Bücher veröffentlicht von Louisiana State University Press

Shantyboat dwellers and steamboat roustabouts formed an organic part of the cultural landscape of the Mississippi River bottoms during the rise of industrial America and the twilight of steamboat packets from 1875 to 1930. Nevertheless, both groups remain understudied by scholars of the era. Most of what we know about these laborers on the river comes not from the work of historians but from travel accounts, novelists, songwriters, and early film producers. As a result, images of these men and women are laden with nostalgia and minstrelsy. Gregg Andrews's Shantyboats and Roustabouts uses the waterfront squatter settlements and Black entertainment district near the levee in St. Louis as a window into the world of the river poor in the Mississippi Valley, exploring their daily struggles and experiences and vividly describing people heretofore obscured by classist and racist caricatures.

Provides a comprehensive analysis of crimes of violence in the US from the 1880s to the 1930s. Combining the theoretical perspectives and methodological rigour of criminology with a synthesis of historical scholarship as well as original research and analysis, Barry Latzer challenges conventional thinking about violent crime of this era.

French Connections examines how the movement of people, ideas, and social practices contributed to the complex processes and negotiations involved in being and becoming French in North America and the Atlantic World between the years 1600 and 1875. Engaging a wide range of topics, from religious and diplomatic performance to labor migration, racialization, and both imagined and real conceptualizations of "Frenchness" and "Frenchification," this volume argues that cultural mobility was fundamental to the development of French colonial societies and the collective identities they housed. Cases of cultural formation and dislocation in places as diverse as Quebec, the Illinois Country, Detroit, Haiti, Acadia, New England, and France itself demonstrate the broad variability of French cultural mobility that took place throughout this massive geographical space. Nevertheless, these communities shared the same cultural root in the midst of socially and politically fluid landscapes, where cultural mobility came to define, and indeed sustain, communal and individual identities in French North America and the Atlantic World. Drawing on innovative new scholarship on Louisiana and New Orleans, the editors and contributors to French Connections look to refocus the conversation surrounding French colonial interconnectivity by thinking about mobility as a constitutive condition of culture; from this perspective, separate "spheres" of French colonial culture merge to reveal a broader, more cohesive cultural world. The comprehensive scope of this collection will attract scholars of French North America, early American history, Atlantic World history, Caribbean studies, Canadian studies, and frontier studies. With essays from established, award-winning scholars such as Brett Rushforth, Leslie Choquette, Jay Gitlin, and Christopher Hodson as well as from new, progressive thinkers such as Mairi Cowan, William Brown, Karen L. Marrero, and Robert D. Taber, French Connections promises to generate interest and value across an extensive and diverse range of concentrations.

Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Catherine V. Bateson's Irish American Civil War Songs provides the first in-depth exploration of Irish Americans' use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson's investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War's musical soundscape.

We remember the 1966 birth of the New Orleans Saints as a shady quid pro quo between the NFL commissioner and a Louisiana congressman. Moving the Chains is the untold story of the athlete protest that necessitated this backroom deal, as New Orleans scrambled to respond to a very public repudiation of the racist policies that governed the city. In the decade that preceded the 1965 athlete walkout, a reactionary backlash had swept through Louisiana, bringing with it a host of new segregation laws and enough social strong-arming to quash any complaints, even from suffering sports promoters. Nationwide protests assailed the Tulane Green Wave, the Sugar Bowl, and the NFL's preseason stop-offs, and only legal loopholes and a lot of luck kept football alive in the city. Still, live it did, and in January 1965, locals believed they were just a week away from landing their own pro franchise. All they had to do was pack Tulane Stadium for the city's biggest audition yet, the AFL All-Star game. Ultimately, all fifty-eight Black and white teammates walked out of the game to protest the town's lingering segregation practices and public abuse of Black players. Following that, love of the gridiron prompted and excused something out of sync with the city's branding: change. In less than two years, the Big Easy made enough progress to pass a blitz inspection by Black and white NFL officials and receive the long-desired expansion team. The story of the athletes whose bravery led to change quickly fell by the wayside. Locals framed desegregation efforts as proof that the town had been progressive and tolerant all along. Furthermore, when a handshake between Pete Rozelle and Hale Boggs gave America its first Super Bowl and New Orleans its own club, the city proudly clung to that version of events, never admitting the cleanup even took place. As a result, Moving the Chains is the first book to reveal the ramifications of the All-Stars' civil resistance and to detail the Saints' true first win.

With publication of Herbert Corey's Great War, coeditors Peter Finn and John Maxwell Hamilton reestablish Corey's name in the annals of American war reporting. In this memoir, Corey is especially illuminating on the obstacles reporters faced in conveying the story of the Great War to Americans.

As a way to comment on a person's style or taste, the word 'tacky' has distinctly southern origins, with its roots tracing back to the so-called 'tackies' who tacked horses on South Carolina farms prior to the Civil War. The Tacky South presents eighteen fun, insightful essays that examine connections between tackiness and the American South.

With On to Petersburg, Gordon Rhea completes his much-lauded history of the Overland Campaign, a series of Civil War battles fought between Generals Ulysses S. Grant and Robert E. Lee in southeastern Virginia in the spring of 1864.

As Louis Armstrong forever tethered jazz to New Orleans and Clifton Chenier fixed Lafayette as home to zydeco, Slim Harpo established Baton Rouge as a base for the blues. In this biography of the renowned blues singer and musician, Martin Hawkins traces Harpo's rural upbringing, his professional development, and his national success.

Features ten in-depth essays that provide fresh, diverse perspectives on Kate Chopin's first novel, At Fault. The essays in this volume provide multiple approaches for understanding this complex work, with particular attention to the dynamics of the post-Reconstruction era.

Frank Morris's death in 1964 was one of several Klan murders that terrorized residents of northeast Louisiana and Mississippi. In Devils Walking: Klan Murders along the Mississippi in the 1960s, Stanley Nelson details his investigation - alongside renewed FBI attention - into these cold cases.

In the seventy-three succinct essays gathered in The Enduring Civil War, celebrated historian Gary Gallagher highlights the complexity and richness of the war, from its origins to its memory, as topics for study, contemplation, and dispute.

Approaches American literary naturalism as a means of social criticism, exploring the powerful economic arguments and commentaries on labour struggles presented in novels by Frank Norris, Jack London, and John Steinbeck.