Bücher veröffentlicht von Manchester University Press

This book examines the vital role of affect and feeling within the work of the early Frankfurt School. The author investigates a range of concepts - including melancholia, hope, (un)happiness, objects, and mimesis - and argues that a contemporary reading of critical theory needs to accommodate an adequate understanding of affect. -- .

This collection offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar era. It addresses institutional and contextual aspects of audio drama, as well as intermedial and material issues alongside ideological and political topics. -- .

Life after war is intrinsically political for former combatants. As wars end, societies and former combatants face a period of transition. This book explores the experience of coming home for former combatants, capturing the challenges and opportunities for political mobilization among former combatants as they return from three very different wars: South West Africa People's Organization combatants who participated in the Namibian War of Independence (1966-90); guerrillas from Movimiento 19 de Abril who joined the ongoing guerilla warfare conducted against the Colombian state (1974-90), and combatants from the United States who participated in the Vietnam War (1955-75). Offering an insightful perspective on peace as a process through the long-term study of the lives of fifty former combatants, Sderstrm demonstrates how the process of coming home shapes their political commitment and identity. Combining detailed scholarship with interviews with former combatants, this volume serves as a powerful reminder of the legacies of war in the lives of former combatants.

This book discusses changes that have taken place in diplomatic institutions and conventions over thousands of years. It analyses these changes in terms of 'tipping points', which it understands as the culmination of long-term trends. -- .

Madrid on the move offers an account of illustrated print culture and the urban experience in nineteenth-century Spain. It provides a fresh account of modernity from a transnational perspective. Drawing on different kinds of printed images and texts, the book explores what being modern meant to people in their daily lives. -- .

This book examines the intersections between post-apartheid urban transformation and the politics of heritage-making in divided cities, using the Nelson Mandela Bay Metro in South Africa's Eastern Cape as a case study. This author examines how the twin processes of memory-making and change have played out in Nelson Mandela Bay. -- .

This book explores how home was pictured in the 'golden age' of British cinema. Drawing on a wide range of evidence to explore the depiction of domestic life in popular culture, it resituates feature films from the 1940s in relation to narratives of domestic, suburban modernity and the middlebrow established in the interwar years. -- .

This monograph argues that concepts well-established in migration studies such as 'settlement' and 'integration' do not sufficiently capture the features of adaptation and settling of contemporary migrants. The author highlights practical implications to better support individuals facing changes and challenges in new, complex and fluid societies. -- .

This book presents an ethnographic study of policy-making in two different Norwegian municipalities, where the author analyses the straregies and tactics employed by both local politicians and bureaucrats. Through an interdisicplinary approach, the book explores the relationship between the central concepts of government and of governance. -- .

Covering the colonial and post-colonial periods, African nurses and everyday work puts at the centre of historical enquiry the experiences of African nurses who laboured day and night in Zimbabwe's hospitals, healing the sick and nursing the infirm. -- .

There was a profound shift in peace and security norms from the African Union (AU) to the Organization of African Unity (OAU). Prevailing explanations of this change focus on the post-Cold War period; whereas this book traces the emergence of norms from the OAU through to the AU arguing that they emerged from within Africa. -- .

This book presents a phenomenological model for understanding radio drama and uses it to analyse the practice of radio dramaturgy in the UK. It argues that the central role of the body in the act of listening has been neglected and suggests that a more resonant, embodied dramaturgy is needed to meet the demands of current listening cultures. -- .

Transfiguring medievalism explores medieval literature, modern poetry and theologies both medieval and modern to show how bodies can become apparent to the attentive eye as more than they first appear. Bringing together medieval sources with modern lyric medievalism, the book argues for the surprising porousness of time and flesh. -- .

The Blunt Affair examines a range of literary and filmic texts on the Cambridge spies and related topics - including British intelligence's betrayal of Alan Turing, the Profumo Affair and the Portland spy case - in the context of the culture and politics of the late Cold War. -- .

A thoroughly researched and clearly written account of the French military from the Revolution to the Restoration, exploring the evolving idea of merit -- .

A history of poisoning in the nineteenth century and in particular the case of Dr William Palmer, convicted of murder by poisoning, and how he baffled toxicologists, doctors, detectives and judges -- .

This collection provides transnational perspectives on the significance of Italy to American art and visual culture and the impact of the United States on Italian art and popular culture. Covering the period from the risorgimento to the Cold War, it reveals the complexity of the visual discourses that bound two relatively new nations together. -- .

Tracing the activities of a single extended family - the Hibberts - this book explores how slavery impacted on the social, cultural, economic and political landscape of Britain. It is both the intimate narrative of a family and an analytical frame through which to explore Britain's history and legacies of slavery. -- .

Drawing on the devotional culture of John of Fecamp's Norman monastery, Emotional monasticism exposes the monastic roots of medieval affective piety, casts a new light on the devotional life of monks in Europe before the twelfth century and redefines how medievalists should teach the history of Christian devotion. -- .

This collection brings together for the first time literary studies of British colonies in nineteenth-century Australia, New Zealand, South Africa, South America, Southeast Asia, and the South Pacific Islands. Drawing on hemispheric studies, Indigenous studies, and southern theory to decentre British and other European metropoles, the collection offers a groundbreaking challenge to national paradigms and traditional literary periodisations and canons by prioritising southern cultural networks in multiple regional centres from Cape Town to Dunedin. Worlding the south examines the dialectics of literary worldedness in ways that recognise inequalities of power, textual and material violence, and literary and cultural resistance. The collection revises current literary histories of the ''British world'' by arguing for the distinctiveness of settler colonialism in the southern hemisphere, and by incorporating Indigenous, diasporic, and south-south perspectives.

If the United States has been so hostile to Marxism, what accounts for Marxism's recurrent attractiveness to certain Americans? Marxism and America: New appraisals sheds new light on that question in essays that engage sexuality, gender, race, nationalism, class, memory, and much more. -- .

Charles Crichton, director of A Fish Called Wanda and several much-loved Ealing comedies, had one of the most remarkable careers in British film history. Featuring interviews with colleagues such as Dame Judi Dench, Petula Clark, John Cleese and Sir Michael Palin, this book provides the first comprehensive study of his work. -- .

This volume offers responses to the view that migration is disruptive of national heritage. It investigates the empathy and mediation migratory aesthetics provide, re-evaluates the cultural understanding of borders and transnationalism and presents an overview of migration terminology for use by art historians and museums. -- .

This book offers a refreshing interdisciplinary perspective on an under-researched migrant minority: the French in London. Through a blended ethnographic lens, it provides insights into the complex lived experience of cross-Channel mobility and settlement processes in on-land and on-line settings. -- .

This volume on Norman Italy (southern Italy and Sicily, c. 1000-1200) honours the pioneering scholarship of Graham A. Loud. An international group of scholars reassesses the paradigm by which Norman Italy has been understood, addressing subjects across four key themes: historiographies, identities and communities, religion and Church, and conquest. -- .

This lively anthology explores the impact of the art, images and ideas associated with Maoism on artistic practices around the world from 1945 to the present. It establishes that the chameleonic appearances of global Maoism deserve a more prominent place in the study of art history. -- .

Jacques Audiard is the first book on one of the most important French directors working today. Focusing on the representation of the physical body, French society and broader transnational contexts, it reveals how Audiard's cinema occupies a space both within and beyond the imaginary of French cinema. -- .

This book exposes the benefits of shifting academic attention away from the major conurbations of Muslim settlement, and reveals how a more rural county with relatively small Muslim populations also has a role to play in wider debates on Britain's multicultural society. -- .

This book underscores the ethical dimension of Fanon's work by focusing on the interplay of language, gender and colonial politics, by discussing the implication of the medical and psychiatric establishment in the institution of colonialism and by assessing the importance of existential phenomenology in Fanon's project of decolonisation. -- .

Looks at how the rise of political Islam has been expressed: first in the Arab world, then in its interactions with French and Western societies, and finally in its interactions with other European and Western societies. -- .