Bücher veröffentlicht von Grove Atlantic

"Sex, vengeance, and betrayal in modern day Tehran-Navid Sinaki's bold and cinematic debut is a queer literary noir following Anjir, a morbid romantic and petty thief whose boyfriend disappears just as they're planning to leave their hometown for good. Anjir and Zal are childhood best friends turned adults in love. The only problem is they live in Iran, where being openly gay is criminalized, and the government's apparent acceptance of trans people requires them to surgically transition and pass as cis straight people. When Zal is brutally attacked after being seen with another man in public, despite the betrayal, Anjir becomes even more determined to carry out their longstanding plan: Anjir, who's always identified with the mythical gender-changing Tiresias, will become a woman, and they'll move to a new town for a fresh start as husband and wife. Then Zal vanishes. Stalking and stealing his way through the streets, clubs, library stacks, hotel rooms, and museum halls of Tehran, Anjir's morals and gender identity are pushed to new places in the pursuit of Zal, peace, and self-determination. Steeped in ancient Persian and Greek myths, and brimming with poetic vulnerability, subversive bite, and noirish grit, Medusa of the Roses is a page-turning wallop of a story from a bright new literary talent"--

"From the National Book Award-longlisted author of Finding Florida, a sparkling, sweeping chronicle of the author's life and discoveries in an ancient town in "Deep France," from nearby prehistoric caves to medieval dynastic struggles to the colorful characters populating the area today. When T. D. Allman purchased an 800-year-old house in the mountain village of Lauzerte in southwestern France, he aimed to find refuge from the world's tumults. Instead, he found that humanity's most telling melodramas, from the paleolithic to the postmodern, were graven in its stones and visible from its windows. Indeed, the history of France can be viewed from the perspective of Lauzerte and its surrounding area-just as Allman, from one window, can see Lauzerte unfold before him in the Place des Corniáeres, where he watches performances of the opera Tosca and each Saturday buys produce from "Fred, the Foie Gras Guy"; while from the other side facing the Pyrenees he surveys the fated landscape that generated many events giving birth to the modern world. The dynastic struggles of Eleanor of Aquitaine, he finds, led to Lauzerte's remarkably progressive charter issued in 1241, which even then enshrined human rights in its 51 articles. From Eleanor's marriage to English king Henry II in 1154 dates the never-ending melodrama pitting English arrogance against French resistance; in 2016 Brexit demonstrated that this perpetual contretemps is another of the vaster conditions life in Lauzerte illuminates. Allman chronicles the many conflicts that have swirled in the region, from the Catholic Church's genocidal campaign to wipe out "heresy" there; to France's own sixteenth-century Wars of Religion, which saw hundreds massacred in the town square, some inside his house; to World War II, during which Lauzerte was part of Nazi-occupied Vichy. In prose as crystalline as his view to the Pyrenees on a clear day, Allman animates Lauzerte and its surrounding communities-Cahors, Moissac, Montauban-all ever in thrall to the magnetic impulse of Paris. Witness to so many dramas over the centuries, his house comes alive as a historical protagonist in its own right, from its wine-cellar cave to the roof where he wages futile battle with pigeons, to the life lessons it conveys. "The onward march of history, my House keeps demonstrating, never takes a rest," he observes, pulling us vividly into his world"--

"Paul Auster's brilliant eighteenth novel opens with a scorched pot of water, which Sy Baumgartner-phenomenologist, noted author, and soon-to-be retired philosophy professor-has just forgotten on the stove. Baumgartner's life had been defined by his deep, abiding love for his wife, Anna, who was killed in a swimming accident nine years earlier. Now 71, Baumgartner continues to struggle to live in her absence as the novel sinuously unfolds into spirals of memory and reminiscence, delineated in episodes spanning from 1968, when Sy and Anna meet as broke students working and writing in New York, through their passionate relationship over the next forty years, and back to Baumgartner's youth in Newark and his Polish-born father's life as a dress-shop owner and failed revolutionary. Rich with compassion, wit, and Auster's keen eye for beauty in the smallest, most transient details of ordinary life, Baumgartner asks: Why do we remember certain moments, and forget others?"--

"In the sixty-four days between November 3 and January 6, President Donald Trump and his allies fought to reverse the outcome of the vote. Focusing on six states--Arizona, Georgia, Michigan, Nevada, Pennsylvania, and Wisconsin-- Trump's supporters claimed widespread voter fraud. It was not a well-orchestrated matter. There was no guiding genius pulling the strings in key states for the defeated Donald Trump. In the weeks after the election, in counties and precincts all over the country, many local Republican officials and even Trump's own campaign workers washed their hands of his increasingly unhinged allegations of fraud. But there was no shortage of people willing to take up the fight. Urged on by Trump and his coterie of advocates, lawyers, and media propagandists, true believers turned on their colleagues, friends, and neighbors-- even those in their own party--to accuse them of rigging the election. The real story of the insurrection began months before Trump's mob attacked the US Capitol on January 6, 2021. That riot was the desperate final act, emblematic of the clumsy, failed movement Trump had been building for years. It began in cities and small towns all over America on election day, November 3, 2020. Working with a team of researchers and reporters, Bowden and Teague uncover never-before-told accounts from the election officials fighting to do their jobs amid outlandish claims and threats to themselves, their colleagues, and their families. The Steal is an engaging, in-depth report on what happened during those crucial nine weeks and a portrait of the heroic individuals who did their duty and stood firm against the unprecedented, sustained attack on our election system to ensure that every legal vote was counted and the will of the people prevailed."--Provided by publisher.

Originally published: New York: Simon and Schuster, 1948.

"Tessa is a successful white woman writer who develops a friendship, first by correspondence and then in person, with Charlie, a ruggedly handsome philosopher and scholar based in Los Angeles. Sparks fly as they exchange ideas about Camus and masculine desire, and their intellectual connection promises more-but there are obstacles to this burgeoning relationship. While Tessa's husband Milton enjoys Charlie's company on his visits to the East Coast, Charlie's mixed-race Asian wife Wah is a different case, and she proves to be both adversary and conundrum to Tessa. Wah's traditional femininity and subservience to her husband strike Tessa as weaknesses, and she scoffs at the sacrifices Wah makes as adoptive mother to a Burmese girl, Htet, once homeless on the streets of Kuala Lumpur. But Wah has a kind of power too, especially over Charlie, and the conflict between the two women leads to Tessa's martini-fueled declaration that Wah is "an insult to womankind." As Tessa is forced to deal with the consequences of her outburst and considers how much she is limited by her own perceptions, she wonders if Wah is really as weak as she has seemed, or if she might have a different kind of strength altogether. An exercise in empathy, an exploration of betrayal, and a charged story of the thrill of a shared connection-and the perils of feminine rivalry-My Nemesis is a brilliantly dramatic and captivating story from a hugely talented writer whose portrayals are always gracefully phrased and keenly observed"--

A controversial national best seller upon its initial publication, The Book of J is an audacious work of literary restoration revealing one of the great narratives of all time and unveiling its mysterious author. J is the title that scholars ascribe to the nameless writer they believe is responsible for the text, written between 950 and 900 BCE, on which Genesis, Exodus, and Numbers is based. In The Book of J, accompanying David Rosenberg's translation, Harold Bloom persuasively argues that J was a woman—very likely a woman of the royal house at King Solomon's court—and a writer of the stature of Homer, Shakespeare, and Tolstoy. Rosenberg's translations from the Hebrew bring J's stories to life and reveal her towering originality and grasp of humanity. Bloom argues in several essays that "J" was not a religious writer but a fierce ironist. He also offers historical context, a discussion of the theory of how the different texts came together to create the Bible, and translation notes.

A breathless (heavily autobiographical) novelistic account of the life of a young woman who sells her body for a living, "Whore" is a searing look at the world's oldest profession and a confessional in the tradition of Sylvia Plath.