Bücher veröffentlicht von Museum of Modern Art

Features photographs of lovers and marriage and child-bearing; photographs concerned with man's dreams and aspirations and photographs of the flaming creative forces of love and truth and the corrosive evil inherent in the lie.

"A visionary creator and intrepid polymath, Wolfgang Tillmans unites formal inventiveness with an ethical orientation that attends to the most pressing issues of life today. While his work transcends the bounds of any single artistic discipline, he is best known for his wide-ranging photographic output. From trenchant documents of social movements to windowsill still lifes, sensitive portraits to architectural studies, ecstatic images of nightlife to cameraless abstractions, astronomical observations to intimate nudes, he has explored seemingly every genre of photography imaginable, continually experimenting with ways to make new pictures and deepen the viewer's experience. Published in conjunction with a major exhibition of Tillmans's work at the Museum of Modern Art, this copiously illustrated volume surveys four decades of the artist's career. An outstanding group of writers offer diverse essays addressing key aspects of his multifaceted practice, and a new text by Tillmans himself elucidates the distinctive methodology behind his system of presenting photographs."--

The first survey on the interdisciplinary biodesign genius of Neri Oxman, pioneer of "material ecology" Throughout her 20-year career, Neri Oxman has invented not only new ideas for materials, buildings and construction processes, but also new frameworks for interdisciplinary¿and interspecies¿collaborations. She coined the term ¿material ecology¿ to describe her process of producing techniques and objects informed by the structural, systemic and aesthetic wisdom of nature, from the shells of crustaceans to the flow of human breathing. Groundbreaking for its solid technological and scientific basis, its rigorous and daring experimentation, its visionary philosophy and its unquestionable attention to formal elegance, Oxman¿s work operates at the intersection of biology, engineering, architecture and artistic design, material science and computer science. This book¿designed by Irma Boom and published to accompany a midcareer retrospective of Oxman¿s work¿highlights the interdisciplinary nature of the designer¿s practice. It demonstrates how Oxman¿s contributions allow us to question and redefine the idea of modernism¿a concept in constant evolution¿and of organic design. Some of the projects featured in the book and exhibition include the Silk Pavilion, which harnesses silkworms' ability to generate a 3-D cocoon out of a single thread silk in order to create architectural constructions; Aguahoja, a water-based fabrication platform that prints structures made out of different biopolymers; and Glass, an additive manufacturing technology for 3-D printing optically transparent glass structures at architectural dimensions.

This exhibition will be the first American retrospective of Donald Judd's work in thirty years. Due to the unprecedented archival access granted by the Judd Foundation to MoMA's curatorial team, this show presents a unique opportunity to assess Judd's career anew. Most writings to date have dwelled on Judd's place within Minimalism and drawn heavily on biography as well as the artist's own statements on his work. With an aim to counter the mythologizing and interpretation-heavy literature that still prevails in Judd scholarship, this book will marshal in-depth research in order to expand readers' knowledge of the revolutionary nature of his working method. The essays included will delve into the specifics of Judd's industrial materials, fabrication processes, exhibition histories, and activities related to design and architecture.

Published to accompany a major career retrospective at The Museum of Modern Art, this volume considers Burton's career as an artist and filmmaker. It narrates the evolution of his creative practices, from his earliest childhood drawings through his mature oeuvre.

This catalogue accompanies the first major exhibition on Käthe Kollwitz in the U.S. in more than thirty years, and the first presentation at a New York City museum. In the early decades of the twentieth century, when many artists were experimenting with the language of abstraction and the leading figures were almost exclusively men, Käthe Kollwitz (German, 1867¿1945) achieved unlikely renown for her figurative prints focusing on the hardships of women and the working class. Convinced that printed art was the most effective organ of social criticism, she developed into one of history¿s most outstanding graphic artists. Published in conjunction with the first major international loan exhibition of her work in the U.S. in more than thirty years, and the first major presentations at a New York City museum, this catalogue traces the development of Kollwitz¿s career from the 1890s until her death in 1945, showcasing approximately 130 extraordinary and rarely seen examples of her work in prints, drawings, and sculpture.

A hardback edition of the popular MoMA Artist Series, with larger reproductions of Van Gogh¿s artworks. Vincent van Gogh is one of the modern art¿s most celebrated figures, and his painting The Starry Night is one of the touchstones of the modern period. Painted at the tumultuous end of the artist¿s life, Van Gogh¿s imagined firmament, executed in deep blues and brilliant yellows, continues to capture the imaginations of all who view it. Its mystery, its evocation of the infinite, and its ability to inspire wonder have long made it one of the most beloved works in the collection of The Museum of Modern Art. An essay by art historian Richard Thomson looks in depth at the artist¿s career ¿ from Van Gogh¿s turn to art at a relatively late age to the complex and difficult days at the end of his life ¿ and the making of this luminous painting.