Bücher veröffentlicht von Hauser & Wirth Publishers

Philip Guston paintings?particularly the liberated and instinctual forms of his late work?continue to exert a powerful influence on younger generations of contemporary painters. His daughter, Musa Mayer, manages the estate of Philip Guston and is president of The Guston Foundation. She has curated exhibitions of Guston's work and written books including the memoir Night Studio, first published by Alfred A. Knopf in 1988. In 2022 the Metropolitan Museum of Art announced that more than two hundred Guston works from her collection would be gifted to the museum.

Art therapist Sigríður Björnsdóttir provides a rare testimony of her marriage to Dieter Roth as well as their artistic collaborationsSigríður Björnsdóttir met 22-year-old Dieter Roth in Copenhagen in 1952. A year later, Roth joined her in Reykjavík, and in 1957 they married. 50 years later, Björnsdóttir recounts their meeting, the ups and downs of their marriage, their life with their children and their eventual separation. Beyond her own artistic activities, Björnsdóttir describes her collaborative and experimental work with Roth, their encounters with friends and peers within the tightly woven Icelandic creative community and the beginnings of Roth's multifaceted practice. Dieter Roth in My Life is an honest and personal account of a period in Björnsdóttir's life, shared with a man she describes as the love of her life who went on to become a successful and highly influential artist.Sigríður Björnsdóttir (born 1929) is an art therapist and artist living in Reykjavík. She graduated from the Icelandic College of Arts and Crafts in 1952 and went on to become a pioneer in art therapy, practicing in Iceland and lecturing worldwide.

The publication contains poems by Cheryl Johnson-Odim, Rashid Johnson's mother, which are accompanied here by a selection of Johnson's drawings and a conversation between mother and son.The conversation is about the culture in which he grew up, with personal anecdotes e.g. about his teenage years as a graffiti writer, and their reflections on their lives and cultural shifts.

"Engadin" delves into the artist's deep relationship with the Engadin region in the Swiss Alps, which he first visited in the late eighties. In an insightful essay by Dieter Schwarz works  are discussed to explore the Alpine landscapes' impact on the artist. With eighty color illustrations, the book features paintings, overpainted photographs, and archival images, with some materials available to see published for the first time.

This publication documents Zeng Fanzhi's exhibition at Hauser & Wirth in Los Angeles in early 2023. The book is designed to show full works along with 1:1 details to give readers an in-depth glimpse into Zeng's command of his medium and his wet-on-wet technique, emphasizing the materiality of his painting and affording insights into his colorful, labyrinthine brushwork. The scholarly essays look at the artist's recent work from various perspectives: Carter Ratcliff discusses it in relation to the types of abstraction predominant in Western art history, while Stephen Little focuses on the influence of Chinese art and philosophy on Zeng's oeuvre and approach. Barbara Pollack situates his work in relation to its contemporary Chinese precedents and posits that it can best be understood as operating beyond the binary of East and West.

?Ed Clark: The Big Sweep, Chronicles of a Life, 1926-2019' offers a vivid portrait of the artist through never-before-seen photos, letters, and ephemera, along with reprints of historical texts and interviews. Exploring Clark's under-examined place in prevailing narratives of art history, the publication will demonstrate the central role he played in the pivotal developments of American abstraction.

Vor dem Hintergrund der historischen Ereignisse in der Schweiz und Europa folgt die Autorin den vielfältigen Verbindungen Bills zu den Pionieren der konkret-konstruktiven Kunst, zu Wassily Kandinsky, Paul Klee, Josef Albers, Sophie Taeuber-Arp, Hans Arp, Georges Vantongerloo und anderen. Mit Ru¿ckblicken auf Max Bills Zeit am Bauhaus Dessau, seinen Bezu¿gen zu den Kreisen der Pariser Avantgarde der 1930er Jahre, seiner Mitgliedschaft bei Abstraction-Cre¿ation und seinem lebenslangen Ku¿nstlerfreund Georges Vantongeloo mit Exkursen zu den «Zu¿rcher Konkreten» Richard Paul Lohse oder Verena Loewensberg, zeichnet die Autorin ein umfassendes Bild von den prägenden ku¿nstlerisch- intellektuellen Netzwerken, in denen sich Bill in den 1940er Jahren und danach bewegte.Max Bill nahm eine ausserordentliche Rolle als Vermittler zwischen der fru¿hen Moderne und einer ju¿ngeren Generation konkreter Ku¿nstler ein. Seine Bedeutung als Ausstellungsorganisator, Publizist und Verleger kommt ebenso zur Sprache wie sein prägender Einfluss auf die Entwicklung der konkreten Kunst in Lateinamerika oder seine Beschäftigung mit Fragen der Stadtplanung und des Wiederaufbaus schon während des 2. Weltkriegs und danach.

This catalogue accompanies the exhibition Frank Bowling: Landscape at Hauser & Wirth West Hollywood. The book is lavishly illustrated and includes foldouts of artwork details. It features an essay from art historian Dorothy Price, which focuses on the dialogue between Bowling's and Turner's work. Price notes that "gestural sweeps and vast horizon lines bind these artists across time.? Bowling's invention of "a new sublime? is subsequently explored through the link between Blackness and the sublime that has existed since the eighteenth century. She also notes that the incorporation of found objects?plastic spiders, hospital equipment, and the nozzle from a spray can among them?plays a key role in Bowling's dialogue with the history of abstraction.

The author of the highly-rated Project Hercules series, a thrilling dystopian adventure, brings you a stand-alone YA romance novel about falling in love with the person on the end of the line.Brina Palace spends her high school days keeping up with her grades and not getting harassed by her peers. Compared to her sister, Brina always came second best in academics, and she found no way around the idiots in her school. Bree spent most of her time watching Dylan Taylor movies and falling in love with the actor on-screen to avoid the drama that came with high school. One day, she finds a phone with everything in it locked, but for the text messaging feature.Dylan Marcus Taylor has played several roles that he's both hated and admired throughout his career. During one of his events, Dylan loses his phone and goes crazy, trying to catch the attention of whoever finds it. He expected someone to steal it, wipe it, or use the personal information they found inside to threaten him, but instead, he came to know something far better than himself or his career.Would Brina and Dylan find a fairy-tale movie ending, or will reality get the best of both of them?What Readers are Saying about The Other End of the Line:"I was hooked from the minute that I started reading until the very last page. Very enjoyable read that keeps you engaged throughout every page. Great romance novel for all ages. I recommend this book. Can't wait for the next book!""Such an amazing read. I've read it three times and found myself infatuated with it... I definitely recommend reading this book and grow to love it, just as I have.""Absolutely loved it!!!! Made me reminisce about "You Got Mail" with Meg Ryan! The story was well told, and the detail exquisite! I connected with Dylan and Bree and truly enjoyed it! It's a must pick up!!!!!! ¿""Well written and sucks you in. Once I started reading I could not stop!! Amazing short story with excitement and surprises in each chapter. Please keep up the writing."**Content Warning**May contain brief tobacco use and underage drinking.

Tracing a body of work by Alina Szapocznikow from 1962 to 1972, this book considers pivotal turning points in the Polish artist?s life and career. It considers her experimental approach to materials, ranging from plaster and bronze, to her groundbreaking use of polyester resin in the mid-1960s. Szapocznikow?s oeuvre maps her engagement with the human form, using body casting and particularly through the lens of her own body as it transformed from healthy to ailing. Featuring new photography, the publication aims to render the tactility and spatiality of these works in brilliant new detail.