Bücher veröffentlicht von Knopf Doubleday Publishing Group

A WASHINGTON POST BEST BOOK OF THE YEAR • Through the curious life of Dick Kallman—a real-life celebrity striver, poisonously charming actor, and eventual murder victim—the unforgiving worlds of postwar showbiz and down-low gay sexuality are thrown into stark relief in this “page-turning blast” (James Ellroy, author of Widespread Panic)"Engrossing…[A] keen portrait of 1980s New York…a pensive, often gorgeous depiction of…gay life in Manhattan before Stonewall and life on the cusp of the AIDS epidemic." —The Washington PostDick Kallman was an up-and-coming actor in the fifties and sixties—until he wasn’t. A costar on Broadway, a member of Lucille Ball’s historic Desilu workshop, and finally a primetime TV actor, Dick had hustled to get his big break. But just as soon as his star began to rise, his roles began to dry up and he faded from the spotlight, his name out of tabloids and newspapers until his sensational murder in 1980.Through the eyes of his occasional pianist and longtime acquaintance Matt Liannetto, a tenderhearted but wry observer often on the fringes of Broadway’s big moments, Kallman’s life and death come into appallingly sharp focus. The actor’s yearslong, unrequited love for a fellow performer brings out a competitive, vindictive edge in him. Whenever a new door opens, Kallman rushes unwittingly to close it.  Even as he walks over other people, he can never get out of his own way.As Matt pores over the life of this handsome could-have-been, Up With the Sun re-creates the brassy, sometimes brutal world that shaped Kallman, capturing his collisions with not only Lucille Ball, but an array of stars from Sophie Tucker to Judy Garland and Johnny Carson. Part crime story, part showbiz history, and part love story, this is a crackling novel about personal demons and dangerously suppressed passions that spans thirty years of gay life—the whole tumultuous era from the Kinsey Report through Stonewall and, finally, AIDS.

"We, the free, face a daunting opportunity. Previous generations could only dream of a free world. Now we can begin to make it." In his welcome alternative to the rampant pessimism about Euro-American relations, award-winning historian Timothy Garton Ash shares an inspiring vision for how the United States and Europe can collaborate to promote a free world.At the start of the twenty-first century, the West has plunged into crisis. Europe tries to define itself in opposition to America, and America increasingly regards Europe as troublesome and irrelevant. What is to become of what we used to call "the free world"? Part history, part manifesto, Free World offers both a scintillating assessment of our current geopolitical quandary and a vitally important argument for the future of liberty and the shared values of the West.

Puccini is the most beloved composer of opera in the world: one quarter of all opera performances in the U.S. are of his operas, his music pervades movie soundtracks, and his plots have infiltrated our popular culture. But, although Puccini's art still captivates audiences and the popularity of such works as Tosca, La Bohéme, and Madama Butterfly has never waned, he has long been a victim of critical snobbery and cultural marginalization.In this witty and informative guide for beginners and fans alike, William Berger sets the record straight, reclaiming Puccini as a serious artist. Combining his trademark irreverent humor with passionate enthusiasm, Berger strikes just the right balance of introductory information and thought-provoking analysis. He includes a biography, discussions of each opera, a glossary, fun facts and anecdotes, and above all keen insight into Puccini's enduring power. For anyone who loves Puccini and for anyone who just wonders what all the fuss is about, Puccini Without Excuses is funny, challenging, and always a pleasure to read. INCLUDES:• Why Puccini's art and its message of hope is crucial to our world today• How Anglo audiences often miss the mythic significance of his operas• The use of his music as shorthand in films, from A Room with a View to Fatal Attraction• A scene-by scene analysis of each opera• A guide to the wealth of available recordings, books, and videos

In this extraordinary journey, Alan Tennant recounts his attempt to track the transcontinental migration of the majestic peregrine falcon — an investigation no one before him had ever taken to such lengths. From the windswept flats of the Texas barrier islands to the Artic and then south again into the Caribbean, On the Wing provides a hilariously picaresque and bumpy flight.

From Nicholson Baker, best-selling author of Vox and the most original writer of his generation, his most controversial novel yet.

At the age of thirty-five, Matthew Vaber's life is so messy it can only be at a turning point. In one direction is the neon glare of his father's recent suicide, and in the other is the tough love of his fluorescent mother. He'd love to find love, but he can't make it twenty minutes into a first date without spotting that fatal flaw. In spite of Matthew's better intentions, he always finds himself back at the same old place: 555-PUMP, "New York's only phone line for men who are serious about their bodies!” Eventually, even Matthew realizes the long odds of making a love connection on a sex line, but then the pound sign connects him to Henry. Much to his dismay, Matthew can't find a single problem with him. In fact, Henry may be just the one to lead Matthew past his recent tragedies and childhood traumas. If Matthew lets himself follow, that is. Philip Galanes's dynamic wit and idiosyncratic charm make Father's Day a compassionate, heart-melting story and a delightful debut.

Haven to Nazis, smugglers' paradise, home to some of the earth's oddest wildlife and most baroquely awful dictatorships, Paraguay is a nation waiting for the right chronicler. In John Gimlette, at last it has one. With an adventurer's sang-froid, a historian's erudition, and a sense of irony so keen you could cut a finger on it, Gimlette celebrates the beauty, horror and-yes-charm of South America's obscure and remote "island surrounded by land.”He takes readers from genteel drawing rooms in Asuncion-where ladies still gossip about the nineteenth-century Irish adventuress who became Paraguay's Empress to the "Green Hell” of the Chaco, a vast, inhospitable tract populated by aging Mennonites and discouraged Indians. Replete with eccentrics and scoundrels, ecologically minded cannibals and utopians from every corner of the earth, At the Tomb of the Inflatable Pig is a madly entertaining book.

In 1987, John Rember returned home to Sawtooth Valley, where he had been brought up. He returned out of a homing instinct: the same forty acres that had sustained his family's horses had sustained a vision of a place where he belonged in the world, a life where he could get up in the morning, step out the door, and catch dinner from the Salmon River. But to his surprise, he found that what was once familiar was now unfamiliar. Everything might have looked the same to the horses that spring, but to Rember this was no longer home. In Traplines, Rember recounts his experiences of growing up in a time when the fish were wild in the rivers, horses were brought into the valley each spring from their winter pasture, and electric light still seemed magical. Today those same experiences no longer seem to possess the authenticity they once did. In his journey home, Rember discovers how the West, both as a place in which to live and as a terrain of the imagination, has been transformed. And he wonders whether his recollections of what once was prevent him from understanding his past and appreciating what he found when he returned home. In Traplines, Rember excavates the hidden desires that color memory and shows us how, once revealed, they can allow us to understand anew the stories we tell ourselves.

If you're one of those crying-to-your-shrink-cause-your-childhood-was-SO-hard type of people, you should probably read #1 New York Times Bestselling author Mick Foley's fiction debut, Tietam Brown, for a reality check. Even if you're not one of them, stop your whining and pick up the damn thing anyway.Atietam "Andy” Brown is a seventeen year-old with a busted hand, and a missing ear. He's arrived at his father's house to start life anew after being raised alternately in foster homes and juvenile detention centers where his life hung by a thread on more than one occasion. With this fresh start in hand he hopes he's got a shot at completing his childhood like a normal kid. But when he realizes that his father's favorite activities are naked beer-guzzling weight lifting, and sleeping with his classmate's mothers, well, let's just say his prospects for the future are once again dimmed. That is, until he finds out that Terri, the hottest cheerleader in school, likes him. (Nice work, Andy!) Funnier than professional wrestling and smarter than nuclear physics, Tietam Brown is sure to pin you for a three-count to your reading chair.

Having put his personal stamp on the contemporary theater, David Mamet now performs the supremely audacious feat of reinventing the theater of the past. He does so by telling his own ingenious and eerily moving version of the tragedy of Dr. Faustus.Mamet's Faustus—like Marlowe's and Goethe's before him—is a philosopher whose life's work has been the pursuit of "the secret engine of the world.” He is also the distracted father of a small, adoring son. Out of the clash between love and intellect and the fatal operation of Faustus' pride, Mamet fashions a work that is at once caustic and heart-wrenching and whose resplendent language marries metaphysics to conman's patter. A meditation on reason and folly, fathers and sons, and a breathtaking display of magic both literal and theatrical, Faustus is a triumph.

"Voices are a soul's signature,” says psychologist Dan Shapiro, who in his daily practice hears plenty of them. For all his expertise, he admits he's still terrified that "someone will keep something from me, and when they tell me the truth, I'll be useless.”Treating other physicians has become one of Shapiro's specialties. When the obstetrician Amelia Sorvino seeks his help—distraught that her own medical error could have injured a patient's baby— Shapiro finds his talents as counselor and healer pushed to their limits. Session by session, he works to discover the sources of Amelia's anguish--for his own sake as much as hers: he's familiar with the burden of a doctor's guilt, and he has seen how loss and trauma, if unchecked, can echo from generation to generation in a family. In this probing, intensely personal memoir, the words "Physician, heal thyself” assume a fresh and moving urgency.