Bücher veröffentlicht von Michael Walmer

In 1909, ten years had elapsed since Max Beerbohm's last volume of essays. In the time which had passed, his style had evolved to become a little more elegiac, a little less over-consciously clever. Yet Again gave full voice to his new mode, moulded by constant journalism into a superb clear flow. Still present are trenchantly funny criticism of banality, gorgeous erudition, countered expectations and, most of all, delicious irony. In ¿Seeing People Off we are asked to examine the terrible truth behind awkward goodbyes; in A Club in Ruins the strange and lugubrious magnetism of dying buildings is surveyed; in Ichabod¿ the author shamefacedly asks himself why he should mind that all the labels have been cleaned from his luggage; in The House of Commons Manner he bemoans the surprising lack of skill in speaking of the august members of that house; and in Dulcedo Judiciorum a full account is rendered of the superiority of the entertainment provided by the law courts over that of the theatre. Alongside seventeen other brilliant essays, there is here also a special section of nine imaginative depictions inspired by famous artworks.

Edith and Bruce Ottley could not be called idyllically married. But a form of love persists between them, and their two precocious young children, Archie and Dilly, provide a further bond.Bruce's latest enthusiasms in their social circle are the Mitchells, whose parties are slightly risque and enormous fun, attracting all comers except the most staid. There the Ottleys meet Aylmer Ross, a handsome widowed barrister. Edith and he are drawn together irresistibly. But whilst Aylmer would like to take things further, Edith is loyal to Bruce. Their friendship, almost immediately quite intense, suffers onrushes and reverses as they grow to understand one another's limits.Then one day in Kensington Gardens Edith's world of loyalty is torn apart. She sees a couple clearly in love, hand in hand, sitting in a secluded seat. On closer examination she can't believe her eyes - one of them is Bruce! And the other is Miss Townsend, Archie and Dilly's governess! Will this deceit be enough to sway Edith and send her into Aylmer's willing embrace? What must she do ensure that everything turns out as it should?In Tenterhooks, her fourth novel, Ada Leverson rehearsed quite closely details of her own life. The decision of her husband Ernest to leave her and emigrate to Canada had been a major wrench. Exactly how nearly the plot follows reality is not known for certain but, with dash and sureness, the author delineates a sensitive and principled woman's responses to adversity, super-imposing upon them the wit and gaiety for which she was so renowned, creating a moving and entertaining portrait of a crisis in a marriage. The second of the three Ottleys novels,Tenterhooks was first published in 1912.

The neat ship Grosvenor is fully laden and crewed, and slowly traversing the English Channel, ready to leave on a trading journey to the other side of the Atlantic. Edward Royle has joined as second mate, new to the ship. As they make headway there are rumblings among the crew. Their provisions are rotten: damp, weevilled biscuit and stinking meat.The Grosvenor's firebrand captain and his tough American first mate won't stand for any interruption to the journey. They falsely indicate to the men that they will stop somewhere en route to take on new provisions. Royle is incensed on the men's behalf. The four survivors of a mid-Atlantic wreck are added to the ship's company at great risk, against the wishes of the mercenary captain, who would have left them to die. One of them, the capable Mary Robertson, quickly gains Royle's admiration.Things rapidly reach boiling point back on the Grosvenor. The mutiny is swift; Royle is forcibly enjoined to run the ship. Most of the crew are desperate to avoid the inevitable punishment - Royle gets wind of their plan to leave him, Mary and her father, the loyal boatswain and the cowardly steward to die in the deliberately holed ship once Royle has guided them near to land at Bermuda. His growing feelings for Mary further invigorate his determination to survive. The scene is set for a great trial against seemingly insurmountable odds.......W. Clark Russell's The Wreck of the 'Grosvenor' was the most successful novel of mutiny of the Victorian era. His sensitive depiction of the moods of both the sea and the skies, and the technical skill which only a seasoned seafarer could bring to the tale, make for a stirring and realistic spectacle. This moving novel became Russell's signature work.

Roderick Random's story is a classic rambunctious tale of rags and riches, set in the mid-eighteenth century.Roderick's father goes mad soon after he is born, in grief at his beloved wife's death. Roderick is cast into life as a virtual orphan, tumbles through a wild time at school, and ends up, on leaving, escaping to the heaving metropolis of London. There he encounters, with his best friend Strap, characters of a huge variety; card-sharpers, fallen women, bumbling doctors and malicious quacks, and very dubious gentlemen-about-town. He finally goes to sea after an inordinate waiting period spent hazarding the interminable bureaucracy of trying to get a place as a ship's medic. His fortunes rise and fall it seems on the spin of a coin, diving into indigence after being raised to the heights of elegance, time and again. His luck with women is similarly strange-starred and various, until one day he meets the lovely Narcissa Topehall and his heart is given forever.In splendidly picaresque scenes Smollett's story ranges from tattered London to the high social intensities of Bath society, to France and the soldier's life, out to sea and the West Indies and South America, roiling with grotesque humour and biting satire. With the support of a few good friends and despite the resistance of a goodl;y number of enemies, Roderick's fortunes are tested, luck and fate rolling the dice as to his chances, forging a scapegrace hero fit for his times.

Dormer is an old house with Elizabethan origins, much added to. It sits, very isolated, in a cup of the Shropshire hills, surrounded by forest. The Darke family have lived there for centuries. Solomon Darke is a squire farmer who tends to unthinking conservatism; his wife Rachel is harsh, fierce and uncompromising. They have four children - the eldest is the sensitive and original Amber, who feels, at thirty, that life has passed her by. Her brothers Jasper and Peter are more strong-willed - Jasper questions all around him in a determined but romantic way, while Peter has no time for any fuss and forcefully seeks simple pleasures. Their younger sister Ruby is biddable, nä¿¿ve and full of laughter. Rachel Darke's ancient mother lives with them, a harridan remnant in ringlets and flounces, dominating this already intense family with savage outbursts and calculating glances. Completing the family is Catherine, a young relative of Rachel and her mother, whose icy beauty has entrapped Jasper, and whose cold passions equal in power the heat of the Darkes'. A complex web of personal desires and long held antipathies becomes activated in the first instance by Jasper's return home, having been expelled from college for his rejection of religion. As hoped-for alliances collapse, dubious loves flower, well-laid plans go awry, and thwarted yearnings erupt into flame, this singular family and all around them are drawn into a seeming vortex which threatens to carry all with it to destruction. Mary Webb's personality shared a great deal with that of Emily Brontë, in terms not only of her love of nature and its kindling power, but also of her openness to the fullness of ardency. In this extraordinary third novel she delved this self profoundly, also introducing, in a way she hadn't before, leavening humour and cool analysis of character to balance this modern gothic vehemence. The House in Dormer Forest is heady and fascinating, risking a great deal and triumphing uniquely.

It is the late 1920s, and beautiful young Eve Wentworth is in a sticky situation. Both Harold and Hubert have asked her to marry them, and her inability to decide on either of them speaks volumes.Then Hugh Erskine, her sister Serena's husband, receives a letter from Jeremy Vaughan, a young family friend. He invites all three of them to join him on a tour of the Nile, sailing on a traditional dahabeah, but with all the mod cons of course. It seems the perfect solution to Eve's dilemma, and a delightful escape into the bargain.But things turn out to be not quite so simple. Eve has always liked Jeremy; she's known him since she was a little girl and he a slightly older boy. Soaking up all his knowledge of ancient Egypt, and enormously moved by the exotic beauty of an extraordinary and powerful landscape, slowly she registers that her feelings toward him are changing. To her chagrin, though, she can't help noticing that Jeremy seems very taken with Isobel Page, a wealthy young American they meet along the way.With delicately witty dialogue and amusing situations, Stella Tennyson Jesse takes us on an entertaining tour, not only of these tentatively perched emotions, but also of the magnificent and romantic remains of one of the world's great civilisations. Eve in Egypt is the sparklingly satisfying answer to a fascinating question: can one turn a travelogue into a beguiling novel? Jesse proves that one can, brilliantly.

In two brilliant collections of stories, Reginald (1904) and Reginald in Russia (1910), which spanned the Edwardian period, Saki made his name as the predominant wit of the emergent twentieth century. As the new Georgian age dawned, his star was at its height:"..Sylvia, notwithstanding her name, was accustomed to nothing much more sylvan than "leafy Kensington." She looked on the country as something excellent and wholesome in its way, which was apt to become troublesome if you encouraged it overmuch...""...I love Americans, but not when they try to talk French. What a blessing it is that they never try to talk English...""...You needn't tell me that a man who doesn't love oysters and asparagus and good wines has got a soul, or a stomach either. He's simply got the instinct for being unhappy highly developed."In this volume, first published in 1911, he introduced a new titular character, albeit with a huge resemblance to both Reginald and himself. Clovis Sangrail is unsurprisable, louche in conversation, thoroughly determined to avoid the banal. In this magnificent collection, he observes the ludicrous with an unswerving eye, and undermines it with rapier-like skill, while gleefully and covertly turning all to his advantage. Saki had announced himself as the brief Edwardian flame burnt itself out; with the brilliance of this volume he made it plain that he had no intention of fading away.

Odette d'Antrevernes, a sheltered and enthusiastic young girl, lives with her widowed mother, her Creole nurse and their aged butler in an old grey chateau by the Loire. She receives regular visits from the old Curé of Bois-Fleuri, who tells her thrilling stories of Bernadette and her vision of the Holy Virgin in the mountains. One day Odette decides that she too must seek the Holy Virgin. With the house deadly quiet in the middle of the night, she steals secretly out into the garden, but events do not run as she expects. By morning, what has happened there will have changed her life forever...

In the reign of Cleopatra, an insignificant young man is in love. Meïamoun is captivated by his beloved, but she seems unattainable. There is a reason why the handsome young fellow is barred from his quest. The one he wants is his queen. He stands on the outskirts of great ceremonies just to catch a glimpse of her. He dreams of her charms and fascinations constantly. One night, having followed her royal cangia along the Nile to a palace at the waters' edge, his obsession overtakes him - through an open window he fires an arrow with a note attached which bears the simple words "I love you." Will Cleopatra acknowledge him? What further feats of daring must he undertake to get near her? If he does, what could possibly happen? In this high-stakes undertaking, one thing is for sure - he will risk his life... One of Cleopatra's Nights was first published with other novellas in a volume entitled A Tear of the Devil in 1839.

Stella Benson's debut was one of the most acclaimed of her generation:"e;One of the brightest, most original, and best written books that have come my way for a long time,"e; wrote Sir Henry Lucy. "e;As the mature work of an experienced author it would have been a remarkable achievement: being 'the first book of a new writer' it is an astonishing performance,' hailed the reviewer from The Daily Graphic. In this incredibly original satirical novel we are introduced to the two main characters as The Gardener and The Suffragette, and so they remain throughout. Inhabiting a huge first chapter of 302 pages and then only a tiny second one of 8 pages, these two are wildly comic and disturbingly real at one and the same time. Benson's cheekiness in commenting directly to the reader on the progress of the story, the saltiness of her slightly cynical view of the world and its ways, and the strange newness of the tale she was telling meant that, on first publication in 1915, the literary world's curiosity was most certainly piqued. Both of them are the beautifully mixed, endearingly crazy creations of Benson's unusual talent, which spins its fizzing wit on a sixpence, creating absurd comedy and wise satire out of thin air. Delivering, in its fools' progress, one of the significant debuts of its era and one of the funniest novels of the suffragette movement in one package, I Pose was hailed immediately as a classic of a new kind, establishing Stella Benson as a fresh genius of the human spirit, in all its poses.

They were in the dogs' cemetery. Lady Castleyard tapped a little crooked cross. "One fears," she said, "that Georgia must have poisoned them all for the sake of their epitaphs." Welcome to one of the most distinctive styles in English literature. Ronald Firbank was an acute observer; his famous way of taking down extraordinary snatches of conversation, or pithy single sayings, on slips of paper, and then including them in his novels when an opportunity arose, anticipated modern experimental cut-up techniques by half a century. His was also a rare wit: Lady Barrow lolled languidly in her mouse-eaten library, a volume of mediaeval Tortures (with plates) propped up against her knee. In fancy, her husband was well pinned down and imploring for mercy at Figure 3. How eagerly, now, he proffered her the moon! How he decked her out with the stars! How he overdressed her! Coldly she considered his case. "Release you? Certainly not! Why should I?" she murmured comfortably, transferring him to the acuter pangs of 9. In this amazing first novel, published in 1915, well-connected Mrs Shamefoot is searching for some sort of immortality, and has decided that she requires a dedicatory stained-glass window to be designed and built into a cathedral of which she approves. Engendering consternation all around at her daring, one-eyed pursuit of her aim, and casting wide her net, she finally settles on the church in Ashringford, and events conspire with her: in a storm, some scissors are left on the scaffolding around it, the lightning catches them, and a great part of the wall comes crashing down. She does not miss the opportunity. With a huge cast of astonishingly overdrawn characters, utterings and situations, Firbank comedically depicts a social world made largely of women and their talk: ladies both voluble and shy; daughters both wild and domesticated; spinsters and widows with obsessions, or the cutting tongues made to spike them; servants whose opinions are as strong as their mistresses'. These all swirl around Mrs Shamefoot, approving, disapproving, commenting on each other and her in a turmoil of zesty snippets. The results are like nothing else. Ronald Firbank was born in London in 1886, the son of a wealthy MP and landowner. He attended Trinity Hall in Cambridge but left without completing his degree. His first book, containing two stories, was published in 1905, after which he published eight full-length novels, and more stories and plays. Ill with lung disease for most of his life, he died in Rome in 1926, at the age of 40.

It is a long and golden summer in the Edwardian period. London is abuzz with gentlemen in tall hats and ladies in flowing silk, some with money, and others who want it badly. Love and marriage are the great game, but the adventure is vastly varied, depending on who is playing. Creatures of wit find it their most impressive subject; creatures of love are either pinnacled or torn apart by its demands. Felicity, Sylvia and Savile Crofton, aged 25, 20 and 16 respectively, are deep in the melee. Felicity is married to Lord Chetwode, the man of her dreams, and is largely happy, but she is already feeling deeply the falling-off of contact as he pursues horseflesh and antiques across the country in ever-longer stays away. Her younger sister Sylvia is very much in the market, according to her father, who has many ideas of whom she might marry, but particularly favours a Greek millionaire, Mr Ridokanaki. He has no idea that her great love is his penniless secretary, Frank Woodville. Their brother Savile, on holiday from Eton, has not only the spirited attentions of young Dolly Clive to contend with, but also his great passion for an opera singer, whom he loves from afar. Somehow, all their problems must be brought to a satisfactory conclusion. A typically confident Savile tries to engineer a solution, but in the end it is love itself which cuts through. This mischievously witty tale of love and intrigue, the author's first, was published in 1907. Ada Leverson (nee Beddington) was born in 1862. She married Ernest Leverson at the age of 19, against her parents' consent, but the marriage was not a success. She became a contributor to several literary and artistic journals including Black and White, St Stephen's Review and, most notably, The Yellow Book in the 1890s. It was at this time, after she published a brilliantly successful sketch parody of his novel The Picture of Dorian Gray, that Oscar Wilde desired to meet her, and dubbed her The Sphinx. They became the greatest of friends, and she was instrumental in helping him after the disaster of his trial, when many others deserted him. Her six sparklingly witty novels were published between 1907 and 1916. She died in 1933.