Bücher veröffentlicht von McFarland and Company, Inc.

Post-9/11 fiction reflects how the September 11, 2001, attacks have influenced our concept of public space, from urban behavior patterns to architecture and urban movement. It also suggests a need for remapping the real and imagined spaces where we live and work. Through close readings of novels from both sides of the Atlantic, this analysis of the literary 21st century metropolis explores the fictional post-9/11 city as a global space not defined or contained by its physical limits.

The demanding workload and fast pace of college often overwhelm students. Without access to the right resources, many of the three million U.S. college students with disabilities fail or drop out--at a much higher rate than their peers. This guide helps students, parents, counselors and psychologists find the appropriate resources and accommodations to help students with disabilities successfully transition to college. The author explains Americans with Disabilities Act laws and outlines steps for requesting and implementing college staff, classroom and testing accommodations. Student testimonies are included, advising on which assistive technologies and resources have worked to achieve academic success.

Shattering any idea that librarianship is a politically neutral realm, this insider's account of seven debates from the floor of the American Library Association Council illustrates the mechanisms the governing body used to maintain the status quo on issues like racism, government surveillance and climate change. At play in each debate are rules of parliamentary procedure, appeals to authority, denial, and chastisement of librarians who pushed the ALA to make real its commitments to human rights and social justice. Providing a fascinating look at the Council's inner workings, the author parses debates concerning anti-apartheid boycotts; partnerships between ALA, McDonald's and the Boy Scouts of America; spying by the National Security Agency; censorship in Israel and the Occupied Territories; fossil fuel industry divestment; and the recent revival by ALA's Office of Intellectual Freedom of the infamous film The Speaker.

Prolific, popular and critically acclaimed, Michael Moorcock is the most important British fantasy author of his generation. His Elric of Melnibone is an iconic figure for millions of fans but Moorcock has also been a pioneer in science fiction and historical fiction. He was hailed as the central figure of the "New Wave" in science fiction, and has won numerous awards for his fantasy and SF, as well as his "mainstream" writing. This first full-length critical look at Moorcock's career, from the early 1960s to the present, explores the author's fictional multiverse: his fantasy tales of the "Eternal Champion"; his experimental Jerry Cornelius novels; the hilarious science-fiction satire of his "End of Time" books; and his complex meditations on 20th century history in Mother London and the Colonel Pyat tetralogy.

Dr. Herb Wong (1926-2014) was an internationally recognized jazz industry leader and the author of more than 400 liner notes from the 1940s through the early 2000s. He reviewed not only the tracks on those albums but the artists and their eras as well. This book features the best of Wong's liner notes, articles and album selections, his personal stories about the artists, and his illuminating one-on-one conversations with many jazz greats, providing an insightful jazz primer and invaluable discography.

American moviegoers have long turned to the Hollywood Western for reassurance in times of crisis. During the genre's heyday, the films of John Ford, Howard Hawks and Henry Hathaway reflected a grand patriotism that resonated with audiences at the end of World War II. The tried-and-true Western was questioned by Ford and George Stevens during the Cold War, and in the 1960s directors like Sam Peckinpah and George Roy Hill retooled the genre as a commentary on American ethics during the Vietnam War. Between the mid-1970s and early 1990s, the Western faded from view--until the Gulf War, when Kevin Costner's Dances with Wolves (1990) and Clint Eastwood's Unforgiven (1992) brought it back, with moral complexities. Since 9/11, the Western has seen a resurgence, blending its patriotic narrative with criticism of America's place in the global community. Exploring such films as True Grit (2010) and Brokeback Mountain (2005), along with television series like Deadwood and Firefly, this collection of new essays explores how the Western today captures the dichotomy of our times and remains important to the American psyche.

The great scientific, astronomical and technological advances of the 20th century inspired the science fiction genre to imagine distant worlds and futures, far beyond the discoveries of the here and now. This book explores science fiction films, television series, novels and short stories--from Lost in Space (1965-1968) to Fringe (2008-2013) to the works of Isaac Asimov and Stephen Baxter--with a focus on their underlying concepts of physics and astronomy. Assessing accuracy and plausibility, the author considers the possibilities of solar system, interstellar and faster than light travel; intelligent planets, dark (anti-) matter, the multiverse and string theory, time travel, alternate universes, teleportation and replication, weaponry, force fields, extraterrestrial life, subatomic life, emotional robots, super-human and parapsychological powers, asteroid impacts, space colonies and many other topics.

During its 33-season run, Mister Rogers' Neighborhood (1968-2001) left an indelible mark on millions of children and their caregivers. Perhaps no series in the history of children's television has done more to develop the identity and ethics of the child. More than a decade after Fred Rogers' death, he continues to attract an audience online. Yet despite the show's lasting impact it has been largely ignored by scholars. This collection of new essays focuses on Rogers' contributions to children's lives, to the media and to American culture at large. The contributors discuss his stance on the individual and the perception of self, his ideas about meaningful participation in a community and his use of television. Clearly, Mr. Rogers' ideas still strongly resonate.

A versatile craftsman, actor Van Heflin was never concerned with popularity or comfortable with stardom. Lauded by his peers, Heflin won over moviegoers with his portrayal of resolute homesteader Joe Starrett in George Stevens' classic Shane (1953). He impressed in all genres, convincingly portraying every type of character from heel to hero. Van Heflin first garnered attention as the sensitive, alcoholic friend of gangster Johnny Eager (1941), for which he won an Academy Award, and later gave notable performances in a string of noirs, dramas and westerns. He was memorable as the psychotic cop in Joseph Losey's masterpiece The Prowler (1951) but equally impressive as the doubtful executive in Jean Negulesco's smart satire Woman's World (1954). This first full-length biography of Heflin covers his early life as a sailor and his career on stage and screen, providing detailed commentary on all his films.

Moebius syndrome is a rare congenital neurological disorder affecting two to 20 out of every million newborns. Patients suffer from total facial paralysis and often cannot even close their eyes or move them from side to side. Unable to smile, frown or otherwise express emotion, their everyday personal relationships are deeply affected. Even eating (chewing) is a problem. This memoir of a woman with Moebius syndrome provides a first-person view of life ""behind the mask.""

Between 1887 and 1920, the humble hatpin went from an unremarkable item in every woman's wardrobe, to a fashion necessity, to a dangerous weapon (it was said). Big hair and big hats of the era meant big hatpins, and their weaponized use sparked controversy. There were ""good"" uses of hatpins, such as fending off an attacker in the street. There were also ""bad"" uses, such as when a woman being arrested tried to stab a police officer. But seriously: All those protruding pins seemed to threaten people everywhere in the public sphere. It did not sit well with the patriarchy, who responded with hysterical crusades and often ludicrous legislation aimed at curbing the hatpin and disarming American women.

In the 21st century, typhoid fever afflicts more than 21 million people each year, primarily in underdeveloped countries. In the age before sanitation and antibiotics, the infection was even more devastating, crippling entire armies and claiming the lives of both rich and poor. The story of typhoid is in many ways the story of modern medicine itself, with early efforts at treatment and prevention paving the way for our understanding of infectious disease in general. Many sought to understand and control the disease, including Robert Koch and Walter Reed. There were unsung heroes as well: Pierre Louis and William Gerhard, among the first to identify the disease's unique nature; William Budd, whose studies demonstrated its transmission through feces; and Georges Widal, whose test for the disease continues to be used in some areas. This book chronicles the fight against typhoid in the words of these and other medical pioneers, showing how far we have come and how far we have yet to go.

American military advisors in South Vietnam came to know their allies personally--as few American soldiers could. In addition to fighting the Viet Cong, advisors engaged in community building projects and local government initiatives. They dealt firsthand with corrupt American and South Vietnamese bureaucracies. Not many advisors would have been surprised to learn that 105mm artillery shells were being sold on the black market to the Viet Cong. Not many were surprised by the North Vietnamese victory in 1975. This memoir of a U.S. Army intelligence officer focuses on the province advisors who worked with local militias that were often disparaged by American units. The author describes his year (1969-1970) as a U.S. advisor to the South Vietnamese Regional and Popular Forces in the Mekong Delta.

Romance novels have attracted considerable attention since their mass market debut in 1939, yet seldom has the industry itself been analyzed. Founded in 1949, Harlequin quickly gained market domination with their contemporary romances. Other publishers countered with historical romances, leading to the rise of "bodice-ripper" romances in the 1970s. The liberation of the romance novel's content during the 1980s brought a vitality to the market that was dubbed a revolution, but the real romance revolution began in the 1990s with developments in the mainstream publishing industry and continues today. This book traces the history and evolution of the romance industry, covering successful (and not so successful) trends and describing changes in romance publishing that paved the way for the many popular subgenres flooding the market in the 21st century.

Presenting striking new evidence, this book shows that ""William Shakespeare"" was the pen name of William Stanley, son of the Earl of Derby. Born in 1561, he was educated at Oxford, travelled for three years abroad, and studied law in London, mixing with poets and playwrights. In 1592 Spenser recorded that Stanley had written several plays. In 1594 he unexpectedly inherited the earldom--hence the pen name. He became a Knight of the Garter in 1601, eligible to help bear the canopy over King James at his coronation, likely prompting Sonnet 125's ""Wer't ought to me I bore the canopy?""--he is the only authorship candidate ever in a position to ""bear the canopy"" (which was only ever borne over royalty). Love's Labour's Lost parodies an obscure poem by Stanley's tutor, which few others would have read. Hamlet's situation closely mirrors Stanley's in 1602. His name is concealed in the list of actors' names in the First Folio. His writing habits match Shakespeare's as deduced from the early printed plays. He was a patron of players who performed several times at court, and financed the troupe known as Paul's Boys. No other member of the upper class was so thoroughly immersed in the theatrical world.

On March 27, 1950, the author turned 17; ten days later he enlisted in the U.S. Army. During his training in Fort Belvoir, Virginia, he first learned of the "police action" in Korea, and like many others he volunteered for duty there. His biggest fear was that the action would be over by the time he arrived in Korea. Private Morrow was assigned as a rifleman in the 24th Infantry Regiment Combat Team, one of the most outstanding units in Korea and the last all black army unit; he served with distinction until he was wounded. After a short stint in Pusan, he became a paratrooper and rigger in the 8081st Airborne and Resupplying Company stationed in southern Japan. Throughout his time in the service, Private Morrow had to face the institutional racism of the U.S. Army where black soldiers consistently served longer and performed more dangerous duties than white soldiers. The effects of this on the 18-year-old private were longterm--and are described here.

This is a comprehensive overview of zombie movies in the first 11 years of the new millennium, the most dynamic and vital period yet in the history of the zombie genre. It serves not only as a follow-up to its predecessor (The Zombie Movie Encyclopedia, McFarland 2001), which covered movies from 1932 up until the late 1990s, but also as a fresh exploration of what uniquely defines the genre in the 2000s. In-depth entries provide critical analysis of the zombie as creature in more than 280 feature-length movies, from 28 countries and filmed on six continents. An appendix offers shorter entries for more than 100 shorts and serials.

The first work of its kind, this encyclopedia provides 360 brief biographies of African American film and television acPER010000tresses from the silent era to 2009. It includes entries on well-known and nearly forgotten actresses, running the gamut from Academy Award and NAACP Image Award winners to B-film and blaxpoitation era stars. Each entry has a complete filmography of the actress's film, TV, music video or short film credits. The work also features more than 170 photographs, some of them rare images from the Schomburg Center for Research in Black Culture.

Formula One has long maintained a glitzy aura that masks dark and strange goings-on in the background. But with the 2019 season came a force louder than Formula One could dream of muffling: William Storey, the founder of British energy drink startup Rich Energy. Storey became a multimillion-dollar sponsor of the Haas Formula One team a year after records showed Rich Energy having a mere $770 in the bank. He equated his doubters to moon-landing truthers and publicly mocked both the Haas team and the entities winning legal disputes against him. But where were actual cans of Rich Energy, and did the supposed sponsorship funds exist? In the six months between Storey's first race as a Formula One sponsor and his very public exit, he stole the spotlight with a loud mouth and an active Twitter account. Haas team boss Guenther Steiner once described the Rich Energy news cycle as: "I'm getting sick of answering these stupid fucking questions on a race weekend. I've never seen any fucking thing like this." No one else had, either. This book uncovers the complete, bizarre story.

In the opening days of World War II, a joint U.S.-Filipino army fought desperately to defend Manila Bay and the Philippines against a Japanese invasion. Much of the five-month campaign was waged on the Bataan Peninsula and Corregidor Island. Despite dwindling supplies and dim prospects for support, the garrison held out as long as possible and significantly delayed the Japanese timetable for conquest in the Pacific. In the end, the Japanese forced the largest capitulation in U.S. military history. The defenders were hailed as heroes and the legacy of their determined resistance marks the Philippines today. Drawing on accounts from American and Filipino participants and archival sources, this book chronicles these critical months of the Pacific War, from the first air strikes to the fall of Bataan and Corregidor.

Adopted as a child from the Masonic Home for Children at Oxford, Tommy Malboeuf grew up in Troutman, North Carolina before enlisting in the Navy in the early 1950s. After his military service, Tommy found occasional work surveying and operating heavy equipment, and he also found a personal passion in bluegrass fiddling. He performed and recorded with A.L. Wood and the Smokey Ridge Boys, Roy McMillan's High Country Boys, the Border Mountain Boys, L.W. Lambert and the Blue River Boys, C.E. Ward and his band, Garland Shuping, and Wild Country, among others. In the late 1990s, Tommy began teaching fiddle, maintaining a steady stream of students until at least the early 2000s. He continued to perform as a fiddler, filling in for a variety of local bands and recording cuts on records for bands such as Big Country Bluegrass. This text documents Tommy's life, from his humble beginnings to his lengthy fiddle career. Contextualizing Tommy's work within the Statesville-Troutman bluegrass "scene," chapters also explore the local bluegrass culture of the time. Tommy's extensive repertoire is also listed, including his spectacular fiddle contest wins, band recordings, local jam field recordings, and songs recorded for students, all of which highlight his talent and expertise as a fiddler.

In 1967, Jim Harmon published the first edition of The Great Radio Heroes to great acclaim. Thirty-three years later comes an illustrated, corrected, revised and greatly expanded new edition... Once there was a time--and it was not so long ago--when radio listening, especially to the dramas, was one of the most important events in many a young person's life. People developed a love affair with the radio, and though the old times are now gone forever, the love affair continues. The heroes and settings of radio drama spurred the imagination to supply its own and much better images than visual media provided. There were no padded shoulders on the Lone Ranger, Superman flew with no jiggly trick photography, and the Martians whom Orson Welles helped attack the Earth were more convincing than anything the movies can provide. For those who have been under the thrall of radio's alluring call, your new host Jim Harmon provides reminiscences of the heyday of radio programming, with insights on such radio dramas as I Love a Mystery, Gangbusters, The Shadow, Inner Sanctum, Batman and Robin, Superman, Tom Mix, The Lone Ranger, The Green Hornet, Adventures by Morse and a couple of dozen more. Photographs, a bibliography, and an index are included to enhance the reader's journey into a past time when radio was the favorite pastime.

James Arness was born May 26, 1923, in Minneapolis. He entered college just as World War II began and dreamed of being a naval aviator. It seemed as if every night his fraternity was having a party to send off a brother to the service. Young Arness got his interview with a naval flight program officer, but his hopes vanished as he was informed that his six foot seven inch height disqualified him automatically. He wrote his draft board asking that they call him up as soon as possible and so he ended up as a private in the famed Third Infantry Division where he earned a Bronze Star and the Purple Heart. Because of his stature, he was chosen to be first off the landing craft (to test the depth of the water) when his division landed at Anzio, Italy. He was subsequently wounded by enemy machine gun fire and spent eighteen months recovering in overseas and stateside hospitals. Later his height would help him strike a commanding figure in the role of U.S. Marshal Matt Dillon of Dodge City. After Arness had toiled in Hollywood for a decade, John Wayne recommended him to CBS executives for the Gunsmoke part (after Wayne turned it down). As the principal performer of Gunsmoke for twenty years (1955-1975), the actor and the character took on mythic proportions--a born leader, honest and strong. Rare is the actor who has been cast in a role that so deeply fits his true self. James Arness gives a full account of his early years, his family, his military career, his film work in Hollywood which included appearances in the cult-favorite science fiction movies Them! and The Thing. He had a long run on Gunsmoke, a role in the highly popular television miniseries How The West Was Won, and his post-theatrical period is also covered. This is the long anticipated, never-before-told account of one of the icons of twentieth-century television. There are many personal revelations of interacting with some of the Gunsmoke family ensemble, such as Miss Kitty, Doc and Festus. His own work as a producer is covered. Throughout are rare, previously unpublished photographs from the author's personal collection. Appendices include comments by show biz colleagues and fellow Gunsmoke alumni, and a sampling of letters received from his legions of fans. Actor and fellow Gunsmoke performer Burt Reynolds has written a foreword to the book. This entry refers to the LARGE PRINT edition. For the standard edition please see ISBN 978-0-7864-7588-9.

From 1947 through 1963, the merged studios of Universal and International produced mostly highly entertaining westerns that ranged from classics like Winchester '73 to forgettable films better left unmade. Entries on the 114 Universal-International westerns of the period are collected here. While other films may have contained western elements, only films that truly fit the genre are included. Films are arranged alphabetically by title, and each entry includes release date, alternate title, cast, credits, songs, location of filming, source if the film was an adaptation, running time, plot synopsis, commentary from the author and from the actors and directors, and representative excerpts from contemporary reviews. Also included are tag lines used in the original advertising for each film. An introduction to the book provides details on the Universal-International merger and a history of the studios' productions.

Start your engines--for the fun, controversy and life lessons of RuPaul's Drag Race and its spinoff, RuPaul's DragU. This international collection of original essays critically examines the shows' representation of drag within the contexts of the reality TV genre and LGBTQ issues. Contributors focus on the structure of the two programs, the subversive nature of drag itself, the treatment of trans contestants, the issues of race, the language and the shows' handling of LGBTQ political issues. A comprehensive discussion is provided of the shows' premise, the host and the contestants through six seasons of Drag Race and the three seasons of DragU.

In the 1920s and 1930s, Edwina "Salt" Evelyn and Jewel "Pepper" Welch learned to tap dance on street corners in New York and Philadelphia. By the 1940s, they were Black show business headliners, playing Harlem's Apollo Theater with the likes of Count Basie, Fats Waller and Earl "Fatha" Hines. Their exuberant tap style, usually performed by men, earned them the respect of their male peers and the acclaim of audiences. Based on extensive interviews with Salt and Pepper, this book chronicles for the first time the lives and careers of two overlooked female performers who succeeded despite the racism, sexism and homophobia of the Big Band era.

This series of absorbing case studies focuses on the portrayal of Pakistani women in the global media. Analyzing Hollywood films, British documentaries, newspapers and mainstream U.S. magazines, the book traces sensational female figures of Pakistan--all of whom have been subject to patriarchal violence--highlighting the imagery of exploitation and eroticism. The author addresses questions of spectatorship and fetishism in the age of globalization and the racial and imperial politics of liberal feminism.

The 1923 Yankees started the dynasty. With stars like Babe Ruth, Wally Pipp, Joe Dugan and Bob Meusel, they won the pennant by 16 games before claiming the franchise's first World Series title. Five Yankee pitchers won 16 games that year, led by Sam Jones (21-8), and the team finally defeated McGraw's Giants after losing to them in the Series two years in a row. This book covers that first Yankees championship team in great detail, taking the reader through the entire season, game-by-game.

Since the release of Dungeons & Dragons in 1974, role-playing games (RPGs) have spawned a vibrant industry and subculture whose characteristics and player experiences have been well explored. Yet little attention has been devoted to the ways RPGs have shaped society at large over the last four decades. Role-playing games influenced video game design, have been widely represented in film, television and other media, and have made their mark on education, social media, corporate training and the military. This collection of new essays illustrates the broad appeal and impact of RPGs. Topics range from a critical reexamination of the Satanic Panic of the 1980s, to the growing significance of RPGs in education, to the potential for "serious" RPGs to provoke awareness and social change. The contributors discuss the myriad subtle (and not-so-subtle) ways in which the values, concepts and mechanics of RPGs have infiltrated popular culture.