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Konstantin Lozinskij (1942¿1996) - pisatel', neizvestnyj chitatelju, pisatel', kotorogo ne bylo. Vypusknik zhurfaka MGU i Vysshih scenarnyh kursov, on avtor dvuh romanov, neskol'kih p'es, rasskazov i desjatkov kinoscenariev, bol'shinstvo kotoryh (prezhde vsego iz-za ego total'noj beskompromissnosti i perfekcionizma) ostalis' nesnjatymi. Shodnaja sud'ba postigla i prozu Lozinskogo: ni v 1960-h, ni v 1970-h ego rasskazy i romany ne sovpadali s predstavlenijami recenzentov literaturnyh zhurnalov o tom, chto dolzhno i moglo pojavit'sja na ih stranicah. No on prodolzhal pisat', ujdja na poltora desjatka let v literaturnyj zatvor; ego vnezapnaja smert' prervala mnogoletnjuju rabotu nad tret'im romanom, kotoryj pisatel' schital glavnym trudom svoej zhizni.«Jepizody mordovskoj vojny», svoju pervuju knigu, Konstantin Lozinskij pisal pjat' let, no korotkij roman «Anekdot pro gazon», vopreki izvestnomu literaturnomu mifu o «sindrome vtoroj knigi», byl napisan vsego za vosem' mesjacev. Dejstvie ego proishodit v dvuh vremennyh i geograficheskih slojah: Moskve vtoroj poloviny 1970-h i poslevoennoj Odesse, rodnom gorode pisatelja. Dlja Lozinskogo «Anekdot» stal «Geroem nashego vremeni» v tom smysle, kotoryj vkladyval v nazvanie svoego romana Lermontov, i odnovremenno ¿ reminiscenciej neprijutnogo detstva, kotoroe tak staraetsja izbyt', no postojanno vspominaet geroj romana.«Anekdot pro gazon» - pervaja izdannaja kniga Konstantina Lozinskogo.

Pravil'no li my vospityvaem svoih detej? Chto takoe osoboe nuzhno znat', chtoby oni vyrosli dostojnymi ljud'mi? V processe vashego vospitanija chto v prioritete? Prikazy i ih chetkoe ispolnenie ili doverie i otkrytoe serdce? Chto vazhnee - nauchit' rebenka byt' horoshim, prilezhnym i poslushnym ili pomoch' emu stat' schastlivym?Zhiznennyj i roditel'skij opyt kazahstanskogo avtora Dany Ormanbaevoj, izvestnogo v strane zh urnalista, prodjusera i obshhestvennogo dejatelja, govorit o tom, chto jeti voprosy - ne ritoricheskie dlja millionov roditelej. Oni trebujut konkretnyh shem, algoritmov i dokazatel'stv, sootvetstvujushhih NOVOMU vremeni i nepremenno podhodjashhih dlja BUDUShhEGO.Vsjo, chto my znali prezhde o vospitanii detej, ustarelo, prishlo v negodnost', vyshlo iz mody i bol'she ne prinosit nuzhnyh rezul'tatov. Deti novogo pokolenija i ih roditeli nuzhdajutsja v vospitatel'nyh innovacijah, i jeto ochevidno.

«Inostrannaya literatura» («IL») - rossijskij literaturno-xudozhestvenny`j zhurnal, specializiruyushhijsya na publikacii perevodnoj literatury`. Zhurnal osnovan v iyule 1955 goda kak organ pravleniya Soyuza pisatelej SSSR, vy`xodit ezhemesyachno.Zarubezhnaya proza i poe'ziya, ocherki i e'sse, dokumental`naya proza, pis`ma i memuary`, stat`i i interv`yu, laureaty` Nobelevskoj, Bukerovskoj, Gonkurovskoj premij i vosxodyashhie zvezdy` - vse e'to na russkom yazy`ke izdaetsya v «IL» vpervy`e, v perevodax luchshix otechestvenny`x perevodchikov. Deviz zhurnala - «Uznaj zavtrashnix klassikov!».Na stranicax «Inostranki» po-prezhnemu publikuyutsya krupny`e figury` sovremennoj i klassicheskoj literatury`, laureaty` Bukerovskoj premii poslednix let. Pechatayutsya v zhurnale i neizvestny`e ranee rossijskomu chitatelyu prozaiki, poe'ty`, dramaturgi - oni podayut bol`shie nadezhdy` v svoix stranax, poluchayut nacional`ny`e premii, no na russkij yazy`k perevodyatsya vpervy`e.V zhurnale pochti v kazhdom nomere pechatayutsya recenzii, annotacii, otzy`vy` na proizvedeniya zarubezhny`x avtorov, vy`pushhenny`e na russkom yazy`ke, a takzhe na yazy`ke originala, stat`i, posvyashhenny`e aktual`ny`m problemam xudozhestvennogo perevoda.

.V nash pragmatichnyy viek knigi o liubvi vstriechaiutsia nie chasto. V etom smyslie roman Anny Gor «Rieinkarnatsiia» vpolnie udovlietvorit tiekh chitatieliey, kogo vliechiet eta tiema. Budiet on intieriesien i tiem, kto liubit nieozhidannyie povoroty siuzhieta. Epizody, dinamichno smieniaiuschiie drug druga, roskoshnyy anturazh, nakal chuvstv piersonazhiey - vsie eto udierzhivaiet vnimaniie chitatielia do posliedniey stroki knigi.

Gene Sosin (1924-2015) - odin iz sozdatelej i rukovoditelej Radio Osvobozhdenie (Svoboda) - rabotal v New York i Muenchen, vozglavljaja Programmnyj otdel, organizoval mezhdunarodnye konferencii i vystuplenija v pechati v zashhitu stancii, priglashal k radiomikrofonu zapadnyh dejatelej kul'tury i politikov, navodja mosty mezhdu Amerikoj i Rossiej. Ego memuary - rasskaz o holodnoj vojne s chelovecheskim licom.

Kniga byvshego oficera FSB Aleksandra Litvinenko i istorika Jurija Fel'shtinskogo «FSB vzryvaet Rossiju» ¿ o postigshej Rossii tragedii, ob upushhennyh vozmozhnostjah, o poterjannyh zhiznjah, o pogibshej strane.Jeta kniga dlja teh, kto, osoznav proisshedshee, ne poboitsja povlijat' na budushhee. V predprinjatoj eju popytke pokazat', chto osnovnye sovremennye problemy Rossii vyzvany neradikal'nymi reformami liberal'nogo perioda pravlenija Borisa El'cina, a tema protivostojanija, kotoraja tajno ili javno obespechivala jetu reformu rossijskimi specsluzhbami. Imenno oni razvjazali pervuju i vtoruju chechenskie vojny za razvorot Rossii ot demokratii k diktature, militarizmu, shovinizmu.Vojna v Chechne obescenila chelovecheskuju zhizn' v Rossii. Zverskie ubijstva i rabskaja torgovlja-zalozhnikami zabrosili stranu v rabovladel'cheskij stroj. Cherez vojnu v Chechne proshli desjatki tysjach ljudej, vynuzhdennyh ubivat'. Oni nikogda ne smogut vernut'sja v grazhdanskuju zhizn'. Oni navsegda ubedit bojcov banditskih struktur i silovyh vedomstv.Vpervye izdannaja v 2002 g., kniga «FSB vzryvaet Rossiju» privlekla k sebe vnimanie vsego mira v konce 2006 g., vskore posle vozdejstvija v Londone radioaktivnym jadom ¿ poloniem-210 - odnogo iz avtorov knigi, Aleksandra Litvinenko, umershego muchitel'noj smertiju 23 nojabrja 2006 g. g. Zapreshhennaja v Rossii zhestokim postanovleniem, pohval'naja, konfiskovannajai boevaja FSB pri vvedenii tirazha dlja rasprostranenija v Rossii, kniga ostaetsja dostupnoj rossijskomu chitatelju lish' v jelektronnom formate.Nastojashhee izdanie, chetvertoe po schetu (ranee na russkom jazyke kniga vyhodila v USA, Estonii i Ukraine), priurocheno k 25-letnej godovshhine sentjabr'skih teraktov 1999 goda, javivshihsja tragicheskim prologom k razvjazannym Rossiej vojnam v Chechne, Gruzii i Ukraine. Jeti vojny ne zakonchatsja do teh por, poka u vlasti v Rossii ostaetsja FSB.

Ljubek byl svoeobraznymi vorotami v Evropu dlja russkih puteshestvennikov

«Inostrannaya literatura» («IL») - rossijskij literaturno-xudozhestvenny`j zhurnal, specializiruyushhijsya na publikacii perevodnoj literatury`. Zhurnal osnovan v iyule 1955 goda kak organ pravleniya Soyuza pisatelej SSSR, vy`xodit ezhemesyachno.Zarubezhnaya proza i poe'ziya, ocherki i e'sse, dokumental`naya proza, pis`ma i memuary`, stat`i i interv`yu, laureaty` Nobelevskoj, Bukerovskoj, Gonkurovskoj premij i vosxodyashhie zvezdy` - vse e'to na russkom yazy`ke izdaetsya v «IL» vpervy`e, v perevodax luchshix otechestvenny`x perevodchikov. Deviz zhurnala - «Uznaj zavtrashnix klassikov!».Na stranicax «Inostranki» po-prezhnemu publikuyutsya krupny`e figury` sovremennoj i klassicheskoj literatury`, laureaty` Bukerovskoj premii poslednix let. Pechatayutsya v zhurnale i neizvestny`e ranee rossijskomu chitatelyu prozaiki, poe'ty`, dramaturgi - oni podayut bol`shie nadezhdy` v svoix stranax, poluchayut nacional`ny`e premii, no na russkij yazy`k perevodyatsya vpervy`e.V zhurnale pochti v kazhdom nomere pechatayutsya recenzii, annotacii, otzy`vy` na proizvedeniya zarubezhny`x avtorov, vy`pushhenny`e na russkom yazy`ke, a takzhe na yazy`ke originala, stat`i, posvyashhenny`e aktual`ny`m problemam xudozhestvennogo perevoda.

Kniga posvâsena sovremennomu ètapu susestvovaniâ rossijskih specsluzb. Ee avtory Y. Felshtinsky i V. Pribylovskij dovol'no horoso izvestny v Rossii i za rubezom. Yuri Felshtinsky - istorik, specialist po istorii revolûcii, avtor knigi "Vozdi v zakone", soavtor knigi "KGB igraet v sahmaty". Vladimir Pribylovskij - izvestnyj rossijskij politolog, specializiruûsijsâ na "arhivirovanii" tekusih politiceskih processov.

Kniga rasskazyvaet ob istorii zahvata vlasti v Rossii gosudarstvennoj bezopasnost'ju kak institutom i proslezhivaet vse jetapy jetogo zahvata - s dekabrja 1917 goda, kogda byla obrazovana VChK pod rukovodstvom Feliksa Dzerzhinskogo, i do sovremennosti, kogda cherez kaskad nekonstitucionnyh manevrov vlast' v Rossii okazalas' v rukah FSB, a kreslom prezidenta zavladel byvshij direktor FSB Vladimir Putin. Izuchiv istoriju Sovetskogo Sojuza / Rossii s tochki zrenija protivostojanija VChK-KGB i kommunisticheskoj partii, chitatel' okazhetsja svidetelem smertel'noj i krovavoj bor'by mezhdu gosbezopasnost'ju i kompartiej, kotoraja velas' s peremennym dlja ee uchastnikov uspehom neskol'ko desjatiletij i zakonchilas' pobedoj KGB nad KPSS v 1991 godu i nad vsej stranoj - v 2000-m, kogda prezidentom, navechno, stal Putin.Avtory issledovanija - doktor istoricheskih nauk Jurij Fel'shtinskij (USA) i byvshij podpolkovnik KGB Vladimir Popov (Kanada) - pokazyvajut, chem opasna dlja Rossii i ostal'nogo mira gosbezopasnost', stojashhaja u rulja pravlenija jadernoj derzhavoj, i chto neobhodimo sdelat' dlja likvidacii jetoj novoj i neozhidannoj ugrozy.

«Inostrannaya literatura» («IL») - rossijskij literaturno-xudozhestvenny`j zhurnal, specializiruyushhijsya na publikacii perevodnoj literatury`. Zhurnal osnovan v iyule 1955 goda kak organ pravleniya Soyuza pisatelej SSSR, vy`xodit ezhemesyachno.Zarubezhnaya proza i poe'ziya, ocherki i e'sse, dokumental`naya proza, pis`ma i memuary`, stat`i i interv`yu, laureaty` Nobelevskoj, Bukerovskoj, Gonkurovskoj premij i vosxodyashhie zvezdy` - vse e'to na russkom yazy`ke izdaetsya v «IL» vpervy`e, v perevodax luchshix otechestvenny`x perevodchikov. Deviz zhurnala - «Uznaj zavtrashnix klassikov!».Na stranicax «Inostranki» po-prezhnemu publikuyutsya krupny`e figury` sovremennoj i klassicheskoj literatury`, laureaty` Bukerovskoj premii poslednix let. Pechatayutsya v zhurnale i neizvestny`e ranee rossijskomu chitatelyu prozaiki, poe'ty`, dramaturgi - oni podayut bol`shie nadezhdy` v svoix stranax, poluchayut nacional`ny`e premii, no na russkij yazy`k perevodyatsya vpervy`e.V zhurnale pochti v kazhdom nomere pechatayutsya recenzii, annotacii, otzy`vy` na proizvedeniya zarubezhny`x avtorov, vy`pushhenny`e na russkom yazy`ke, a takzhe na yazy`ke originala, stat`i, posvyashhenny`e aktual`ny`m problemam xudozhestvennogo perevoda.

Since the beginning of the twentieth century, every generation of Russians - those whose native language is Russian - has experienced its own catastrophe. The current generation has not broken that pattern: totalitarianism has again come to Russia; freedom of speech is severely oppressed; the number of the regime¿s victims and political prisoners continues to grow; and Russia is waging a war of aggression against its neighbor, Ukraine. Each catastrophe triggers an outflow of productive people from the country. The current wave of emigration is the fifth in the last hundred years or so, and just as before, both writers and readers feel an increasingly urgent need for uncensored publications. The purpose of this magazine, which we have titled The Fifth Wave, is to play a part in satisfying that need.The Fifth Wave project is literary, not socio-political: we plan to feature exciting, well-crafted work in various genres, including poetry, fiction, art history, memoir, etc., and not only on the burning topics of the day. The contributions will be solicited from authors living in Russia and abroad, all of whom are united by their rejection of war and totalitarianism, their love for Russian culture as part of European culture, their sense of personal involvement in and responsibility for what is happening, and their desire to see Russia as a free, peace-loving country, no matter how far-fetched this wish may seem.

Kniga posvjashhena pojetike teatral'nosti v tvorchestve Shekspira.Razbirajutsja metody kompozicii p'es, postroenie dramaticheskogo dejstvija, chislovaja simvolika, metafory i predvestija. V shekspirovskom mire personazhi vse vremja sochinjajut, stavjat i razygryvajut drug pered drugom akterskie jetjudy i mini-spektakli. Konflikt mezhdu dejstvujushhimi licami oborachivaetsja stolknoveniem ih dramaturgicheskih zamyslov. V fokuse vnimanija - tragedija «Gamlet». Glavnyj geroj - princ datskij - neozhidanno predstaet pered nami ne tol'ko kak syn, mstjashhij za ubijstvo otca, no i kak Homo scribens - dramaturg, pishushhij teksty, prednaznachennye dlja scenicheskogo voploshhenija._____________________________Vladimir Pimonov is a Russian-born Danish journalist, author and literary scholar. As a journalist he is best known for his investigative reporting on the Soviet/Russian affairs. His literary research focuses on Shakespeare, classics, plot (narrative) theory and the concept of theatricality (metatheatre). His work is held in almost 100 major public and university library holdings around the world.

9 istorij o tom, kak zhivut, chto chuvstvujut i s chem srazhajutsja te, kto nedovolen svoim telom.Jeta kniga o tom, kak izbavljat'sja ot nenavisti k sebe, kotoraja raz"edaet dushu, lishaet sil i otdaljaet ot ljudej, gotovyh vas poljubit'

We would like to commend our exceptional product to your attention: user-friendly, intuitively understandable sheet music for guitar, carefully crafted by our team and designed for performers at all levels, from novice to professional.We are Tempus Chordarum, a group of composers, educators, artists, and designers. Our mission is to remove unnecessary barriers between music enthusiasts or students and the essence of the music.Firstly, the original scores are accompanied by tabs. This is helpful for those who take up an instrument just for a while or as a hobby, and do not intend to become professional musicians; they simply wish to explore the masterpieces of guitar music without unnecessary memorization and stress ¿ and this edition will help them fulfil their dream. Secondly, we have arranged the musical scores in such a way that there is practically no need for page turning. When a child learns a somewhat complex piece, whenever they have to turn the page the rhythm falters because at that moment reflexes are stronger than conscious thought.Thirdly, the collection is illustrated by visual artist Lydia Gribkova, whose talent and prolific imagination have produced drawings with an immediate appeal to children that will inspire them to practice. This black-and-white collection invites children to ¿colour in¿ the music, interact with the collection, and invest it with their own creative energy.The repertoire starts with the simplest pieces and progresses to the most complex. In some cases we provide both the original, taken from recordings of the composer¿s performance, and the conventional classical version that everyone plays in competitions. We have also paid special attention to Bach's Suite in E Major, BWV 1006a, and based the arrangement on Bach¿s original lute manuscript. In the "La Catedral" by Barrios, we have brought the third part into full accordance with the composer¿s intention, mainly relying on Barrios's own recordings.This collection is a precious resource for those who dream of playing the masterpieces of guitar music without the rigours of professional training or a teacher¿s supervision.Contents: Matteo Carcassi (1792-1853) Andantino, Andantino mosso, Etude in A, Mauro Giuliani (1781-1829) Allegro, Etude in a, Etude in eFernando Sor (1778-1839) Andante, Etude in dAnonymus XVI century ¿Greensleeves¿Antônio Carlos Gomes (1836-1896) ¿Romance¿Heitor Villa-Lobos (1887-1959) Etude No.1Frédéric Chopin (1810-1849) Prelude in cIsaac Albéniz (1860-1909) AsturiasAgustín Barrios Mangoré (1885-1944) Waltz no. 3, Waltz no. 4, ¿El Ultimo Tremolö, ¿Chôro da Saudade¿, ¿La Catedral¿ Johann Sebastian Bach (1685-1750) Suite in E-dur BWV 1006a: Prelude, Loure, Gavotte en Rondeau, Menuet I, Menuet II, Bourée, Gigue

.Jeto roman o vremeni, kotoroe javljaetsja ego glavnym geroem. Jeto istoricheskij roman, potomu chto sobytija, opisannye v nem, proizoshli pochti sto let nazad. Jeto sovremennyj roman, potomu chto otgoloski 1948 goda my slyshim do sih por.

«Inostrannaya literatura» («IL») - rossijskij literaturno-xudozhestvenny`j zhurnal, specializiruyushhijsya na publikacii perevodnoj literatury`. Zhurnal osnovan v iyule 1955 goda kak organ pravleniya Soyuza pisatelej SSSR, vy`xodit ezhemesyachno.Zarubezhnaya proza i poe'ziya, ocherki i e'sse, dokumental`naya proza, pis`ma i memuary`, stat`i i interv`yu, laureaty` Nobelevskoj, Bukerovskoj, Gonkurovskoj premij i vosxodyashhie zvezdy` - vse e'to na russkom yazy`ke izdaetsya v «IL» vpervy`e, v perevodax luchshix otechestvenny`x perevodchikov. Deviz zhurnala - «Uznaj zavtrashnix klassikov!».Na stranicax «Inostranki» po-prezhnemu publikuyutsya krupny`e figury` sovremennoj i klassicheskoj literatury`, laureaty` Bukerovskoj premii poslednix let. Pechatayutsya v zhurnale i neizvestny`e ranee rossijskomu chitatelyu prozaiki, poe'ty`, dramaturgi - oni podayut bol`shie nadezhdy` v svoix stranax, poluchayut nacional`ny`e premii, no na russkij yazy`k perevodyatsya vpervy`e.V zhurnale pochti v kazhdom nomere pechatayutsya recenzii, annotacii, otzy`vy` na proizvedeniya zarubezhny`x avtorov, vy`pushhenny`e na russkom yazy`ke, a takzhe na yazy`ke originala, stat`i, posvyashhenny`e aktual`ny`m problemam xudozhestvennogo perevoda.

V nastojashhee izdanie vkljucheny arhivnye stat'i, pis'ma, interv'ju i drugie dokumenty, napisannye L'vom Trockim v jemigracii v period 1937-1940 gg. V jeti gody Trockij byl vynuzhden pokinut' Evropu i po priglasheniju meksikanskogo prezidenta L. Kardenasa pereehal v Meksiku, gde v avguste 1940 goda byl ubit meksikanskim kommunistom i agentom NKVD Ramonom Merkaderom. Operacija po ustraneniju Trockogo byla provedena po lichnomu rasporjazheniju Stalina. Na russkom jazyke pochti vse teksty publikujutsja vpervye. Ból'shaja chast' dokumentov javljaetsja pervopublikaciej. Osnovnoe vnimanie v predstavlennyh materialah udeleno razoblacheniju «bol'shogo terrora» v SSSR, social'no-politicheskomu razvitiju SSSR, podgotovke i nachalu Vtoroj mirovoj vojny, v tom chisle sovetsko-germanskim otnoshenijam 1939-40 gg., polozheniju v sekcijah IV Internacionala i drugih levyh organizacijah, podgotovke knigi Trockogo o Staline. Otdel'nye dokumenty svidetel'stvujut o ljubovnoj svjazi Trockogo s hudozhnicej F. Kalo, ego privychkah i obraze zhizni. Tom otkryvaetsja analiticheskim predisloviem. Dokumenty snabzheny primechanijami. V konce toma daetsja imennoj ukazatel'. Tom podgotovlen k izdaniju izvestnymi rossijskimi istorikami, prozhivajushhimi v SShA, doktorami istoricheskih nauk Ju. G. Fel'shtinskim i G. I. Chernjavskim.

V nastojashhee izdanie vkljucheny arhivnye stat'i, pis'ma, interv'ju i drugie dokumenty, napisannye L'vom Trockim v jemigracii v period 1933-1936 gg. Na russkom vse teksty publikujutsja vpervye. Chast' dokumentov javljajutsja pervopublikaciej. Osnovnye zatronutye publikaciej temy: ocenka Trockim mezhdunarodnogo polozhenija i polozhenija v otdel'nyh stranah posle ustanovlenija v Germanii nacistskoj diktatury; osobennosti razvitija SSSR pod vlast'ju Stalina, obosnovanie kursa na formirovanie parallel'nyh (trockistskih) kompartij i ih mezhdunarodnogo ob"ediennija v IV Internacional. V tome publikujutsja dokumenty, svidetel'stvujushhie o stremlenii Trockogo k ustanovleniju kontaktov idushhih za nim organizacij s nekotorymi drugimi levymi politicheskimi silami i v to zhe vremja o reshitel'nom osuzhdenii Trockim kursa III Internacionala, kontroliruemogo Moskvoju, na sozdanie antifashistskogo narodnogo fronta. Pis'ma zhene N.I. Sedovoj dajut predstavlenie o lichnoj zhizni Trockogo, ego haraktere i vkusah. Tom podgotovlen k izdaniju izvestnymi rossijskimi istorikami, prozhivajushhimi v SShA, doktorami istoricheskih nauk Ju. G. Fel'shtinskim i G. I. Chernjavskim. Kniga snabzhena predisloviem, primechanijami i imennym ukazatelem.

V nastojashhee izdanie vkljucheny arhivnye stat'i, pis'ma, interv'ju i drugie dokumenty, napisannye L'vom Trockim v 1929-1932 gg., posle ego vysylki iz Sovetskogo Sojuza v fevrale 1929 g. Na russkom vse teksty publikujutsja vpervye. Chast' dokumentov javljajutsja pervopublikaciej. Sbornik proizvedenij Trockogo pozvolit sushhestvenno rasshirit' predstavlenie o haraktere dejatel'nosti Trockogo v pervye gody jemigracii. Tom soderzhit materialy, osveshhajushhie vozniknovenie i jevoljuciju organizacij storonnikov Trockogo v otdel'nyh stranah Evropy, Ameriki i Azii, raskoly i peregruppirovki, proishodivshie v nih, pojavlenie konkurirovavshih grupp i otchajannuju bor'bu mezhdu nimi po voprosam teoreticheskoj dogmatiki, taktiki, stepeni «vernosti» Trockomu i t. d. Nakonec, arhivnye materialy Trockogo bessporno vazhny dlja bolee panoramnogo vosprijatija oblika razlichnyh politicheskih dejatelej, sovremennikov Trockogo, prezhde vsego Lenina i Stalina, a takzhe rjada drugih dejstvujushhih lic vsemirnoj dramy 30-h godov XX veka. Tom podgotovlen k izdaniju izvestnymi rossijskimi istorikami, prozhivajushhimi v SShA, doktorami istoricheskih nauk Ju. G. Fel'shtinskim i G. I. Chernjavskim. Kniga snabzhena obshirnym predisloviem, primechanijami i imennym ukazatelem.

«Inostrannaya literatura» («IL») - rossijskij literaturno-xudozhestvenny`j zhurnal, specializiruyushhijsya na publikacii perevodnoj literatury`. Zhurnal osnovan v iyule 1955 goda kak organ pravleniya Soyuza pisatelej SSSR, vy`xodit ezhemesyachno.Zarubezhnaya proza i poe'ziya, ocherki i e'sse, dokumental`naya proza, pis`ma i memuary`, stat`i i interv`yu, laureaty` Nobelevskoj, Bukerovskoj, Gonkurovskoj premij i vosxodyashhie zvezdy` - vse e'to na russkom yazy`ke izdaetsya v «IL» vpervy`e, v perevodax luchshix otechestvenny`x perevodchikov. Deviz zhurnala - «Uznaj zavtrashnix klassikov!».Na stranicax «Inostranki» po-prezhnemu publikuyutsya krupny`e figury` sovremennoj i klassicheskoj literatury`, laureaty` Bukerovskoj premii poslednix let. Pechatayutsya v zhurnale i neizvestny`e ranee rossijskomu chitatelyu prozaiki, poe'ty`, dramaturgi - oni podayut bol`shie nadezhdy` v svoix stranax, poluchayut nacional`ny`e premii, no na russkij yazy`k perevodyatsya vpervy`e.V zhurnale pochti v kazhdom nomere pechatayutsya recenzii, annotacii, otzy`vy` na proizvedeniya zarubezhny`x avtorov, vy`pushhenny`e na russkom yazy`ke, a takzhe na yazy`ke originala, stat`i, posvyashhenny`e aktual`ny`m problemam xudozhestvennogo perevoda.

Ves' 2 tom - jeto Ukraina, desjat' let ee geroicheskoj bitvy vsemirno-istoricheskogo znachenija. Ukraina kak moral'nyj lider Svobodnogo mira. Zhivaja istorija v moih ocenkah i suzhdenijah teh let. Nadejus', jeta dokumental'naja retrospektiva okazhetsja interesnoj dlja chitatelja.

BRÜCKENZeitschrift von Literatur, Kunst, Wissenschaft und sozialpolitische ProblematikBRIDGESA literary, scientific, political and sociological quarterlyLES PONTSRevue trimestrielle de litterature, d¿art, de sciences PolitiquesVyhodit s janvarja 2004 goda v Germanii 4 raza v god. Ob"edinjaet na svoih stranicah russkih pisatelej-jemigrantov. Pozicioniruet sebja, kak naslednik literaturnyh zadach, kotorye v svojo vremja vypolnjali russkie zarubezhnye zhurnaly «Sovremennye zapiski», «Grani» i «Kontinent». Redaktor ¿ Vladimir Batshev.

Since the beginning of the twentieth century, every generation of Russians - those whose native language is Russian - has experienced its own catastrophe. The current generation has not broken that pattern: totalitarianism has again come to Russia; freedom of speech is severely oppressed; the number of the regime¿s victims and political prisoners continues to grow; and Russia is waging a war of aggression against its neighbor, Ukraine. Each catastrophe triggers an outflow of productive people from the country. The current wave of emigration is the fifth in the last hundred years or so, and just as before, both writers and readers feel an increasingly urgent need for uncensored publications. The purpose of this magazine, which we have titled The Fifth Wave, is to play a part in satisfying that need.The Fifth Wave project is literary, not socio-political: we plan to feature exciting, well-crafted work in various genres, including poetry, fiction, art history, memoir, etc., and not only on the burning topics of the day. The contributions will be solicited from authors living in Russia and abroad, all of whom are united by their rejection of war and totalitarianism, their love for Russian culture as part of European culture, their sense of personal involvement in and responsibility for what is happening, and their desire to see Russia as a free, peace-loving country, no matter how far-fetched this wish may seem.