Bücher veröffentlicht von Manchester University Press

Gabriel García Márquez has been described as the greatest writer in Spanish since Cervantes, and El coronel no tiene quien le escriba is considered to be one of his best works. This reflective and atmospheric novel is set in a small Colombian town where the frustrated and stubborn Colonel, a veteran of the 'War of a Thousand Days', is still, after thirty years, waiting for the letter authorising payment of his war pension.The old soldier and his wife mourn the brutal killing of their only son, and the story of their struggle against poverty and sickness culminates in the Colonel's defiant refusal to part with his cherished fighting cock, however serious the consequences.The moving narrative pays tribute to the resilience of human nature and man's will to survive in the face of heavy odds. The novel also throws light on the turbulent religious and political troubles in Latin America.Now revised to include an updated chronology and bibliography, Giovanni Pontiero's acclaimed critical edition provides English-speaking students with an introduction to, and notes on the text, and a selected vocabulary.

This book is an oral history of the punk scene in Belfast from the mid-1970s to the mid-80s. It explores what it was like to be a punk in a city shaped by the violence of the Troubles, and how this differed from being a punk elsewhere. It also asks what it means to have been a punk - how punk unravels as a thread throughout the lives of the people interviewed, and what that unravelling means in the context of post-peace-process Northern Ireland. In doing so, it suggests a critical understanding of sectarianism, subjectivity and memory politics in the North, and argues for the importance of placing punk within the segregated structures of everyday life described by the interviewees. Belfast punk and the Troubles is an intervention in Northern Irish historiography stressing the importance of history from below, and will be compelling reading for historians of Ireland and of punk, as well as those interested in innovative approaches to oral history.

This book analyses the international phenomenon of private peace entrepreneurs. These are private citizens with no official authority who initiate channels of communication with official representatives from the other side of a conflict in order to promote a conflict resolution process. It combines theoretical discussion with historical analysis, examining four cases from different conflicts: Norman Cousins and Suzanne Massie in the Cold War, Brendan Duddy in the Northern Ireland conflict and Uri Avnery in the Israeli-Palestinian conflict. The book defines the phenomenon, examines the resources and activities of private peace entrepreneurs and their impact on the official diplomacy, and examines the conditions under which they can play an effective role in peace-making processes.This book is relevant to United Nations Sustainable Development Goal 16, Peace, justice and strong institutions.

Jacques Martineau, Olivier Ducastel, Alain Guiraudie, Sébastien Lifshitz and Céline Sciamma. The films of these five major French directors exemplify queer cinema in the twenty-first century. Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across these directors' careers, from their earliest, often unknown films to their later, major films with wide international release. Whether having sex on the beach or kissing in the high school swimming pool, these cinematic characters create or embody forward-looking, open-ended and optimistic forms of queerness and modes of living, loving and desiring. Whether they are white, beur or black, whether they are lesbian, gay, trans* or queer, they open up hetero- and cisnormativity to new ways of being a gendered subject.

This book presents a comprehensive history and analysis of Secret Cinema - the leading producer of large-scale immersive experiences in the UK. It examines how the company has evolved over twelve years from an experimental and artisanal organisation to a global leader in the field. The book focuses on the UK in late-2019, a point at which the immersive sector had grown significantly through its increasing contribution to GDP and its widespread recognition as a legitimate cultural offering. It captures an organisation and a sector transitioning from marginal and subcultural roots to a commodifiable and commercial form, now with recognisable professional roles and practices, which has contributed to the establishment of an immersive experience industry of national importance and global reach.

This book explores how British filmmakers of the 2000s engaged with the themes of love, sex and desire in a wide variety of movies. It ranges from powerful contemporary dramas such as Kidulthood, Closer and Disobedience to the lighter mood of the Bridget Jones series. It also analyses how the lives, loves and traumas of historical figures such as Oscar Wilde, Sylvia Plath and Iris Murdoch were dramatised on film. The book will appeal to literature enthusiasts, film students and readers interested in exploring how we may currently live out our hopes, fears and dreams in relation to sexual matters and affairs of the heart.

This book fills the long-standing void in the existing scholarship by constructing an empirical study of colonial governance and political culture in Hong Kong from 1966 to 1997.Using under-exploited archival and unofficial data in London and Hong Kong, it overcomes the limitations in the existing literature which has been written mainly by political scientists and sociologists, and has been primarily theoretically driven. It addresses a highly contested and timely agenda, one in which colonial historians have made major interventions: the nature of colonial governance and autonomy of the colonial polity. This book focusing on colonialism and the Chinese society in Hong Kong in a pivotal period will generate meaningful discussions and heated debates on comparisons between 'colonialism' in different space and time: between Hong Kong and other former British colonies; and between colonial and post-colonial Hong Kong.

Settlers at the end of empire traces the development of racialised migration regimes in South Africa, Rhodesia (present-day Zimbabwe) and the United Kingdom from the Second World War to the end of apartheid in 1994. While South Africa and Rhodesia, like other settler colonies, had a long history of restricting the entry of migrants of colour, in the 1960s under existential threat and after abandoning formal ties with the Commonwealth they began to actively recruit white migrants, the majority of whom were British. At the same time, with the 1962 Commonwealth Immigrants Act, the British government began to implement restrictions aimed at slowing the migration of British subjects of colour. In all three nations, these policies were aimed at the preservation of nations imagined as white, revealing the persistence of the racial ideologies of empire across the era of decolonisation.

An intimate history of the pornographic publisher behind some of the greatest works of the twentieth-century avant-garde. From the 1930s to the 1970s, in New York and in Paris, daring publishers and writers were producing banned pornographic literature. The authors of the books were young, impecunious writers, poets and artists. Most of them wrote to survive, but some relished the freedom to experiment that anonymity provided - men writing as women, women writing as men - and some, such as Anaïs Nin and Henry Miller, went on to become influential figures in modernist literature. Dirty books tells the stories of these writers and their remarkable publishers: Jack Kahane of Obelisk Press and his son Maurice Girodias of Olympia Press, whose catalogue and repertoire anticipated that of the more famous US publisher Grove Press. It offers a humorous and vivid snapshot of a fascinating moment in pornographic and literary history, uncovering a hidden, earlier history of the sexual revolution, when the profits made from erotica helped launch the careers of literary cult figures.

A poignant and deeply researched history of gay oppression in the USSR. In 1934, Joseph Stalin enacted sodomy laws, unleashing a wave of brutal detentions of homosexual men in large Soviet cities. Red closet recounts the compelling stories of people whose lives were affected by those laws, including a naïve Scottish journalist who dared to write to Stalin in an attempt to save his lover from prosecution and a homosexual theatre student who came to Moscow in pursuit of a career amid Stalin's harsh repressions and mass arrests. We also meet a fearless doctor in Siberia who provided medical treatment for gay men at his own peril and a much-loved Soviet singer who hid his homosexuality from the secret police. Each story helps paint the hitherto unknown picture of how Soviet oppression of gay people originated and was perpetuated from Stalin's rule until the demise of the USSR. This book comes at a time when homophobia is again rearing its ugly head under Putin's rule.

Starting with the astonishing lone-wolf terrorist attacks in Oslo and Utøyain July 2011 and the extraordinary mutation in security thinking that happened in its aftermath, this book develops an innovative theory of terrorism as the enchantment of danger.

'Karelse delivers a cracking Black Feminist call to decolonise "Wellbeing" with her forensic exposé of the dark side of the White Mindfulness industry and its colonial co-option of Eastern teachings for Western gain.'>'Disrupting White Mindfulness offers a generous and critical lens of exploration, helping to free the ancient practice of mindfulness from systems of dominance, restoring the practice back to its original project of liberation for all who seek it.'>Mindfulness is now everywhere in the West. Over the last four decades, the movement has exploded in the US and UK, and is now found everywhere from boardrooms and bedrooms to schools, prisons and hospitals. Yet popular mindfulness is infused in whiteness and late capitalism. This book reveals how its easy fit in Western society replicates existing social norms and dominant narratives: an essentially White Mindfulness reflects racialised institutional profiles and a largely White, middle-class audience. Taking a critical look at this lucrative industry, Disrupting White Mindfulness explores the influences of neoliberalism and postracialism, and the invisible force of whiteness that marginalises and excludes People of the Global Majority from meaningful leadership and decision-making. Engaging with decolonising initiatives rooted in embodied justice, Disrupting White Mindfulness offers a path and an invitation for a radically transformed mindfulness, one which moves away from whiteness to embrace solutions built on difference and on indigenous, queer, and global South perspectives.

Featuring a foreword from Andrew McMillan An alternative celebration of LGBTQ history in Britain, offering tales of queer life from four cities. When it comes to queer British history, London has stolen the limelight. But what about the millions of queer lives lived elsewhere? In Queer beyond London, two leading LGBTQ historians take you on a journey through four English cites from the sixties to the noughties, exploring the northern post-industrial heartlands and taking in the salty air of the seaside cities of the south. Covering the bohemian, artsy world of Brighton, the semi-hidden queer life of military Plymouth, the lesbian activism of Leeds and the cutting-edge dance and drag scenes of Manchester, they show how local people, places and politics shaped LGBTQ life in each city, forging vibrant and distinctive queer cultures of their own. Using pioneering community histories from each place, and including the voices of queer people who have made their lives there, the book tells the local stories at the heart of our national history.

This well-written and comprehensive book by an outstanding expert provides students of history and the general reader with reliable up-to-date information on an essential part of the history of mankind: the global impact of European colonial expansion from the late Middle Ages to the present. It deals with the discoveries, with Portuguese, Dutch and English trade systems in Asia, with the Spanish, Portuguese, Dutch, French and British Colonies in America, the American plantation economy and the trade in African slaves, with settler colonies in the southern hemisphere, with US-, Russian and Chinese continental imperialism, with western colonial rule in Asia and Africa and the several waves of decolonisation between 1775 and 1989. Twenty-four maps illustrate the narrative. A useful teaching text, it combines traditional and more recent perspectives to produce a final balance sheet of Western colonialism and its global heritage. A carefully selected bibliography encourages further reading.

"Men in Political Theory" builds on feminist re-readings of the traditional canon of male writers in political philosophy by turning the "gender lens" on to the representation of men in widely studied texts. It explains the distinction between "man" as an apparently de-gendered "individual" or "citizen" and "man" as an overtly gendered being in human society. The ten chapters on Plato, Aristotle, Jesus, Augustine, Machiavelli, Hobbes, Locke, Rousseau, Marx and Engels show the operation of the "gender lens" in different ways, depending on how each philosopher deploys concepts of men and masculinity to pose and solve classic problems.

The first complete study of Ishiguro's work from "A Pale View of the Hills" to "When We Were Orphans," this book explores the centrality of dignity and displacement in Ishiguro's vision, and teases out the connotations of home and homelessness in his fictions. Barry Lewis focuses on such key questions as: How Japanese is Ishiguro?; What role does memory and unreliability play in his narratives?; Why was "The Unconsoled" understood to be such a radical break from the earlier novels?

The Swiss Reformation was a seminal event of the 16th century and the source of a distinctive Protestant culture whose influence spread across Europe from Transylvania to Scotland. This book provides the first comprehensive study of the subject in any language. The author argues that the movement must be understood in terms of the historical evolution of the Swiss Confederation, its unique and fluid structures, the legacy of the mercenary trade, the distinctive character of Swiss theology, the powerful influence of Renaissance humanism, and, the roles played by the dominant figures, Huldrych Zwingli and Heinrich Bullinger.

Refugee crises are one of the gravest problems facing the modern world. This book explores the paradox of why countries such as Britain pride themselves on their past treatment of refugees yet are suspicious and hostile towards asylum seekers trying to gain entry. It explores the contemporary treatment and representation of refugees ranging from the Huguenots in the sixteenth to eighteenth centuries through to the many groups that have gained entry more recently. Was the treatment of refugees such as Jews escaping Tsarist and later Nazi persecution as welcoming as politicians and others now make out? Why have some groups been remembered positively, whilst others have been forgotten? Remembering refugees plays particular attention to how historians and those in the heritage industry have dealt with the refugee presence. By adopting an original and critical framework, it asks why a variety of academic disciplines, as well as politicians, the media and the general public, have difficulty with refugees. A richly textured book that utilizes a huge range of sources from parliamentary debates through to novels, films and autobiographical writing, it argues that the current panic about refugees and asylum seekers says more about the moral failings of contemporary society than it does about those fleeing persecution.

This book examines the response of American society to the My Lai massacreand its ambiguous place in American national memory. The author argues thatthe massacre revelations left many Americans untroubled. It was only whenthe soldiers most immediately responsible came to be tried that oppositionto the conflict grew, for these prosecutions were regarded by supporters ofthe war as evidence that the national leaders no longer had the will to dowhat was necessary to win.

Andrew Davies is the creator of the British TV programs" Pride and Prejudice, Othello, " and "The Way We Live Now." Although best known for his adaptations of the work of writers such as Jane Austen and George Eliot, he has written numerous original drama series, single plays, films, stage plays and books. This volume offers a critical appraisal of Davies's work, and assesses his contribution to British television.

This is the first general comparative study of health policy and politics to focus on major countries of Western Europe: France, Germany, Italy, Sweden and the UK. The book begins by identifying differences in arrangements for the finance, delivery and regulation of health care in different countries, explaining how health systems are to be understood as political entities. The book describes and accounts for the evolution of state intervention in the health sector before comparing and contrasting different kinds of systems. It examines recent changes in the organization of health care as well as recent challenges to public health, including policy responses to AIDS.