Bücher veröffentlicht von Les Prairies Numeriques

What was hidden for almost two thousand years is finally revealed. Everyone has heard of symbols from the Revelation or Apocalypse of John, such as the Antichrist, the number 666, Armageddon, the end of days, the Rapture, the Second Coming, the four horsemen, and more. For centuries, Revelation has remained the most mysterious and interesting scripture of Christianity, filled with haunting imagery, powerful dramatic events, and frightening warnings for humanity, yet its true meanings were never permitted to be be revealed. John, an initiate of secret, esoteric Christianity, placed these cryptic symbols in Revelation as a "time capsule" to be opened on a future day, and in spite of countless theories and beliefs, the secrets of Revelation have been preserved behind their arcane language, awaiting the moment when they are most needed by humanity. That day has arrived. For the first time, the hidden secrets of Revelation are made clear and accessible to anyone. In The Aquarian Message, Samael Aun Weor shows how everything in Revelation and Christianity is based on Kabbalah (of which Jesus was a master), esoteric Christianity, alchemy, Tarot, and other ancient sciences. In this book you will discover that every symbol in Revelation is about you, your spiritual state, and the future it is taking you towards. You will discover how through deep personal change you can escape suffering and the approaching cataclysms, and instead enter into a superior level of experience. What John hid in Revelation was not something to believe, but something to experience for oneself. Now, with the practical teachings given in The Aquarian Message, you can. "We have studied the verses of the book of Revelation (Apocalypse) in the Superior Worlds. We give the result of our investigations in this book. Much has been said and written about the Apocalypse. However, only intellectual speculations have been made and the words of various authorities have been repeated. The present work is the result of tremendous esoteric investigations that were patiently performed by us in the Superior Worlds. We have found the Apocalypse to be divided into three parts: the first we have entitled "The Son of Man," the second "The Sealed Book" and the third "The New Jerusalem." The first part teaches the Path of the Razor's Edge. The second is related with the times of the end. The third tells us of the future earth. This is a book of practical christification. This is a book of transcendental esotericism and it is absolutely practical." -Samael Aun Weor

The Astrologer's Guide was edited and compiled in 1675 by noted astrologer William Lilly. It includes the 146 Considerations of astrologer Guido Bonatus and the choicest aphorisms of the Seven Segments of astrologer Jerome Cardan. Translated from the Latin by Henry Coley, The Astrologer's Guide was first published in English in 1886. It includes an introduction by Henry Coley. The information in this classic astrology book is as valuable as it was when compiled in 1675, and includes references to natal, predictive and horary astrology.

Discourse on the Method of Rightly Conducting One's Reason and of Seeking Truth in the Sciences (French: Discours de la Méthode Pour bien conduire sa raison, et chercher la vérité dans les sciences) is a philosophical and autobiographical treatise published by René Descartes in 1637. It is best known as the source of the famous quotation 'Je pense, donc je suis' (English: 'I think, therefore I am', or 'I am thinking, therefore I exist'), which occurs in Part IV of the work. The similar Latin statement, Cogito, ergo sum, is found in Meditations on First Philosophy (1641) and Principles of Philosophy (1644). Discourse on the Method is one of the most influential works in the history of modern philosophy, and important to the development of natural sciences. In this work, Descartes tackles the problem of skepticism, which had previously been studied by Sextus Empiricus, Al-Ghazali and Michel de Montaigne. Descartes modified it to account for a truth he found to be incontrovertible. Descartes started his line of reasoning by doubting everything, so as to assess the world from a fresh perspective, clear of any preconceived notions.The book was originally published in Leiden, in the Netherlands. Later, it was translated into Latin and published in 1656 in Amsterdam. The book was intended as an introduction to three works: Dioptrique, Météores and Géométrie. La Géométrie contains Descartes's initial concepts that later developed into the Cartesian coordinate system. The text was written and published in French rather than the language in which philosophical and scientific texts were most frequently written and published in at the time, namely, Latin. Most of Descartes' other works were written in Latin.Together with Meditations on First Philosophy, Principles of Philosophy and Rules for the Direction of the Mind, it forms the base of the epistemology known as Cartesianism. The long chains of simple and easy reasonings by means of which geometers are accustomed to reach the conclusions of their most difficult demonstrations, had led me to imagine that all things, the knowledge of which is competent to man, are mutually connected in the same way, and that there is nothing so far removed from us as to be beyond our reach, or so hidden that we cannot discover it, provided only we abstain from accepting the false for the true, and always preserve in our thoughts the order necessary for the deduction of one truth from another. This treatise on the value of doubt and skepticism when studying the natural world laid the foundation for the modern scientific method as we still employ it today, as well as the basis for modern philosophy. Written in French and first published in 1637 under the full title Discourse on the Method of Rightly Conducting the Reason, and Seeking Truth in the Sciences, it is here presented in the 1901 edition of the 1850 English translation by Scottish poet, philosopher, and historian JOHN VEITCH (1829-1894).

Dear EnemyThe sequel to Jean Webster's novel Daddy-Long-LegsAs Daddy-Long-Legs traced Judy Abbott's growth from a young girl into an adult, Dear Enemy shows how Sallie McBride grows from a frivolous socialite to a mature woman and an able executive. It also follows the development of Sallie's relationships with Gordon Hallock, a wealthy politician, and Dr. Robin MacRae, the orphanage's physician. Both relationships are affected by Sallie's initial reluctance to commit herself to her job, and by her gradual realization of how happy the work makes her and how incomplete she'd feel without it. The daily calamities and triumphs of an orphanage superintendent are wittily described, often accompanied by the author's own stick-figure illustrations. Dear Enemy is the sequel to Jean Webster's novel Daddy-Long-Legs. First published in 1915, it was among the top ten best sellers in the US in 1916. The story is presented in a series of letters written by Sallie McBride, Judy Abbott's classmate and best friend in Daddy-Long-Legs. Among the recipients of the letters are Judy Jervis Pendleton, Judy's husband and the president of the orphanage where Sallie is filling in until a new superintendent can be installed Gordon Hallock, a wealthy Congressman and Sallie's later fiancé and the orphanage's doctor, embittered Scotsman Robin 'Sandy' MacRae (to whom Sallie addresses her letters: "Dear Enemy"). Webster employs the epistolary structure to good effect Sallie's choices of what to recount to each of her correspondents reveal a lot about her relationships with them.Jean Webster (pseudonym for Alice Jane Chandler Webster, July 24, 1876 - June 11, 1916) was an American writer and author of many books including Daddy-Long-Legs and Dear Enemy. Her best-known books feature lively and likeable young female protagonists who come of age intellectually, morally, and socially, but with enough humor, snappy dialogue, and gently biting social commentary to make her books palatable and enjoyable to contemporary readers.

Short Stories Lucy Maud MontgomeryThe land dropped abruptly down from the gate, and a thick, shrubby growth of young apple orchard almost hid the little weather-grey house from the road. This was why the young man who opened the sagging gate could not see that it was boarded up, and did not cease his cheerful whistling until he had pressed through the crowding trees and found himself almost on the sunken stone doorstep over which in olden days honeysuckle had been wont to arch. Now only a few straggling, uncared-for vines clung forlornly to the shingles, and the windows were, as has been said, all boarded up. The whistle died on the young man's lips and an expression of blank astonishment and dismay settled down on his face-a good, kindly, honest face it was, although perhaps it did not betoken any pronounced mental gifts on the part of its owner. "What can have happened?" he said to himself. "Uncle Tom and Aunt Sally can't be dead-I'd have seen their deaths in the paper if they was. And I'd athought if they'd moved away it'd been printed too. They can't have been gone long-that flower-bed must have been made up last spring. Well, this is a kind of setback for a fellow. Here I've been tramping all the way from the station, athinking how good it would be to see Aunt Sally's sweet old face again, and hear Uncle Tom's laugh, and all I find is a boarded-up house going to seed.S'pose I might as well toddle over to Stetsons' and inquire if they haven't disappeared, too." He went through the old firs back of the lot and across the field to a rather shabby house beyond. A cheery-faced woman answered his knock and looked at him in a puzzled fashion. "Have you forgot me, Mrs. Stetson? Don't you remember Lovell Stevens and how you used to give him plum tarts when he'd bring your turkeys home?" Mrs. Stetson caught both his hands in a hearty clasp. "I guess I haven't forgotten!" she declared. "Well, well, and you're Lovell! I think I ought to know your face, though you've changed a lot. Fifteen years have made a big difference in you. Come right in. Pa, this is Lovell-you mind Lovell, the boy Aunt Sally and Uncle Tom had for years?" "Reckon I do," drawled Jonah Stetson with a friendly grin. "Ain't likely to forget some of the capers you used to be cutting up. You've filled out considerable. Where have you been for the last ten years? Aunt Sally fretted a lot over you, thinking you was dead or gone to the bad." Lovell's face clouded. "I know I ought to have written," he said repentantly, "but you know I'm a terrible poor scholar, and I'd do most anything than try to write a letter. But where's Uncle Tom and Aunt Sally gone? Surely they ain't dead?" "No," said Jonah Stetson slowly, "no-but I guess they'd rather be. They're in the poorhouse." "The poorhouse! Aunt Sally in the poorhouse!" exclaimed Lovell. "Yes, and it's a burning shame," declared Mrs. Stetson. "Aunt Sally's just breaking her heart from the disgrace of it. But it didn't seem as if it could be helped. Uncle Tom got so crippled with rheumatism he couldn't work and Aunt Sally was too frail to do anything. They hadn't any relations and there was a mortgage on the house." "There wasn't any when I went away." "No they had to borrow money six years ago when Uncle Tom had his first spell of rheumatic fever. This spring it was clear that there was nothing for them but the poorhouse.

The Wind in the Willows By Kenneth GrahameThe Wind in the Willows is a children's novel by Scottish novelist Kenneth Grahame, first published in 1908. Alternatingly slow-moving and fast-paced, it focuses on four anthropomorphised animals: Mole, Rat (a European water vole), Toad, and Badger. They live in a pastoral version of Edwardian England. The novel is notable for its mixture of mysticism, adventure, morality, and camaraderie, and celebrated for its evocation of the nature of the Thames Valley.In 1908, Grahame retired from his position as secretary of the Bank of England. He moved back to Berkshire, where he had lived as a child, and spent his time by the River Thames, doing much as the animal characters in his book do - to quote, "simply messing about in boats" - and expanding the bedtime stories he had earlier told his son Alastair into a manuscript for the book.The novel was in its 31st printing when playwright A. A. Milne adapted part of it for the stage as Toad of Toad Hall in 1929. In 1949, the first film adaptation was produced by Walt Disney as one of two segments in the package film The Adventures of Ichabod and Mr. Toad.In 2003, The Wind in the Willows was listed at #16 in the BBC's survey The Big Read. More than a century after its original publication, it was adapted again for the stage, as a 2014 musical by Julian Fellowes.Kenneth Grahame was born on 8 March 1859 in Edinburgh. When he was 5, his mother died from puerperal fever, and his father, who had a drinking problem, gave the care of his four children over to their grandmother, who lived in Cookham Dean in Berkshire. There they lived in a spacious but dilapidated home, The Mount, in extensive grounds by the River Thames, and were introduced to the riverside and boating by their uncle, David Ingles, curate at Cookham Dean church.At Christmas 1865 the chimney of the house collapsed and the children moved to Fern Hill Cottage in Cranbourne, Berkshire. In 1866, their father tried to overcome his drinking problem and took the children back to live with him in Argyll, Scotland, but after a year they returned to their grandmother's house in Cranbourne, where Kenneth lived until he entered St Edward's School, Oxford in 1868. During his early years at St. Edwards the boys were free to explore the old city with its quaint shops, historic buildings, and cobbled streets, St Giles' Fair, the idyllic upper reaches of the River Thames, and the nearby countryside.Grahame married Elspeth Thomson in 1899, when he was 40 the next year they had their only child, a boy named Alastair (whose nickname was "Mouse") born premature, blind in one eye, and plagued by health problems throughout his life.