudan. The latest novel by "versatile prose stylist" (New York Times) Leila Aboulela is an enchanting story of the years leading up to the British conquest of Sudan in 1898, and a deeply human look at the tensions between Britain and Sudan, Christianity and Islam, colonizer and colonized. In River Spirit, Aboulela gives us the unforgettable story of a people who-against the odds and for a brief time-gained independence from foreign rule through their willpower, subterfuge, and sacrifice. When Akuany and her brother Bol are orphaned in a village raid in South Sudan, they're taken in by a young merchant Yaseen who promises to care for them, a vow that tethers him to Akuany through their adulthood. As a revolutionary leader rises to power-the self-proclaimed Mahdi, prophesied redeemer of Islam-Sudan begins to slip from the grasp of Ottoman rule, and everyone must choose a side. A scholar of the Qur'an, Yaseen feels beholden to stand against this false Mahdi, even as his choice splinters his family. Meanwhile, Akuany moves through her young adulthood and across the country alone, sold and traded from house to house, with Yaseen as her inconsistent lifeline. Everything each of them is striving for-love, freedom, safety-is all on the line in the fight for Sudan. Through the voices of seven men and women whose fates grow inextricably linked, Aboulela's latest novel illuminates the fraught and bloody history of a people caught in the crosshairs of imperialism. River Spirit is a powerful tale of corruption, coming of age, and unshakeable devotion-to a cause, to one's faith, and to the people who become family"--

"In the sixty-four days between November 3 and January 6, President Donald Trump and his allies fought to reverse the outcome of the vote. Focusing on six states--Arizona, Georgia, Michigan, Nevada, Pennsylvania, and Wisconsin-- Trump's supporters claimed widespread voter fraud. It was not a well-orchestrated matter. There was no guiding genius pulling the strings in key states for the defeated Donald Trump. In the weeks after the election, in counties and precincts all over the country, many local Republican officials and even Trump's own campaign workers washed their hands of his increasingly unhinged allegations of fraud. But there was no shortage of people willing to take up the fight. Urged on by Trump and his coterie of advocates, lawyers, and media propagandists, true believers turned on their colleagues, friends, and neighbors-- even those in their own party--to accuse them of rigging the election. The real story of the insurrection began months before Trump's mob attacked the US Capitol on January 6, 2021. That riot was the desperate final act, emblematic of the clumsy, failed movement Trump had been building for years. It began in cities and small towns all over America on election day, November 3, 2020. Working with a team of researchers and reporters, Bowden and Teague uncover never-before-told accounts from the election officials fighting to do their jobs amid outlandish claims and threats to themselves, their colleagues, and their families. The Steal is an engaging, in-depth report on what happened during those crucial nine weeks and a portrait of the heroic individuals who did their duty and stood firm against the unprecedented, sustained attack on our election system to ensure that every legal vote was counted and the will of the people prevailed."--Provided by publisher.

"Tessa is a successful white woman writer who develops a friendship, first by correspondence and then in person, with Charlie, a ruggedly handsome philosopher and scholar based in Los Angeles. Sparks fly as they exchange ideas about Camus and masculine desire, and their intellectual connection promises more-but there are obstacles to this burgeoning relationship. While Tessa's husband Milton enjoys Charlie's company on his visits to the East Coast, Charlie's mixed-race Asian wife Wah is a different case, and she proves to be both adversary and conundrum to Tessa. Wah's traditional femininity and subservience to her husband strike Tessa as weaknesses, and she scoffs at the sacrifices Wah makes as adoptive mother to a Burmese girl, Htet, once homeless on the streets of Kuala Lumpur. But Wah has a kind of power too, especially over Charlie, and the conflict between the two women leads to Tessa's martini-fueled declaration that Wah is "an insult to womankind." As Tessa is forced to deal with the consequences of her outburst and considers how much she is limited by her own perceptions, she wonders if Wah is really as weak as she has seemed, or if she might have a different kind of strength altogether. An exercise in empathy, an exploration of betrayal, and a charged story of the thrill of a shared connection-and the perils of feminine rivalry-My Nemesis is a brilliantly dramatic and captivating story from a hugely talented writer whose portrayals are always gracefully phrased and keenly observed"--

"Each year, approximately forty thousand Americans are killed by gunshot wounds, which is roughly equivalent to the annual rate of traffic deaths on American roads and highways. Of those forty thousand gun fatalities, more than half of them are suicides, which in turn account for half of all suicides per year. Add in the murders caused by guns, the accidental deaths caused by guns, the law enforcement killings caused by guns, and the average comes out to more than one hundred Americans killed by bullets every day. On that same average day, another two hundred-plus are wounded by guns, which translates into eighty thousand a year. Eighty thousand wounded and forty thousand dead, or one hundred and twenty thousand ambulance calls and emergency room cases for every twelve-month tick of the clock, but the toll of gun violence goes far beyond the pierced and bloodied bodies of the victims themselves, spilling out into the devastations visited upon their immediate families, their extended families, their friends, their fellow workers, the people of their neighborhoods, their schools, their churches, their softball teams, and communities at large-the vast brigade of lives touched by the presence of a single person who lives or has lived among them-meaning that the number of Americans directly or indirectly marked by gun violence every year must be tallied in the millions"--

From "the undisputed crime fiction queen" (Baltimore Sun), one of Comissario Guido Brunetti's most enigmatic cases: leading Donna Leon's iconic detective from the local dry cleaner all the way to Vienna's most elite aristocrats.Over the years, Donna Leon's best-selling Commissario Guido Brunetti series has conquered the hearts of lovers of finely-plotted character-driven mysteries all over the world. Brunetti, both a perceptive sleuth and a principled family man, has exposed readers to Venice in all its aspects: its history, beauty, architecture, seasons, food, and social life, but also the crime and corruption that seethe below the surface of La Serenissima.In The Golden Egg, as the first leaves of autumn begin to fall, Commissario Guido Brunetti's wife Paola comes to him with a request. The mentally handicapped man who worked at their dry clearers has suffered a fatal sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing or helping him. To please her, Brunetti investigates the death and is surprised to find nothing on the man: no birth certificate, no driver's license, no credit cards. As far as the Italian government is concerned, he never existed. And yet, there is a body. As secrets unravel, Brunetti suspects an aristocratic family might be connected to the case. But why would anyone want this sweet, simple-minded man dead?

A controversial national best seller upon its initial publication, The Book of J is an audacious work of literary restoration revealing one of the great narratives of all time and unveiling its mysterious author. J is the title that scholars ascribe to the nameless writer they believe is responsible for the text, written between 950 and 900 BCE, on which Genesis, Exodus, and Numbers is based. In The Book of J, accompanying David Rosenberg's translation, Harold Bloom persuasively argues that J was a woman—very likely a woman of the royal house at King Solomon's court—and a writer of the stature of Homer, Shakespeare, and Tolstoy. Rosenberg's translations from the Hebrew bring J's stories to life and reveal her towering originality and grasp of humanity. Bloom argues in several essays that "J" was not a religious writer but a fierce ironist. He also offers historical context, a discussion of the theory of how the different texts came together to create the Bible, and translation notes.