Bücher veröffentlicht von Knopf Doubleday Publishing Group

"When Suzanne Scanlon was a student at Barnard in the 90s, grieving the loss of her mother-feeling untethered and swimming through inarticulable pain-she made a suicide attempt at twenty years old that landed her in the New York State Psychiatric Institute. After nearly four years and countless experimental treatments, Suzanne left the ward on shaky legs. In the decades it took her to recover from the experience, Suzanne came to understand her suffering as part of something larger. She began to see herself as part of a long tradition of women whose stories are reduced to 'crazy chick' narratives, rather than stories of women who forged complicated and compromised stories of self-actualization: Virginia Woolf, Charlotte Perkins Gilman, Frances Farmer, Jean Seberg, Sylvia Plath, Shulamith Firestone. It was a thrilling discovery, and she searched for more books, more woman writers, as the journey of her life converged with her journey through the literature that shapes and ultimately saves her. Committed is Suzanne's story about discovery and recovery, reclaiming the idea of the 'madwoman' as one template for insight and transcendence. Committed ducks and weaves through the works of these seminal madwomen via Suzanne's own story of resilience and being. She paints vivid portraits of friends and lovers, life on the ward and after, and the women who saved her life by encouraging her to live it"--

"A fiery second collection of poetry from the acclaimed Indigenous New Zealand writer that U.S. Poet Laureate Joy Harjo calls, "One of the most startling and original poets of her generation.""--

"The women behind The Financial Diet will teach you how to create (and pay for) a life you truly enjoy and that you can also be proud of. They will show you how to push beyond what society tells you will make you happy to determine what you actually want. Featuring specific advice and interactive exercises ... for the woman interested in transitioning to a life where money is simply a tool, and never a reflection of her worth. It's for the woman who understands the limits gamifying personal finance, and that simply following trends isn't the same as creating a sustainable, wealth-generating plan for the future"--

"A big-hearted, no-bullshit memoir from TikTok superstar Madeline Pendleton about her journey from living paycheck to paycheck to creating a multi-million-dollar business that offers a compassionate alternative to capitalism. Imagine a job where you work four days a week and earn as much as the CEO. You also get full benefits, a gym membership, free lunch, and unlimited time off, including mental health days, no questions asked. Hard-won profits don't just end up in the CEO's pocket-they're distributed equally among all employees. The company even buys you your very own car. It sounds too good to be true, but this is the reality at Tunnel Vision, the clothing company that Madeline Pendleton Hansen built from the ground up. Like so many Americans, Madeline used to struggle to make ends meet. Raised by a punk dad and a goth mom in Fresno, California, she spent her teens on the brink of homelessness, relying on the kindness and spare couches of the local punk community to get by. By her twenties, she was drowning in student loans and credit card debt, with no relief in sight. Madeline felt the intense toll that financial stress was taking on her and her loved ones, and she was sick of her bosses treating her as disposable-she knew there must be a better way. After years of living broke, Madeline decided to study the rules of capitalism, the game everyone is forced to play. She used what she learned to build a new kind of business, one rooted in an ethos of community care. Now, Madeline is paying it forward by sharing her path to success on her terms, plus no-nonsense life and money advice: How do you build credit? How do you negotiate higher pay? How do you build a better world? Millennials and Gen Zers like Madeline are facing an unprecedented financial reality: Stagnant wages, skyrocketing housing costs, a student debt crisis. I Survived Capitalism is essential reading for anyone searching for hope and stability in an unjust world"--

A 25th anniversary hardcover edition of the debut novel by the two-time Pulitzer Prize–winning author of The Underground Railroad that wowed critics and readers and marked the emergence of an important American writer. EVERYMAN'S LIBRARY CONTEMPORARY CLASSICS. It is a time of crisis in a major metropolitan city's Department of Elevator Inspectors, and Lila Mae Watson, the first black female elevator inspector in the history of the department, is at the center of it.  There are two warring factions in the department: the Empiricists, who rely on tests and measurements; and the Intuitionists, who can intuit any defects merely by entering an elevator cab. Lila Mae is an Intuitionist, with the highest accuracy rate in the department. But when an elevator goes into freefall on her watch, chaos ensues. It's an election year, and the good-old-boy Empiricists would love nothing more than to blame an Intuitionist.Meanwhile, startling excerpts from the lost notebooks of Intuitionism's founder, James Fulton, surface, describing Fulton's work on the "black box," a perfect elevator that could reinvent the modern city. When Lila Mae goes underground to investigate the crash, she is drawn into the search for the missing notebooks and uncovers a secret that will change her life forever.Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

Lorrie Moore’s first novel since A Gate at the Stairs—a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heartFrom “one of the most acute and lasting writers of her generation” (Caryn James; The New York Times)—a ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things—seen and unseen. A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all . . .With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life.  Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true. I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore.

"From acclaimed historian Peter Cozzens, the pivotal struggle between the Creek Indians and an insatiable United States for control over the Deep South"--

A NEW YORK TIMES MOST ANTICIPATED BOOK • An enchanting novel about Ro, a woman tossed overboard by heartbreak and loss, who has to find her way back to stable shores with the help of a giant Pacific octopus at the mall aquarium where she works.“Immersively beautiful.... A kaleidoscope of originality." —Weike Wang, acclaimed author of Joan is OkayRo is stuck. She's just entered her thirties, she's estranged from her mother, and her boyfriend has just left her to join a mission to Mars. Her days are spent dragging herself to her menial job at the aquarium, and her nights are spent drinking sharktinis (Mountain Dew and copious amounts of gin, plus a hint of jalapeño). With her best friend pulling away to focus on her upcoming wedding, Ro's only companion is Dolores, a giant Pacific octopus who also happens to be Ro's last remaining link to her father, a marine biologist who disappeared while on an expedition when Ro was a teenager.When Dolores is sold to a wealthy investor intent on moving her to a private aquarium, Ro finds herself on the precipice of self-destruction. Wading through memories of her youth, Ro realizes she can either lose herself in the undertow of reminiscence, or finally come to terms with her childhood trauma, recommit to those around her, and find her place in an ever-changing world.

"Minnesota, 1862: As a woman fleeing from a dark and secret past, Sarah Wakefield leaves Rhode Island quietly and quickly under cover of night for the long journey to Minnesota where she has been advised there is good work to be had. She soon finds a husband who becomes a resident physician for a Sioux town there but the political backdrop of that moment is volatile: white settlers are breaking treaties, Native American land is shrinking, and mass starvation and disease looms over the Sioux community. As the earliest settlers in this area, Sarah anticipates unease and tension, but instead she finds acceptance and kinship. Through the caring Sioux women, Sarah learns to cook, make clothes, speak the Sioux language, and ultimately finds companionship with the women which far exceeds that with her strange and distant husband. But the Sioux aren't receiving what they were promised from the White settlers, and a succession of devastating treaty breaks result in widespread famine, territory loss and conflict. What follows is one of the most influential Native uprisings of all time, the U.S.-Dakota War of 1862. As the war erupts around her, Sarah is separated from her husband, and rescued by the Sioux who are seeking safety from the fighting, and ultimately a home that was stolen from them. She will heroically but unsuccessfully try to protect them during the Dakota Trial that ensues. Intimate, raw, compelling and brilliantly subversive, Susanna Moore explores a complicated history of female captivity and Native American suffering"--

James Wolcott's career as a critic has been unmatched, from his early Seventies dispatches for The Village Voice to the literary coverage made him equally feared and famous to his must-read reports on the cultural weather for Vanity Fair. Bringing together his best work from across the decades, this collection shows Wolcott as connoisseur, intrepid reporter, memoirist, and necessary naysayer. We begin with "O.K. Corral Revisited," Wolcott's career-launching account of the famed Norman Mailer-Gore Vidal dust-off on the original Dick Cavett Show. He goes on to consider (or reconsider) the towering figures of our culture, among them Lena Dunham Patti Smith, Johnny Carson, Woody Allen, and John Cheever. And we witness his legendary takedowns, which have entered into the literary lore of our time. In an age where a great deal of back scratching and softball pitching pass for criticism, Critical Mass offers a bracing taste of the real thing.

A New York Times Notable Book In the aftermath of Charles Taylor's fallen regime, a young Liberian woman named Jacqueline has fled to the Aegean island of Santorini. She lives in a cave accessible only at low tide. During the day, she offers massages to tourists, battling her hunger one or two euros at a time. Her pressing physical needs provide a deeper relief, obliterating her memories of unspeakable violence. But slowly, the specters of her former life resurface: her adoring younger sister; her unshakably proper mother; her father, who believed in his president; her journalist lover, who knew that Taylor would be overthrown. Now Jacqueline must face the ghosts that haunt her-or tip into full-blown madness. Hypnotic in its depiction of physical and spiritual hungers, this is a novel about ruin, faith, and the devastating memories can destroy and redeem us.