Bücher veröffentlicht von Manchester University Press

A comprehensive, historically informed study of the art and politics of Spanish filmmaker Pedro Almodovar, showing how Almodovar's films draw on various national cinemas and film genres, including Spanish cinema of the dictatorship, European art cinema, Hollywood melodrama and film noir. -- .

This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today. -- .

The book explores interactions between police officers and citizens in European countries, asking how differences such as race, culture and ethnicity are brought up and in what way they shape these encounters.

Faith stories is an investigation of faith and belief systems in Australia and England. Drawing on ethnography, interviews, focus groups for adults and arts-based workshops for their children, Hickey-Moody takes a community-based approach to examining belonging, attachment, faith and belief. -- .

A volume of new chapters exploring the reputation, text and legacy of D. W. Griffith's 1915 film The Birth of a Nation. In-depth textual analyses accompany reflections on Birth's profound impact on art and film into the twenty-first century, comprising a significant contribution to discourse on the most controversial film of all time.

This book explores representations of the domestic in Irish women's magazines. Published in 1960s Ireland, during a period of transformation, they served as modern manuals for navigating everyday life. Traditional themes - dating, marriage, and motherhood - dominated. But editors also introduced conflicting voices to complicate the narrative. Readers were prompted to reimagine their home life, and traditional values were carefully subverted. The domestic was shown to be a negotiable concept in the coverage of such issues as the body and reproductive rights, working wives and equal pay. Dominant societal perceptions of women were also challenged through the inclusion of those who were on the margins - widows, unmarried mothers, and never-married women. This book considers the motivations of editors, the role of readers, and the influence of advertisers in shaping complex debates about women in society in 1960s Ireland.

Taking place examines feminist and queer alternative art spaces across Canada and the United States from the late-1960s to the present. It looks at how queer and feminist artists working in the present day engage with, respond to and challenge the institutions they have inherited. Through a series of regional case studies, the book interrogates different understandings of 'alternative' space and the possibilities the term affords for queer and feminist artistic imaginaries.

Fashioning Italian youth examines representations of Italian young people's style trends and bodily practices in teen magazines, Musicarelli films and TV programmes. It explores changes in the media construction of young people's generational, national and gender identity, and contextualises them in the history of 1960-1970s Italian society. -- .

Living with water brings together sociologists, geographers, artists, writers and poets to explore the ways in which water binds, immerses and supports us. Drawing from international research on river crossings, boat dwelling, wild swimming, sea fishing, and draught impacts, and navigating urban waters, glacial lagoons, barrier reefs and disappearing tarns, the collection illuminates the ways that we live with and without water, and explores how we can think and write with water on land. Water offers a way of attending to emerging and enduring social and ecological concerns and making sense of them in lively and creative ways. By approaching Living with water from different disciplinary and methodological perspectives, and drawing on research from around the world, this collection opens up discussions that reinvigorate and renew previously landlocked debates.This book is relevant to United Nations Sustainable Development Goal 6, Clean water and sanitation

Deportation limbo is a political ethnography of deportation enforcement in Denmark and Sweden. Building on research on frontline officials working in immigration detention and deportation camps, it traces the continuum of state violence mobilised to pressure non-deported people to leave, and its injurious effects.

Mindful of divisive labels in constructions of the 'Middle East and North Africa' (MENA) and of 'Europe', the editors and contributors of Knowledge production in higher education reflexively immerse themselves in an investigation of how knowledge about these regions is produced at higher educational establishments. Zooming in on mutual scholarship about 'Europe' and/or 'the MENA' opens up a wide range of possibilities for supplanting visions of so-called traditional Orientalists, to abandon the sets of magnifying glasses through which the Other is studied. For those interested in the decolonisation of academia and issues of positionality this is a must read. This book is relevant to United Nations Sustainable Development Goal 4, Quality education

LGBT rights have become increasingly salient within the EU enlargement process as a litmus test for Europeanness. Yet, the promotion of these norms has provided a fulcrum for political contestation. Based on this observation, this book interrogates the normative dimensions of the EU enlargement process, with special reference to LGBT politics. Reconceptualising Europeanisation, Coming in argues that the EU enlargement is a process of negotiated transformation in which EU policies and norms are (re)defined, translated, and transformed. Empirically, it analyses the promotion of and resistance to LGBT equality norms in Serbia's EU integration process, but moves beyond policies to also inquire the impact of the negotiated transitions on lived experiences. Overall, the book raises important questions about the politics of Europeanisation, its political and social consequences, as well as to what we consider as progress.

Medieval romances were widely condemned by early modern thinkers: the genre of questing knights and marvellous adventure was decried as bloody, bawdy and superstitious. Despite such proclamations, though, the Middle English romance genre remained popular across the early modern period.Difficult pasts examines the reception of Middle English romances after the Protestant Reformation in England, arguing that the genre's popularity rested not in its violent or superstitious qualities, but in its multivocality. Incorporating insights from book history, reception history and cultural memory studies, Ensley argues that the medieval romance book became a flexible site of memory with which early modern readers could both connect with and distance themselves from the recent 'difficult past', a past that invited controversy and encouraged divided perspectives. Central characters in this study range from canonical authors like Geoffrey Chaucer and Edmund Spenser to less studied figures, such as printer William Copland, Elizabethan scribe Edward Banister and seventeenth-century poet and romance enthusiast, John Lane. In uniting a wide range of romance readers' perspectives, the book complicates clear ruptures between manuscript and print, Catholic and Protestant, or medieval and Renaissance. Difficult pasts reveals how the romance book offers a new way to understand the simultaneous change and continuity that defines post-Reformation England.

This book is paradigm-shifting in the study of film audiences. It develops new theory on audiences as a process and new methodology for studying audiences based on extensive new empirical data on audiences.

The COVID-19 pandemic has resulted in a renewed interest in the relationship between public health authorities and the public. Particular attention has been paid to 'problem publics' who do not follow health advice. This is not a new issue. As the chapters in this collection demonstrate, the designation of certain groups or populations as problem publics has long been a part of health policy and practice. By exploring the creation and management of these problem publics in a range of time periods and geographical locations, the collection sheds light on what is both specific and particular. For health authorities, publics themselves were often thought to pose problems, because of their behaviour, identity or location. But publics could and did resist this framing. There were, and continue to be, many problems with seeing publics as problems.

Manchester Beethoven studies presents ten original chapters by scholars with close ties to the University of Manchester. The volume contains new research on a range of biographical, analytical and cultural topics, and reflects the breadth of ongoing Beethoven scholarship in Manchester.

This collection considers the increasingly central role that memory plays in determining contemporary politics and the future of Northern Irish society. Using an inter-disciplinary approach, it considers how competing narratives of the past are constructed, re-constructed, commemorated and then harnessed to mobilise politics in present day society. -- .

Starting with the premise that clothing is political, this volume explores the relationships between political theory, dress, and self-presentation during the period in which Britain's colonial empire assumed its modern form.The book assembles an international group of scholars to document the role of clothing in shaping identities and communicating social and political messages. It sheds light on the material basis of the political cultures of Britain and its colonies while offering timely connections to present-day issues and concerns. The chapters range from an analysis of the uniforms worn by the West India Regiments stationed in the Caribbean to the smock frock donned by rural agricultural labourers, and from the self-presentation of members of Parliament, political thinkers, and imperial administrators to the dress of characters in novels, paintings, and political cartoons.Since politics in this period was mostly a man's affair, Political and sartorial styles focuses primarily on men and masculinity - an underrepresented area in scholarship on fashion and style. The book will appeal to students and scholars of nineteenth-century history, particularly those working on gender, politics, material culture, and imperialism.

Beckett's afterlives is the first book-length study dedicated to posthumous reworkings of Samuel Beckett's oeuvre. Contextualised against the backdrop of the author's developing views on adaptation and media specificity, it challenges the long-held belief that he opposed any form of genre crossing.Featuring contemporary engagements with Beckett's work from the UK, Europe, the USA and Latin America, the volume does not approach adaptation as a form of (in)fidelity or (ir)reverence. Instead, it argues that exposing the 'Beckett canon' to new environments and artistic practices enables fresh perspectives and enhances the texts' significance for contemporary artists and audiences alike. The chapters explore a wide variety of forms - from prose and theatre to radio, television, film and webseries - focusing on the period from the early 1990s to the late 2010s. The concept of adaptation is broadly interpreted, including changes within the same performative context, spatial relocations or transpositions across genres and media, and even creative rewritings of Beckett's biography. The collection offers a range of innovative ways to approach the author's work in a constantly changing world and analyses its remarkable susceptibility to creative responses.Beckett's afterlives suggests that adaptation, remediation and appropriation are forms of cultural negotiation that are essential for the survival and continuing urgency and vibrancy of Beckett's work in the twenty-first century.

The heat of Beowulf reexamines the aesthetics of the longest surviving Old English poem through the poetics of twentieth-century poets Jack Spicer, arguing that the aesthetics of Beowulf entangle vulnerable human corporeality in the non-human world, rendering perceptible what otherwise remains insensible.

Shakespeare, memory, and modern Irish literature explores the intertextual connections between early modern English and modern Irish literature. Characterising the relationship as 'dismemorial', the book explores how ghosts, bodies, and the land are sites of literary connection through which contemporary Ireland draws on Shakespeare's England. -- .

This book sets out to challenge current interpretations of Carolingian culture, and especially its perceived correctio (correction), reform or renaissance. When we consider authors who operated outside the direct sphere of influence of the court, a much more dynamic image of Carolingian culture comes into view.

This book explores key Saudi and UAE bilateral relations against a backdrop of political transitions occurring at domestic, regional and international levels. It argues that established modes of analysis such as riyal politik and the Islamisation of Saudi foreign policy are redundant in this shifting economic climate, while political consolidation amounting to Sultanism only tells part of the story. Instead, the book emphasises the role of youth, background, and western affinity in leadership, while establishing liberalisation, hyper-nationalism, secularisation, 'Push East' pressure, and broader economic statecraft as the new touchstones of Saudi and UAE foreign policy.

Critical theory is one of the most important and exciting areas within the study of international relations. Its purpose is not only to describe how the world operates but also to help us imagine how things might be different and how we might achieve a more equitable and sustainable way of life. This book provides a cutting-edge introduction to the field.Presenting key concepts and thinkers, the book suggests how critique can help us confront the challenges of the twenty-first century. It evaluates the foundations on which critical theory has been built and illustrates how ideas that developed outside of international relations theory have been adopted and adapted within the discipline. The book focuses on essential questions for the critical project: what can we know, how does power operate and how should we live? It draws on recent developments in philosophy and on posthumanism as an area of study that can provide a critique of western thought.As the human species confronts mounting international tensions and the ongoing climate crisis, this book argues for a new direction for critical theory in international relations, one that engages with thinking outside of the western tradition.

A critical and colourful commentary on the history of the fractious relationship between law and medicine over several centuries reveals compelling stories how law regulated healers and healing . Any view that the law consistently deferred to medical practitioners is shown to be wrong. From the womb to the grave, enduring themes are identified.

This book provides a rich survey of the early-modern 'secret state', intelligence gathering espionage, and the work of spies in the British late sixteenth to mid-seventeenth-centuries.

This special issue of the Bulletin of the John Rylands Library is devoted to William Blake. It explores the British and European reception of Blake's work from the late nineteenth century to the present day, with a particular focus on the counterculture of the 1960s and 1970s. -- .

This book shows the workings of power in the micro dynamics of welfare encounters. By staying close to real world welfare encounters, the book contributes to the broad scholarly field of welfare studies that either takes a Foucauldian perspective on governance, Weberian approach to the bureaucracy or contributes to the sociology of professions. -- .

The 1990s witnessed an explosion in women's writing in France, with a particularly exciting new generation of writer's coming to the fore, such as Christine Angot, Marie Darrieussecq and Regine Detambel. Other authors such as Paule Constant, Sylvie Germain, Marie Redonnet and Leila Sebbar, who had begun publishing in the 1980s, claimed their mainstream status in the 1990s with new texts. The book provides an up-to-date introduction to an analysis of new women's writing in contemporary France, including both new writers of the 1990s and their more established counter-parts. The editors' incisive introduction situates these authors and their texts at the centre of the current trends and issues concerning French literary production today, whilst fifteen original essays focus on individual writers. The volume includes specialist bibliographies on each writer, incorporating English translations, major interviews, and key critical studies. Quotations are given in both French and English throughout. An invaluable study resource, this book is written in a clear and accessible style and will be of interest to the general reader as well as to students of all levels, to teachers of a wide range of courses on French culture, and to specialist researchers of French and Francophone literature.