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Sal Umana decided to publish his third book as part of a trilogy called "The Twin Towers Trilogy", containing his first two books, “The Day God Died”, and” “The Day My Ego Died”, and now a third, called Back to earth: A Spirituality for the Age of Terrorism.Sal rocked the religious world when he wrote his first book after the terrorist attack on the World Trade Center. Sal, a psychotherapist, imagined God coming to him with an identity crisis. In “Doing Therapy for God”, the author imagines God being upset by so many religious people who did so many ugly things to their fellow human beings “in the name of God.”  Who was this God they worshiped?  The psychotherapist author tells God:” The reason you have been so depressed since Sept. 11 is that you are so disappointed at all the so-called “People of Faith” who pretend to speak for You, and then go against Your very nature as LOVE, and then go out and dominate, oppress, hate, and kill, all in the name of God.Happily, it all ended up okay because Sal sang a paean of praise to the real God, calling God the One, the True, the Good, and the Beautiful, and finally, Love itself.We don't know if God fell for this, but a year later, in “The Day My Ego Died”, Sal goes to God and asks God to do a course of therapy on him. It was in the course of this treatment that Sal was asked to commit Ego suicide for no reason whatsoever, except that God didn't have an Ego, so why should he?  You don't understand? Then read the book. This should have been enough, but along comes the tenth anniversary of the Twin Towers Tragedy, and Sal sees a team of Navy Seals wipe out Osama Bin Laden and we are back to Christian triumphalist revenge.  So Sal, Christian pacifist, had to write a third book on Spirituality for the Age of Terrorism. First, he had to explain the “God Who Never Was” and the “God Who always Was.”  But God was fine. It was Sal's not quite dead Ego that needed the work. This he expands upon in the Third Chapter, "The Dark Night of the Ego". The Fourth Chapter is about "Living Without Ego", which really is about being a lover and accepting that we are all One with God. Finally, we all need to practice dying, so in the Fifth Chapter, "Dying Without Ego," he has some delightful tips on how to die each day, actually, how to die each moment, so that we will be so ready for death that we will enjoy it like going to a family reunion.

You need some work; the little woman has emptied the bank account and ran the credit cards to ground; so you pick up on a short time job that can bail you out, or so you figure. But from the minute you talk with the guy on what he wants you start getting an uneasy feeling, not something too overboard but a feeling. It's not long before the feeling id more than a feeling its now on the edge of panic! But the girlfriend is still running the dough down the drain and carpenter work is slow so you decide," It's a couple of months, suck it up, grab a few thousand and get the hell out. But it's never that easy; is it never is Now that you are in you find yourself looking for a way out but Al he don't want you out so now what? Al says, "Keep your mouth shut and don't be running your mouth about this or tell your buddies what is going on, then says, "Ya know what I mean?" When Al says, Ya know what I mean, you better pay close attention! You keep telling yourself, "I got this, just a few months and I'm out!" But who do you think you're kidding all a person needs to do is take a look at the goons around the place and the way they are watching you to know better! However there is something that only one man knows; the carpenter's has got the edge; remember I built it! But again, does he have the edge---------?

Seven tales of crisscrossing and intertwining lives in Louisiana during the civil rights era. From the shadows of its aftertime, memory ensouls the figures in an artist’s paintings and brightens the wraiths of a woman’s long-ago ebullient companions. In the wake of the assassination, a disabled man broods over his failing marriage, a school teacher prepares for a party, a lawyer relives the loss of his wife, a black woman mourns President Kennedy’s death. During Freedom Summer, a family leaves Louisiana and its spirit pursues them. An Afterword honors Proust’s belief that an artist’s work should create its own Posterity.