Bücher veröffentlicht von Oxford University Press Inc

Forgotten Dead uncovers a neglected chapter in the story of American racial violence, the first comprehensive study of lynching of hundreds of persons of Mexican origin or descent.

How It Feels to Be Free examines the role of black female entertainers in the Civil Rights movement.

From the Stage to the Studio provides musicians with the tools and information necessary to become effective music educators as they supplement their performance careers. Premised on the integral partnership between pedagogy and performance this comprehensive manual explores the techniques and methods through which knowledge, skills and musicianship can be most effectively conveyed.

This book provides the first full-length treatment of disjunctivism about visual experiences in the service of defending a naive realist theory of veridical visual perception. It includes detailed theories of hallucination and illusion that show how such states can be indistinguishable from veridical experiences without sharing any common character.

This book is a theory-building and comparative exercise in elaborating concepts commonly used to analyze the broad impacts of gender quotas. Using a conceptual framework based upon descriptive, substantive and symbolic dimensions of representation, the book presents case studies from twelve countries in Western Europe, Latin America, Sub-Saharan Africa, and Asia.

This is the most up-to-date collection of essays by the leading proponent of process reliabilism, refining and clarifying that theory and critiquing its rivals. The volume features important essays on the internalism/externalism debate, epistemic value, the intuitional methodology of philosophy, and social epistemology.

This book examines the beginnings of the non-dual tantric philosophy of the famed Pratyabhijna or ''Recognition'' School of tenth-century Kashmir. It includes a critical edition and annotated translation of chapters 1-3 of Somananda's Sivadrsti, the first Pratyabhijna text ever composed, along with the corresponding passages of Utpaladeva's commentary, the Sivadrstivatti.

This book addresses fundamental questions about marriage in moral and political philosophy. It examines promise, commitment, care, and contract to argue that marriage is not morally transformative. It argues that marriage discriminates against other forms of caring relationships and that, legally, restrictions on entry should be minimized.

Hearts of Pine focuses on the selves and social lives that three former Korean 'comfort women' cultivated through song. During four decades of post-war public secrecy about the comfort women system, song served for these women as both a private and a public means of coping with their trauma - each used song in a different way to reckon with their experiences and to forge a new sense of self.

Prove It On Me explores the sexual politics of the modern racial ethos and reveals the exploitative underside of the New Negro era. Analyzing intersecting primitivism, consumerism, and New Negro patriarchal aspirations, this history investigates the uses made of black women in 1920s racial politics and popular culture.

Overturning the old American cliches about "Gay Paree" or the "City of Lights," Becoming Americans in Paris offers a darker and more nuanced portrait of how Americans helped to shape the cultural politics of Paris between the wars, and, at the same time, how Paris helped to shape modern American political culture.

Spanish in New York is a groundbreaking sociolinguistic analysis of immigrant bilingualism in a U.S. setting. Drawing on one of the largest corpora of spoken Spanish ever assembled for a single city, Otheguy and Zentella demonstrate the extent to which the language of Latinos in New York City represents a continuation of structural variation as it is found in Latin America.

The growth of Christian nonprofits, popularly called "parachurch" organizations, has been recognized by churchgoers and social scientists alike as an important development in American religion. Beyond the Congregation utilizes data on almost 2,000 of the largest and most influential Christian nonprofits to answer key questions raised by these organizations.

This book offers a new account of the origins of modern biblical criticism. Focusing on the scholarship of J. D. Michaelis (1717-1791), it shows how critics created a post-theological academic Bible to replace Europe's scriptural Bibles and assimilate biblical scholarship to the social goals of the Enlightenment.

Some psychological phenomena can be explained by identifying and describing the processes that constitute them. Others cannot be explained in that way. In Attention Is Cognitive Unison Christopher Mole gives a precise account of the metaphysical difference that divides these two categories and shows that, when current psychologists attempt to explain attention, they assign it to the wrong one.

Spinoza rejects fundamental tenets of received morality, including the notions of Providence and free will. Yet he retains rich theories of the good, virtue, perection, and freedom. Building interconnected readings of Spinoza's accounts of imagination and desire, Michael LeBuffe defends a comprehensive interpretation of Spinoza's enlightened vision of human excellence.

Presents a book-length treatment of a key religious practice in ancient Mediterranean civilizations. Besides setting forth a typology that applies to many acts of supplication in both Greek and Latin sources, this book traces the links between a quasi-legal practice into features of Greek and Roman legal systems.

A literary/biographical study of the course of Melville's career. Four of the ten essays deal with Melville's life and work after his novelistic career ended with the "The Confidence-Man" in 1857. This book takes its origin from Ishmael's account of "the larger, darker, deeper part of Ahab".

This ground-breaking book considers one of the most popular musicals of all time, Lerner and Loewe's "My Fair Lady." Using previously-unpublished letters and documents, author Dominic McHugh presents a completely new behind-the-scenes look at the creation of the show, revealing the tensions that went into the making of this beloved musical.