Bücher veröffentlicht von Louisiana State University Press

Exhaustively researched, Death in a Promised Land is the compelling story of racial ideologies, southwestern politics, and yellow journalism, and of an embattled black community's struggle to hold onto its land and freedom.

John Hope Franklin, one of the US's foremost historians, collects twenty-seven of his most influential shorter writings. The essays are presented thematically and include pieces on southern history; significant but neglected historical figures; historiography; and the connection between historical problems and contemporary issues.

In this informed and comprehensive assessment of current issues in international politics, Kenneth W. Thompson addresses the role that traditions and values play in shaping change and in helping us to understand its implications.

In this first of a two-volume examination of the Cold War, Kenneth Thompson offers an account of its history and its historians. Thompson's aim is to find the best framework for understanding how the Cold War started, what forces produced it, how Soviet and American policies intensified the conflict, and what alternatives were open to the rivals.

First published in 1961, A New History of Spanish Literature has been a much-used resource for generations of students. The book has now been completely revised and updated to include extensive discussion of Spanish literature of the past thirty years.

Pushes away the elaborate conspiracy theories that have always surrounded Abrham Lincoln's death and uncovers exactly what can be known about the murder and its aftermath. Thomas Reed Turner strips away more than a century of speculation to retell with hard facts the history of Abraham Lincoln's death.

In Carole Simmons Oles's fourth collection of poetry, small events of everyday life throw open a door to meditations on the absence of a husband, on the separation from children, and on the sustenance gained from friendship and the sorrow its loss. Each poem has an ambitious range, sure in its leap from subject to subject.

Shows how the struggles of black southerners to lift the barriers that had historically separated them from their white counterparts not only brought about the demise of white supremacy but did so without destroying the South's unique culture. Indeed, the book argues that the civil rights crusade has strengthened the South's cultural heritage.

First published in 1864, Macaria; or, Altars of Sacrifice was the third novel of Augusta Jane Evans, one of the leading women writers of nineteenth-century domestic fiction. Long out of print and largely unavailable until now, Macaria is a compelling narrative about women and war.

Dante Germino's biography of the Italian communist and political theorist Antonio Gramsci offers a major reassessment of this important twentieth-century thinker. Germino analyses Gramsci's remarkable life as well as his extensive oeuvre, from the early Turin articles to the meditative Prison Notebooks.

Challenging commonly held assumptions about the attitudes and actions of the pre-Civil War southern elite, Jane Turner Censer draws on an impressive array of primary and secondary sources to show that southern planters, at least in their relations with their children, were caring, affectionate, and surprisingly egalitarian.

Hailed by critics and scholars as the most valuable study of Faulkner's fiction, Cleanth Brooks's William Faulkner: The Yoknapatawpha Country explores the Mississippi writer's fictional county and the commanding role it played in so much of his work. Brooks shows that Faulkner's strong attachment to his region, with its rich particularity and deep sense of community, gave him a special vantage point from which to view the modern world. Brooks's consideration of such novels as Light in August, The Unvanquished, As I Lay Dying, and Intruder in the Dust shows the ways in which Faulkner used Yoknapatawpha County to examine the characteristic themes of the twentieth century. Contending that a complete understanding of Faulkner's writing cannot be had without a thorough grasp of fictional detail, Brooks gives careful attention to "what happens: In the Yoknapatawpha novels. He also includes useful genealogies of Faulkner's fictional clans and a character index.

In the fall of 1983 a group of scholars met at Purdue University for the American Historical Association Conference on the Study and Teaching of Afro-American history. This group included some of the most prominent historians and educators in their professions, and at this landmark meeting they assessed and evaluated the entire field of Afro-American history-its past, present, and future. The sponsorship of the American Historical Association officially acknowledged the coming of age of black history as a vital and respected part of American history. The contributions of many outstanding scholars and educators make The State of Afro-American History, the proceedings of that conference, an authoritative and provocative examination of the Afro-American experience during slavery and since emancipation. Individual essays cover the ways in which black slaves shaped their environment, the forces that influenced the black urban experience in the United States, the evolution of scholarship in Afro-American history, and the merger of American and Afro-American histories. The need for movement beyond the mere integration of blacks into existing textbooks and courses and the responsibility of the Afro-American scholar to the community are treated at length, as are media representation of black history and black women's history. The scholars are concerned with both the creation of histories and their dissemination through classrooms, texts, museums, and the popular media. Afro-American history is a relatively recent field of study, and the scholars represented in this book are only the fourth generation to pursue it. Earlier scholars have just recently gained wide recognition for their efforts. The contributors to this volume are very aware that they are living, reacting to, and shaping a history, as well as studying and teaching it. The effect of this dynamic on The State of Afro-American History is furthered by the essays' interactive structure: various pieces build on and critique other essays. This unique and remarkable volume will interest not only professional historians but students and secondary school teachers, school administrators, and librarians. It offers comprehensive and concise evaluations of where Afro-American history has been and is now, and suggestions for where it can go in the future.

Examines the work of the American black theatre's five most productive playwrights: Willis Richardson, Randolph Edmonds, Langston Hughes, LeRoi Jones, and Ed Bullins. Sanders sees the history of black theater as the process of creating a 'black stage reality' while at the same time transforming conventions borrowed from white European culture.

In a 1987 article, Southern Magazine called Madison Jones's A Cry of Absence "the last pure tragedy written by a Southerner." Set in 1957 in a small Tennessee town just awakening to shifting racial and social attitudes, the novel concerns the inevitability of change and the consequences for those who resist it. Hester Cameron Glenn, a proud, well-bred southern aristocrat, is the self-appointed guardian of her family's and her community's heritage. When a young black man is chained to a tree and stoned to death, Hester deplores the brutality of the act. Slowly she comes to suspect, and finally to know, who the real murderer is, and she decides what she must do to protect the family honor.

The poems in this collection cover thirty years of loving contact with the endlessly varied surfaces of the world. They are poems in which the common furniture of our lives is always present, in which the universal resides in the local, in which elegance is born of clarity.

In the twenty years of its existence, the second series of the Southern Review continued the editorial orientation of the first series by presenting a range of regional and cosmopolitan works of fiction. This anthology is a collection of twenty-five short stories from the nearly three hundred published in the journal between 1965 and 1985.

Meticulously researched and lucidly argued, Dark Lanterns explores a controversial and puzzling aspect of the Civil War. It will be hard to dispute Frank Klements' finding that generations of historians have swallowed whole a tale that was largely the product of myth and legend.

Investigates white supremacy as it emerged from the milieu of slavery, war, politics, and Reconstruction. Tourgee argues that organizations such as the Klan appealed to the mass of white southerners as a means of ameliorating their defeat and ensuring a measure of political control. A striking, contemporary look into the mind of the carpetbagger and the genesis of both the Ku Klux Klan and the political structure of the postwar South.

When Daniel Hoffman published a brief volume of selected poems in England, the Times Literary Supplement praised "his zestful verbal performance, supple use of rhyme and other sound effects". That same vitality inform Hang-Gliding from Helicon, which presents more than forty new poems and a selection from six of Hoffman's previous books.

The Flush Times of Alabama and Mississippi, originally published in 1853, consists of twenty-six sketches and satires drawn from Joseph G. Baldwin's experiences as an attorney on the turbulent Mississippi and Alabama frontiers in the 1830s and 1840s. Like experiences, attempted to depict a lawless and colorful era in American history. Originally from Virginia, the author paints vivid and authentic portraits of shifty lawyers, unlettered judges, and inept prosecutors, as well as serious profiles of respected colleagues such as Seargent S. Prentiss. Even the narrator, we learn, is granted a license to practice law by a circuit judge who asks him "not a single legal question." One of the collection's most memorable characters is Ovid Bolus, whom Baldwin describes as a "natural liar, just as some horses are natural pacers, and some dogs natural setters." His adventures reflect Baldwin's fascination with the meaning of the law and the legal profession under the conditions that existed on the American frontier. James H. Justus' introduction places this new edition of The Flush Times of Alabama and Mississippi in its historical literary context. According to Justus, Augustus Baldwin Longstreet's Georgia Scenes, published in 1835, is the volume credited as the first to exploit the southern backwoods In the vernacular realism we now call the humor of the Old Southwest. Justus also notes that in the preface to his book, Baldwin indirectly acknowledges his familiarity with earlier writers, and one sketch, "Simon Suggs, JR.," specifically pays homage to Johnson Jones Hooper. The Flush Times of Alabama and Mississippi possesses enormous value for both literary scholars and historians. It remains a classic, not simply because it is sprightly social history, but because it is also an engrossing memoir by a man of uncommon subtlety of mind who projected his own sensibility into the record.

Traces the evolution of cotton culture in the region bordering the Mississippi River. John Hebron Moore examines the society supported by that industry, emphasising technological changes that transformed cotton plantations.

Jack Temple Kirby's massive and engaging study examines the rural southern world of the first half of the twentieth century, its collapse, and the resulting "modernization" of southern society. Rural Worlds Lost is the first book to thoroughly assess the profound changes modernization has wrought in the US South.

Originally published in 1832 and revised in 1851, Swallow Barn, John Pendleton Kennedy's novel of antebellum life on a tidewater Virginia plantation, was described by its author as "variously and interchangeably partaking of the complexion of a book of travels, a diary, a collection of letters, a drama, and a history."

Richard M. Weaver believed that "rhetoric at its truest seeks to perfect men by showing them better versions of themselves." Language is Sermonic offers eight of Weaver's best essays on the nature of traditional rhetoric and its role in shaping society.

One of the few studies of its kind, this political history of the Louisiana penal system from its origin to the near-present places emphasis on the development of penal policy and shows how the vicissitudes of the system have reflected the prevailing social, economic, and political views of the state as a whole.