Bücher veröffentlicht von Martino Fine Books

2014 Reprint of 1956 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. In "Bread in the Wilderness," Merton looks at the psalms as poetry; in this book he regards them as prayer. Guiding the reader through the more representative psalms, he explains why the Church also considers the psalms as the best way to praise God. According to Merton:"To put it very plainly, the Church loves the Psalms because in them she sings of her experience of God, of her union with the Incarnate Word, of her contemplation of God in the Mystery of Christ....If we really come to know and love the Psalms, we will enter into the Church's own experience of divine things. We will begin to know God as we ought." (pg.9)

2013 Reprint of 1950 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. This book is a collection of four essays published by Pareto regarding the ruling class in Italy. The major essay is in English and the rest are in French. Essays include:1. The Parliamentary Regime in Italy.2. Lettre d'Italie [two essays]3. L'Etatisme en ItalieIt is a basic axiom for Pareto that people are unequal physically, as well as intellectually and morally. In society as a whole, and in any of its particular strata and groupings, some people are more gifted than others. Those who are most capable in any particular grouping are the elite. The term "elite" denotes simply a class of the people who have the highest indices in their branch of activity. Pareto argues that "It will help if we further divide that [elite] class into two classes: a governing elite, comprising individuals who directly or indirectly play some considerable part in government, and a non- governing elite, comprising the rest." His main discussion focuses on the governing elite.

2013 Reprint of 1946 Fifth Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Mr. Hall, himself an honorary 33x Mason, reveals the profounder aspects of this ancient Fraternity which has been a source of inspiration to so many individuals through the centuries. The basic symbolism of the three degrees of the Blue Lodge is explained. The text can be read with profit by both new and old Masons, for within its pages lies an interpretation of Masonic symbolism which supplements the monitorial instruction usually given in the lodges. The leading Masonic scholars of all times have agreed that the symbols of the Fraternity are susceptible of the most profound interpretation and thus reveal to the truly initiated certain secrets concerning the spiritual realities of life. Freemasonry is therefore more than a mere social organization a few centuries old, and can be regarded as a perpetuation of the philosophical mysteries and initiations of the ancients. This is in keeping with the inner tradition of the Craft, a heritage from pre-Revival days. The present volume will appeal to the thoughtful Mason as an inspiring work, for it satisfies the yearning for further light and leads the initiate to that Sanctum Sanctorum where the mysteries are revealed. The book is a contribution to Masonic idealism, revealing the profounder aspects of our ancient and gentle Fraternity - those unique and distinctive features which have proved a constant inspiration through the centuries.Chapters Include:Chapter I - The Eternal QuestChapter II - The CandidateChapter III - The Entered ApprenticeChapter IV - The Fellow CraftChapter V - The Master MasonChapter VI - The Qualifications of a True MasonEpilogue

2013 Reprint of English. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. With Illustrations reproduced from original drawings by the author. "This is, in my opinion, one of the greatest poems in the language. The Earth Gods is, perhaps, a book for the mystic, a poet's book for poets, for the initiate and the dreamer of vast dreams. Yet I have known those who pride themselves on being highly practical and feet-on-the-ground, who disown any bent toward the mystical and the occult, to pronounce it a book of wonder and power. And as a child of seven to whom I read portions of the poem on request, says unvaryingly, 'Read it again!' This, perhaps, for the music and the almost unearthly beauty of rhythm."-Barbara Young, in This Man From Lebanon: A Study of Kahlil Gibran