Bücher veröffentlicht von Manchester University Press

A poignant and deeply researched history of gay oppression in the USSR. In 1934, Joseph Stalin enacted sodomy laws, unleashing a wave of brutal detentions of homosexual men in large Soviet cities. Red closet recounts the compelling stories of people whose lives were affected by those laws, including a naïve Scottish journalist who dared to write to Stalin in an attempt to save his lover from prosecution and a homosexual theatre student who came to Moscow in pursuit of a career amid Stalin's harsh repressions and mass arrests. We also meet a fearless doctor in Siberia who provided medical treatment for gay men at his own peril and a much-loved Soviet singer who hid his homosexuality from the secret police. Each story helps paint the hitherto unknown picture of how Soviet oppression of gay people originated and was perpetuated from Stalin's rule until the demise of the USSR. This book comes at a time when homophobia is again rearing its ugly head under Putin's rule.

Starting with the astonishing lone-wolf terrorist attacks in Oslo and Utøyain July 2011 and the extraordinary mutation in security thinking that happened in its aftermath, this book develops an innovative theory of terrorism as the enchantment of danger.

'Karelse delivers a cracking Black Feminist call to decolonise "Wellbeing" with her forensic exposé of the dark side of the White Mindfulness industry and its colonial co-option of Eastern teachings for Western gain.'>'Disrupting White Mindfulness offers a generous and critical lens of exploration, helping to free the ancient practice of mindfulness from systems of dominance, restoring the practice back to its original project of liberation for all who seek it.'>Mindfulness is now everywhere in the West. Over the last four decades, the movement has exploded in the US and UK, and is now found everywhere from boardrooms and bedrooms to schools, prisons and hospitals. Yet popular mindfulness is infused in whiteness and late capitalism. This book reveals how its easy fit in Western society replicates existing social norms and dominant narratives: an essentially White Mindfulness reflects racialised institutional profiles and a largely White, middle-class audience. Taking a critical look at this lucrative industry, Disrupting White Mindfulness explores the influences of neoliberalism and postracialism, and the invisible force of whiteness that marginalises and excludes People of the Global Majority from meaningful leadership and decision-making. Engaging with decolonising initiatives rooted in embodied justice, Disrupting White Mindfulness offers a path and an invitation for a radically transformed mindfulness, one which moves away from whiteness to embrace solutions built on difference and on indigenous, queer, and global South perspectives.

Featuring a foreword from Andrew McMillan An alternative celebration of LGBTQ history in Britain, offering tales of queer life from four cities. When it comes to queer British history, London has stolen the limelight. But what about the millions of queer lives lived elsewhere? In Queer beyond London, two leading LGBTQ historians take you on a journey through four English cites from the sixties to the noughties, exploring the northern post-industrial heartlands and taking in the salty air of the seaside cities of the south. Covering the bohemian, artsy world of Brighton, the semi-hidden queer life of military Plymouth, the lesbian activism of Leeds and the cutting-edge dance and drag scenes of Manchester, they show how local people, places and politics shaped LGBTQ life in each city, forging vibrant and distinctive queer cultures of their own. Using pioneering community histories from each place, and including the voices of queer people who have made their lives there, the book tells the local stories at the heart of our national history.

This well-written and comprehensive book by an outstanding expert provides students of history and the general reader with reliable up-to-date information on an essential part of the history of mankind: the global impact of European colonial expansion from the late Middle Ages to the present. It deals with the discoveries, with Portuguese, Dutch and English trade systems in Asia, with the Spanish, Portuguese, Dutch, French and British Colonies in America, the American plantation economy and the trade in African slaves, with settler colonies in the southern hemisphere, with US-, Russian and Chinese continental imperialism, with western colonial rule in Asia and Africa and the several waves of decolonisation between 1775 and 1989. Twenty-four maps illustrate the narrative. A useful teaching text, it combines traditional and more recent perspectives to produce a final balance sheet of Western colonialism and its global heritage. A carefully selected bibliography encourages further reading.

"Men in Political Theory" builds on feminist re-readings of the traditional canon of male writers in political philosophy by turning the "gender lens" on to the representation of men in widely studied texts. It explains the distinction between "man" as an apparently de-gendered "individual" or "citizen" and "man" as an overtly gendered being in human society. The ten chapters on Plato, Aristotle, Jesus, Augustine, Machiavelli, Hobbes, Locke, Rousseau, Marx and Engels show the operation of the "gender lens" in different ways, depending on how each philosopher deploys concepts of men and masculinity to pose and solve classic problems.

The first complete study of Ishiguro's work from "A Pale View of the Hills" to "When We Were Orphans," this book explores the centrality of dignity and displacement in Ishiguro's vision, and teases out the connotations of home and homelessness in his fictions. Barry Lewis focuses on such key questions as: How Japanese is Ishiguro?; What role does memory and unreliability play in his narratives?; Why was "The Unconsoled" understood to be such a radical break from the earlier novels?

The Swiss Reformation was a seminal event of the 16th century and the source of a distinctive Protestant culture whose influence spread across Europe from Transylvania to Scotland. This book provides the first comprehensive study of the subject in any language. The author argues that the movement must be understood in terms of the historical evolution of the Swiss Confederation, its unique and fluid structures, the legacy of the mercenary trade, the distinctive character of Swiss theology, the powerful influence of Renaissance humanism, and, the roles played by the dominant figures, Huldrych Zwingli and Heinrich Bullinger.

Refugee crises are one of the gravest problems facing the modern world. This book explores the paradox of why countries such as Britain pride themselves on their past treatment of refugees yet are suspicious and hostile towards asylum seekers trying to gain entry. It explores the contemporary treatment and representation of refugees ranging from the Huguenots in the sixteenth to eighteenth centuries through to the many groups that have gained entry more recently. Was the treatment of refugees such as Jews escaping Tsarist and later Nazi persecution as welcoming as politicians and others now make out? Why have some groups been remembered positively, whilst others have been forgotten? Remembering refugees plays particular attention to how historians and those in the heritage industry have dealt with the refugee presence. By adopting an original and critical framework, it asks why a variety of academic disciplines, as well as politicians, the media and the general public, have difficulty with refugees. A richly textured book that utilizes a huge range of sources from parliamentary debates through to novels, films and autobiographical writing, it argues that the current panic about refugees and asylum seekers says more about the moral failings of contemporary society than it does about those fleeing persecution.

This book examines the response of American society to the My Lai massacreand its ambiguous place in American national memory. The author argues thatthe massacre revelations left many Americans untroubled. It was only whenthe soldiers most immediately responsible came to be tried that oppositionto the conflict grew, for these prosecutions were regarded by supporters ofthe war as evidence that the national leaders no longer had the will to dowhat was necessary to win.

Andrew Davies is the creator of the British TV programs" Pride and Prejudice, Othello, " and "The Way We Live Now." Although best known for his adaptations of the work of writers such as Jane Austen and George Eliot, he has written numerous original drama series, single plays, films, stage plays and books. This volume offers a critical appraisal of Davies's work, and assesses his contribution to British television.

This is the first general comparative study of health policy and politics to focus on major countries of Western Europe: France, Germany, Italy, Sweden and the UK. The book begins by identifying differences in arrangements for the finance, delivery and regulation of health care in different countries, explaining how health systems are to be understood as political entities. The book describes and accounts for the evolution of state intervention in the health sector before comparing and contrasting different kinds of systems. It examines recent changes in the organization of health care as well as recent challenges to public health, including policy responses to AIDS.

This book offers readings of Barker's innovations in narrative form, her revisionist perspectives on history, class and gender, and her preoccupation with themes of trauma, haunting and terror. It also analyzes the reasons for her success and significance as a novelist. The chapters draw on contemporary theories of critical realism, gender and social identities, memory and narrative, in order to outline the debates with which Barker's work has consistently engaged.

This is the most comprehensive study to date of Amy Tan's work, offering close readings of her texts in the context of broader debates about the representation of identity, history and reality. In contrast with Tan's own American-born narrator, and mainstream critics, Bella Adams looks beyond the stereotypes which appear in Tan's books, and explores the ways in which Chinese immigrants and their American relatives struggle to understand each other's "best qualities" via the Chinese tradition of the "talk story." She emphasizes Tan's American narrators' process of becoming Chinese and discovering "real China," and the significance of the ironic staging of these moments.

In Europe, popular representations of the US often fall back upon crude caricature. Although there is admiration for the scale of the country's resources, and its technological and economic abilities, US society and the American character have won few sympathetic portrayals. "American Society Today" provides a counterweight to these by offering a balanced introduction to the defining features of contemporary American society. The book's coverage includes the ways in which the US can be considered 'exceptional', the character of the 'American dream', the role of ethnicity and race, and the differences between the regions.

We are, all of us, intimately familiar with inequalities. Whether finding somewhere to live, walking in the street, following the news, negotiating international travel, or in our working and personal lives, subtle and crude hierarchies shape our lived experience. How the other half lives contributes detailed, multidisciplinary and qualitative explorations of the everyday social and spatial realities of inequality, drawing new lines from Manchester to Milan, from Brighton to Bologna. How the other half lives is a resource to navigate an unequal world, oriented around three key understandings of inequality as contingent, as intersectional and as interrelated. The book focuses attention on the differences, similarities and in-between points where 'the other halves' meet, to provoke new and useful perspectives on inequalities. It considers the connections between the accumulation of profound wealth and impoverished communities, the banal decisions by those in the seats of power and increasing levels of violence in austerity-wracked neighbourhoods, and between a world of smooth mobility and oppressive borders. How the other half lives is uniquely structured as a series of oppositions between peaks and troughs, with each chapter focusing on a specific subject, including: housing, urban design, place-making, the state, cultures of inequality and transnational mobility. With a preface from the Guardian's Zoe Williams and concluding remarks from Professor Rowland Atkinson, this book will appeal to undergraduates and academic readers in the social sciences who are interested in contemporary social and spatial inequalities.

Interventions on behalf of Armenia and Armenians have come to be identified by scholars and practitioners alike as defining moments in the history of humanitarianism. This volume reassesses these claims, critically examining a range of interventions by governments, international and diasporic organisations, and individuals that aimed to 'save Armenians'. Drawing on perspectives from a range of disciplines, the chapters trace the evolution of these interventions from the late-nineteenth century to the present day, paying particular attention to the aftermaths of the Genocide and the upheavals of the post-Soviet period. Geographically, the contributions connect diverse spaces and places - the Caucasus, Russia, the Middle East, Europe, North America, South America and Australia - revealing shifting transnational networks of aid and intervention. These chapters are followed by reflections from leading scholars in the fields of refugee history and Armenian history, Peter Gatrell and Ronald Grigor Suny. Aid to Armenia not only offers an innovative exploration into the history of Armenia and Armenians and the history of humanitarianism, but it provides a platform for practitioners to think critically about contemporary humanitarian questions facing Armenia, the South Caucasus region and the wider Armenian diaspora.

Rereading Chaucer and Spenser: Dan Geffrey with the New Poete is a much-needed volume that brings together established and early career scholars to provide new critical approaches to the relationship between Geoffrey Chaucer and Edmund Spenser. By reading one of the greatest poets of the Middle Ages alongside one of the greatest poets of the English Renaissance, this collection addresses questions of poetic authority, influence, and the nature of intertextual relations in a more wide-ranging manner than ever before.The chapters respond to the concern that we have not fully understood what Chaucer meant to Spenser. The contributors analyse the values that Chaucer represented for Spenser and, more literally, the meanings that were made available to Spenser by Chaucer's works via the forms in which Spenser encountered them. By addressing the ways in which previous critics have read the relationship between these writers, this book offers rereadings and new insights that are in dialogue with current and emerging preoccupations in contemporary scholarship: renewed interests in literary form, book history, garden history, and animal studies. With its dual focus on authors from periods often conceived as radically separate, the collection also intervenes in current debates about periodisation. This approach will engage researchers, academics, and students of Medieval and Early Modern culture.

At the heart of the book is a departure from the obsession with "modernity" that has been so prominent in nineteenth-century cultural studies. -- .

'In this major contribution to the burgeoning canon of interdisciplinary critical work in surrealism studies, Noheden and Susik have gathered together exciting new essays by leading scholars in the field, offering analyses of key films and directors which will recalibrate our understanding of post-war developments in surrealism and its cinematic expressions.'> 'Surrealism and film after 1945 makes a compelling case for post-1945 as truly the movement's "age of cinema" and a golden one at that. Sharpening our understanding of surrealist engagements with cinema and cinematic engagements with surrealism, the essays in this collection provide a wondrous set of "enchanted wanderings" through postwar cinema, film culture, and aesthetics.'>Interest in the surrealist movement is stronger than ever, but surrealist film is still little studied compared to art and literature. Looking beyond the canonical period of the 1920s and 1930s, this volume breaks new ground by situating surrealism as a major force in postwar cinema. The book presents new analyses of renowned figures such as Leonora Carrington, Maya Deren, Alejandro Jodorowsky, and Jan Svankmajer, showing how these artists helped to shape a vibrant and distinctive surrealist film culture. In doing so, it expands the scope of both surrealism and film studies, while demonstrating the benefits of an interdisciplinary approach that looks to art, literature, and ideas. Challenging predominant narratives about the attributes of surrealist film, the book will be of interest to students and scholars of art history and film, as well as a broader audience of curators, film programmers, and art aficionados.

Printing Terror argues that horror comics of the Cold War primarily concern white male victimhood and the monstrosity of the gendered and/or racialised other. -- .

There should no longer be any doubt: drones are here to stay. In civil society, they are used for rescue, surveillance, transport and leisure. And on the battlefield, their promises of remote protection and surgical precision have radically changed the way wars are fought. But what impact are drones having on our identity, and how are they affecting the communities around us? This book addresses these questions by investigating the representation of civilian and military drones in visual arts, literature and architecture. What emerges, the contributors argue, is a compelling new aesthetic: 'drone imaginary', a prism of cultural and critical knowledge, through which the complex interplay between drone technology and human communities is explored, and from which its historical, cultural and political dimensions can be assessed. The contributors offer diverse approaches to this interdisciplinary field of aesthetic drone imaginaries. With essays on the aesthetic configurations of drone swarming, historical perspectives on early unmanned aviation, as well as current debates on how drone technology alters the human body and creates new political imaginaries, this book provides new insights to the rapidly evolving field of drone studies. Working across art history, literature, photography, feminism, postcolonialism and cultural studies, Drone imaginaries offers a unique insight into how drones are changing our societies.

Beckett's afterlives is the first book-length study dedicated to posthumous reworkings of Samuel Beckett's oeuvre. Contextualised against the backdrop of the author's developing views on adaptation and media specificity, it challenges the long-held belief that he opposed any form of genre crossing. Featuring contemporary engagements with Beckett's work from the UK, Europe, the USA and Latin America, the volume does not approach adaptation as a form of (in)fidelity or (ir)reverence. Instead, it argues that exposing the 'Beckett canon' to new environments and artistic practices enables fresh perspectives and enhances the texts' significance for contemporary artists and audiences alike. The chapters explore a wide variety of forms - from prose and theatre to radio, television, film and webseries - focusing on the period from the early 1990s to the late 2010s. The concept of adaptation is broadly interpreted, including changes within the same performative context, spatial relocations or transpositions across genres and media, and even creative rewritings of Beckett's biography. The collection offers a range of innovative ways to approach the author's work in a constantly changing world and analyses its remarkable susceptibility to creative responses. Beckett's afterlives suggests that adaptation, remediation and appropriation are forms of cultural negotiation that are essential for the survival and continuing urgency and vibrancy of Beckett's work in the twenty-first century.

History beyond apartheid explores post-apartheid developments in history writing on South Africa, offering a corrective to charges that South African historiography has seen little in terms of innovation in the years since apartheid. With contributions from scholars involved at the cutting edge of research, the book highlights innovative approaches that have re-shaped the field, situating them in the context of the extant literature. In addition to offering fresh perspectives on the traditional themes of race, class and nation, the book covers histories of the environment, women, creative literature and the fine arts, and of South Africa's global connections and transnational entanglements. The book offers critical reflections on the theoretical and methodological aspects that guide the contributors' work, looking simultaneously backwards at the intellectual traditions on which their scholarship builds, and forward to potential future areas of inquiry informed by unresolved questions. The resulting collection offers an essential resource for emerging and established scholars involved in the practice of South African historiography.