Bücher veröffentlicht von Manchester University Press

Representing the first in-depth qualitative study of how social media such as Facebook, Twitter, and YouTube are used to mediate contentious public parades and protests in Northern Ireland, this book explores the implications of mis-and dis-information spread via online platforms for peacebuilding in societies transitioning out of conflict. -- .

Intimacy and injury maps the travels of the global #MeToo movement in India and South Africa. Both countries have shared the infamy of being labelled the world's 'rape capitals', with high levels of everyday gender-based and sexual violence. At the same time, both boast long histories of resisting such violence and its location in wider cultures of patriarchy, settler colonialism and class and caste privilege. Voices and experiences from the global north have dominated debates on #MeToo which, although originating in the US, had considerable traction elsewhere, including in the global south. In India, #MeToo revitalised longstanding feminist struggles around sexual violence, offering new tactics and repertoires. In South Africa, it drew on new cultures of opposing sexual violence that developed online and in student protests. There were also marked differences in the ways in which #MeToo travelled in both countries, pointing to older histories of power, powerlessness and resistance. Through the lens of the #MeToo moment, the book tracks histories of feminist organising in both countries, while also revealing how newer strategies extended or limited these struggles. Intimacy and injury is a timely mapping of a shifting political field around gender-based violence in the global south. In proposing comparative, interdisciplinary, ethnographically rich and analytically astute reflections on #MeToo, it provides new and potentially transformative directions to scholarly debates that are rarely brought into conversation with one another. With contributors located exclusively in South Africa and India, this book builds transnational feminist knowledge and solidarity in and across the global south.

European cities: Modernity, race and colonialism is a multidisciplinary collection of scholarly studies which rethink European urban modernity from a race-conscious perspective, being aware of (post-)colonial entanglements. The twelve original contributions empirically focus on such various cities as Barcelona, Buenos Aires, Cottbus, Genoa, Hamburg, Madrid, Mitrovica, Naples, Paris, Sheffield, and Thessaloniki, engaging multiple combinations of global urban studies, from various historical perspectives, with postcolonial, decolonial and critical race studies. Primarily inspired by the notion of Provincializing Europe (Dipesh Chakrabarty) the collection interrogates dominant, Eurocentric theories, representations and models of European cities across the East-West divide, offering the reader alternative perspectives to understand and imagine urban life and politics. With its focus on Europe, this book ultimately contributes to decades of rigorous critical race scholarship on varied global urban regions. European cities is a vital reading for anyone interested in the complex interactions between colonial legacies and constructions of 'modernity', in view of catering to social change and urban justice.

Redefining untouchability brings new light to the intellectual life of the B.R. Ambedkar, one of India's most important thinkers of the last century. Usually under the shadow of Indian nationalist such as Gandhi and Nehru, the importance of Ambedkar's political thought remains largely unexplored. Ambedkar's main concern throughout his life was the abolition of untouchability, which he fought throughout his writings and politics. Ambedkar's place in the history of Indian political thought is unique. Coming from one of the most oppressed communities in India, he received doctoral degrees from Columbia University and the London School of Economics. Similarly, Ambedkar familiarised himself with the newest anthropological, political and sociological theories emerging at the turn of the twentieth century. Influenced by the thought of Franz Boas and John Dewey, among others, Ambedkar showed his followers that their condition of oppression was fluid and malleable, it could be changed as it was not dependent on karma from previous lives. By analysing untouchability and its links to religion and ideologies of racial supremacy, Ambedkar exposed untouchability as an economic, political and cultural system designed to oppress Dalits. He demanded political and educational rights to bridge the inequalities present in the lives of his followers. For Ambedkar, India required a social and a political revolution beyond the scope of nationalist aspirations. At a time when inequality and injustice is still rampant in India and elsewhere, recovering the value of Ambedkar's thought is paramount.

The 'baby boom' generation, born between the 1940s and the 1960s, is often credited with pioneering new and creative ways of relating, doing intimacy and making families. With this cohort of men and women in Britain now entering mid and later life, they are also said to be revolutionising the experience of ageing. Are the romantic practices of this 'revolutionary cohort' breaking with tradition and allowing new ways of understanding and doing ageing and relating to emerge? Based on an innovative combination of ethnographic fieldwork in salsa classes and life history interviews, this book documents the meanings of desire and romance, and 'new' - or renewed - intimacies, among women in mid and later life. Beginning with women at a transition point, when they were newly single or newly dating in midlife, the chapters look back over life histories at prior relationship experiences at different life stages, engage with the fine-grain of navigating the terrain of dating and repartnering in midlife, and look forward to hopes for future intimacies. Fieldwork in salsa classes demonstrates the sensory, sensual and affective nature of heteronormativity whilst biographical interviews show how femininity is informed by memories of the past, of the generations that came before and class-based desires. Making important contributions to our understanding of ageing, intimacy and gender this book illuminates the intersections of age, class and whiteness in romance and desire. We see how rather than being revolutionary, a pervasive concern with being respectable throughout the lifecourse endured.

Agents of European Overseas Empire overhauls our understanding of the early modern European imperial history as well as the extent of the participation of early modern polities in the conduct of European overseas trade and colonisation. Contributions from historians based in Belgium, France, Germany, Great Britain, and the United States focus on the 'private' interests, as we would term them today, that initiated the pursuit of overseas commercial and colonising interests during the early modern period. They track the networking of various agents, be they colonisers, traders, and thinkers, who pursued early modern European global interests and who conducted their activities both with and without the approval of polities. These networksconstituted the ligaments that bound these far-flung endeavours to the respective sovereigns but also, paradoxically, exposed the laxity entailed in those ligaments in the form of smuggling and piracy as well as endemic jockeying for economic and political advantage.This collection relegates 'the state' to its appropriate secondary, reactive role in this history, but also avoids exaggerating the place of colonials, especially with respect to conflict with metropolitan interests, in the development of the Dutch, English, French, and Spanish Empires.

The loneliness room uniquely draws upon the art of ordinary people to explore and explain how and why they experience loneliness today. Refusing to hold to a single definition of loneliness, the book instead uses the metaphor of the loneliness room to enable people to submit artistic responses that are personal and political, and which often refute and resist the pathology that is attached to feeling lonely in the world.The loneliness room examines the art and media forms that so often are charged with representing loneliness, taking in photography, paintings, film, the documentary, music and sound, and poetry and literature. The book powerfully shows how these representations create discourses in and around loneliness which lays its cause and consequences and the doors of individuals rather than at the political and economic structures of neo-liberal capitalism.The loneliness room advances the tools and methods of audio-visual ethnography, showing how creative practice affords new opportunities for data gathering. As a book, it transforms not only the way we understand loneliness, but the practices we employ to better understand it.

This is the first comprehensive history of goth music and culture. John Robb explores the origins and legacy of this enduring scene, which has its roots in the post-punk era. Drawing on his own experience as a musician and journalist, Robb covers the style, the music and the clubs that spawned goth culture, alongside political and social conditions. Reaching back further into history, he examines key events and movements that frame the ideas of goth, from the fall of Rome to Lord Byron and the romantic poets, European folk tales, Gothic art and the occult. Finally, he considers the current mainstream goth of Instagram influencers, film, literature and music. The art of darkness features interviews with Siouxsie and the Banshees, The Cure, The Damned, Nick Cave, Southern Death Cult, Einstürzende Neubauten, Bauhaus, Killing Joke, Throbbing Gristle, Danielle Dax, Lydia Lunch and many more. It offers a first-hand account of being there at the gigs and clubs that made the scene happen.

Ranging across more than two centuries of literature and the visual arts, this edited collection of twelve original essays examines the compelling, much-overlooked subject of Gothic dreams and nightmares. Written by an international group of experts, including leading and lesser-known scholars, this interdisciplinary study promotes the reconsideration of the vastly under-theorised role of the subliminal in the Gothic. It begins with an exploration of the varied intellectual and cultural matrices of the eighteenth- and nineteenth-century Gothic, recognising the Gothic's frequent oneiric inspiration, thematic focus, and atmospherics; a line of inspirational transmission and aesthetic experimentation with the subliminal usually signposted by the artists themselves. It goes on to examine the range of literary forms and experimental aesthetics through which these phenomena were conceived - from Horace Walpole's incorporation of Giovanni Battista Piranesi's 'sublime dreams' in The Castle of Otranto into the early Gothic novel and Romantic poetry, through the paintings of Henry Fuseli and Francisco Goya, nineteenth-century British and European Gothic novels and short stories, into Surrealism and twenty-first-century visual media. Remaining attentive to the cross-fertilisation between medical, philosophical, scientific, and psychological discourses about sleep and sleep disorders (parasomnias), and their cultural representations, this volume considers Gothic dreams and nightmares in various national, cultural, and socio-historical contexts, engaging with questions of metaphysics, morality, rationality, consciousness and creativity. Gothic dreams and nightmares' cross-disciplinary interrogations will have theoretical ramifications for Gothic, literary, and Cultural Studies more broadly.

Everywhere dogs are found, they are stitched into human hearts. But are humans stitched into dogs' hearts? Countless celebrations of 'the dog-human bond' suggest that they are. Yet 'the bond' does not always come easily to dogs. Dog politics seeks to denaturalise, in different ways, dogs' 'species story, ' the scientific story that claims that being with humans somehow constitutes dogs' evolutionary destiny. This book asks what evidence exists for this story, what choices dogs have but to go along with it, and what expectations, demands, and burdens it places on dogs, on a daily basis. In doing so, it offers an unfamiliar and discomforting account of the lives of domesticated dogs' today. Dog politics is an empirical investigation of dogs in science which makes important theoretical contributions to debates of contemporary significance. It addresses how the connections between animal behaviours and species identities are established in theory and practice. It analyses the enduring entanglement of racism and speciesism, and how the interlocking relations between these prejudices are shaped by the different ways that the categories of 'race' and of species are conceived of in science over time. In the light of the reification and exploitation of dogs' perceived relationality with humans, it looks again at the ethics and politics of intersubjectivity, becoming-with, entanglements. It disputes that species can be separated from storying. Above all, Dog Politics shows how species stories erase the singular individual animal as a figure of theoretical, methodological, ethical, and political value, and with what dire consequences.

Reflecting on the evolution of Russia studies since the end of the Cold War, this study offers a robust critique of the mainstream view of Russia and offers a more dynamic and complex model for interpretation. -- .

This volume explores the life histories of a wide range of radical figures whose political activity in relation to the black liberation struggle was catalysed or profoundly shaped by the global impact and legacy of the Russian Revolution of 1917, including C.L.R. James, Paul Robeson, Walter Rodney and Grace P. Campbell.

Survival Capitalism is a cultural history of the 1980s financial revolution. It ranges in scope across the Thatcher government, the Bank of England, London Stock Exchange and member firms, and Lloyd's of London. It offers timely new perspectives on the City of London's Big Bang reforms as the Conservatives contemplate Big Bang 2.0 in the 2020s.

This book provides a novel approach towards the urban life of working-class communities, using the example of Russia's post-industrial cities. Focusing on the sensual, imaginary and practical aspects of everyday struggles, this approach helps explain how workers produce micro-change in urban space under neoliberal neo-authoritarianism.

The book situates Iran within the motions and tendencies of global capitalism and resulting geopolitics to analyse the process of Iranian neoliberalisation and its impacts on the reconfiguration of the ruling class; reshaping of the subaltern classes and their struggles; reorganisation of the form of the state; and foreign policy of the country.