Bücher veröffentlicht von Manchester University Press

What should we do with heritage damaged in conflict? Instead of succumbing to the tempting response of 'reconstruct it, just as it was!', British Iraqi archaeologist, Dr Zena Kamash, invites readers to think first and foremost about what might be most beneficial to the local communities of Syria and Iraq.Charting a path through the colonial histories of, and into the trauma of war in, Syria and Iraq, this book examines the projects and responses currently on offer and explores their flaws and limitations, including issues of digital colonialism, technological solutionism, geopolitical manoeuvring, media bias and community exclusion. By drawing on current research into the psychology and neuroscience of trauma and trauma recovery, as well as inspiration from artists and creative thinkers who challenge the status quo, readers are encouraged to reflect on how we might use heritage to promote healing and wellbeing for Syrian and Iraqi communities. In so doing, this book asks us to envisage gentler, ethically-driven ways to respond to heritage damaged in conflict that recentres people, and their hopes, dreams and needs, into the heart of these debates.

Drawing from both past and present, using the interdisciplinary hermeneutics of theatre, politics, and performance, this collections explores: how to do activism, make theatre, and be in the world through the Leftist paradigms and ethos? What are the political, cultural, personal, and collective dramaturgies through which to recuperate the Leftist care for commons for our time? The Left is framed here as a large umbrella term for a range of progressive cultural and political practices, as well as a way of living/being in the world. The focus on plural cultural Lefts draws attention to different histories of Leftist political and cultural practices and to the dialectics between official and unofficial Lefts--between the totalising ideological framework and its smaller-scale manifestations. The conceptual focus is on the dialectics of the macro- and the micro-plane of the Leftist histories, legacies, and current forms of resistance as they occur through different dramaturgies of activism, but also through theatre and everyday life.In our times of political confusion--when Leftist agendas and struggles often collapse or become appropriated by Right--the necessity of recovering the Leftist ethos of solidarity, social justice, and care for the commons seems more urgent than ever. How to grapple with the complexities of the Left: its theatres and theatricalities, its modes of activism, its subjects and subjectivities?

Peace processes around the world are not sustainable unless they take young people-who have the most to lose from continued conflict-seriously. The recent global Youth, Peace, and Security Agenda (YPS) officially recognised the "positive" role that young people can play in peacebuilding processes, which means that the time is ripe to consider exactly how youth are or are not "inclusively represented", do and do not undertake "meaningful participation", and are recognized-or fail to be recognized-in the in the institutions and practices of global peacebuilding. The contributors to this volumeexplore the significance of YPS and use case studies from around the world-from South Sudan to the Asia-Pacific region, from Colombia to the USA-to assess the current state of young people's participation, inclusion and innovation in peacebuilding. They argue that states are often afraid of the potential revolutionary power of their young people, which lead them to systematically marginalise their youth. When formal "youth participation" becomes a way of safely invisibilizing young people in official peace processes, it falls far short of the contributions young people need to make to ensure that peace is sustainable. Youth often find more success working outside of official systems to create and nurture peace on their own terms.The contributors offer guidance for ways to bridge the disconnect that exists between institutional assumptions and expectations for youth as peacebuilders and the actual sustainable peace leadership of youth.

Peace processes around the world are not sustainable unless they take young people-who have the most to lose from continued conflict-seriously. The recent global Youth, Peace, and Security Agenda (YPS) officially recognised the "positive" role that young people can play in peacebuilding processes, which means that the time is ripe to consider exactly how youth are or are not "inclusively represented", do and do not undertake "meaningful participation", and are recognized-or fail to be recognized-in the in the institutions and practices of global peacebuilding. The contributors to this volumeexplore the significance of YPS and use case studies from around the world-from South Sudan to the Asia-Pacific region, from Colombia to the USA-to assess the current state of young people's participation, inclusion and innovation in peacebuilding. They argue that states are often afraid of the potential revolutionary power of their young people, which lead them to systematically marginalise their youth. When formal "youth participation" becomes a way of safely invisibilizing young people in official peace processes, it falls far short of the contributions young people need to make to ensure that peace is sustainable. Youth often find more success working outside of official systems to create and nurture peace on their own terms.The contributors offer guidance for ways to bridge the disconnect that exists between institutional assumptions and expectations for youth as peacebuilders and the actual sustainable peace leadership of youth.

This book offers a new analytical framework for the multi-layered processes of politicising and gendering care for older people, understood as an inherently political and gendered condition of human existence. It brings together contributions that focus on different manifestations and interpretations of these processes in several European settings and at various societal and political levels. It investigates how care for older adults varies across time and place and aims to provide an in-depth comprehension of how it becomes an arena of political struggle and the object of public policy and political intervention. The book comprises multidisciplinary research stemming from gender studies, history, political science, public policy, social anthropology, social work, and sociology. These analyses examine the issue of care for older people as a political concern from many angles, such as problematising care needs, long-term care policies, home care services, institutional services and family care. The book's contributions reveal the diversity of situations in which the processes of politicising and gendering care for older adults overlap, contradict or reinforce each other while leading to increased gender (in)equalities on different levels - familial, professional, and societal. Both caring for older adults or being taken care of when becoming old(er) or frail are potentially a feature of any personal trajectory, which is always contextually situated. Therefore, this book is an invitation to reflect upon care for older people as an issue particularly significant at any time and relevant at any societal level or socio-political sphere.

Sexual politics in revolutionary England explores the sudden appearance of graphic sex-talk in polemical print during the English Revolution. This was a novel development, for prior to 1640, explicit sexual language in England was largely confined to subversive oral and scribal forms. Yet after the collapse of press licensing that accompanied the outbreak of civil war, it rapidly evolved into a vital component of mid-century public culture. By the Stuart Restoration, sexual politics had become a routine element of English political life.This book tells that story for the first time in a sweeping narrative account. Drawing on print and manuscript sources from dozens of archives, it traces the evolution of explicit sex-talk from its pre-war underground roots into a premier mode of public politicking during the 1640s and 1650s. In those years, contemporary ideas about sex and the body invaded crucial mid-century debates over religious toleration, sectarian radicalism, and patriarchal kingship to dramatic effect. In the process, the book shows, sex-talk became a key tool of partisan identity formation and military mobilization, as contemporaries repeatedly portrayed themselves as morally upright patriarchs and their enemies as promiscuous lechers. By 1660, twenty years of increasingly visible sexual politics had laid formative groundwork for the libertine antics of Charles II's courtiers as well as the caustic slanders levelled against the Restoration court by its godly critics. This book therefore offers an important new context for approaching the history of late Stuart sexual culture - and through it, that of Western sexuality more broadly.

This collection brings together a range of methodological approaches to analyse textual and visual representations of premodern royal and elite sexualities to push beyond what has in the past and in some instances continues to be a binarized approach to sexualities whether described as heterosexual or homosexual; licit or illicit; queer or straight and so on. The contributors to this collection present fresh theories and approaches to the consideration of premodern sexualities and aim to lay down durable foundations for further research and study. Being the richest source for the investigation of premodern sexualities and their representations, the primary source base for the collection rests upon chronicles, archival materials, artistic production, and literary texts. Building upon previous work in the field of royal and elite sexualities, it is anticipated that these primary sources will be signposts to further exploration in the fields of royal and monarchical studies while also advancing wider analyses and interdisciplinary conversations around intersectionality and sexualities more broadly imagined.

Understanding and theorising the translocational, multiscalar, intersectional nature of urban gendered violence and resistance to it in Rio de Janeiro and London.

False profits of ethical capital is an important and unique contribution to understanding sustainability politics.Moving beyond observations of the inadequacies of responsible business as a vehicle for social change, this book argues that ESG investing and related corporate responsibility practices facilitate profit through speculation on ethics. Parfitt frames ethical capital as a process through which political challenges to capital accumulation on social and environmental grounds are transformed into opportunities for profit. A speculative moral economy prevails, in which it is assumed that business can do well and do good at the same time, belying the conflicts between different "stakeholders". The practices of stakeholder capitalism aim to neutralise the ethical dilemmas presented by overlapping social, ecological and economic crises, and in the process, alienate ethics from the human being and transform them, via financial calculus, into metrics that inform value relations. These processes manifest in ESG investing, sustainability reporting and corporate branding exercises.False profits exposes the contradictions that are concealed by sustainability politics, and suggests an alternative frame for thinking through the strategic challenges of contesting ethical capital.

After the end studies the enduring legacy of Cold War culture in current debates and concerns around risk, security, borders, environmental justice, inequality, and apocalypse. The chapters trace this legacy from the ideologies of survivalism through global fantasies of bunkering from Switzerland and Alban to Taiwan and India to current imaginings of post-apocalyptic worlds. Pike argues that the real and imagined spaces of sheltering continue to inform in foundational and often unrecognized ways; not only in cultural forms such as literature, film, comics, music, and the built environment, but also policy and political formulations. The book documents the ways the Cold War affected its primary antagonists and how the rest of the world processed the fallout of this antagonism. It surveys the fate of Cold War fortifications and shelters as they are repurposed for twenty-first century needs. After the end shows how counter-visions appropriating those same apocalyptic forms have emerged from the global South and from marginalized populations within the U.S. and elsewhere to challenge the lingering verities of the Cold War years.

Ambiguity has been engaged historically by disciplines concerned with knowledge and its production. From the classical fields of mathematics, philosophy and logic to the natural, behavioural and social sciences, each approached it as something to be controlled, resolved or utilised. If anthropology's goal is to study what it means to be human, a focus on ambiguity holds tremendous promise for continuing to expand upon this mission. Positioning ambiguity as part and parcel of the experience and expression of life, this book is an exploration of sitting and being with ambiguity in all its forms and modes of expression. It provides an atlas of ambiguity across 13 ethnographic contexts to consider what is in stock for ordinary citizens as they navigate life and draw individual and collective meaning. Through examinations of human crisis, natural hazard, political and economic tension, public health, policymaking, activism and of personhood, ambiguity is explored as a source of productive tension. The volume demonstrates ambiguity's power as a constituent force of openness, timelessness and plasticity. Theoretically, the volume's chapters are influenced by, and yet extend upon, existentialism and humanism within sociocultural anthropology, especially the work of The Manchester School, and the philosophy of Simone de Beauvoir. In turn, ambiguity is held to be a source of dynamism across the usual divides of knowledge and experience, certainty and uncertainty, and ontology and non-ontology, with the noise of ambiguity 'feedback'valuable for social analysis and for doing and writing anthropology.

Why and how do people affected by mining embrace or resist mining? Do the struggles of local communities, activists and NGOs matter on a global scale? Why are global private standards for social and environmental impacts of mining proliferating so quickly? Have multinational mining corporations fully shifted to participation as a strategy to undermine resistance? This book introduces answers these questions and more by developing an original political economy approach which It places company-community conflict in the context of shifting global crises in the social and environmental governance of mining. The author draws on new evidence from three detailed Indonesian cases to explain how participatory mechanisms continuously reshape and are reshaped by community-corporate conflict. Findings highlight feedback between local social relations, conflict, transnational activism, crises of legitimacy and global governance.Extractive accumulation is the collection of strategies and relationships at local, national and global scales that enable corporations to secure natural resources and profit from their extraction within global capitalist economies. Corporate social responsibility, community development, 'gender-mainstreaming' and environmental monitoring are neither simple outcomes of corporate ethics nor mere greenwashing strategies. Rather, participation is a mechanism to undermine resistance and create social relations amenable to extractive accumulation. Combining the 'modes of participation' approach with social reproduction theory and Gramscian political economy, the book provides a fresh look at the institutions and ideologies shaping corporate management of social and environmental conflicts.

Rochester and the pursuit of pleasure, the fourth full-length study of Rochester's work since David Vieth's pioneering edition of The Compete Poems (1968), is the first to bring together a reading of John Wilmot's poetry, dramatic works, and letters. The book makes three claims, all perhaps unexpected. Though a biographical interpretation of Rochester's work is fraught with risks, theoretically and in terms of the surviving literary and biographical material, Rochester's work should be read in a biographical context. Rochester drew upon his emotional, intellectual, and religious life. He wrote about what engrossed him, seeking answers to real life questions. Showing the role that biography plays in interpreting Rochester's work illuminates, moreover, a central problem in Rochester criticism, the relationship of poet to his speakers. Reading the works as doing something for the poet and his audience reveals that they cluster about a central theme, the pursuit of pleasure, a complex process in which many of Rochester's mid-seventeenth century contemporaries were engaged. No longer sure under the old dispensation of their duties--familial, political, religious, or artistic--they sought new grounds for their motivations. For Rochester this pursuit of pleasure has its roots in Christianity. Rochester's work, that is, everywhere reflects his Christian and God-fearing upbringing and provides evidence of an excessive preoccupation with, and, at the end of his life, acceptance of Christianity. As the various speakers and the man himself pursue pleasure by courting king, wife, mistresses, and the craft of writing, they in humorous, perverse, even criminal ways court God.

The edges of cities are increasingly understood as places of dynamism and change, but there is little research on African urban peripheries and the nature of building, growth, investment and decline that is shaping them. This multi-authored monograph examines African urban peripheries through a dual focus on the logics driving the transformation of these spaces, and the experience of living through these changes. As well as exploring the generic dynamics of peripheral change across the continent, it provides rich qualitative insights into the specificity and distinctiveness of a range of peripheral locations. Using substantial comparative empirical data from city-regions in Ethiopia, South Africa and Ghana, in conversation with research in other African contexts, it provides a cogent analysis of spatial transformations and everyday life on the African city periphery. It argues that urban peripheries are formed through five distinct but interconnected logics that capture the complexities of periphery formation and changes therein. However, it illustrates that to fully understand the nature of change in urban peripheries we need to situate these logics in relation to the varied lived experiences of people living there. Developed within a framework of comparative urbanism, the book considers multiple issues, including economic and infrastructural transitions, political practices, social outcomes and differences, and spatial and material changes. In order to bring the realities of 'living the periphery' to life, the book foregrounds the voices of residents throughout, supported by visual images.

What happens when the elitist space of 'Western' classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? Sounding difference addresses these timely concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and legacies of imperialism. Against persistent social exclusions in the sector, and sharpening inequality and upsurging ethnonationalism in Europe, the book draws from ethnographic and interview data to analyse how diversity discourses become constructed in the organisational and creative processes of music production. From rehearsal and performance practices to the impact of the Covid-19 pandemic on the sector's commitment to change, Kolbe reveals the institutional constraints and precarious labour relations that form around diversity work in classical music and skilfully considers what these processes can tell us about the remaking of class, race, and racism today. Overall, Sounding difference makes visible the contingent ways in which diversity discourses in the cultural industries contribute to the endurance of white middle-class social domination, yet also draws out under which conditions they may unlock a more radical cultural politics predicated on creative and social justice.

Based on the findings of a 15-month research project led by the Centre for Cultural Value, this significant new book offers a comprehensive overview of the impacts of Covid-19 on the UK's cultural sector and highlights implications for its future direction.The book provides a summary of the local, regional and national policy responses to the crisis. It offers a rigorous statistical analysis of the impacts of these policy responses and of the pandemic itself on the cultural workforce across the UK and a mixed-methods analysis of audiences' responses to the pandemic. These insights are nuanced and illustrated via detailed case studies of a number of key sub-sectors of the cultural industries (theatre, museums and galleries, screen industries, libraries and festivals) and via an ecosystem analysis of the Greater Manchester city-region. The book identifies and critically reflects on the core, recurrent themes that have emerged from the research and highlights the implications for cultural practitioners, organisations, funders and policymakers as we move into the endemic stage of Covid-19. It advocates for a more equitable and regenerative cultural sector, where freelancers and marginalised cultural workers and audiences are valued and included, and for a more engaged and collaborative approach to cultural sector research to enable to sector to know itself better and adapt to rapid change.

A pasticcio opera is created from pre-existing music, texts or both. This way of creating operas began soon after 1600 and still continues today, yet twentieth-century musicologists, steeped in neoromantic assumptions, felt that purely original works had to be better than collaborative ones, or composites, and must have been more valued and widespread. They presented pasticcio as a marginal genre within opera which came to an end in the early nineteenth century. This narrative was achieved by allowing only those operas which designated themselves a pasticcio to be categorised as such.The book challenges this perspective, arguing that pasticcio is a method of creating opera not a genre. The word was coined in the 1720s but the practice had existed long before long before and continued long after the word fell out of favour; many operas that are patently pasticci did not describe themselves as such and the practice can be found in many other artforms. Pasticcio is studied over a long timeframe as its evolutions were stimulated by cultural transitions with similarly long timespans: Britain's gradual shift from a proto-literate to a mass-literate society and shifts in conceptualising the self among others. As a practice, pasticcio came under critical pressure in the nineteenth century, not just in opera but in sculpture, the restoration of antiquities and in making commodities such as wine. Yet far from coming to an end in this century, as once argued, pasticcio continued into and beyond the twentieth century

Enthusiastically praised by Charles Lamb and A. C. Swinburne but unjustly neglected since the early twentieth century, Thierry and Theodoret dramatizes events from medieval French history, and it makes them particularly memorable by portraying the scariest villainess in early modern drama -- the unblinkingly evil Brunehaut, whose relentless pursuit of self-determination in the guise of unchecked sexual freedom leads her to plot the assassination of her two sons and a human sacrifice. The play explores the delicate nexus between misogyny, gender paradigms, and power in a patriarchal system, while glancing at recent political events in Paris and London in a way sufficiently aslant not to raise the censor's eyebrows. With its disenchanted depiction of royalty, its eerie instability in terms of genre, and its black comic overtones, Thierry and Theodoret strikes as a distinctive specimen of tragic drama in the Jacobean mould and ranks as one of the most powerful plays in the canon of John Fletcher and his collaborators. This Revels Plays volume is the first fully annotated critical edition of the play, and the first to attribute it to Nathan Field alongside Fletcher and Philip Massinger. It provides a thorough introduction reassessing the play's engagement with its classical and contemporary sources -- including Shakespeare -- and discusses the dating, authorship, and reception of this bizarrely captivating play, pointing the way for future scholarship, especially of a historical or gender-based nature. With its modernized spelling and detailed on-page commentary, this edition makes the play newly accessible to readers, students, and theatre practitioners.

A study of the relationship between medieval history and fiction, exploring the political and cultural contexts of the entry of fairies to the historical record in twelfth century England, and the subsequent uses of fairy narratives in both insular and continental history and romance.Beginning with accounts of fairy mothers in the works of Walter Map and Gerald of Wales, the book traces the uses of the fairy as a contested marker of historicity and fictionality in the continental mirabilia of Gervase of Tilbury, and the fourteenth and fifteenth century French Mélusine romances and their early English reception. Working across insular and continental source material, Fantastic Histories explores the practices of history-writing, fiction-making, and the culturally determined boundaries of wonder that defined the limits of medieval history, and its relationship to the dominant political and cultural interests that determined whose fantasies were false and whose were the stuff of history.

Home front heroism investigates how civilians were celebrated as heroic during the Second World War. It explores how conflict altered the relationship between the civilian and state, and how this shift created unique opportunities for civilians to behave heroically and be framed as heroic. From acts of life-risking bravery to displays of endurance, this book explores how constructions of Home Front heroism were flexible and malleable, and directly linked to the impact of war. Through exploring the spatial, material, corporeal and ritualistic dimensions of heroic representations, this book offers the first comprehensive study of Home Front heroism. Through a focus on London, it explores how heroism was manufactured through the way that civilians occupied spaces of production and danger, through the use of uniforms and gallantry medals, and in the way that civilians were wounded and killed during periods of bombardment. It particularly questions why certain individuals or virtues were identified and raised as heroic, and the motivations behind the constructions. This study provides a valuable contribution to the study of heroism and promotes new ways of thinking about the meaning and value of heroism during periods of conflict. By drawing on a range of sources, including films, posters, art, legislation, government correspondence, newspapers, diaries and memoirs, this study reveals that Home Front heroism was produced on a national, local and personal level. It will appeal to anyone interested in the social and cultural history of the Second World War as well as the sociology and psychology of heroism.

This book opens the doors to the homes of the forgotten poor and traces the goods they owned before, during and after the industrial revolution. Using a vast range of sources, it argues that the poor owned greater numbers and varieties of items with each generation and that poverty did not always mean living in squalor.

This book explores Roman Catholic female missionaries and their placement in colonial and postcolonial India. It offers fascinating insights into their idiomatic activism, juxtaposed with a contrarian Protestant raj and with their own church patriarchies. During the Great Revolt of 1857, these women religious hid in church steeples. They were forced into the medical care of sexually diseased women in Lock Hospitals. They followed the Jesuits to experimental tribal village domains while also catering for elites in the airy hilltop stations of the raj. Yet, they could not escape the eugenic and child rescue practices that were the flavour of the imperial day. New geographies of race and gender were also created by their social and educational outreach. This allowed them to remain on the subcontinent after the tide went out on empire in 1947. Their religious bodies remained untouched by India yet their experience in the field built awareness of the complex semiotics and visual traces engaged by the East/West interchange. After 1947, their tropes of social outreach were shaped by direct interaction with Indians. Many new women religious were now of the same race or carried a strongly anti-British Irish ancestry. In the postcolonial world their historicity continues to underpin their negotiable Western-constructed activism - now reaching trafficked girls and those in modern-day slavery. The uncovered and multi-dimensional contours of their work are strong contributors to the current Black Lives Matter debates and how the etymology and constructs of empire find their way into current NGO philanthropy

This study charts how exhibitions were used for propaganda and political intervention during the two decades from 1933: giving urgent warnings against the rise of fascism, providing practical information about how to live frugally and signalling international political alignments, beliefs and affiliations.

Transitional justice in process is the first book that comprehensively studies the Tunisian transitional justice process, covering its initiation, design, and performance.

According to numerous scholars and policymakers, Roma are the most disadvantaged ethnic minority in Europe. But while the predicament of Roma has often been discussed, it is invariably seen as an unfortunate anomaly in otherwise inclusive liberal democratic states. The fringes of citizenship offers a novel socio-legal enquiry into the position of Roma as marginalised citizens, using the perspective of global citizenship studies. It argues that while the Romani minorities in Europe are unique, the forms of civic marginalisation they face are not. States around the globe have applied similar legislation and policies that made traditionally settled minorities marginalised. The book examines topics such as free movement and migration, statelessness and school segregation, as well as how minorities themselves respond to marginalisation. It shows how minorities can have a wide spectrum of 'multicultural rights' and still face racism and significant human rights violations. To understand this paradox, the book offers new theoretical concepts, such as the 'invisible edges' of citizenship and 'citizenship fringes'. The fringes of citizenship will be of interest to students and scholars of citizenship, migration, ethnic and racial studies. It also contains much that will be of value to policymakers dealing with human and minority rights, as well as to general readers eager to understand the position of Roma as citizens.